MCU Breakout Requires Some Preparation Before You, the Watcher, Run It for the first Time
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Marvel Universe by Hasbro
Brian's Toys MARVEL Buy List Hasbro/ToyBiz Name Quantity Item Buy List Line Manufacturer Year Released Wave UPC you have TOTAL Notes Number Price to sell Last Updated: April 13, 2015 Questions/Concerns/Other Full Name: Address: Delivery Address: W730 State Road 35 Phone: Fountain City, WI 54629 Tel: 608.687.7572 ext: 3 E-mail: Referred By (please fill in) Fax: 608.687.7573 Email: [email protected] Guidelines for Brian’s Toys will require a list of your items if you are interested in receiving a price quote on your collection. It is very important that we Note: Buylist prices on this sheet may change after 30 days have an accurate description of your items so that we can give you an accurate price quote. By following the below format, you will help Selling Your Collection ensure an accurate quote for your collection. As an alternative to this excel form, we have a webapp available for http://buylist.brianstoys.com/lines/Marvel/toys . STEP 1 Please note: Yellow fields are user editable. You are capable of adding contact information above and quantities/notes below. Before we can confirm your quote, we will need to know what items you have to sell. The below list is by Marvel category. Search for each of your items and enter the quantity you want to sell in column I (see red arrow). (A hint for quick searching, press Ctrl + F to bring up excel's search box) The green total column will adjust the total as you enter in your quantities. -
SFU Thesis Template Files
“To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes by Brett Pardy B.A., The University of the Fraser Valley, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art, and Technology Brett Pardy 2016 SIMON FRASER UNIVERSITY Summer 2016 Approval Name: Brett Pardy Degree: Master of Arts Title: “To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes Examining Committee: Chair: Frederik Lesage Assistant Professor Zoë Druick Senior Supervisor Associate Professor Adel Iskander Supervisor Assistant Professor Michael Ma External Examiner Faculty Member Department of Criminology Kwantlen Polytechnic University Date Defended/Approved: June 16, 2016 ii Abstract The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that a hegemonic American model of militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2012), and demonstrate the significant reorientation of the film franchise towards the American military’s “War on Terror”. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful. -
Comic Book Film Genre
Copyright by Matthew David Young 2013 The Dissertation Committee for Matthew David Young Certifies that this is the approved version of the following dissertation: Musical Topics in the Comic Book Superhero Film Genre Committee: James Buhler, Supervisor Byron Almén David Neumeyer Eric Drott Charles Berg Musical Topics in the Comic Book Superhero Film Genre by Matthew David Young, B.A.; M.Music Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2013 Dedication To my wife, for her support, encouragement, and patience. Acknowledgements Foremost, I would like to thank Dr. Buhler for his support and guidance throughout this project. His insight has been invaluable in helping me to expand the depth and increase the quality of this work. I am also deeply grateful to my committee, Byron Almén, David Neumeyer, Eric Drott, and Charles Ramírez Berg for their inspiration and teachings which helped me to grow as an academic. I would also like to thank Sean Johnston, Cari McDonnell, and Emily Kausalik for providing the peer support network every graduate student needs to give feedback and brainstorm new directions to explore in this project. Finally, I would like to thank my wife and parents, for their support, love, encouragement, and guidance not only throughout graduate school, but throughout life. v Musical Topics in the Comic Book Superhero Film Genre Matthew David Young, Ph.D. The University of Texas at Austin, 2013 Supervisor: James Buhler The comic book superhero film has become a mainstay amongst Hollywood blockbuster films. -
Between the Panels
