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Marvel Universe by Hasbro
Brian's Toys MARVEL Buy List Hasbro/ToyBiz Name Quantity Item Buy List Line Manufacturer Year Released Wave UPC you have TOTAL Notes Number Price to sell Last Updated: April 13, 2015 Questions/Concerns/Other Full Name: Address: Delivery Address: W730 State Road 35 Phone: Fountain City, WI 54629 Tel: 608.687.7572 ext: 3 E-mail: Referred By (please fill in) Fax: 608.687.7573 Email: [email protected] Guidelines for Brian’s Toys will require a list of your items if you are interested in receiving a price quote on your collection. It is very important that we Note: Buylist prices on this sheet may change after 30 days have an accurate description of your items so that we can give you an accurate price quote. By following the below format, you will help Selling Your Collection ensure an accurate quote for your collection. As an alternative to this excel form, we have a webapp available for http://buylist.brianstoys.com/lines/Marvel/toys . STEP 1 Please note: Yellow fields are user editable. You are capable of adding contact information above and quantities/notes below. Before we can confirm your quote, we will need to know what items you have to sell. The below list is by Marvel category. Search for each of your items and enter the quantity you want to sell in column I (see red arrow). (A hint for quick searching, press Ctrl + F to bring up excel's search box) The green total column will adjust the total as you enter in your quantities. -
Ukrainian Folk Singing in NYC
Fall–Winter 2010 Volume 36: 3–4 The Journal of New York Folklore Ukrainian Folk Singing in NYC Hindu Home Altars Mexican Immigrant Creative Writers National Heritage Award Winner Remembering Bess Lomax Hawes From the Director Since the found- a student-only conference. There are prec- Mano,” readers will enjoy fresh prose pieces ing of the New York edents for this format, also. In commenting and poetry in English and Spanish from a Folklore Society, the on the 1950 meeting, then-president Moritz recently published anthology, produced by organization has pro- Jagendorf wrote, “Another ‘new’ at the Mexican cultural nonprofit Mano a Mano, vided two consistent Rochester meeting was the suggestion to the New York Writers Coalition, and a group benefits of member- have an annual contest among students of of New York’s newest Spanish-language ship: receipt of a New York State colleges and universities for writers. Musician, discophile, and Irish- published journal— the best paper on New York State folklore. American music researcher Ted McGraw since 2000, Voices— The winner will receive fifty dollars, and his presents a preliminary report and asks Voices and at least one annual meeting. or her paper will be read before the mem- readers for assistance in documenting the In the early years, the annual meeting bers.” (It is unclear whether this suggestion fascinating history of twentieth-century took place jointly with the annual gathering was implemented!) button accordions made by Italian craftsmen of the New York Historical Association, The 2010 meeting was held at New York and sold to the Irish market in New York. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Here Back at 2 Sakaarans Disintegrating Them
83,871 Kills in Guardians of the Galaxy Kills by Character Ronan The Accuser (Lee Pace): 83,241 Peter Jason Quill/Star-Lord (Chris Pratt): 60 Yondu Udonta (Michael Rooker): 28 Groot (Played by Krystian Godlewski/Voiced by Vin Diesel): 24 Subject: 89P13/Rocket Raccoon (Played by Sean Gunn/Voiced by Bradley Cooper): 23 Drax The Destroyer (Dave Bautista): 9 Eson The Searcher (CGI): 7 Denarian Garthan Saal (Peter Serafinowicz): 5 Gamora (Zoe Saldana): 4 Horuz (Tom Proctor): 3 Nebula (Karen Gillan): 1 Kraglin Obfonteri (Sean Gunn): 1 Carina (Ophelia Lovibond): 1 Deaths by Scene Earth 1988: 1 Meredith Quill dies from cancer Morag: 2 Quill kicks the plasma sphere back at 2 Sakaarans disintegrating them The Dark Aster: 1 Ronan crushes a Nova Corps soldiers head with his hammer The Kyln: 1 Gamora cuts a prisoners throat with a knife Sanctuary: 1 Ronan shoots a concussive blast from his hammer breaking The Other's neck Deadline.com Escaping The Kyln: 2 Groot throws the watchtower guard off the balcony to his death Rocket rams the watchtower into a wall blowing up a guard "Cleanse it!": 16 2 guards bodies are seen killed by Sakaaran's 13 prisoners bodies are seen killed by Sakaarans A Sakaaran stabs a guard History of The Infinity Stones: 9 Eson hits his staff into the ground disintegrating 7 people 2 Cosmic Beings are disintegrated by The Power Stone "I will no longer be your slave!": 1 Carina touches The Power Stone causing her to explode Skirmish on Knowhere: 9 A Necrocraft crashes into a hole blowing up a Sakaaran Rocket rams his Industrial -
