Renaissance Quarterly Books Received April–June 2016 (69.2)

Al Kalak, Matteo. Il riformatore dimenticato: Egidio Foscarari tra Inquisizione, concilio e governo pastorale (1512–1564). Testi e richerche di scienze religiose nuova serie 53. Bologna: Il Mulino, 2016. 270 pp. €24. ISBN: 978-88-15-26092-5.

Amos, N. Scott. Bucer, Ephesians and Biblical Humanism: The Exegete as Theologian. Studies in Early Modern Religious Tradition, Culture and Society 7. New York: Springer, 2015. xii + 222 pp. $129. ISBN: 978-3-319-10237-5.

Anderson, Christina M. The Flemish Merchant of Venice: Daniel Nijs and the Sale of the Gonzaga Art Collection. New Haven: Yale University Press, 2015. viii + 264 pp. $65. ISBN: 978-0-300-20968-6.

Armstrong, Lawrin. The Idea of a Moral Economy: Gerard of Siena on Usury, Restitution, and Prescription. Toronto: University of Toronto Press, 2016. x + 332 pp. $75. ISBN: 978-1-4426-4322-2.

Armstrong, Lilian. La xilografia nel libro italiano del Quattrocento: Un percorso tra gli incunaboli del Seminario Vescovile di Padova. Ed. Paola Maria Farina. Trans. Lucia Mariani. Milan: EDUCatt, 2015. 164 pp. €12.50. ISBN: 978-88-6780-966-0.

Backus, Irena. Leibniz: Protestant Theologian. Oxford: Oxford University Press, 2016. x + 322 pp. $74. ISBN: 978-0-19-989184-9.

Berco, Cristian. From Body to Community: Venereal Disease and Society in Baroque Spain. Toronto: University of Toronto Press, 2015. xvi + 264 pp. $65. ISBN: 978-1-4426-2068-1.

Bèze, Théodore de. Correspondance de Théodore de Bèze, Tome XLI (1600). Ed. Hippolyte Aubert, Alain Dufour, Hervé Genton, and Kevin Bovier. With Béatrice Nicollier. Travaux d’Humanisme et Renaissance 562; Société du Musée Historique de la Réformation. Geneva: Librairie Droz, 2016. xxviii + 210 pp. $158.40. ISBN: 978-2-600-04719-7.

Bezio, Kristin M. S. Staging Power in Tudor and Stuart English History Plays: History, Political Thought, and the Redefinition of Sovereignty. Farnham: Ashgate, 2015. x + 228 pp. $104.95. ISBN: 978-1-4724-6511- 5.

Bickley, Pamela, and Jenny Stevens. Shakespeare and Early Modern Drama: Text and Performance. The Arden Shakespeare. London: Bloomsbury, 2016. xiv + 338 pp. $29.95. ISBN: 978-1-4725-7713-9.

Binbaş, İlker Evrim. Intellectual Networks in Timurid Iran: Sharaf al-Dīn ʻAlī Yazdī and the Islamicate Republic of Letters. Cambridge: Cambridge University Press, 2016. xxii + 340 pp. $120. ISBN: 978-1-107- 05424-0.

Blum, Paul Richard. Giordano Bruno Teaches Aristotle. Studia Classica et Mediaevalia 12. Nordhausen: Verlag Traugott Bautz, 2016. 296 pp. $57.17. ISBN: 978-3-95948-124-3.

Bodin, Jean. De la démonomanie des sorciers. Ed. Virginia Krause, Christian Martin, and Eric MacPhail. Travaux d’Humanism et Renaissance 559. Geneva: Librairie Droz, 2016. 528 pp. $93.60. ISBN: 978-2- 600-01957-6.

Brandon, Pepijn. War, Capital, and the Dutch State (1588–1795). Historical Materialism 101. Leiden: Brill, 2015. xiii + 448 pp. $175. ISBN: 978-90-04-30251-8.

Calvin, Jean. Leçons ou commentaires et expositions sur les revelations du prophete Jeremie (1565), traduites de Charles de Jonviller. Ed. Max Engammare. 2 vols. Geneva: Librairie Droz, 2016. xvi + 2066 pp. $178.80. ISBN: 978-2-600-04717-3.

Calvin, Jean. Praelectiones in librum prophetiarum Ieremiae. Ed. Nicole Gueunier and Max Engammare. 2 vols. Ioannis Calvini Opera Omnia, Series 2: Opera Exegetica 6. Geneva: Librairie Droz, 2016. xl + 1886 pp. $310.80. ISBN: 978-2-600-01798-5.

Caridi, Giuseppe. Francesco di Paola. Profili 66. Rome: Salerno Editrice, 2016. 344 pp. €19.90. ISBN: 978- 88-8402-968-3.

Carneiro, Sarissa. Retórica del infortunio: Persuasión, deleite y ejemplaridad en el siglo XVI. Parecos y australes: Ensayos de Cultura de la Colonia 13. Madrid: Iberoamericana; Frankfurt: Vervuert, 2015. 236 pp. €28. ISBN: 978-84-8489-912-9.

Casalini, Cristiano, and Claude Pavur, SJ, eds. Jesuit Pedagogy, 1540–1616: A Reader. Sources for the History of Jesuit Pedagogy 1. Boston: Institute of Jesuit Sources Boston College, 2016. xxi + 346 pp. $45. ISBN: 978-0-9972823-0-6.

Cavendish, Margaret. A Description of the Blazing World. Ed. Sara H. Mendelson. Broadview Editions. Peterborough, ON: Broadview Press, 2016. 236 pp. $14.95. ISBN: 978-1-55481-242-4.

Cervantes, Miguel de. Exemplary Novellas. Ed. and trans. Michael Harney. Indianapolis: Hackett, 2016. xxxii + 512 pp. $25. ISBN: 978-1-62466-447-2.

Cohen Suarez, Ananda. Heaven, Hell, and Everything in Between: Murals of the Colonial Andes. Austin: University of Texas Press, 2016. xi + 274 pp. + 16 color pls. $29.95. ISBN: 978-1-4773-0955-1.

Conde Parrado, Pedro, and Xavier Tubau Moreu, eds. Expostulatio Spongiae: En defensa de Lope de Vega. Anejos de la Biblioteca Lope de Vega. Madrid: Editorial Gredos, 2015. 480 pp. n.p. ISBN: 978-84- 249-2896-4.

Cook, Karoline P. Forbidden Passages: Muslims and Moriscos in Colonial Spanish America. The Early Modern Americas. Philadelphia: University of Pennsylvania Press, 2016. 262 pp. $45. ISBN: 978-0-8122- 4824-1.

Crouzet-Pavan, Élisabeth, and Jean-Claude Maire Vigueur, eds. L’art au service du prince: Paradigme italien, expériences européennes (vers 1250–vers 1500). Italia comunale e signorile 8. Rome: Viella, 2015. 396 pp. + 48 b/w pls. + 8 pls. €55. ISBN: 978-88-6728-480-1.

Crystal, David. The Oxford Dictionary of Original Shakespearean Pronunciation. Oxford: Oxford University Press, 2016. lii + 648 pp. $39.95. ISBN: 978-0-19-966842-7.

Cypess, Rebecca. Curious and Modern Inventions: Instrumental Music as Discovery in Galileo’s Italy. Chicago: The University of Chicago Press, 2016. xxii + 308 pp. $55. ISBN: 978-0-226-31944-5.

Daly, Peter M., and G. Richard Dimler, SJ. The Jesuit Emblem in the European Context. Early Modern Catholicism and the Visual Arts Series 14. Philadelphia: Saint Joseph’s University Press, 2016. xii + 468 pp. $120. ISBN: 978-0-916101-88-6.

Dawson, Jane. John Knox. New Haven: Yale University Press, 2016. x + 374 pp. $32.50. ISBN: 978-0-300- 21970-8. de la Cruz, Juana Inés. Sor Juana Inés de la Cruz: Selected Works. Ed. Anna More. Trans. Edith Grossman. Norton Critical Editions. New York: W. W. Norton & Company, 2016. xxii + 320 pp. $17.50. ISBN: 978-0-393-92016-1. de Tencin, Claudine Alexandrine Guérin. “Memoirs of the Count of Comminge” and “The Misfortunes of Love.” Ed. and trans. Jonathan Walsh. The Other Voice in Early Modern Europe: The Toronto Series 48; Medieval and Renaissance Texts and Studies 499. Toronto: Iter Academic Press; Tempe: Arizona Center for Medieval and Renaissance Studies, 2016. xiv + 148 pp. $31.95. ISBN: 978-0-86698-554-3.

Doležalová, Lucie, Farkas Gábor Kiss, and Rafał Wójcik. The Art of Memory in Late Medieval Central Europe (Czech Lands, Hungary, Poland). Ed. Farkas Gábor Kiss. Budapest: L’Harmattan, 2016. 350 pp. + 14 col. pls. €19.90. ISBN: 978-2-343-08252-3.

Dunne, Derek. Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice. Early Modern Literature in History. Basingstoke: Palgrave Macmillan, 2016. ix + 230 pp. $95. ISBN: 978-1-137-57286-8.

Eire, Carlos M. N. Reformations: The Early Modern World, 1450–1650. New Haven: Yale University Press, 2016. xx + 894 pp. $40. ISBN: 978-0-300-11192-7.

Elmer, Peter. Witchcraft, Witch-Hunting, and Politics in Early Modern England. Oxford: Oxford University Press, 2016. x + 370 pp. $110. ISBN: 978-0-19-871772-0.

Emery, Anthony. Seats of Power in Europe During the Hundred Years War: An Architectural Study from 1330 to 1480. Oxford: Oxbow Books, 2016. xii + 386 pp. £49.95. ISBN: 978-1-78570-103-0.

Erasmus, Desiderius. Paraphrase on Luke 1–10. Ed. and trans. Jane E. Phillips. Collected Works of Erasmus 47. Toronto: University of Toronto Press, 2016. $170. ISBN: 978-1-4426-4885-2.

Erdélyi, Gabriella. A Cloister on Trial: Religious Culture and Everyday Life in Late Medieval Hungary. Catholic Christendom, 1300–1700. Farnham: Ashgate, 2015. xiv + 262 pp. $124.95. ISBN: 978-1-4094- 6759-5.

Fianu, Kouky. Promettre, confesser, s’obliger: Devant Pierre Christofle, notaire royal à Orléans (1437). Mémoires et documents de l’École des chartes 103. Paris: École des chartes, 2016. 466 pp. €29.50. ISBN: 978-2-35723-081-1.

Foletti, Ivan, and Manuela Gianandrea. Zona liminare: Il nartece di Santa Sabina a Roma, la sua porta e l’iniziazione cristiana. Studia Artium Medievalium Brunensia 3; I libri di Viella: Arte. Rome: Viella, 2015. 276 pp. + 68 col. pls. €48. ISBN: 978-88-6728-354-5.

Gage, Frances. Painting as Medicine in Early Modern Rome: Giulio Mancini and the Efficacy of Art. University Park: Pennsylvania State University Press, 2016. xvi + 228 pp. $89.95. ISBN: 978-0-271-07103- 9.

Galand, Perrine, and Anne-Pascale Pouey-Mounou, eds. La muse s’amuse: Figures insolites de la Muse à la Renaissance. Cahiers d’Humanisme et Renaissance 130. Geneva: Librairie Droz, 2016. 472 pp. $86.40. ISBN: 978-2-600-01965-1.

Gambino Longo, Susanna. “Sine moribus errantes”: Les discours sur les temps premiers à la Renaissance italienne. Cahiers d’Humanisme et Renaissance 129. Geneva: Librairie Droz, 2016. 394 pp. $70.80. ISBN: 978-2-600-01907-1.

Garratt, Delia, and Tara Hamling, eds. Shakespeare and the Stuff of Life: Treasures from the Shakespeare Birthplace Trust. The Arden Shakespeare. London: Bloomsbury, 2016. xviii + 116 pp. $17.95. ISBN: 978-1- 4742-2226-6.

Garrod, Raphaële. Cosmographical Novelties in French Renaissance prose 1550–1630: Dialectic and Discovery. Early European Research 9. Turnhout: Brepols, 2016. x + 390 pp. €100. ISBN: 978-2-503- 55045-9.

Gow, Andrew Colin, Robert B. Desjardins, and François V. Pageau, eds. The Arras Witch Treatises: Johannes Tinctor’s “Invectives contre la secte de vauderie” and the “Recollectio casus, status et condicionis Valdensium ydolatrarum” by the Anonymous of Arras (1460). Magic in History Sourcebooks. University Park: Pennsylvania State University Press, 2016. ix + 158 pp. $24.95. ISBN: 978-0-271-07128-2.

Hanlon, Gregory. Italy 1636: Cemetery of Armies. Oxford: Oxford University Press, 2016. xvi + 224 pp. $110. ISBN: 978-0-19-873824-4.

Herbert, George. 100 poems. Ed. Helen Wilcox. Cambridge: Cambridge University Press, 2016. xiv + 170 pp. $19.99. ISBN: 978-1-107-15145-1.

Huebert, Ronald. Privacy in the Age of Shakespeare: Evolving Relationships in a Changing Environment. Toronto: University of Toronto Press, 2016. xv + 336 pp. $65. ISBN: 978-1-4426-4791-6.

Jeanneret, Michel. Perpetuum mobile: Métamorphoses des corps et des oeuvres de Vinci à Montaigne. Titre courant 59. Geneva: Librairie Droz, 2016. 394 pp. $38.40. ISBN: 978-2-600-00559-3.

Karim-Cooper, Farah. The Hand on the Shakespeare Stage: Gesture, Touch and the Spectacle of Dismemberment. The Arden Shakespeare. London: Bloomsbury, 2016. xiv + 310 pp. $34.95. ISBN: 978-1- 4742-3426-9.

Kay, Tristan. Dante’s Lyric Redemption: Eros, Salvation, Vernacular Tradition. Oxford Modern Languages and Literature Monographs. Oxford: Oxford University Press, 2016. x + 276 pp. $110. ISBN: 978-0-19- 875396-4.

Kennedy, William J. Petrarchism at Work: Contextual Economies in the Age of Shakespeare. Ithaca: Cornell University Press, 2016. xi + 334 pp. $55. ISBN: 978-1-5017-0381-2.

Kerrigan, John. Shakespeare’s Binding Language. Oxford: Oxford University Press, 2016. xi + 622 pp. $60. ISBN: 978-0-19-875758-0.

Keyvanian, Carla. Hospitals and Urbanism in Rome, 1200–1500. Brill’s Studies in Intellectual History 251; Brill’s Studies on Art, Art History, and Intellectual History 12. Leiden: Brill, 2015. xvi + 448 pp. $194. ISBN: 978-90-04-30754-4.