Between the Panels How the interactions between commerce and art shape superhero comic book film adaptations (2000-13) Tim Stafford Between The Panels: How the interactions between commerce and art shape superhero comic book film adaptations (2000-13) Tim Stafford Submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of PhD January 2018 Acknowledgments I would like to thank my Principal Supervisor, Professor Keith Randle and my Second Supervisors, Visiting Professor Richard Miller and Dr Mariana Dodourova for their support and guidance during this project. I would also like to thank Greg Pan at Marvel for granting permission to reproduce the three selected comic book panels and Roni Lubliner at Universal for granting permission to use the still from Hulk. This thesis is dedicated in its entirety to my parents, Terry and Sheila Stafford, to Derek Watson, my best friend and guide in the world of comic books and to Hugh Jackman, who started the whole thing off. Between the Panels Contents List of figures 1 Abstract 3 Introduction 5 Research questions 8 Introduction to the conceptual framework and methodology 9 Thesis structure 12 Chapter One: Up, up and away: superheroes and their adaptations 14 Origin story: A brief history of superhero adaptations 14 The superhero film renaissance: 2000 to the present 20 Why are superhero films so popular? 26 i) The studio perspective 26 ii) The audience perspective 29 iii) The role of comic book readers 31 The theory of adaptation 34 The role of the director -
WEAPONS LOCKER by Jerry Epperson and Jeff Grubb
MHAC-8 From the Producers of the DUNGEONS & DRAGONS™ Game 6668 OFFICIAL GAME ACCESSORY WEAPONS LOCKER By Jerry Epperson and Jeff Grubb TM All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Comics Group. MARVEL not refer to any person living or dead. Any descriptions SUPER HEROES and MARVEL SUPER VILLAINS are trade- including similarities to persons living or dead are merely marks of the Marvel Comics Group. Copyright ©1985 Marvel TSR, Inc. coincidental. DUNGEONS & DRAGONS, PRODUCTS OF Comics Group, a division of Cadence Industries Corpora- PRODUCTS OF YOUR IMAGINATION™ YOUR IMAGINATION, and the TSR logo are trademarks tion. All Rights Reserved. Printed in U.S.A. owned by TSR, Inc. Game Design ©1985 TSR, Inc. All Rights Reserved IRON MAN’S™ ARMOR DESIGN BY ANTHONY STARK BUILT BY STARK INTERNATIONAL UPPER SURFACE HIGH EFFICIENCY ACTIVATED CESIUM SOLAR ENERGY COLLECTORS MAJOR SUIT MOVEMENT AVERAGE ROUTINE COMPUTER MAGNETIC ASSEMBLY EFFECTOR BEAM PATTERN OXYGEN SUPPLY POWER PODS (STORE LARGE AMOUNTS OF ENERGY) PALM SATELLITE REPULSOR TRANSCEIVING ANTENNA MICRO-SCALE SUIT TILES FABRICATED BY GENETICALLY SATELLITE ENGINEERED METAL AFFINITY TRANSCEIVER BACTERIA WHICH ASSEMBLE COMPUTER THEMSELVES IN SPECIFIC READOUT NAVIGATION ORDERLY ARRAYS, THEN DISPLAY COMPUTER EXPIRE, LEAVING BEHIND VARIOUS METALLIC DEPOSITS WHICH FORM ALL THE METAL HATCH SHAPES AND MICRO- ELECTRONIC CIRCUITS REPULSOR PLASMA GENERATOR PLASMA TIMING COMPUTER AND POWER GENERATORS -
AT61 SOUND for IRON MAN.Pdf
FEATURE Veteran Sound Designer and Re-recording mixer, Christopher Boyes, suits up for this big-budget action flick. Text: Strother Bullins AT 48 The story of Marvel Comics’ Anthony send various versions of signature sounds for Man has this sleek, high-tech suit, Iron Monger Edward ‘Tony’ Stark is a compelling one. approval from Favreau and Picture Editor, Dan is the exact opposite. As Jon [the director] Wealthy/charismatic businessman/inventor, Lebantal. The first thing that really happened described him, ‘he’s a garbage truck,’ or ‘steam Stark is badly injured, and creates a self-saving was Industrial Light & Magic’s (ILM) screen machine’.” suit of armour that doubles as a means to protect test of the Iron Man ‘Mark I’ suit – there are With those two thoughts from the director, the world. As Iron Man, Stark is the ultimate Mark I, Mark II and Mark III suits. Supervising Boyes retreated to his studio’s library of sounds mechanical/technological innovation on his Sound Editor, Frank Eulner, did a pass on that to find a ‘steam donkey’ – a century-old winch exterior, and entirely human on the interior. for ILM. Jon saw that and fell in love with used to haul logs from gorges. This became the Frank’s work. That’s where the job landed on It was this premise that drove the sound design. basis of Iron Monger’s rougher sound. our doorstep, with Frank’s first pass at Mark I.” Up to the challenge was Skywalker Sound’s “It made incredible, weird moaning sounds of Christopher Boyes, who accepted the dual roles At that point, Boyes jumped headfirst into various different natures. -
Uncarded Figure Keyword List