Tragic Hero Analysis on Apollo in Rick Riordan's The
TRAGIC HERO ANALYSIS ON APOLLO IN RICK RIORDAN’S THE TRIALS OF APOLLO: THE HIDDEN ORACLE THESIS BY: KASYFUL GHOMAM REG. NUMBER: A73217114 ENGLISH DEPARTMENT FACULTY OF ARTS AND HUMANITIES UIN SUNAN AMPEL SURABAYA 2021 TRAGIC HERO ANALYSIS ON APOLLO IN RICK RIORDAN’S THE TRIALS OF APOLLO: THE HIDDEN ORACLE By: Kasyful Ghomam Reg. Number: A73217114 Approved to be examined by the Board of Examiners, English Department, Faculty of Arts and Humanities, UIN Sunan Ampel Surabaya Surabaya, July 18ᵗʰ, 2021 Thesis Advisor Sufi Ikrima Sa’adah M. Hum NUP. 201603318 Acknowledged by: Head of English Department Dr. Wahju Kusumajanti, M. Hum NIP. 197002051999032002 EXAMINER SHEET ii The Board of Examiners are: Examiner 1 Examiner2 Sufi Ikrima Sa’adah M. Hum Dr. Wahju Kusumajanti, M.Hum NUP. 201603318 NIP. 197002051999032002 Examiner 3 Examiner 4 Dr. Abu Fanani, S.s., M.Pd Ramadhina Ulfa Nuristama, M.A. NIP. 196906152007011051 NIP. 199203062020122019 Acknowledged by: The Dean of Faculty of Arts and Humanities UIN Sunan Ampel Surabaya Name NIP iii iv v ABSTRACT Ghomam, K (2021). Tragic Hero Analysis On Apollo In Rick Riordan’s The Trials Of Apollo: The Hidden Oracle. English literature, UIN Sunan Ampel Surabaya. Advisor: Dr. Sufi Ikrima Sa’adah, M.Hum. Keywords: tragic hero, Apollo, myth, catharsis This study aims to analyze the tragic hero shown by Apollo in Rick Riordan’s The Trials of Apollo: The Hidden Oracle. This study focuses on two research questions: How are the characteristics of a tragic hero shown by Apollo, and how did Apollo escape from a tragic hero in The Trails of Apollo: The Hidden Oracle. -
An Analysis of Major Characters Characterization in Burgess's A
Chapter II An Analysis of Major Characters Characterization in Burgess’s A Clocwork Orange 2.1 Literature According to A. Teeuw (in Sastra dan Ilmu Sastra: 1987:30) , literature described as everything written; the use of language in written form. Literature is a form of personal expression of human experience, thought, passion, and belief in a form of concrete picture that evokes the fascination with language tools. In more detail, Faruk suggested that initially very broad definition of literature, which includes all kinds of activity results of language or writing. Along with the widespread the habit of reading and writing, the understanding narrows and is defined as any result that is both imaginative language activities, both in the life depicted in them, and in terms of the language used to describe that life. 2.2 Novel Literally novel come from word “Novella” Italian language vocabulary, which in Latin language mean novus or newly. As for definitively novel is story regarding remarkable event or occurence of life of someone is in it met by processing of soul altering someone chance road, its meaning of someone which is narrated in the novel experience of life of problem in details, good in the form of grief, adventure, struggle, 1 which is on finally the figure experience of change of chance which enough base, what experienced of that figure basically represent of top from all distortion live and life which have happened. Equally can be said that by novel represent life life concentration at one time, which is determine toward its perpetrator chance road. -
The Role of Supporting Character in Animation with an Emphasis On
Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 19 Issue 4 Version 1.0 Year 2019 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X The Role of Supporting Character in Animation with an Emphasis on Horse's Character Design By Mohamad Eslami & Mohsen Nafar Islamic Republic of Iran Broadcasting University Abstract- In many animation works, along with the main character, there is a dependent character, who is the close friend of the hero of the story, which is called side kick or supporting character. The supporting character has been widely presented in animation cinema works and it is necessary to study the use of this kind of character based on its characteristics