Kiefer, Frederick. English Drama from “Everyman” to 1660: Performance and Print. Medieval and Renaissance Texts and Studies 447. Tempe: Arizona Center for Medieval and Renaissance Studies, 2015. xxii + 930 pp. $110. ISBN: 978-0-86698-494-2.

Lake, Peter. Bad Queen Bess?: Libels, Secret Histories, and the Politics of Publicity in the Reign of Queen Elizabeth I. Oxford: Oxford University Press, 2016. xii + 498 pp. $60. ISBN: 978-0-19-875399-5.

Langeac, Jean de. Letters and Papers. Ed. and trans. Jan Noble Pendergrass. Travaux d’Humanism et Renaissance 558. Geneva: Librairie Droz, 2016. 644 pp. $117.60. ISBN: 978-2-600-01955-2.

Lara, Jaime. Birdman of Assisi: Art and the Apocalyptic in the Colonial Andes. Medieval and Renaissance Texts and Studies 476; Medieval and Renaissance Latin America 1. Tempe: Arizona Center for Medieval and Renaissance Studies, 2016. xiv + 354 pp. $79.95. ISBN: 978-0-86698-529-1.

Leland, John, and Alan Baragona. Shakespeare’s Prop Room: An Inventory. Jefferson, NC: McFarland & Company, 2016. x + 218 pp. $35. ISBN: 978-1-4766-6336-4.

Leonard, John. The Value of Milton. Cambridge: Cambridge University Press, 2016. xii + 162 pp. $26.99. ISBN: 978-1-107-66479-1.

Lepri, Valentina. Layered Wisdom: Early Modern Collections of Political Precepts. La filosofia e il suo passato 59. Padua: CLEUP, 2015. 230 pp. €18. ISBN: 978-88-6787-445-3.

L’Estoile, Pierre de. Les Belles figures et drolleries de la Ligue. Ed. Gilbert Schrenck. Textes Littéraires Français 637. Geneva: Librairie Droz, 2016. xxxii + 412 pp. $144. ISBN: 978-2-600-01619-3.

Levy, Evonne. Baroque and the Political Language of Formalism (1845–1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr. Basel: Schwabe Verlag, 2015. 400 pp. €68. ISBN: 978-3-7965-3396-9.

Lochrie, Karma. Nowhere in the Middle Ages. The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2016. 270 pp. $65. ISBN: 978-0-8122-4811-1.

Lokaj, Rodney. Two Renaissance Friends: Baldassarre Castiglione, Domizio Falcone, and their Neo-Latin Poetry. Medieval and Renaissance Texts and Studies 466. Tempe: Arizona Center for Medieval and Renaissance Studies, 2015. xii + 372 pp. $70. ISBN: 978-0-86698-519-2.

Lomartire, Saverio. “Tabula ornata lapidibus diversorum colorum”: La legatura preziosa del Codice C nel Museo del Tesoro del Duomo di Vercelli. Rome: Viella, 2015. 180 pp. €25. ISBN: 978-88-6728-590-7.

Lugt, Mara van der. Bayle, Jurieu, and the “Dictionnaire Historique et Critique.” Oxford Historical Monographs. Oxford: Oxford University Press, 2016. xvi + 320 pp. $110. ISBN: 978-0-19-876926-2.

Macinghi Strozzi, Alessandra. Alessandra Macinghi Strozzi: Letters to Her Sons, 1447–1470. Ed. and trans. Judith Bryce. The Other Voice in Early Modern Europe: The Toronto Series 46; Medieval and Renaissance Texts and Studies 493. Toronto: Iter Academic Press; Tempe: Arizona Center for Medieval and Renaissance Studies, 2016. xv + 294 pp. $39.95. ISBN: 978-0-86698-548-2.

MaClean, Ian. Interprétation et signification à la Renaissance: Le cas du droit. Titre courant 60. Geneva: Librairie Droz, 2016. 318 pp. $38.40. ISBN: 978-2-600-00560-9.

Manion, Lee. Narrating the Crusades: Loss and Recovery in Medieval and Early Modern English Literature. Cambridge Studies in Medieval Literature 90. Cambridge: Cambridge University Press, 2014. ix + 306 pp. $95. ISBN: 978-1-107-05781-4.

Martínez-Osorio, Emiro. Authority, Piracy, and Captivity in Colonial Spanish American Writing: Juan de Castellanos’s “Elegies of Illustrious Men of the Indies.” Lanham, MD: Bucknell University Press, 2016. xl + 156 pp. $70. ISBN: 978-1-61148-718-3.

McDermott, Ryan. Tropologies: Ethics and Invention in England, c. 1350–1600. ReFormations: Medieval and Early Modern. Notre Dame: University of Notre Dame Press, 2016. xiv + 432 pp. $45. ISBN: 978-0- 268-03540-2.

McKee, Elsie Anne. The Pastoral Ministry and Worship in Calvin’s Geneva. Travaux d’Humanisme et Renaissance 556. Geneva: Librairie Droz, 2016. 976 pp. $150. ISBN: 978-2-600-01962-0.

Millstone, Noah. Manuscript Circulation and the Invention of Politics in Early Stuart England. Cambridge Studies in Early Modern British History. Cambridge: Cambridge University Press, 2016. xvi + 358 pp. $120. ISBN: 978-1-107-12072-3.

Monson, Craig. Habitual Offenders: A True Tale of Nuns, Prostitutes, and Murderers in Seventeenth- Century Italy. Chicago: University of Chicago Press, 2016. xvii + 334 pp. $40. ISBN: 978-0-226-33533-9.

Moule, Gregory S. Corporate Jurisdiction, Academic Heresy, and Fraternal Correction at the University of Paris, 1200–1400. Education and Society in the Middle Ages and Renaissance 51. Leiden: Brill, 2016. xvi + 374 pp. $181. ISBN: 978-90-04-31132-9.

Müller, Johannes. Exile Memories and the Dutch Revolt: The Narrated Diaspora, 1550–1750. Studies in Medieval and Reformation Traditions 199. Leiden: Brill, 2016. x + 244 pp. $180. ISBN: 978-90-04-31166-4.

Musillo, Marco. The Shining Inheritance: Italian Painters at the Qing Court, 1699–1812. Los Angeles: Getty Research Institute, 2016. vii + 184 pp. $60. ISBN: 978-1-60606-474-0.

O’Connell, Monique, and Eric R. Dursteler. The Mediterranean World: From the Fall of Rome to the Rise of Napoleon. Baltimore: Johns Hopkins University Press, 2016. xvi + 318 pp. $34.95. ISBN: 978-1-4214- 1901-5.

Palumbo, Margherita, Filippo Rotundo, and Christian Yves Dupont. Dante: Fifty Books. Exh. Cat. New York: PRPH Rare Books, 2015. 160 pp. n.p.

Pařez, Jan, and Hedvika Kuchařová. The Irish Franciscans in Prague 1629–1786. Prague: Karolinum Press, 2015. xvi + 210 pp. $30. ISBN: 978-80-246-2676-5.

Parson, William B. Machiavelli’s Gospel: The Critique of Christianity in “The Prince.” Rochester: University of Rochester Press, 2016. x + 276 pp. $85. ISBN: 978-1-58046-491-8.

Piccolomini, Alessandro. I cento sonetti. Ed. Franco Tomasi. Travaux d’Humanisme et Renaissance 553. Geneva: Librairie Droz, 2015. 376 pp. €59. ISBN: 978-2-600-01961-3.

Powell, Jason, ed. The Complete Works of Sir Thomas Wyatt the Elder, Volume 1: Prose. Oxford: Oxford University Press, 2015. xxxi + 496 pp. $210. ISBN: 978-0-19-922860-7.

Presciutti, Diana Bullen. Visual Culture of Foundling Care in Renaissance Italy. Visual Culture in Early Modernity. Farnham: Ashgate, 2015. xviii + 276 pp. $149.95. ISBN: 978-1-4724-5765-3.

Prosperi, Adriano. Infanticide, Secular Justice, and Religious Debate in Early Modern Europe. Europa Sacra 10. Turnhout: Brepols, 2016. viii + 408 pp. €110. ISBN: 978-2-503-53174-8.

Rajchenbach-Teller, Elise. “Mais devant tous est le Lyon marchant”: Construction littéraire d’un milieu éditorial et livres de poésie française à Lyon (1536–1551). Travaux d’Humanism et Renaissance 560. Geneva: Librairie Droz, 2016. 598 pp. $98.40. ISBN: 978-2-600-01882-1.

Raspa, Anthony. Shakespeare the Renaissance Humanist: Moral Philosophy and His Plays. Basingstoke: Palgrave Macmillan, 2016. x + 196 pp. $95. ISBN: 978-1-137-58111-2.

Romano, Serena. Giotto’s O. Trans. Sarah Melker. Viella History, Art and Humanities Collection 1. Rome: Viella, 2015. 332 pp. €60. ISBN: 978-88-6728-499-3.

Rudy, Kathryn M. Postcards on Parchment: The Social Lives of Medieval Books. New Haven: Yale University Press, 2015. x + 360 pp. $85. ISBN: 978-0-300-20989-1.

Schneider, Federico. Unsuspected Competitive Contexts in Early Opera: Monteverdi’s Milanese Challenge to Florence’s “Euridice” (1600). Temi e testi 141. Rome: Edizioni di Storia e Letteratura, 2016. xx + 156 pp. €28. ISBN: 978-88-6372-876-7.

Shakespeare, William. Hamlet; Revised Edition. Ed. Ann Thompson and Neil Taylor. The Arden Shakespeare. London: Bloomsbury, 2016. xxii + 660 pp. $17. ISBN: 978-1-4725-1838-5.

Shakespeare, William. Much Ado About Nothing; Revised Editon. Ed. Claire McEachern. The Arden Shakespeare. London: Bloomsbury, 2016. xx + 390 pp. $17. ISBN: 978-1-4725-2029-6.

Shakespeare, William. Othello; Revised Edition. Ed. E. A. J. Honigmann. With Ayanna Thompson. The Arden Shakespeare. London: Bloomsbury, 2016. xviii + 430 pp. $17. ISBN: 978-1-4725-7176-2.

Shirilan, Stephanie. Robert Burton and the Transformative Powers of Melancholy. Literary and Scientific Cultures of Early Modernity. London: Routledge, 2015. xii + 218 pp. $109.95. ISBN: 978-1-4724-1701-5.

Silleras-Fernandez, Nuria. Chariots of Ladies: Francesc Eiximenis and the Court Culture of Medieval and Early Modern Iberia. Ithaca: Cornell University Press, 2015. xvi + 312 pp. $49.95. ISBN: 978-0-8014-5383- 0.

Smail, Daniel Lord. Legal Plunder: Households and Debt Collection in Late Medieval Europe. Cambridge, MA: Harvard University Press, 2016. xvi + 326 pp. $39.95. ISBN: 978-0-674-73728-0.

Smith, Emma. Shakespeare’s First Folio: Four Centuries of an Iconic Book. Oxford: Oxford University Press, 2016. xiv + 380 pp. $29.95. ISBN: 978-0-19-875436-7.

Smith, Seán Alexander. Fealty and Fidelity: The Lazarists of Bourbon France, 1660–1736. Catholic Christendom, 1300–1700. London: Routledge, 2016. xii + 228 pp. $124.95. ISBN: 978-1-4724-4478-3.

Spinoza, Benedictus de. The Collected Works of Spinoza, Volume II. Ed. and trans. Edwin Curley. Princeton: Princeton University Press, 2016. xxii + 770 pp. $55. ISBN: 978-0-691-16763-3.

Steggle, Matthew. Digital Humanities and the Lost Drama of Early Modern England: Ten Case Studies. Farnham: Ashgate, 2015. xi + 200 pp. $109.95. ISBN: 978-1-4094-4414-5.

Stewart, Laura A. M. Rethinking the Scottish Revolution: Covenanted Scotland, 1637–1651. Oxford: Oxford University Press, 2016. xvi + 392 pp. $110. ISBN: 978-0-19-871844-4.

Streitberger, W. R. The Masters of the Revels and Elizabeth I’s Court Theatre. Oxford: Oxford University Press, 2016. xv + 320 pp. $99. ISBN: 978-0-19-871967-0.

Tavoni, Mirko. Qualche idea su Dante. Studi e Ricerche 698. Bologna: Il Mulino, 2015. 414 pp. €32. ISBN: 978-88-15-25938-7.

Taylor, Alice. The Shape of the State in Medieval Scotland, 1124–1290. Oxford Studies in Medieval European History. Oxford: Oxford University Press, 2016. xxiv + 526 pp. $145. ISBN: 978-0-19-874920-2.

Thompson, Ayanna, and Laura Turchi. Teaching Shakespeare with Purpose: A Student-Centred Approach. The Arden Shakespeare. London: Bloomsbury, 2016. viii + 182 pp. $29.95. ISBN: 978-1-4725- 9961-2.

Timbers, Frances. “The Damned Fraternitie”: Constructing Gypsy Identity in Early Modern England, 1500–1700. London: Routledge, 2016. x + 198 pp. $149.95. ISBN: 978-1-4724-6251-0.

Traub, Valerie. Thinking Sex with the Early Moderns. Philadelphia: University of Pennsylvania Press, 2016. xiv + 462 pp. $59.95. ISBN: 978-0-8122-4729-9.

Turner, Henry S. The Corporate Commonwealth: Pluralism and Political Fictions in England, 1516–1651. Chicago: The University of Chicago Press, 2016. xxvi + 312 pp. $45. ISBN: 978-0-226-36335-6.

Van Duzer, Chet. The World for a King: Pierre Desceliers’ Map of 1550. London: The British Library, 2015. 192 pp. £50. ISBN: 978-0-7123-5618-3.

Van Oort, Richard. Shakespeare’s Big Men: Tragedy and the Problem of Resentment. Toronto: University of Toronto Press, 2016. xvi + 256 pp. $65. ISBN: 978-1-4426-5007-7.

Verweij, Sebastiaan. The Literary Culture of Early Modern Scotland: Manuscript Production and Transmission, 1560–1625. Oxford: Oxford University Press, 2016. xviii + 304 pp. $90. ISBN: 978-0-19- 875729-0.

Walsh, Brian. Unsettled Toleration: Religious Difference on the Shakespearean Stage. Oxford: Oxford University Press, 2016. 222 pp. $99. ISBN: 978-0-19-875443-5.

Watson, Bruce. Light: A Radiant History from Creation to the Quantum Age. London: Bloomsbury, 2016. xiv + 284 pp. $27. ISBN: 978-1-62040-559-8.