Uncarded Figure Keyword List Infinity Challenge ............................................................................................................... 2 Hypertime ........................................................................................................................... 4 Clobberin' Time .................................................................................................................. 5 Xplosion ............................................................................................................................. 7 Indy..................................................................................................................................... 8 Cosmic Justice .................................................................................................................. 10 Critical Mass..................................................................................................................... 11 Universe ........................................................................................................................... 13 Unleashed ......................................................................................................................... 14 Ultimates .......................................................................................................................... 16 Mutant Mayhem ............................................................................................................... 17 City of Heroes ................................................................................................................. -
A Player's Guide Part 1
A Player’s Guide Effective: 5/1/2012 Items labeled with a are available exclusively through Print-and-Play. Any page references refer to the HeroClix 2011 Core Rulebook. Part 1 – Clarifications Section 1: Rulebook 3 Section 2: Powers 7 Section 3: Abilities 9 Section 4: Characters and Special Powers 11 Section 5: Special Characters 25 Section 6: Team Abilities 27 Section 7: Additional Team Abilities 29 Section 8: Objects 39 Section 9: Maps 41 Section 10: Resources 45 Part 2 – Current Wordings Section 11: Powers 47 Section 12: Abilities 51 Section 13: Characters and Special Powers 53 Section 14: Team Abilities 127 Section 15: Additional Team Abilities 131 Section 16: Objects 151 Section 17: Maps 155 Section 18: Resources 159 How To Use This Document This document is divided into two parts. The first part details every clarification that has been made in HeroClix for all game elements. These 51 pages are the minimal requirements for being up to date on all HeroClix rulings. Part two is a reference guide for players and judges who often need to know the latest text of any given game element. Any modification listed in part two is also listed in part one; however, in part two the modifications will be shown as fully completed elements of game text. [This page is intentionally left blank.] Section 1 Rulebook Errata & Clarifications Damage Taken All page numbers refer to the HeroClix 2011 Core Rulebook. The amount of damage a character takes is always considered the specific number of clicks applied before stopping. If a General character is KO’d or has a game effect that causes the clicking to Many figures have been published with rules detailing their stop, the damage taken is determined accordingly. -
Marvel Women: Femininity, Representation and Postfeminism in Films Based on Marvel Comics
Marvel Women: Femininity, Representation and Postfeminism in Films Based on Marvel Comics Miriam Kent Thesis submitted for the degree of Doctor of Philosophy in Film Studies (Research) School of Art, Media and American Studies University of East Anglia September 2016 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Contents List of Images ........................................................................................................................ 5 Acknowledgements ....................................................................................................... 9 Abstract .......................................................................................................................................10 Introducing... The Mighty Women of Marvel! ............................. 11 Why Comics, Why Film? Adaptation and Beyond......................... 18 The Role of Feminist Film Theory ................................................ 27 We’re in This Together Now: Mediating “Womanhood” Through Postfeminist Culture ............................................................... 34 The Structure of the Thesis ............................................................ 40 Final Remarks .............................................................................. -
Iron Man the Invincible