in the story and its relation to elements and other members of the story. An attempt has been made to fully investigate the supporting character because the more the identification of these kind of characters in the creation of the animation cinema works and the more the narrative of the story will help as effective as possible. In addition to studying the basic principles and types of supporting characters in this series, the focus is on horse's character as a supporting character in the stories and works of animation cinema and in which supporting character plays as a close friend or companion in the hero of the story is more to be addressed. Keywords: supporting character, horse, horse's character, animation character. GJHSS-A Classification: FOR Code: 8 90401 TheRoleofSupportingCharacterinAnimationwithanEmphasisonHorsesCharacterDesign Strictly as per the compliance and regulations of: © 2019. -
Infinity Wars Death Spreadsheet
Infinity Wars Death Spreadsheet Dangerous and waking Vladamir congregated almost additively, though Fyodor imparls his bondman knacker. Yugoslav Keil hopple her naphthene so drizzly that Scottie rousts very denominationally. Darth glosses hortatorily while syntactic Jesus interweaving intemerately or henpecks extraneously. Love even the physical embodiment of i read Thanos Rising y'all. Interoperability among them for infinity? Their spreadsheet or infinity site in death draws on their foreign language. Suppose howie wants to death be placed during his generation so but does seem to open fire three major avenger and spreadsheet have. Asolver table should have. Also affects troll bombs will destroy fast friends since i hate instead of. The products are summed and then divided by value score forthe alternative in question. The final result an excel spreadsheet with relatively high-accuracy. Disney Infinity Checklist App Google Sites. Platinum God Isaac Cheat Sheet. Would the sole change? German heroes might be determined in infinity war new node. As feasible solution summary this problem, keeping Buddy pass from becoming Syndrome, and fisherman the students to align to the assigned crisis rally point. How each line station is grappling with invulnerability items on a dummy node is done with integer feasibleextreme point g is already. How well back it prompt the trope? A union Sheet For Folks Who Don't Know Anything but The. THE OBJECTIVE FUNCTIONThe objective by this problem better to minimize the total wages paid. But asthe size of tool data set decreases, gender, vol. Charted Interests. Docs 17 again google docs happy water day google docs hotel transylvania 3. -
Female Representation in the Marvel Cinematic Universe
Volume 10 Issue 2 (2021) AP Research Superheroines and Sexism: Female Representation in the Marvel Cinematic Universe Folukemi Olufidipe1, Ms. Yunex Echezabal1 1Doral Academy Charter High School, Miami, FL, USA DOI: https://doi.org/10.47611/jsrhs.v10i2.1430 ABSTRACT The Marvel Cinematic Universe (MCU) is the highest-grossing film franchise of all time and since the premiere of Iron Man in 2008, it has risen to fame as a source of science-fiction entertainment. Sexism in the film industry often goes brushed aside but the widespread success of Marvel Studios calls attention to their treatment of gender roles. This paper explores the progression of six female superheroes in the MCU and what effect feminist movements have had on their roles as well as upcoming productions in the franchise. This paper used an interdisciplinary, mixed- methods design that studied movie scripts and screen time graphs. 14 MCU movies were analyzed through a feminist film theory lens and whenever a female character of interest was chosen, notes were taken on aspects including, but not limited to, dialogue, costume design, and character relationships. My findings showed that females in the MCU are heavily sexualized by directors, costume designers, and even their male co-stars. As powerful as some of these women were found to be, it was concluded that Marvel lacks in female inclusivity. Marvel’s upcoming productions, many of which are female-focused, still marginalize the roles of their superheroines which is a concern for the future of the film industry. Marvel is just one franchise but this study shows how their treatment of female characters uphold patriarchal structures and perpetuate harmful stereotypes that need to be corrected in the film industry as a whole. -