Watt, Jeffrey Rodgers, and Isabella M. Watt, eds. Registres du Consistoire de Genève au temps de Calvin, Tome X (14 février 1555–6 février 1556). Travaux d’Humanisme et Renaissance 561. Geneva: Librairie Droz, 2016. xlviii + 336 pp. $142.68. ISBN: 978-2-600-04710-4.

Webb, Heather. Dante’s Persons: An Ethics of the Transhuman. Oxford: Oxford University Press, 2016. xiv + 224 pp. $85. ISBN: 978-0-19-873348-5.

Edited Collections:

Albonico, Simone, and Serena Romano, eds. Courts and Courtly Cultures in Early Modern Italy and Europe: Models and Languages. Études lausannoises d’histoire de l’art 20; Studi lombardi 8; I libri di Viella. Rome: Viella, 2016. 504 pp. €60. ISBN: 978-88-6728-344-6.

Includes: Simone Albonico and Serena Romano, “Foreword”; Malcolm Vale, “The Court and Cultural Identities, Uniform or Diverse?”; Brigitte Miriam Bedos-Rezak, “Imprinting Matter, Constructing Identity (France, 1100–1300)”; Jean-Claude Maire Vigueur, “La politique monumentale des communes et des seigneuries: Un essai de comparaison (Italie centrale, XIVe siècle)”; Jörg W. Busch, “L’eredità del Comune: L’idea dell’autonomia lombarda”; Paolo Chiesa, “Galvano Fiamma fra storiografia e letteratura”; Gian Maria Varanini, “Città soggette, identità municipali, strategie dei governi negli stati territoriali trecenteschi: Esperienze venete (e lombarde)”; Andrea Gamberini, “Da orgogliosi tiranni a tyrannidis domitores: I Visconti e il motivo antitirannico come fondamento ideologico dello stato regionale”; Paolo Viti, “Milano e Firenze: Divergenze ideologiche e convergenze culturali nel primo Umanesimo”; Edoardo Fumagalli, “Francesco Petrarca e la cultura umanistica lombarda: Un’occasione mancata?”; Marco Folin, “Sepolture signorili nell’Italia centro-settentrionale: Un tentativo di comparazione (secoli XIV-XV)”; Piero Majocchi, “‘Non iam capitanei, sed reges nominarentur’: Progetti regi e rivendicazioni politiche nei rituali funerari dei Visconti (secolo XIV)”; Marco Daniele Limongelli, “Tenzoni comico-realistiche e quaestiones gnomiche inedite tra poeti viscontei: Marchionne Arrighi e Braccio Bracci”; Maria Caraci Vela, “La polifonia profana a Pavia negli anni di Bernabò e Gian Galeazzo: Linee di sviluppo di un progetto culturale europeo”; Richard Schofield, “Bramante and the Palazzo Eustachi”; Roberta Martinis, “Il castellano, il bisconte, Gian della Rosa, Borgonzio, il duca: Gli ‘edifiti di Bramante’ a Milano nella lista di Leonardo da Vinci”; Stephen J. Campbell, “Gaudenzio Ferrari: Sounding the Limits of Painting in Milan after Leonardo”; Julian Gardner, “The Long Goodbye: The Artistic Patronage of the Italian Cardinals in Avignon, c. 1305–c. 1345”; Santina Novelli, “Prima dei fasti dell’Officina Ferrarese per gli estensi: Gli affreschi trecenteschi nella chiesa del monastero di Sant’Antonio in Polesine”; Denise Zaru, “Une hagiographie de cour: Les techniques narratives des cycles de fresques de S. Stefano à Lentate et de l’oratorio visconteo à Albizzate”; Nicolas Bock, “The King and His Court: Social Distinction and Role Models in 15th Century Naples: The Caracciolo and Miroballo Families”; and Andrea Comboni, “‘Vui, che ogni dì haveti ad fare nove inventione’: Paride Ceresara e i Gonzaga tra programmi iconogra ci, imprese e rime.”

Baldassarri, Guido, Marco Praloran, Gabriele Bucchi, and Franco Tomasi, eds. Lettura dell’“Orlando Furioso,” Volume I. Florence: Edizioni del Galluzzo, 2016. xii + 542 pp. €68. ISBN: 978-88-8450-669-6.

Includes: Gabriele Bucchi and Franco Tomasi, “Premessa”; Luigi Blasucci, “Lettura metrica (ma non solo) di un segmento della pazzia di Orlando (‘Furioso,’ XXIII 100–115)”; Maria Cristina Cabani, “Riflessioni sull’intertestualità nel “Furioso’”; Daniela Delcorno Branca, “Ariosto e la tradizione del proemio epico- cavalleresco”; Marco Praloran, “Le strutture narrative dell’‘Orlando furioso’”; Pier Vincenzo Mengaldo, “Canto I”; Riccardo Bruscagli, “Canto II”; Adriano Prosperi, “Canto III”; Giorgio Forni, “Canto IV”; Francesco Sberlati, “Canto V”; Antonia Tissoni Benvenuti, “Canto VI”; Klaus W. Hempfer, “Canto VII”; Maria Luisa Meneghetti, “Canto VIII”; Guido Baldassarri, “Canto IX”; Simone Albonico, “Canto X”; Cesare Segre, “Canto XI”; Sergio Zatti, “Canto XII”; Tina Matarrese, “Canto XIII”; Gabriele Bucchi, “Canto XIV”; Cristina Montagnani, “Canto XV”; Giuseppe Sangirardi, “Canto XVI”; Salvatore Ritrovato, “Canto XVII”; Daniel Javitch, “Canto XVIII”; Alberto Roncaccia, “Canto XIX”; Stefano Jossa, “Canto XX”; Jane E. Everson, “Canto XXI”; and Matteo Residori, “Canto XXII.”

Barryte, Bernard, ed. Myth, Allegory, and Faith: The Kirk Edward Long Collection of Mannerist Prints. Milan: SilvanaEditoriale, 2016. 704 pp. €75. ISBN: 978-0-692-39307-9.

Includes: Bernard Barryte, “The Formation of the Kirk Edward Long Collection of Mannerist Prints”; Bernard Barryte, “The Kirk Edward Long Collection of Mannerist Prints”; Bernadine Barnes, “Michelangelo’s Graphic Legacy”; Jonathan Bober, “The Artist’s Print in Venice and the Veneto”; Suzanne Boorsch, “‘Molte Carte Degne di Lode’: Many Sheets Worthy of Praise, by Nicolas Beatrizet”; Patricia Emison, “Architectural Imagery in Prints from the Kirk Edward Long Collection”; Jan Johnson, “Linking Chiaroscuro Woodcuts through Physical Features”; Dorothy Limouze, “Renaissance Prints from Central Europe in the Kirk Edward Long Collection”; Walter S. Melion, “‘Apellea et ipse manu’: Hieronymus Cock and His Allegories of Art—Apollo, Diana, and the Niobids, The Labor of Hercules, Hercules and the Pygmies, and The Raising of the Brazen Serpent”; Larry Silver, “Goltzius Circles in Haarlem”, Edward H. Wouk, “‘Con la perfettinoe et le bellezze che si vede nelle figure...’: Cornelis Cort and the Transformation of Engraving in Europe, c. 1565”; and Henri Zerner, “The Long Collection: A View into Printmaking in Sixteenth-Century France.”

Baumgärtner, Ingrid, and Piero Falchetta, eds. Venezia e la nuova oikoumene: Cartografia del Quattrocento / Venedig und die neue Oikoumene: Kartographie im 15. Jahrhundert. Centro Tedesco di Studi Veneziani 17. Rome: Viella, 2016. 290 pp. €29. ISBN: 978-88-6728-573-0.

Includes: Ingrid Baumgärtner and Piero Falchetta, “Premessa”; Ingrid Baumgärtner and Piero Falchetta, “Vorwort”; Ingrid Baumgärtner and Piero Falchetta, “Lo spazio cartografico, Venezia e il mondo nel Quattrocento: Un’introduzione”; Laura Federzoni, “Testo e immagine: I codici manoscritti e le edizioni a stampa italiane della Geographia di Tolomeo”; Ramon J. Pujades i Bataller, “Mappaemundi veneziane e catalane del basso medioevo: Due rami nati da uno stesso tronco”; Patrick Gautier Dalché, “Due contemporanei di Fra’ Mauro e lo spazio geografico: Il medico umanista Pietro Tommasi e il filosofo naturalista Giovanni Fontana”; Klaus Anselm Vogel, “Fra’ Mauro über den Raum außerhalb der Karte: Die Grenzen geographischen Wissens und die Rückseite der Ökumene”; Giampiero Bellingeri, “La turchizzazione di un Mappamondo”; Caterina Balletti, “Gli strumenti informatici al servizio della ricerca storica: Il caso della cartografia veneziana del XV secolo”; Uwe Israel, “Venedigs Welt im Wandel um 1500”; Benjamin Scheller, “Erfahrungsraum und Möglichkeitsraum: Das sub-saharische Westafrika in den Navigazioni Atlantiche Alvise Cadamostos”; Daria Perocco, “La geografia sul leggio: Venezia, letterati e carte geografiche”; and Ingrid Baumgärtner, “Battista Agnese e l’atlante di Kassel: La cartografia del mondo nel Cinquecento.”

Bell, Dean Phillip, and Stephen G. Burnett, eds. Jews, Judaism, and the Reformation in Sixteenth Century Germany. Leiden: Brill, 2016. xxxii + 574 pp. $71. ISBN: 978-90-04-31628-7.

Includes: Dean Phillip Bell and Stephen G. Burnett, “Introduction”; Erika Rummel, “Humanists, Jews, and Judaism”; Christopher Ocker, “German Theologians and the Jews in the Fifteenth Century”; Thomas Kaufmann, “Luther and the Jews”; Timothy J. Wengert, “Philip Melanchthon and the Jews: A Reappraisal”; R. Gerald Hobbs, “Bucer, the Jews, and Judaism”; Hans-Martin Kirn, “Ulrich Zwingli, the Jews, and Judaism”; Achim Detmers, “Calvin, the Jews, and Judaism”; Joy Kammerling, “Andreas Osiander, the Jews, and Judaism”; Robert Bireley, “The Catholic Reform, Jews, and Judaism in Sixteenth-Century Germany”; Michael Driedger, “The Intensification of Religious Commitment: Jews, Anabaptists, Radical Reform, and Confessionalization”; Maria Diemling, “Anthonius Margaritha on the ‘Whole Jewish Faith’: A Sixteenth- Century Convert from Judaism and his Depiction of the Jewish Religion”; Yaacov Deutsch, “Von der Juden Ceremonien: Representations of Jews in Sixteenth-Century Germany”; Petra Schöner, “Visual Representations of Jews and Judaism in Sixteenth-Century Germany”; Edith Wenzel, “The Representation of Jews and Judaism in Sixteenth-Century German Literature”; Dean Phillip Bell, “Jewish Settlement, Politics, and the Reformation”; Elisheva Carlebach, “Jewish Responses to Christianity in Reformation Germany”; Jay Berkovitz, “Jewish Law and Ritual in Early Modern Germany”; and Stephen G. Burnett, “German Jewish Printing in the Reformation Era (1530–1633).”

Beltramo, Silvia, Flavia Cantatore, and Marco Folin, eds. A Renaissance Architecture of Power: Princely Palaces in the Italian Quattrocento. The Medieval Mediterranean: Peoples, Economies and Cultures, 400– 1500 104. Leiden: Brill, 2016. xiv + 466 pp. $218. ISBN: 978-90-04-24361-3.

Includes: Marco Folin, “Princes, Towns, Palaces: A Renaissance ‘Architecture of Power’”; Silvia Beltramo, “Medieval Vestiges in the Princely Architecture of the 15th Century”; Flavia Cantatore, “The Princely Palace in 15th-Century Italian Architectural Theory”; Andrea Longhi, “Palaces and Palatine Chapels in 15th-Century Italian Dukedoms: Ideas and Experiences”; Silvia Beltramo, “‘Combining the Old and the New’: The Princely Residences of the Marquises of Saluzzo in the 15th Century”; Aurora Scotti, “The Sforza Castle of Milan (1450–1499)”; Giulio Girondi, “Patrician Residences and the Palaces of the Marquis of Mantua (1459–1524)”; Marco Folin, “The Renewal of Ferrara’s Court Palace under Ercole I d’Este (1471–1505)”; Stefano Zaggia, “Architecture of Power: Imola during the Signoria of Girolamo Riario (1473–1488)”; Elena Svalduz, “‘Small Mice, Large Palaces’: From Urbino to Carpi”; Emanuela Ferretti, “The Medici Palace, Cosimo the Elder, and Michelozzo: A Historiographical Survey”; Flavia Cantatore, “The Palace of Nicholas V: Continuity and Innovation in the Vatican Palaces”; Bianca de Divitiis, “Alfonso I of Naples and the Art of Building: Castel Nuovo in a European Context”; and Marco Rosario Nobile, “The Residences of the Kings of Sicily, from Martin of Aragon to Ferdinand the Catholic.”

Black, Robert, Jill Kraye, and Laura Nuvoloni, eds. Paleography, Manuscript Illumination and Humanism in Renaissance Italy: Studies in Memory of A. C. de la Mare. Warburg Institute Colloquia 28. London: The Warburg Institute, 2016. xiii + 476 pp. n.p. ISBN: 978-1-908590-51-0.

Includes: Vincenzo Fera, “L’umanesimo di Albinia C. de la Mare”; Concetta Bianca, “Albinia C. de la Mare (biblioteche senza inventario)”; Luca Boschetto, “Letteratura, arte e politica nella Firenze del Qautrocento: La collaborazione tra Vespasiano e Manetti per l’Oratio funebris di Giannozzo Pandolfini”; Wi-Seon Kim, “Vespasiano da Bisticci: Un cartolaio dissenziente nella Firenze del Quattrocento”; Teresa De Robertis, “I primi anni della scittura umanistica: Materiali per un aggiornamento”; Irene Ceccherini, “Codicologia dei manoscritti della prima età umanistica: I libri di Sozomeno da Pistoia”; Stefano Zamponi, “Aspetti della tradizione gotica nell littera antiqua”; Gabriella Pomaro, “Copisti stranieri in Italia nei sec. XIV e XV in Codex: Inventario dei Manoscritti Medievali Toscana”; Giliola Barbero, “Manoscritti e scrittura in Lombardia nel secondo quarto del secolo XV”; David S. Chambers, “Matteo Contugi of Volterra (d. 1493): Scribe and Secret Agent”; Lorenz Böninger, “The Ricordanze of Lorenzo di Francesco Guidetti: Manuscript Production and Circulation”; Karl Schlebusch, “Giorgio Antonio Vespucci: 1434–1514”; Xavier van Binnebeke, “Additions to the Latin Library of Giorgio Antonio Vespucci”; Laura Nuvoloni, “Bartolomeo Sanvito and Albinia C. de la Mare”; Jonathan J. G. Alexander, “Scribes and Illuminators in Italian Renaissance Manuscripts: Cooperation and Overlaps”; Giordana Mariani Canova, “La dimensione accademica della miniatura del Rinascimento a Padova”; Angela Dillon Bussi, “Albinia C. de la Mare, Vespasiano da Bisticci e miniatura: Il caso di Bartolomeo Varnucci”; Silvia Rizzo, “Il copista di un codice petrarchesco delle Tusculanae: Filologia vs paleografia”; Stephen Oakley, “The ‘Puccini’ Scribe and the Transmission of Latin Texts in Fifteenth-Century Florence”; Mirella Ferrari, “Umanisti italiani nel fondo Burney della British Library: Autografi di Pier Candido Decembrio”; James Hankins, “Latin Autographs of Leonardo Bruni”; and Sebastiano Gentile, “Nuove considerazione sullo ‘scrittoio’ di Marsilio Ficino: Tra paleografia e filologia.".