Iron Man The Invincible: Iron Man (#2) June - 12 cents - Enter… The Demolisher! Iron Man (#3) July - 12 cents - My friend, my foe… The Fearsome Freak! Iron Man (#4) Aug - 12 cents - Unconquered is the Unicorn! - 2 copies Iron Man (#5) Sept - 12 cents - Frenzy in a far-flung future! Iron Man (#6) Oct - 12 cents Iron Man (#7) Nov - 12 cents - Cry Gladiator! - 2 copies Iron Man (#8) Dec - 12 cents - A duel must end! Iron Man (#9) Jan - 12 cents - There lives a Green Goliath! Iron Man (#10) Feb - 12 cents - Once more The Mandarin! Iron Man (#11) Mar - 12 cents - Unmasked! Iron Man (#12) Apr - 12 cents - The coming of The Controller! Iron Man (#13) May - 12 cents - Cry carnage! Iron Man (#14) June - 12 cents - The night phantom walks! Iron Man (#15) July - 12 cents - The Unicorn and the Red Ghost in battle again! Iron Man (#16) Aug - 15 cents - Of beasts and men! Iron Man (#17) Sept - 15 cents - The beginning of the end! Iron Man (#18) Oct - 15 cents - Even heroes die! - 3 copies Iron Man (#19) Nov - 15 cents - What price life? Iron Man (#20) Dec - 15 cents - The slave of Lucifer Iron Man (#21) Jan - 15 cents - What happens before your eyes when The Unbelievable comes true?!! Iron Man (#23) Mar - 15 cents - The man who killed Tony Stark!! Iron Man (#24) Apr - 15 cents - He is more than Iron Man’s match, Madame Masque… He is my son… The Minotaur! Iron Man (#25) May - 15 cents - Up from the seething sea… The Sub-Mariner! Iron Man (#26) June - 15 cents - Death in a dark dimension! Iron Man (#27) July - 15 cents - Introducing… The Firebrand! The -
Iron Man and Philosophy: Facing the Stark Reality / Edited by Mark D
ftoc.indd viii 12/29/09 1:50:07 PM IRON MAN AND PHILOSOPHY ffirs.indd i 12/30/09 1:52:49 PM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy House and Philosophy Edited by Robert Arp Edited by Henry Jacoby Metallica and Philosophy Watchmen and Philosophy Edited by William Irwin Edited by Mark D. White Family Guy and Philosophy X-Men and Philosophy Edited by J. Jeremy Wisnewski Edited by Rebecca Housel and J. Jeremy Wisnewski The Daily Show and Philosophy Edited by Jason Holt Terminator and Philosophy Edited by Richard Brown and Lost and Philosophy Kevin Decker Edited by Sharon Kaye Heroes and Philosophy 24 and Philosophy Edited by David Kyle Johnson Edited by Richard Davis, Jennifer Hart Week, and Ronald Weed Final Fantasy and Philosophy Edited by Jason Blahuta and Battlestar Galactica and Michel Beaulieu Philosophy Edited by Jason T. Eberl Twilight and Philosophy Edited by Rebecca Housel and The Offi ce and Philosophy J. Jeremy Wisnewski Edited by J. Jeremy Wisnewski Batman and Philosophy Edited by Mark D. White and Robert Arp ffirs.indd ii 12/30/09 1:52:50 PM IRON MAN AND PHILOSOPHY FACING THE STARK REALITY Edited by Mark D. White John Wiley & Sons, Inc. ffirs.indd iii 12/30/09 1:52:50 PM This book is printed on acid-free paper. Copyright © 2010 by John Wiley & Sons, Inc. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or trans- mitted in any form or by any means, electronic, mechanical, photocopying, record- ing, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. -
BCCS Lower School News Issue #4 June 2019
BCCS Lower School News Issue #4 June 2019 End of the Year Dance We had some interviews with four kids By Shannon Durant and Erin Tracey from each sixth grade advisory. This is what they had to say… Everyone knows about the fun Halloween Dance that the BCCS lower school Q and A for Students had in October but that was going to be the first and last dance of the year. Both sixth and Gavin Carey from Lake Forest 6, Ruth Reid fifth-grade students had a really great time but from BC 6, Camryn Coutts from Amherst 6, they also knew that there wasn’t going to be and Ronan Mitchell from Haverford 6 answered another event like this until next year. the following questions: Therefore, we as students think that there should be an end of the year dance for the Q1: How do you feel about leaving the hardworking fifth and sixth graders at the BCCS lower school and your teachers? BCCS lower school. This would be a great chance for students to spend time with friends Gavin: I feel sad because I’m leaving the before summer vacation starts. It would also be teachers. the perfect opportunity for the sixth graders because not all of the students will be going to Ruth: Sad because I’ve been here for a while the upper school next year. and got attached to the school and staff. Besides socializing with friends, this dance will be a great way to celebrate Camryn: It’s very sad because I love my everything the students and teachers have teachers.