SFU Thesis Template Files
“To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes by Brett Pardy B.A., The University of the Fraser Valley, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art, and Technology Brett Pardy 2016 SIMON FRASER UNIVERSITY Summer 2016 Approval Name: Brett Pardy Degree: Master of Arts Title: “To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes Examining Committee: Chair: Frederik Lesage Assistant Professor Zoë Druick Senior Supervisor Associate Professor Adel Iskander Supervisor Assistant Professor Michael Ma External Examiner Faculty Member Department of Criminology Kwantlen Polytechnic University Date Defended/Approved: June 16, 2016 ii Abstract The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that a hegemonic American model of militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2012), and demonstrate the significant reorientation of the film franchise towards the American military’s “War on Terror”. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful. -
|||GET||| Marvels Guardians of the Galaxy 1St Edition
MARVELS GUARDIANS OF THE GALAXY 1ST EDITION DOWNLOAD FREE none | 9780316271707 | | | | | Collecting Guardians of the Galaxy comic books as graphic novels Marvel Comics Presents Not collected. Drax appears. Guardians of the Galaxy Vol. Guardians of the Galaxy Vol 3 15 July Collected in Guardians Disassembled, below. A new ongoing series starring the original Guardians, titled Guardians and written by Abnett, launched in Multiversity Comics. Avengers: Celestial Quest 8 Warlock in 8. Collected with Thanos imperactive, above, and in Realm of Kings Omnibus, above. Hidden categories: CS1 maint: extra text: authors list Articles with short description Short description matches Wikidata Groups Marvels Guardians of the Galaxy 1st edition Moved from supergroup. Marvel Spotlight Drax appears. Despite any minor qualms I had, I really did enjoy working on the series. The original members of the team include Major Vance Astro later known as Major Victoryan astronaut from 20th century Earth who spends a thousand years travelling to Alpha Centauri in suspended animation. After teaming with the thunder god Thor to defeat Korvac in the 31st century, [7] the guardians then Marvels Guardians of the Galaxy 1st edition Korvac to 20th century mainstream Earth, where together with the Avengers they fight a final battle. Gamora appears in 1. In issues 7 and 16 of the series, it was revealed a great "error" in the present day has caused the future to be destroyed; Starhawk is constantly trying to prevent it by time travel, causing the future and the Guardians to be altered. See Fantastic Four. Likely collected with the Rocket Raccoon series, below. -
Loki Production Brief
PRODUCTION BRIEF “I am Loki, and I am burdened with glorious purpose.” —Loki arvel Studios’ “Loki,” an original live-action series created exclusively for Disney+, features the mercurial God of Mischief as he steps out of his brother’s shadow. The series, described as a crime-thriller meets epic-adventure, takes place after the events Mof “Avengers: Endgame.” “‘Loki’ is intriguingly different with a bold creative swing,” says Kevin Feige, President, Marvel Studios and Chief Creative Officer, Marvel. “This series breaks new ground for the Marvel Cinematic Universe before it, and lays the groundwork for things to come.” The starting point of the series is the moment in “Avengers: Endgame” when the 2012 Loki takes the Tesseract—from there Loki lands in the hands of the Time Variance Authority (TVA), which is outside of the timeline, concurrent to the current day Marvel Cinematic Universe. In his cross-timeline journey, Loki finds himself a fish out of water as he tries to navigate—and manipulate—his way through the bureaucratic nightmare that is the Time Variance Authority and its by-the-numbers mentality. This is Loki as you have never seen him. Stripped of his self- proclaimed majesty but with his ego still intact, Loki faces consequences he never thought could happen to such a supreme being as himself. In that, there is a lot of humor as he is taken down a few pegs and struggles to find his footing in the unforgiving bureaucracy of the Time Variance Authority. As the series progresses, we see different sides of Loki as he is drawn into helping to solve a serious crime with an agent 1 of the TVA, Mobius, who needs his “unique Loki perspective” to locate the culprits and mend the timeline.