Brayman Hackel, Heidi, and Ian Frederick Moulton, eds. Teaching Early Modern English Literature from the Archives. Modern Language Association of America: Options for Teaching. New York: The Modern Language Association of America, 2015. x + 274 pp. $29. ISBN: 978-1-60329-156-9.

Includes: Heidi Brayman Hackel and Ian Frederick Moulton, “Introduction”; Sarah Werner, “Bringing Undergraduates into the Archives”; Heather Wolfe, “Manuscripts and Paleography for Undergraduates”; Shawn Martin, “Images, Texts, and Records: Electronic Teaching in a Confusing Landscape”; Evelyn Tribble, “The Work of the Book in an Age of Digital Reproduction”; Arnold Sanders, “The Death of the Editor and Printer: Teaching Early Modern Publishing Practices to Internet-Raised Undergraduates”; Patrick M. Erben, “The Translingual Archive”; Katherine Rowe, “Virtual Theater History: Interpreting the Space of Play in a Shakespeare Class”; Zachary Lesser, “Teaching the Metadata: Playbook History in the Undergraduate Classroom”; Sheila T. Cavanagh, Gitanjali Shahani, and Irene Middleton, “Engendering the Early Modern Archive”; Patricia Fumerton, Simone Chess, Tassie Gniady, and Kris McAbee, “The English Broadside Ballad Archive: From Theory to Practice”; Janelle Jenstad, “Restoring Place to the Digital Archive: The Map of Early Modern London”; Jeremy Ehrlich, “‘Magic in the Web’: Online Resources for Undergraduate Shakespeare Courses”; Rebecca Laroche, “Early Modern Women in the Archives”; Peter C. Herman, “Opening Up The Roaring Girl and the Woman Question with EEBO”; Joshua Eckhardt, “Teaching Verse Miscellanies”; W. Scott Howard, Peggy Keeran, and Jennifer Bowers, “Archives on Trial: Executing Richard II and Eikon Basilike in the Digital Age”; Angelica Duran, “Not Either-or but Rather Both-and: Using Both Material and Electronic Resources”; Joseph M. Ortiz, “Teaching the Early Modern Music Archive”; Phillip John Usher, “Typefaces and Title Pages: Archives in Undergraduate Courses”; Erin E. Kelly, “Online Emblems in the Classroom”; Marjorie Rubright, “Charting New Worlds: The Early Modern World Atlas and Electronic Archives”; Laura McGrane, “News and Material Culture in Early Modern and Restoration England: Using and Making Digital Archives”; Georgianna Ziegler, “Historical Resources for Students of Early English Literature”; and Heidi Brayman Hackel and Ian Frederick Moulton, “Finding Archives Online.”

Broomhall, Susan, ed. Ordering Emotions in Europe, 1100–1800. Studies in Medieval and Reformation Traditions 195. Leiden: Brill, 2015. xvi + 320 pp. $163. ISBN: 978-90-04-30509-0.

Includes: Susan Broomhall, “Introduction: Hearts and Minds: Ordering Emotions in Europe, 1100–1800”; Juanita Feros Ruys, “Nine Angry Angels: Order, Emotion, and the Angelic and Demonic Hierarchies in the High Middle Ages”; Clare Monagle, “Christ’s Masculinity: Homo and Vir in Peter Lombard’s Sentences”; Carol J. Williams, “Modes and Manipulation: Music, the State, and Emotion”; Spencer E. Young, “Avarice, Emotions, and the Family in Thirteenth-Century Moral Discourse”; Louise D’Arcens, “Affective Memory Across Time: The Emotive City of Christine de Pizan”; Han Baltussen, “Nicholas of Modruš’s De consolatione (1465–1466): A New Approach to Grief Management”; Susan Broomhall, “Hearts on Fire: Compassion and Love in Nicolas Houel’s Traité de la Charité chréstienne”; Danijela Kambaskovic, “Living Anxiously: The Senses, Society and Morality in Pre-Modern England”; Raphaële Garrod, “Conceptual Eclecticism and Ethical Prescription in Early Modern Jesuit Discourses about Affects: Suárez and Caussin on Maternal Love”; Louis C. Charland and R.S. White, “Anatomy of a Passion: Shakespeare’s The Winter’s Tale as Case Study”; Yasmin Haskell, “Arts and Games of Love: Genre, Gender and Special Friendships in Eighteenth-Century Jesuit Poetry”; François Soyer, “Androgyny and the Fear of Demonic Intervention in the Early Modern Iberian Peninsula: Ecclesiastical and Popular Responses”; and Robert Weston, “Medical Effects and Affects: The Expression of Emotions in Early Modern Patient–Physician Correspondence.

Browne, Martin, and Colmán Ó Clabaigh, eds. Soldiers of Christ: The Knights Templar and the Knights Hospitaller in Medieval Ireland. Dublin: Four Courts Press, 2016. xv + 250 pp. $74.50. ISBN: 978-1- 84682-572-9.

Includes: Martin Browne and Colmán Ó Clabaigh, “Introduction”; Helen J. Nicholson, “A Long Way from Jerusalem: The Templars and Hospitallers in Ireland, c.1172–1348”; Gregory O’Malley, “Authority and Autonomy: Relations between Clerkenwell, Kilmainham and the Hospitaller Central Convent after the Black Death”; Brendan Scott, “The Knights Hospitaller in Tudor Ireland: Their Dissolution and Attempted Revival”; Declan M. Downey, “Continuity, Legitimacy and Strategy: The Titular Priors of Ireland — Romegas, González, Wyse and Brochero — and their Relations with the Spanish Monarchy, 1576–1625”; Tadhg O’Keeffe and Pat Grogan, “Building a Frontier? The Architecture of the Military Orders in Medieval Ireland”; Eamonn Cotter, “The Archaeology of the Irish Hospitaller Preceptories of Mourneabbey and Hospital in Context”; Kieran O’Conor and Paul Naessens, “Temple House: From Templar Castle to New English Mansion”; Paul Caffrey, “The Visual Culture of the Hospitaller Knights of the Priory of Ireland”; Margaret Murphy, “From Swords to Ploughshares: Evidence for Templar Agriculture in Medieval Ireland”; Edward Coleman, “‘Powerful adversaries’: The Knights Templar, Landholding and Litigation in the Lordship of Ireland”; Paolo Virtuani, “Unforgivable Trespasses: The Irish Hospitallers and the Defence of their Rights in the Mid-Thirteenth Century”; and Colmán Ó Clabaigh OSB, “Prayer, Politics and Poetry: Cambridge, Corpus Christi College MS 405 and the Templars and Hospitallers at Kilbarry, Co. Waterford.”

Bruni, Flavia, and Andrew Pettegree, eds. Lost Books: Reconstructing the Print World of Pre-Industrial Europe. Library of the Written Word 46; The Handpress World 34. Leiden: Brill, 2016. xviii + 524 pp. $238. ISBN: 978-90-04-31181-7.

Includes: Andrew Pettegree, “The Legion of the Lost: Recovering the Lost Books of Early Modern Europe”; Falk Eisermann, “The Gutenberg Galaxy’s Dark Matter: Lost Incunabula, and Ways to Retrieve Them”; Jonathan Green and Frank McIntyre, “Lost Incunable Editions: Closing In on an Estimate”; Iain Fenlon, “Lost Book of Polyphony from Renaissance Spain”; Wolfgang Undorf, “Lost Books, Lost Libraries, Lost Everything? A Scandinavian Early Modern Perspective”; Justyna Kiliańczyk-Zięba, “In Search of Lost Fortuna: Reconstructing the Publishing History of the Polish Book of Fortune-Telling”; Alexandra Hill, “Lost Print in England: Entries in the Stationers’ Company Register, 1557–1640”; Goran Proot, “Survival Factors of Seventeenth-Century Hand-Press Books Published in the Southern Netherlands: The Importance of Sheet Counts, Sammelbände and the Role of Institutional Collections”; Arthur der Weduwen and Andrew Pettegree, “Publicity and its Uses: Lost Books as Revealed in Newspaper Advertisements in the Seventeenth-Century Dutch Republic”; Domenico Ciccarello, “Lost Books and Dispersed Libraries in Sicily during the Seventeenth Century”; Christine Benevent and Malcolm Walsby, “Lost Issues and Self-Censorship: Rethinking the Publishing History of Guillaume Budé’s De l’Institution du Prince”; Michele Camaioni, “The Editorial History of a Rare and Forbidden Franciscan Book of Italian Renaissance: The Dialogo della Unione Spirituale di Dio con l’anima by Bartolomeo Cordoni”; Rosa Marisa Borraccini, “An Unknown Bestseller: The Confessionario of Girolamo da Palermo”; Roberto Rusconi, “The Devil’s Trick: Impossible Editions in the Lists of Titles from the Regular Orders in Italy at the End of the Sixteenth Century”; Giovanna Granata, “On the Track of Lost Editions in Italian Religious Libraries at the End of the Sixteenth Century: A Numerical Analysis of the RICI Database”; Anna Giulia Cavagna, “Loss and Meaning: Lost Books, Bibliographic Description and Significance in a Sixteenth- Century Italian Private Library”; Martine van Ittersum, “Confiscated Manuscripts and Books: What Happened to the Personal Library and Archive of Hugo Grotius Following His Arrest on Charges of High Treason in August 1618?”; Maria Teresa Biagetti, “Dispersed Collections of Scientific Books: The Case of the Private Library of Federico Cesi (1585–1630)”; Alison Walker, “Lost in Plain Sight: Rediscovering the Library of Sir Hans Sloane”; Mark Towsey, “Book Use and Sociability in Lost Libraries of the Eighteenth Century: Towards a Union Catalogue”; Jan L. Alessandrini, “Lost Books of ‘Operation Gomorrah’: Rescue, Reconstruction, and Restitution at Hamburg’s Library in the Second World War”; Tomasz Nastulczyk, “Two Centuries of Looting and the Grand Nazi Book Burning. The Dispersed and Destroyed Libraries of the Polish-Lithuanian Commonwealth: Historical Losses and Contemporary Attempts at Reconstruction”; Flavia Bruni, “All is not Lost: Italian Archives and Libraries in the Second World War”; and Saskia Limbach, “Tracing Lost Broadsheet Ordinances Printed in Sixteenth-Century Cologne.”

Bulman, William J., and Robert G. Ingram, eds. God in the Enlightenment. Oxford: Oxford University Press, 2016. xiv + 322 pp. $34.95. ISBN: 978-0-19-026708-7.

Includes: William J. Bulman, “Introduction: Enlightenment for the Culture Wars”; Justin Champion, “Godless Politics: Hobbes and Public Religion”; Anton Matytsin, “Reason and Utility in French Religious Apologetics”; Claudia Brosseder, “Bernabé Cobo’s Recreation of an Authentic America in Colonial Peru”; Joan-Pau Rubiés, “From Christian Apologetics to Deism: Libertine Readings of Hinduism, 1600–1730”; Paul C.H. Lim, “The Platonic Captivity of Primitive Christianity and the Enlightening of Augustine”; Jetze Touber, “God’s Word in the Dutch Republic”; Jonathan Sheehan, “Suffering Job: Christianity Beyond Metaphysics”; Brad S. Gregory, “The Reformation Origins of the Enlightenment’s God”; J. C. D. Clark, “‘God’ and ‘the Enlightenment’: The Divine Attributes and the Question of Categories in British Discourse”; H. C. Erik Midelfort, “Medicine, Theology, and the Problem of Germany’s Pietist Ecstatics”; Sarah Ellenzweig, “Richard Bentley’s Paradise Lost and the Ghost of Spinoza”; and Dale K. Van Kley, “Conclusion: The Varieties of Enlightened Experience.”

Callaghan, Dympna, and Suzanne Gossett, eds. Shakespeare in Our Time: A Shakespeare Association of America Collection. The Arden Shakespeare. London: Bloomsbury, 2016. xviii + 352 pp. $27.95. ISBN: 978-1-4725-2041-8.

Includes: Lena Orlin, “Preface”; Dympna Callaghan and Suzanne Gossett, “Introduction”; Phyllis Rackin, “Why Feminism Still Matters”; Kathryn Schwarz, “Just Imagine”; Wendy Wall, “Letters, Characters, Roots”; Bruce R. Smith, “Deeds, Desire, Delight”; Mario DiGangi, “Rethinking Sexual Acts and Identities”; Madhavi Menon, “HexaSexuality”; David Bevington, “The Classroom”; Marjorie Garber, “Money for Jam”; Patricia Cahill, “Extension Work”; Barbara A. Mowat, “Facts, Theories, and Beliefs”; Lukas Erne, “What We Owe to Editors”; Sonia Massai, “What’s Next in Editing Shakespeare”; Mary Beth Rose, “Suicide as Profit or Loss”; Michael Neill, “Death and King Lear”; Scott L. Newstok, “Shakespeare’s Here”; James C. Bulman, “Spectatorship, Remediation, and One Hundred Years of Hamlet”; Pascale Aebischer, “Performing Shakespeare through Social Media”; Alan Galey, “Reading Shakespeare through Media Archaeology”; Jean E. Howard, “Is Black so Base a Hue?”; Lara Bovilsky, “The Race of Shakespeare’s Mind”; Ian Smith, “Speaking of Race”; Robert S. Miola, “Shakespeare and the Bible”; Ania Loomba, “Shakespeare’s Sources”; Sarah Beckwith, “Volver, or Coming Back”; Gary Taylor, “Collaboration 2016”; Laurie Maguire, “The Value of Stage Directions”; Adam G. Hooks, “The Author Being Dead”; Susanne L. Wofford, “Against Our Own Ignorance”; Daniel Vitkus, “Circumnavigation, Shakespeare, and the Origins of Globalization”; Jyotsna G. Singh, “The Bard in Calcutta, India, 1835–2014”; Gail Kern Paster, “Bodies without Borders in Lear and Macbeth”; Mary Floyd-Wilson, “Potions, Passion, and Fairy Knowledge in A Midsummer Night’s Dream”; David Houston Wood, “Shakespeare and Variant Embodiment”; Frances E. Dolan, “Social Contexting”; Bradin Bormack, “‘Hic et ubique’: Hamlet in Sync”; William N. West, “Playing in Context, Playing out Context”; William C. Carroll, “Historicizing Historicism”; Margreta de Grazia, “Minding Anachronism”; Gina Bloom, “The Historicist as Gamer”; Georgianna Ziegler, “American Appropriation through the Centuries”; Christy Desmet, “Appropriation 2.0”; Andrew Hartley, “Appropriation in Contemporary Fiction”; Peter Holland, “Shakespeare and Biography”; David Kathman, “Shakespeare’s Friends and Family in the Archives”; Lois Potter, “Biography vs. Novel”; Coppelia Kahn, “The Classics as Popular Discourse”; Lynn Enterline, “Shakespeare’s Classicism, Redux”; Heather James, “Time, Verisimilitude, and the Counter-Classical Ovid”; Paul Yachnin, “The Publicity of the Look”; Julia Reinhard Lupton, “Public Women / Women of Valor”; Henry S. Turner, “The Ghost of the Public University”; Russ McDonald, “William Shakespeare, Elizabethan Stylist”; Stephen Guy-Bray, “Nondramatic Style”; Alysia Kolentsis, “Shakespeare’s Lexical Style”; Diana E. Henderson, “Pluralizing Performance”; Tiffany Stern, “The Study of Historical Performance”; W. B. Worthen, “Shakespeare / Performance”; Rebecca Bushnell, “Shakespeare and Nature”; Steve Mentz, “Shakespeare without Nature”; Karen Raber, “The Chicken and the Egg”; and Stephen Greenblatt, “Afterword: Shakespeare in Tehran.”

Campbell, Stephen J., and Jérémie Koering, eds. Andrea Mantegna: Making Art (History). Art History. Chichester: Wiley-Blackwell, 2015. 230 pp. $39.95. ISBN: 978-1-118-92114-2.

Includes: Stephen J. Campbell and Jérémie Koering, “In Search of Mantegna’s Poetics: An Introduction”; Klaus Krüger, “Andrea Mantegna: Painting’s Mediality”; Daniel Arasse, “Signing Mantegna”; Guillaume Cassegrain, “Mantegna the Grammarian”; Jérémie Koering, “Changing Forms: Mantegna’s Poietics in the Camera Picta”; Stephen J. Campbell, “Mantegna’s Camera Picta: Visuality and Pathos”; Andreas Hauser, “The Griffin’s Gaze and the Mask of Medusa: Self-Referential Motifs in Andrea Mantegna’s Trial of St James”; Andrea Bolland, “Artifice and Stability in Late Mantegna”; Francis Fletcher, “Mantegna’s Fictive Bronze Judith and Dido: Beyond Exemplarity”; and Roberto Longhi, “A ‘Pictorial Letter’ to Giuseppe Fiocco.”

Copeland, Rita, ed. The Oxford History of Classical Reception in English Literature, Volume I: 800–1558. Oxford: Oxford University Press, 2016. xii + 758 pp. $235. ISBN: 978-0-19-958723-0.

Includes: Rita Copeland, “Introduction”; Rita Copeland, “The Curricular Classics in the Middle Ages”; Marjorie Curry Woods, “Experiencing the Classics in Medieval Education”; Rita Copeland, “The Trivium and the Classics”; Winston Black, “The Quadrivium and Natural Sciences”; James Willoughby, “The Transmission and Circulation of Classical Literature: Libraries and Florilegia”; Nicolette Zeeman, “Mythography and Mythographical Collections”; Rita Copeland, “Academic Prologues to Authors”; Jan M. Ziolkowski, “Virgil”; Suzanne Conklin Akbari, “Ovid and Ovidianism”; Alfred Hiatt, “Lucan”; Winthrop Wetherbee, “Statius”; Marilynn Desmond, “Trojan Itineraries and the Matter of Troy”; Ian Cornelius, “Boethius’ De consolatione philosophiae”; Charles F. Briggs, “Moral Philosophy and Wisdom Literature”; Cam Grey, “Historiography and Biography from the Period of Gildas to Gerald of Wales”; Ad Putter, “Prudentius and the Late Classical Epics of Juvencus, Proba, Sedulius, Arator and Avitus”; Dallas G. Denery II, “John of Salisbury, Academic Scepticism, and Ciceronian Rhetoric”; Emily Steiner, “Alliterative Poetry and the Time of Antiquity”; Alastair Minnis, “Other Worlds: Chaucer’s Classicism”; Andrew Galloway, “Gower’s Ovids”; Robert R. Edwards, “John Lydgate and the Remaking of Classical Epic”; Daniel Wakelin, “Early Humanism in England”; James Carley and Agnes Juhasz-Ormsby, “Survey of Henrician Humanism”; David R. Carlson, “John Skelton”; Nicola Royan, “Gavin Douglas’ Eneados”; Cathy Shrank, “Finding a Vernacular Voice: The Classical Translations of Sir Thomas Wyatt”; and James Simpson, “The Aeneid Translations of Henry Howard, Earl of Surrey: The Exiled Reader’s Presence.”

Cornelison, Sally J., Nirit Ben-Aryeh Debby, and Peter Howard, eds. Mendicant Cultures in the Medieval and Early Modern World Word, Deed, and Image. Europa Sacra 19. Turnhout: Brepols, 2016. xviii + 322 pp. €90. ISBN: 978-2-503-55554-6.

Includes: Sally J. Cornelison, “Introduction”; Anne Holloway, “Of Bees and Brethren: The Making of an Order of Preachers”; Nancy Thompson, “The Franciscans and Stained Glass in Tuscany and Umbria”; Peter Howard, “A Landscape of Preaching: Bartolomeo Lapacci Rimbertini OP”; Melissa Moreton, “A Voice from Savonarolan Florence: Fra Succhielli and His Sermon Diary (1481–1512)”; Beverly Mayne Kienzle and Travis Allen Stevens, “Words, Deeds, and the Hagiography of Italian Women Penitents”; Ashley Elston, “A Painted Saint and Passion Relics: Taddeo Gaddi’s Reliquary Cupboard for Santa Croce in Florence”; Madeline Rislow, “Sacred Signs: Genoese Portal Sculptures in the Dominican Church of Santa Maria di Castello”; Sally J. Cornelison, “Accessing the Holy: Words, Deeds, and the First Tomb of St Antoninus in Renaissance Florence”; Anthony J. Watson, “Early Franciscan Missions to the Mongols: William of Rubruck’s Itinerarium”; John Zaleski, “The Corner of Europe and the Fabric of the World: Pius II’s Bull and Sermon for the Canonization of Catherine of Siena”; Nirit Ben-Aryeh Debby, “Preaching, Saints, and Crusade Ideology in the Church of Ognissanti in Florence.”

Cottegnies, Line, Sandrine Parageau, and John J. Thompson, eds. Women and Curiosity in Early Modern England and France. Intersections: Interdisciplinary Studies in Early Modern Culture 42. Leiden: Brill, 2016. xii + 254 pp. $149. ISBN: 978-90-04-31183-1.

Includes: Line Cottegnies and Sandrine Parageau, “Introduction”, Yan Brailowsky, “Curiosity and Gynocracy in the Sixteenth Century”; Armel Dubois-Nayt, “Curious Men and Women in the Tudor Controversy about Women”; Laura Levine, “This Is and Is Not Knowledge: Cressida and the Titillation of Male Curiosity in Shakespeare’s Troilus and Cressida”; Laetitia Coussement-Boillot, “‘Too Curious a Secrecy’: Curiosity in Lady Mary Wroth’s Urania (1621)”; Line Cottegnies, “Margaret Cavendish or the Curious Reader”; Marie-Gabrielle Lallemand, “On the Proper Use of Curiosity: Madeleine de Scudéry’s Célinte”; Susan Wiseman, “Curious Tails: Mermaids under the Microscope”; Sarah Hutton, “The Interrogative Anne Conway: Curiosity in a Philosophical Context”; Marie-Frédérique Pellegrin, “Female Curiosity and Male Curiosity about Women: The Views of the Cartesian Philosophers”; Christophe Martin, “Women’s Curiosity and its Double at the Dawn of the Enlightenment”; Adeline Gargam, “Between Scientific Investigation and Vanity Fair: A Few Reflections on the Culture of Curiosity in Enlightenment France”; Beth Fowkes Tobin, “Virtuoso or Naturalist? Margaret, Duchess of Portland (1715–1785)”; and Neil Kenny, “Curiosity, Women, and the Social Orders.”

Crawforth, Hannah, and Elizabeth Scott-Baumann, eds. On Shakespeare’s Sonnets: A Poets’ Celebration. The Arden Shakespeare. London: Bloomsbury, 2016. xviii + 94 pp. $19.95. ISBN: 978-1-4742-2158-0.

Includes: Roger McGough, “What poverty my Muse brings forth”; William Shakespeare, “Sonnet 1”; Douglas Dunn, “Senex on Market Street”; William Shakespeare, “Sonnet 11”; Jackie Kay, “Thirty-Five”; William Shakespeare, “Sonnet 12”; Andrew Motion, “Rhapsodies”; William Shakespeare, “Sonnet 15”; Paul Muldoon, “Sonnet 15: A Graft”; William Shakespeare, “Sonnet 18”; P. J. Kavanagh, “Dream”; William Shakespeare, “Sonnet 20”; Simon Armitage, “Di-Di-Dah-Dah-Di-Dit”; William Shakespeare, “Sonnet 22”; Wendy Cope, “Sonnet”; William Shakespeare, “Sonnet 33”; Mimi Khalvati, “Hearing Voices”; William Shakespeare, “Sonnet 35”; Michael Symmons Roberts, “Peacemaker”; William Shakespeare, “Sonnet 36”; Don Patterson, “Two”; William Shakespeare, “Sonnet 38”; Nick Laird, “After Sonnet 38”; William Shakespeare, “Sonnet 43”; Imtiaz Dharker, “The Trick”; William Shakespeare, “Sonnet 49”; Bernard O’Donoghue, “At the Halle”; William Shakespeare, “Sonnet 55”; Michael Longley, “The Sonnets”; William Shakespeare, “Sonnet 60”; Kevin Crossley-Holland, “Time’s Fool”; Ruth Padel, “Your Life as a Wave”; William Shakespeare, “Sonnet 65”; Robin Robertson, “Storm, Nissaki”; Alan Brownjohn, “Two Sonnets”; William Shakespeare, “Sonnet 71”; John Burnside, “Still Life”; William Shakespeare, “Sonnet 73”; David Harsent, “73 Shakespeare Close”; Jo Shapcott, “2014/2015”; William Shakespeare, “Sonnet 80”; Alan Jenkins, “Salvage”; William Shakespeare, “Sonnet 94”; Sean O’Brien, “Three Views of a Secret”; William Shakespeare, “Sonnet 99”; Paul Farley, “Gentian Violet”; William Shakespeare, “Sonnet 116”; Gillian Clarke, “Magnetism”; Carol Ann Duffy, “CXVI”; Elaine Feinstein, “Betrayal”; William Shakespeare, “Sonnet 143”; Fiona Sampson, “Drowned Man”; and John Fuller, “W.S.: The Tithon Sonnets.”

Daybell, James, and Andrew Gordon, eds. Cultures of Correspondence in Early Modern Britain. Material Texts. Philadelphia: University of Pennsylvania Press, 2016. x + 322 pp. $69.95. ISBN: 978-0-8122-4825-8.

Includes: James Daybell and Andrew Gordon, “Introduction: The Early Modern Letter Opener”; Jonathan Gibson, “From Palatino to Cresci: Italian Writing Books and the Italic Scripts of Early Modern English Letters”; Mark Brayshay, “Conveying Correspondence: Early Modern Letter Bearers, Carriers, and Posts”; Nadine Akkerman, “Enigmatic Cultures of Cryptology”; Andrew Gordon, “Material Fictions: Counterfeit Correspondence and the Culture of Copying in Early Modern England”; Andrew Zurcher, “Allegory and Epistolarity: Cipher and Faction in Sidney and Spenser”; Lynne Magnusson, “Mixed Messages and Cicero Effects in the Herrick Family Letters of the Sixteenth Century”; Christopher Burlinson, “John Stubb’s Left-Handed Letters”; Michelle O’Callaghan, “‘An uncivill scurrilous letter’: ‘Womanish Brabb[l]es’ and the Letter of Affront”; Arnold Hunt, “‘Burn this letter’: Preservation and Destruction in the Early Modern Archive”; James Daybell, “Gendered Archival Practices and the Future Lives of Letters”; and Alan Stewart, “Familiar Letters and State Papers: The Afterlives of Early Modern Correspondence.”

del Barco, Javier, ed. The Late Medieval Hebrew Book in the Western Mediterranean: Hebrew Manuscripts and Incunabula in Context. Études sur le judaïsme médiéval 65. Leiden: Brill, 2015. viii + 382 pp. $181. ISBN: 978-90-04-25006-2.

Includes: Javier del Barco, “Introduction”; Malachi Beit-Arié, “Commissioned and Owner-Produced Manuscripts in the Sephardi Zone and Italy in the Thirteenth–Fifteenth Centuries”; Edna Engel, “Immigrant Scribes’ Handwriting in Northern Italy from the Late Thirteenth to the Mid-Sixteenth Century: Sephardi and Ashkenazi Attitudes toward the Italian Script”; Colette Sirat, “Studia of Philosophy as Scribal Centers in Fifteenth-Century Iberia”; Joseph R. Hacker,“Jewish Book Owners and Their Libraries in the Iberian Peninsula, Fourteenth–Fifteenth Centuries”; Eva Frojmovic, “Inscribing Piety in Late-Thirteenth-Century Perpignan”; Katrin Kogman-Appel, “The Scholarly Interests of a Scribe and Mapmaker in Fourteenth-Century Majorca: Elisha ben Abraham Benvenisti Cresques’s Bookcase”; Judith Kogel, “Le‘azim in David Kimhi’s Sefer ha-shorashim: Scribes and Printers through Space and Time”; Sonia Fellous, “Fifteenth-Century Castilian Translations from Hebrew Literature”; Evelyn Cohen, “The Artist of the Barcelona Haggadah”; Philippe Bobichon, “Quotations, Translations, and Uses of Jewish Texts in Ramon Martí’s Pugio fidei”; Shimon M. Iakerson, “Unknown Sephardi Incunabula”; Adri K. Offenberg, “What Do We Know about Hebrew Printing in Guadalajara, Híjar, and Zamora?”; and Eleazar Gutwirth, “Techne and Culture: Printers and Readers in Fifteenth-Century Hispano-Jewish Communities.”

Del Lucchese, Filippo, Fabio Frosini, and Vittorio Morfino, eds. The Radical Machiavelli: Politics, Philosophy, and Language. Thinking in Extremes: Machiavellian Studies 1. Leiden: Brill, 2015. xvi + 468 pp. $206. ISBN: 978-90-04-28768-6.

Includes: Jean-Louis Fournel, “Il genere e il tempo delle parole: Dire la guerra nei testi machiavelliani”; Jean-Claude Zancarini, “‘Uno piccolo dono’: A Software Tool for Comparing the First Edition of Machiavelli’s The Prince to Its Sixteenth Century French Translations”; Romain Descendre, “Of ‘Extravagant’ Writing: The Prince, Chapter IX”; Giorgio Inglese, “‘Italia’ come spazio politico in Machiavelli”; Gabriele Pedulla, “Machiavelli the Tactician: Math, Graphs, and Knots in The Art of War”; Alison Brown, “Lucretian Naturalism and the Evolution of Machiavelli’s Ethics”; Jacques Lezra, “Corpora Caeca: Discontinuous Sovereignty in The Prince”; Vittorio Morfino, “The Five Theses of Machiavelli’s ‘Philosophy’”; Sebastian Torres, “Tempo e politica: Una lettura materialista di Machiavelli”; Tania Rispoli, “Imitation and Animality: On the Relationship between Nature and History in Chapter XVIII of The Prince”; Thomas Berns, “Prophetic Efficacy: The Relationship between Force and Belief”; Fabio Frosini, “Prophecy, Education, and Necessity: Girolamo Savonarola between Politics and Religion”; Warren Montag, “‘Uno Mero Esecutore’: Moses, Fortuna, and Occasione in The Prince”; Miguel Vatter, “Machiavelli and the Republican Conception of Providence”; Jeremie Barthas, “Machiavelli, Public Debt, and the Origin of Political Economy: An Introduction”; Yves Winter, “Plebeian Politics: Machiavelli and the Ciompi Uprising”; John P. McCormick, “Machiavelli’s Greek Tyrant as Republican Reformer”; Etienne Balibar, “Essere Principe, Essere Populare: The Principle of Antagonism in Machiavelli’s Epistemology”; Stefano Visentin, “The Different Faces of the People: On Machiavelli’s Political Topography”; Mikko Lahtinen, “Machiavelli Was Not a Republicanist — Or Monarchist: On Louis Althusser’s ‘Aleatory’ Interpretation of The Prince”; Mohamed Moulfi, “Lectures machiavéliennes d’Althusser”; Banu Bargu, “Machiavelli after Althusser”; and Peter D. Thomas, “Gramsci’s Machiavellian Metaphor: Restaging The Prince.”

Del Prete, Antonella, and Thomas Berns, eds. Giordano Bruno: Un philosophie des liens et de la relation. Philosophie politique: Généalogies et actualités. Brussels: Editions de l’université de Bruxelles, 2016. 166 pp. €19. ISBN: 978-2-8004-1599-4.

Includes: Thomas Berns, “Des Liens: Désir, variation, et philautie”; Antonella Del Prete, “La relation entre Dieu et l’univers chez Giordano Bruno”; Jean-Michel Counet, “Nicolas de Cues, Giordano Bruno et l’ontologie fonctionnelle”; Sébastien Galland, “Image, lien des liens et coïncidence des contraires: Giordano Bruno et le mundus imaginalis”; Luca Salza, “Le ‘vinculum’ comme puissance de relations mutuelles”; Fabio Raimondi, “Liens et serments: Magie et politique dans le Cantus Circaeus de Girodano Bruno”; Saverio Ansaldi, “Relation civile, fureur et poésie à la Renaissance: Giordano Bruno et Dante”; Enrico Nuzzo, “Les lieux de l’humain: Caractères des peuples et des sites naturels chez Bruno”; and Eugenio Canone, “Notes pour conclure: Penser la relation.”

Denbo, Michael Roy, ed. New Ways of Looking at Old Texts, V: Papers of the Renaissance English Text Society, 2007–2010. Medieval and Renaissance Texts and Studies 456; Renaissance English Text Society Seventh Series Special Publication. Tempe: Arizona Center for Medieval and Renaissance Studies; Renaissance English Text Society, 2014. xxi + 358 pp. $60. ISBN: 978-0-86698-507-9.

Includes: P. G. Stanwood and Michael Denbo, “In Memoriam: W. Speed Hill”; Raymond G. Siemens, “Underpinnings of the Social Edition? A Brief Narrative, 2004–2009, for the Renaissance English Knowledgebase (REKn) and Professional Reading Environment (PReE) Projects”; Shawn Martin, “Providing a Base for E-Editing: The Text Creation Partnership Project”; Sheila T. Cavanagh, “The Emory Women Writers Resource Project: Teaching Students, Training Students”; Grace Ioppolo, “The Henslowe-Alleyn Digitisation Project: Past, Present, and Future”; Eric Rasmussen, “Brave New World or Dumping Ground? Electronic Supplements and the Printing of Jonson’s Cynthia’s Revels”; Michael Best, “Mutability and Variation: A Digital Response to Complex Texts”; Raymond G. Siemens, “Drawing Networks in the Devonshire Manuscript (BL Add. MS. 17492): Toward Visualizing a Writing Community’s Shared Apprenticeship, Social Valuation, and Self-Validation”; Erika Farr, “Paratext and Pointy Brackets: How Early Modern Archives Can Inform Digital Collections”; Johanna Harris, “The Sense of a Letter: Brilliana Harley’s Advice Manuscript (BL MS. 70118)”; Susan F. Felch, “Reforming Sir Thomas More in the Court of Katherine Parr”; Jaime Goodrich, “Monastic Authorship, Protestant Poetry, and the Psalms Attributed to Dame Clementia Cary”; Irene J. Middleton, “‘Who am I?’: Exploring Questions of Authorship Using Digital Texts”; Carolyn Diskant Muir, “The Woman in Black: The Patron of Antoine Vérard’s Edition of the Horloge de Sapience (PML 17591)”; Laura Estill, “‘All the Adulteries of Art’: The Dramatic Excerpts of Margaret Bellasys’s BL MS. Add. 10309”; Ilona Bell, “The Autograph Manuscript of Mary Wroth’s Pamphilia to Amphilanthus”; Ken Hiltner, “Sixteenth-Century Artisanal Practices and Baconian Prose”; Alan Stewart, “Francis Bacon in Collaboration”; Paul A. Marquis, “Editing the Early Modern Text Editing Richard Tottel’s Songes and Sonettes”; Helen L. Vella Bonavita, “Cælivs Secvndus Curio His Historie of the Warr of Malta: Translated by Thomas Mainwaring, 1579”; John Gouws, “Editing “a mute inglorious Milton” of Gloucestershire: Nicholas Oldisworth”; and Michael Denbo, “On Textual Editing: MA 1057.”

DiFuria, Arthur J., ed. Genre Imagery in Early Modern Northern Europe: New Perspectives. Visual Culture in Early Modernity. London: Routledge, 2016. xx + 216 pp. $149.95. ISBN: 978-1-4724-4914-6.

Includes: Jessen Kelly, “The Value of Play in Early Genre Painting : Lucas van Leyden’s Card Games”; Annette LeZotte, “Moralizing Dialogues on the Northern Market Economy: Women’s Directives in Sixteenth-Century Genre Imagery”; Irene Schaudies, “Jacques Jordaens’s Twelfth Night Politics”; Sheila D. Muller, “For the Pleasure and Contentment of the Audience: Gerrit van Honthorst’s The Merry Fiddler Promoting Civil Behavior in Early Seventeenth-Century Utrecht”; Martha Hollander, “Adriaen van de Venne’s Cavalier at a Dressing Table: Masculinity and Parody in Seventeenth-Century Holland”; Amy Golahny, “Rembrandt and ‘Everyday Life’: The Fusion of Genre and History”; and Allison Kettering, “The Rustic Still Life in Dutch Genre Painting: Bijwerck dat Verclaert.”

Duhl, Olga Anna, and Jean-Marie Fritz, eds. Les cinq sens entre Moyen Âge et Renaissance: Enjeux épistémologiques et esthétiques. Sociétés. Dijon: Éditions Universitaires de Dijon, 2016. 186 pp. €18. ISBN: 978-2-36441-157-9.

Includes: Jean-Marie Fritz, “Les cinq sens au prisme de la littérature: Allégorie et sérialité”; Olga Anna Duhl, “Vers une esthétique du sensible”; Ana Pairet, “‘Maistrece de tous ses sens’: Expérience et connaissance dans le Chemin de longue étude de Christine de Pizan”; Gabriela Tanase, “‘Les portes des sens fermees’: Acquisition d’une connaisance et esthétique d’une écriture dans la Mutacion de Fortune’ et l’Advision Cristine”; Isabelle Fabre and Gilles Polizzi, “Le bal en forme de jeu d’échecs et le bain des sens: Variations d’un topos de Gerson à Colonna”; Anne-Marie De Gendt, “Du masculin au féminin: Le changement de sexe des cinq sens au seuil de la Renaissance”; Yona Pinson, “Conduite par Éve: La Nef des folles et les cinq sens, Jehan Drouyen, Paris, c. 1500”; Anne-Laure Metzger-Rambach, “La part des sens dans la satire: Le cas de la Nef des folles de Jean Drouyen d’après Josse Bade”; Ariane Bayle, “Scènes de diagnostic au XVIe siècle: Les cinq sens, le savoir et le bon sens”; Giuseppe Sangirardi, “Le Ragionamento de l’Arétin: Une écriture des sens?”; and Carl Havelange, “Conclusion: Partages du sensible.”

Enenkel, Karl A. E., and Anita Traninger, eds. Discourses of Anger in the Early Modern Period. Intersections: Interdisciplinary Studies in Early Modern Culture 40. Leiden: Brill, 2015. xvii + 492 pp. $199. ISBN: 978-90-04-30082-8.

Includes: Karl A. E. Enenkel and Anita Traninger, “Introduction: Discourses of Anger in the Early Modern Period”; Johannes F. Lehmann, “Feeling Rage: The Transformation of the Concept of Anger in Eighteenth Century Germany”; Karl A. E. Enenkel, “Neo-Stoicism as an Antidote for Public Violence before Lipsius’s De constantia: Johann Weyer’s (Wier’s) Therapy of Anger, De ira morbo (1577)”; Anita Traninger, “Anger Management and the Rhetoric of Authenticity in Montaigne’s De la colère (11, 31)”; Jan Papy, “Neostoic Anger: Lipsius’s Reading and Use of Seneca’s Tragedies and De ira”; Michael Krewet, “Descartes’ Notion of Anger: Aspects of a Possible History of its Premises”; David M. Barbee, “Holy Desperation and Sanctified Wrath: Anger in Puritan Thought”; John Nassichuk, “Anger and its Limits in the Ethical Philosophy of Giovanni Pontano”; Bernd Roling, “Northern Anger: Early Modern Debates on Berserkers”; Tamás Demeter, “Anger and the Unity of Philosophy: Interlocking Discourses of Natural and Moral Philosophy in the Scottish Enlightenment”; Christian Peters, “Iustas in iras? Perspectives on Anger as a Driving Force in Neo-Latin Epic”; Betül Dilmac, “Epic Anger in La Gerusalemme Liberata: Rinaldo’s Irascibility and Tasso’s Allegoria della Gerusalemme”; Barbara Sasse Tateo, “‘In Zoren zu wütiger Rach’: Angry Women and Men in the German Drama of the Reformation Period”; Jakob Willis, “Pierre Corneilles’s Cinna ou la Clémence d’Auguste (1642) in Light of Contemporary Discourses on Anger (Descartes, Le Moyne, Senault)”; Maria Berbara, “Visual Representations of Medea’s Anger in the Early Modern Period: Rembrandt and Rubens”; Tilman Haug, “Negotiating with ‘Spirits of Brimstone and Salpetre’: Seventeenth Century French Political Officials and Their Practices and Representations of Anger”; Jan-Frans van Dijkhuizen, “Narratives of Reconciliation in Early Modern England: Between Oblivion, Clemency and Forgiveness”; N. Zeynep Yelçe, “Royal Wrath: Curbing the Anger of the Sultan”; and Paolo Santangelo, “Anger and Rage in Traditional Chinese Culture.”

Ferdinand, Juliette, ed. From Art to Science: Experiencing Nature in the European Garden: 1500–1700. Festina Lente Miscellanea 4. Treviso: ZeL Edizioni, 2016. 128 pp. €20. ISBN: 978-88-96600-92-4.

Includes: Juliette Ferdinand, “In the ‘Hortus universalis’: Science, technique, and Delight in Gardens”; Florike Egmond, “The Garden of Nature: Visualizing Botanical Research in Northern and Southern Europe in the 16th Century”; Luca Ciancio, “The Many Gardens — Real, Symbolic, Visual — of Pietro Andrea Mattioli”; Alette Fleischer, “Hydraulics in Horto: Levelling between Water and Power in Seventeenth-Century Gardens in France and Holland”; Sara Taglialagamba, “Facciasi fonti in ciascuna piazza: Congegni idraulici e fontane di Leonardo per i committenti francesi”; Michael Simonsen, “Geometry and Botany Artistically United at Wollaton Hall at the End of the 16th Century”; and Juliette Ferdinand, “Placere et docere: Le jardin minéral de Bernard Palissy.”

Freedman, Joseph S., ed. Die Zeit um 1670: Eine Wende in der europäischen Geschichte und Kultur? Wolfenbütteler Forschungen 142. Wiesbaden: Harrassowitz Verlag, 2016. 240 pp. €72. ISBN: 978-3-447- 10389-3.

Includes: Joseph S. Freedman, “Introduction: The Period Around 1670: Some Questions to Consider”; Elke Bujok, “Kunstkammerinventare und die Rezeption des Fremden um 1670”; Detlef Döring, “Die Anfänge der Ausdifferenzierung der modernen Wissen schaftsdisziplinen an den deutschen protestantischen Universitäten, 1670–1720”; Peter Rauscher, “‘Impopulation’ und ‘Peuplierung’: Der Beginn staatlicher Bevölkerungspolitik von der Mitte des 17. bis zur Mitte des 18. Jahrhunderts: Die Habsburgermonarchie und BrandenburgPreußen im Vergleich”; Marília dos Santos Lopes, “Neue Welten in der europäischen Wissenskultur um 1670”; Anton Schindling, “Die Perpetuierung des Immerwährenden Reichstags in Regensburg und das Heilige Römische Reich um 1670” and Jan Schröder, “Die Erneuerung der Rechtswissenschaft im späten 17. Jahrhundert.”

Gniady, Tassie, Kris McAbee, and Jessica Murphy, eds. New Technologies and Renaissance Studies II. New Technologies in Medieval and Renaissance Studies 4; Medieval and Renaissance Texts and Studies 464. Toronto: Iter Academic Press; Tempe: Arizona Center for Medieval and Renaissance Studies, 2014. vi + 310 pp. $70. ISBN: 978-0-86698-515-4.

Includes: Ray Siemens et al., “Underpinnings of the Social Edition?: A Brief Narrative, 2004–9, for the Renaissance English Knowledgebase (REKn) and Professional Reading Environment (PReE) Projects, and a Framework for Next Steps”; Toby Burrows, “A Digital Research Community in Medieval and Renaissance Studies: The ARC Network for Early European Research, 2005–2010”; Jim Kuhn, “‘A hawk from a handsaw’: Collating Possibilities with the Shakespeare Quartos Archive”; Tanya Hagen, Sally-Beth MacLean, and Michele Pasin, “Moving Early Modern Theatre Online: The Records of Early English Drama Introduces the Early Modern London Theatres Website”; Anna Schreurs, Carsten Blüm and Thorsten Wübbena, “Sandrart.net: An Online Edition of a Seventeenth-Century Text”; Diane Cole Ahl, “Virtual Restoration: The Art and Technology of ‘Recreating’ Italian Renaissance Paintings”; Jessica C. Murphy, William H. Hsu, et al, “Greensickness and HPV: A Comparative Analysis?”; Kris McAbee, “Resuscitability and ‘Excellent New’ Early Modern Verse”; Farrah Lehman, “‘Speak the Speech’: Dramatic Blank Verse as a New Medium on the English Stage”; Tassie Gniady, “Broadside Love: A Comparison of Reading with Digital Tools versus Deep Knowledge in the Ballads of Samuel Pepys”; Kathleen Marie Smith, “Emblematica Online: A Case Study in Humanities Research Projects”; and Shawn Martin, “A Modest Proposal for Scholarly Publishing: 21st-Century ideas for a 19th-Century System.”

Graca, Laura da, and Andrea Paula Zingarelli, eds. Studies on Pre-Capitalist Modes of Production. Historical Materialism 97. Leiden: Brill, 2015. x + 322 pp. $163. ISBN: 978-90-04-26369-7.

Includes: Carlos Astarita, “Preface”; Laura da Graca and Andrea Zingarelli, “Introduction to Studies on Pre-Capitalist Modes of Production: Debates, Controversies and Lines of Argument”; Andrea Zingarelli, “Asiatic Mode of Production: Considerations on Ancient Egypt”; Carlos García Mac Gaw, “The Slave Roman Economy and the Plantation System”; Carlos Astarita, “Origins of the Medieval Craftsman”; Chris Wickham, “Passages to Feudalism in Medieval Scandinavia”; Laura da Graca, “Peasant Mode of Production and the Evolution of Clientelar Relations”; John Haldon, “Mode of Production, Social Action, and Historical Change: Some Questions and Issues”; and Octavio Colombo, “Simple Commodity Production and Value Theory in Late Feudalism.”

Hayden, Judy A., ed. Literature in the Age of Celestial Discovery: From Copernicus to Flamsteed. Palgrave Studies in Literature, Science, and Medicine. Basingstoke: Palgrave Macmillan, 2016. ix + 224 pp. $95. ISBN: 978-1-137-58345-1.

Includes: Judy A. Hayden, “Introduction: ‘Faln Systemes’ and ‘Dead Chimaeras’”; Pietro Daniel Omodeo, “Heliocentrism, Plurality of Worlds, and Ethics: Anton Francesco Doni and Giordano Bruno”; David Cressy, “Early Modern Space Travel and the English Man in the Moon”; David H. Levy with Judy A. Hayden, “An English Renaissance Astronomy Club? Shakespeare, Observation,and the Cosmos”; Gabrielle Sugar, “To the Moon: Discovering the Comic in the Cosmic on the Early Modern English Stage”; Catherine Gimelli Martin, “Sailing to the Moon: Francis Bacon, Francis Godwin, and the First Science Fiction”; J. Ereck Jarvis, “The Royal Society, Collective Vision, and Samuel Butler’s ‘The Elephant in the Moon’”; Judy A. Hayden, “‘Cinthia’s Hero’: Edward Howard’s The Six days Adventure or the New Utopia”; Brycchan Carey, “‘A new discovery of a new world’: The Moon and America in Seventeenth- and Eighteenth-Century European Literature”; and Daniel J. Worden, “Astronomy, Prophecy, and Imposture in Tyssot de Patot’s Voyages et avantures de Jaques Masse.”

Ingesman, Per, ed. Religion as an Agent of Change: Crusades, Reformation, Pietism. Brill’s Series in Church History and Religious Culture 72. Leiden: Brill, 2016. xii + 280 pp. $142. ISBN: 978-90-04-30372- 0.

Includes: Per Ingesman, “Introduction”; Hugh McLeod, “The Long March of Religious History: Where have We Travelled since the Sixties, and Why?”; Christoph T. Maier, “Pope Innocent III and the Crusades Revisited”; Jonathan Phillips, “Caffaro of Genoa and the Motives of Early Crusaders”; Felicitas Schmieder, “Opening up the World and the Minds: The Crusades as an Engine of Change in Missionary Conceptions”; Thomas Kaufmann, “What is Lutheran Confessional Culture?”; Ole Peter Grell, “The Creation of a Calvinist Identity in the Reformation Period”; Peter Marshall, “Changing Identities in the English Reformation”; Fred van Lieburg, “Piety or Pietism? A Comparison of Early Modern Danish and Dutch Examples of Interconfessional Religiosity”; Martin H. Jung, “The Impact of Pietism on Culture and Society in Germany”; John Wolffe, “Crusading, Reformation and Pietism in Nineteenth-Century North Atlantic Evangelicalism”; and Arne Bugge Amundsen, “Religion as an Agent of Change: Concluding Remarks.”

Jaquet, Daniel, and Nicolas Baptiste, eds. Expérimenter le maniement des armes à la fin du Moyen Age / Experimente zur Waffenhandlung im Spätmittelalter. Itinera 39 / 2016. Basel: Schwabe Verlag, 2016. 182 pp. €48. ISBN: 978-3-7965-3467-6.

Includes: Jean-Claude Schmitt, “Préface”; Claus Frederik Sørenson, “Foreword”; Daniel Jaquet, “Entre jeux de mains et jeux de mots: Faire l’expérience ou expérimenter les gestes d’après les textes techniques; Reproduire ou répliquer les objets”; Audrey Tuaillon-Demésy, “Réflexions épistémologiques autour de la (re)création du geste technique de combats anciens à partir de sources historiques”; Thore Wilkens, “Untersuchungen zur Relevanz praktisch perspektivierter Analysen in der Fechtbuchforschung”; Gilles Martinez, “La méthode expérimentale appliquée à l’étude du geste guerrier: L’exemple des formations collectives d’infanterie du Moyen Age central (XIe–XIIIe siècles)”; Pierre-Henry Bas, “Restitution des gestes martiaux: Évolutions et révolutions au milieu du XVIe siècle”; Daniel Jaquet, “Les apports de la cinésiologie dans l’approche expérimentale pluridisciplinaire de l’étude du geste historique: L’étude de cas de l’impact du port de l’armure sur le comportement moteur”; Olivier Gourdon, “La pratique de la coupe: Un apport à l’étude et à l’interprétation des arts martiaux historiques européens”; Loïs Forster, “L’équitation militaire médiévale: Art de guerre ou art de grâce?”; Nicolas Baptiste, “L’expérimentation et l’histoire: Des collections aux universités. L’exemple des armures anciennes”; Antoine Selosse, “Un vêtement militaire particulier, la brigandine: Expérience de recherches, des gestes de reconstitution et d’expérimentation personelle; Production, cycle de vie et constations”; and Simon Delachaux, “Le ‘Projet Artillerie,’ la reconstitution des gestes autour d’un objet d’expérimentation: Nécessité de la recherche et apport des initiatives croisées entre musées, universités et mécénat.”

Kalous, Antonín, ed. The Transformation of Confessional Cultures in an Central European City: Olomouc, 1400–1750. Viella Historical Research 2. Rome: Viella, 2015. 206 pp. €35. ISBN: 978-88-6728- 489-4.

Includes: Jaroslav Miller, “Introduction: Olomouc : The City and Its History”; Jan Stejskal, “A Catholic City in the Hussite Era, 1400–1450s”; Antonín Kalous, “Between Hussitism and Reformation, 1450s–1520s”; Ondrej Jakubec, “The Divided City, 1520s–1600”; Tomáš Parma, “The Stormy Path to a Single Religion, 1600–1650”; Radmila Prchal Pavlícková, “The Evolution of Catholic Identity, 1650–1700”; and Martin Elbel, “Consolidation, 1700–1750.”

Katsuyama, Takayuki, ed. Shakespeare Studies: The 400th Anniversary Special Issue; Vol. 53 (2015). The Shakespeare Society of Japan, 2015. 86 pp. ISSN: 0582-9402.

Includes: Chiaki Hanabusa, “The Text of the First Quarto of Titus Andronicus (1594)”; Atsuhiko Hirota, “Two Triangles for Denmark: International Relations in Hamlet”; Shoichiro Kawai, “‘The hours come back!’: Significant Inconsistencies in The Comedy of Errors.”

Laugerud, Henning, Salvador Ryan, and Laura Katrine Skinnebach, eds. The Materiality of Devotion in Late Medieval Northern Europe: Images, Objects, Practices. Dublin: Four Courts Press, 2016. ix + 192 pp. +16 color pls. $45. ISBN: 978-1-84682-503-3.

Includes: Berndt Hamm, “Types of Grace Mediality in the Late Middle Ages”; Rob Faesen, “The Body of Christ and the Union ‘without difference’: Hadewijch’s Eucharistic Vision 7–8 Reconsidered”; Henning Laugerud, “‘And how could I find Thee at all, if I do not remember Thee?’ Visions, Images and Memory in Late Medieval Devotion”; Salvador Ryan, “Christ the Wounded Lover and Affective Piety in Late Medieval Ireland and Beyond”; Laura Katrine Skinnebach, “Transfiguration: Change and Comprehension in Late Medieval Devotional Perception”; Soetkin Vanhauwaert and Georg Geml, “Don’t Judge a Head by Its Cover: The Materiality of the Johannesschüssel as Reliquary”; Barbara Baert, “The Annunciation and the Senses: Late Medieval Devotion and the Pictorial Gaze”; and Hans Henrik Lohfert Jørgensen, “Prostheses of Pious Perception: On the Instrumentalization and Mediation of the Medieval Sensorium.”

Louthan, Howard, and Graeme Murdock, eds. A Companion to the Reformation in Central Europe. Brill’s Companions to the Christian Tradition 61. Leiden: Brill, 2015. xx + 484 pp. $199. ISBN: 978-90-04- 25527-2.

Includes: Howard Louthan and Graeme Murdock, “Introduction”; Phillip Haberkern, “The Lands of the Bohemian Crown”; Maciej Ptaszynski, “The Polish-Lithuanian Commonwealth”; Astrid von Schlachta, “The Austrian Lands”; Márta Fata, “The Kingdom of Hungary and Principality of Transylvania”; Natalia Nowakowska, “Reform before Reform?”; Luka Ilic, Michael Springer, and Edit Szegedi, “Protestant Reformers”; Mihály Balázs, “Antitrinitarianism”; Rona Johnston Gordon, Howard Louthan, and Tadhg Ó hAnnracháin, “Catholic Reformers”; Liudmyla Sharipova, “Orthodox Reform”; Alexander Schunka, “Social and Moral Discipline”; Rudolf Schlögl, “The Town and the Reformation as an Event”; Václav Bužek, “Nobles: Between Religious Compromise and Revolt”; Mark Hengerer, “The Monarch and Court in the Habsburg Lands”; Michael Tworek, “Education: the Polish-Lithuanian Commonwealth”; Pál Ács and Howard Louthan, “Bibles and Books: Bohemia and Hungary”; Maria Craciun and Grazyna Jurkowlaniec, “Visual Cultures”; and Laura Lisy-Wagner and Graeme Murdock, “Tolerance and Intolerance.”

Martinich, A. P., and Kinch Hoekstra, eds. The Oxford Handbook of Hobbes. Oxford: Oxford University Press, 2016. xiv + 650 pp. $150. ISBN: 978-0-19-979194-1.

Includes: A. P. Martinich, “Introduction”; Martine Pécharman, “Hobbes on Logic, or How to Deal with Aristotle’s Legacy”; Stewart Duncan, “Hobbes on Language: Propositions, Truth, and Absurdity”; Katherine Dunlop, “Hobbes’s Mathematical Thought”; Daniel Garber, “Natural Philosophy in Seventeenth-Century Context”; Douglas Jesseph, “Hobbes on the Foundations of Natural Philosophy”; Franco Giudice, “The Most Curious of Sciences: Hobbes’s Optics”; Thomas Pink, “Hobbes on Liberty, Action, and Free Will”; Adrian Blau, “Reason, Deliberation, and the Passions”; Ioannis D. Evrigenis, “The State of Nature”; Nancy Hirschmann, “Hobbes on the Family”; S. A. Lloyd,“Natural Law”; John Deigh, “Political Obligation”; A. P. Martinich, “Authorization and Representation in Hobbes’s Leviathan”; Mark Murphy, “Hobbes (and Austin, and Aquinas) on Law as Command of the Sovereign”; David Runciman, “The Sovereign”; Johann Sommerville, “Hobbes and Absolutism”; Arash Abizadeh, “Sovereign Jurisdiction, Territorial Rights, and Membership in Hobbes”; Quentin Skinner, “Hobbes and the Social Control of Unsociability”; Agostino Lupoli, “Hobbes and Religion without Theology”; Richard Tuck, “Hobbes, Conscience, and Christianity”; Sarah Mortimer, “Christianity and Civil Religion in Hobbes’s Leviathan”; Jeffrey Collins, “Thomas Hobbes’s Ecclesiastical History”; Kinch Hoekstra, “Hobbes’s Thucydides”; Tomaz Mastnak, “Making History: The Politics of Hobbes’s Behemoth”; Timothy Raylor, “Hobbes on the Nature and Scope of Poetry”; and Jon Parkin, “Hobbes and Paradox.”

Matula, Jozef, and Paul Richard Blum, eds. Georgios Gemistos Plethon: The Byzantine and the Latin Renaissance. Centre for Renaissance Texts. Olomouc: Palacky University, 2014. 462 pp. n.p. ISBN: 978- 80-244-4423-9.

Includes: Wilhelm Blum, “Sigismondo Pandolfo Malatesta (1417–1468): Stadtherr von Rimini, Neuheide und Verehrer Plethons”; László Bene, “Constructing Pagan Platonism: Plethon’s Theory of Fate and the Ancient Philosophical Tradition”; George Arabatzis, “Plethon’s Philosophy of the Concept”; Sergei Mariev, “Plethon and Scholarios on Deliberation in Art and Nature”; John A. Demetracopoulos, “Hermonymos Christonymos Charitonymos’ Capita decem pro divinitate Christi: A Posthumous Reaction to Plethon’s Anti-Christianism”; Mikhail Khorkov, “How to Make a New Philosophy From an Old Platonism: Plethon and Cusanus on Phaedrus”; Vojtèch Hladky, “From Byzantium to ltaly: ‘Ancient Wisdom’ in Plethon and Cusanus”; Jozef Matula, “The Fate of Plethon’s Criticism of Averroes”; Davide Amendola, “Plethon’s Opuscula de historia Graeca and Bruni’s Commentarium rerum Graecarum: Rewriting Greek History Between the Byzantine and the Latin Renaissance”; Walter Seitter, “Plethon in Duplicate, in Triplicate . . . The Question of Portraits”; Brigitte Tambrun-Krasker, “Are Psellos’s and Plethon’s Chaldaean Oracles Genuine?”; Paul Richard Blum, “Plethon the First Philhellene: Re-Enacting the Antiquity”; Niketas Siniossoglou, “Plethon and the Philosophy of Nationalism”; and Jacek Raszewski, “George Gemistos Plethon and the Crisls of Modern Greek ldentity.”

Melion, Walter S., and Lee Palmer Wandel, eds. Image and Incarnation: The Early Modern Doctrine of the Pictorial Image. Intersections: Interdisciplinary Studies in Early Modern Culture 39. Leiden: Brill, 2015. xxv + 514 pp. $219. ISBN: 978-90-04-30051-4.

Includes: Walter S. Melion and Lee Palmer Wandel, “Introduction”; Herbert L. Kessler, “Medietas / Mediator and the Geometry of Incarnation”; Klaus Krüger, “Mute Mysteries of the Divine Logos: On the Pictorial Poetics of Incarnation”; Jaime Lara, “A Meaty Incarnation: Making Sense of Divine Flesh for Aztec Christians”; Matthieu Somon, “The Ineffability of Incarnation in Le Brun’s Silence or Sleep of the Child”; Mark D. Jordan, “Thomas Aquinas, Sacramental Scenes, and the ‘Aesthetics’ of Incarnation”; Niklaus Largier, “The Poetics of the Image in Late Medieval Mysticism”; Lee Palmer Wandel, “Incarnation, Image, and Sign: John Calvin’s Institutes of the Christian Religion and Late Medieval Visual Culture”; Geert Warnar, “Eye to Eye, Text to Image? Jan Provoost’s Sacred Allegory, Jan Van Ruusbroec’s Spieghel der eeuwigher salicheit, and Mystical Contemplation in the Late Medieval Low Countries”; Christopher Wild, “‘A Just Proportion of Body and Soul’: Emblems and Incarnational Grafting”; Agnès Guiderdoni, “From Negative Painting to Loving Imprint in Pierre De Bérulle’s Discours (1623)”; Bart Ramakers, “Discerning Vision: Cognitive Strategies in Cornelis Everaert’s Mary Compared to the Light (c. 1511)”; Michael Randall, “The Fountain of Life in Molinet’s Roman de la rose moralisé (1500)”; Ralph Dekoninck, “Figuring the Threshold of Incarnation: Caravaggio’s Incarnate Image of the Madonna of Loreto”; Reindert Falkenburg, “Super-Entanglement: Unfolding Evidence in Hieronymus Bosch’s Mass of St. Gregory”; Dalia Judovitz, “The Mystery of the Incarnation and the Art of Painting”; Walter S. Melion, “Convent and Cubiculum Cordis: the Incarnational Thematic of Materiality in the Cistercian Prayerbook of Martin Boschman (1610)”; Colette Nativel, “Dieu le Père en Vierge Marie: La Trinité – Pietà de Rubens”; and Haruko Nawata Ward, “Images of the Incarnation in the Jesuit Japan Mission’s Kirishitanban Story of Virgin Martyr St. Catherine of Alexandria.”

Moffatt, Constance, and Sara Taglialagamba, eds. Illuminating Leonardo: A Festschrift for Carlo Pedretti Celebrating His 70 Years of Scholarship (1944–2014). Leonardo Studies 1. Leiden: Brill, 2016. xvi + 384 pp. $175. ISBN: 978-90-04-28755-6.

Includes: Constance Moffatt and Sara Taglialagamba, “Introduction”; Max Marmor, “One for the Books: A Bibliographical ‘Gleaning’ for CP”; Alfredo Buccaro, “The Codex Corazza and Zaccolini’s Treatises in the Project of Cassiano dal Pozzo for the Spreading of Leonardo’s Works”; Domenico Laurenza, “A Copy of Sacrobosco’s Sphaera in Mirror Script Attributed to Matteo Zaccolini”; Claire Farago, “A Short Note on Artisanal Epistemology in Leonardo’s Treatise on Painting”; Pietro Marani, “Leonardo’s Cartonetti for Luca Pacioli’s Platonic Bodies”; Sabine Frommel, “Giuliano da Sangallo and Leonardo da Vinci: Cross- Pollination or Parallels?”; Matthew Landrus, “Evidence of Leonardo’s Systematic Design Process for Palaces and Canals in Romorantin”; Francesco Di Teodoro, “Vitruvius in the Trattato dell’Architettura by Luca Pacioli”; Richard Schofield, “Notes on Leonardo and Vitruvius”; Francesca Fiorani, “Why Did Leonardo Not Finish the Adoration of the Magi?”; Martin Kemp, “‘Here’s Looking at You’: The Cartoon for the So-called Nude Mona Lisa”; Joanna Woods-Marsden, “Leonardo da Vinci’s Mona Lisa: A Portrait without a Commissioner?”; Annalisa Perissa Torrini, “Leonardo’s Followers in Lombardy: Girolamo and Giovan Ambrogio Figino”; Andrea Bernardoni, “A Machine to ‘Build’ Artilleries”; Pascal Brioist, “Bombards and Noisy Bullets: Pietro Monte and Leonardo da Vinci’s Collaboration”; Romano Nanni, “Leonardo and the artes mechanicae”; Carlo Vecce, “‘The Sculptor Says’: Leonardo and Gian Cristoforo Romano”; Marino Viganò, “Leonardo and the Trivulzio Monument: Some Questions and Evidence (1507– 1518)”; Paola Salvi, “The Midpoint of the Human Body in Leonardo’s Drawings and in the Codex Huygens”; Leslie Geddes, “Drawing Bridges: Leonardo da Vinci on Mastering Nature”; Sara Taglialagamba, “Leonardo da Vinci’s Hydraulic Systems and Fountains for His French Patrons Louis XII, Charles D’Amboise and Francis I: Models, Influences, and Reprises Featured in the Art of Garden Design”; Fabio Frosini, “Pyramids, Rays and ‘Spiritual Powers’: Leonardo’s Research during the Last Decade of the Fifteenth Century”; Damiano Iacobone, “A Hydraulic System Drawing by Leonardo: Some Evaluations”; Constance Moffatt, “Leonardo’s Maps”; and Alessandro Vezzosi, “Sightings, Mistakes and Discoveries ‘al verso.’”

Moulton, Ian Frederick, ed. Eroticism in the Middle Ages and the Renaissance: Magic, Marriage, and Midwifery. Arizona Studies in the Middle Ages and the Renaissance 39. Turnhout: Brepols, 2016. xvi + 172 pp. €70. ISBN: 978-2-503-56788-4.

Includes: Ian Frederick Moulton, “Introduction: Magic, Marriage, Midwifery and More”; Albrecht Classen, “The Erotic and the Quest for Happiness in the Middle Ages: What Everybody Aspires To and Hardly Anyone Truly Achieves; Medieval Eroticism and Mysticism”; Asunción Lavrin, “The Erotic as Lewdness in Spanish and Mexican Religious Culture During the Sixteenth and Seventeenth Centuries”; Sharonah Frecrick, “Disarticulating Lilith: Notions of God’s Evil in Jewish Folklore”; Rosalind Kerr, “Sex and the Satyr in the Pastoral Tradition: Isabella Andreini’s La Mirtilla as Pro-Feminist Erotica”; Liliana Leopardi, “Erotic Magic: Rings, Engraved Precious Gems and Masculine Anxiety”; David L. Orvis, “Figuring Marital Queerness in Shakespeare’s Sonnets”; and Chantelle Thauvette, “Sexual Education and Erotica in the Popular Midwifery Manuals of Thomas Raynalde and Nicholas Culpeper.”

Nejeschleba, Tomáš, and Paul Richard Blum, eds. Francesco Patrizi: Philosopher of the Renaissance; Proceedings from the Centre for Renaissance Texts Conference (24–26 April 2014). Olomouc: Palacky University, 2014. 384 pp. n.p. ISBN: 978-80-244-4428-4.

Includes: Maria Muccillo, “Dall’ordine deil libri all’ordine della realtà: Ordine e metodo nella filosofia di Francesco Patrizi”; Marie-Dominique Couzinet, “History and Philosophy in Francesco Patrizi’s Dialoghi della istoria (1560)”; Kateřina Šolcova, “Philosophical Perspective of Humansit Discourse on History: Ars historica in Patrizi’s and Pontano’s Dialogues”; Luka Boršič, “Patrizi and History of Philosophy”; Stefano Gulizia, “First Notes on Francesco Patrizi’s Methods of Argumentation”; Luc Deitz, “‘Il poeta è facitore del mirabile’: Francesco Patrizi da Cherso on the Aim of Poetry”; Ivana Skuhalal Karasman and Luka Boršič, “Patrizi and His Women”; Paul Richard Blum, “Francesco Patrizi’s Principles of Psychology”; Erna Banić-Pajnić, “Marsilio Ficino and Franciscus Patricius on Love”; Jacomien Prins, “Francesco Patrizi, Unrequited Love and the Power of Music”; Barbara Bartocci, “Paolo Beni and his Friendly Criticism of Patrizi”; Jan Makovský, “The New Geometry of Francesco Patrizi”; Matjaž Vesel, “Franzesco Patrizi, a Renaissance Philosopher and the Science of Astronomy”; Petr Pavlas, “The Book of the Mind: The Shift Towards the Subject in Patrizi and Comenius”; Tomáš Nejeschleba, “Johannes Jessenius, Between Plagiarism and an Adequate Understanding of Patrizi’s Philosophy”; and Jan Čížek, “Patricius, Alstedius, Comenius: A Few Remarks on Patricius’ Reception n Early Modern Central Europe.”

Nejeschleba, Tomáš, and Jiří Michalík, eds. Latin Alchemical Literature of Czech Provenance: Proceedings from the Centre for Renaissance Texts Conference (16–17 October 2014). Olomouc: Palacky University, 2015. 186 pp. n.p. ISBN: 978-80-244-4851-0.

Includes: John A. Norris, “Agricola’s Bermannus: A Dialogue of Mineralogical Humanism Empiricism in the Mines of Jáchymov”; Martin Žemla, “Valentin Weigel and Alchemy”; Ivo Purš, “Perspective, Vision and Dream: Notes on the Plate ‘Oratory-Laboratory’ in Heinrich Khunrath’s Work Amphitheatrum sapientiae aeternae”; Jakub Hlaváček, “Cosmological and Alchemical Aspects of the Body, Soul and Spirit Triad in H. Khunrath’s Work Amphitheatrum sapientiae aeternae”; György E. Szönyi, “Layers of Meaning in Alchemy in John Dee’s Monas hieroglyphica and its Relevance in a Central European Context”; Rafał T. Prinke, “New Light on Micael Sendivogius’ Writings: The Treatises Written in Prague and Maybe in Olomouc”; and Jiří Michalík, “Wenceslaus Lavinius of Ottenfeld 1150–May 1602) and His Earthly Heaven.”

Omodeo, Pietro Daniel, and Karin Friedrich, eds. Duncan Liddel (1561–1613): Networks of Polymathy and the Northern European Renaissance. Scientific and Learned Cultures and Their Institutions 17. Leiden: Brill, 2016. xii + 322 pp. $175. ISBN: 978-90-04-31065-0.

Includes: Pietro Daniel Omodeo, “Science and Medicine in the Humanistic Networks of the Northern European Renaissance”; Mordechai Feingold, “Confabulatory Life”; Pietro Daniel Omodeo, “The European Career of a Scottish Mathematician and Physician”; John Henry, “A Pragmatic Aspect of Polymathy: The Alliance of Mathematics and Medicine in Liddel’s Time”; Jonathan Regier, “Logic, Mathematics and Natural Light: Liddel on the Foundations of Knowledge”; Laura Di Giammatteo, “Liddel’s Ars Medica (1607): The Effective Method as Foundation of Medical Knowledge and of Ethics”; Richard Kirwan, “It’s Who You Know: Scholarly Networks in Liddel’s Helmstedt”; Elizabeth Harding, “Home-Styling Matters: Symbolic Dimensions of the Professorial Household at Liddel’s Helmstedt”; Duncan Cockburn, “Liddel and the University of Aberdeen”; Pietro Daniel Omodeo and Jonathan Regier, “Liddel on the Geo- Heliocentric Controversy: His Letter to Brahe from 1600”; Pietro Daniel Omodeo, “Liddel’s Oratio de praestantia mathematicarum”; Jane Pirie, “Reconstructing Liddel’s Library at Aberdeen”; and Sabine Bertram, “Liddel’s Published and Unpublished Works.”

Roest, Bert, and Johanneke Uphoff, eds. Religious Orders and Religious Identity Formation, ca. 1420– 1620: Discourses and Strategies of Observance and Pastoral Engagement. The Medieval Franciscans 13. Leiden: Brill, 2016. xii + 260 pp. $142. ISBN: 978-90-04-31000-1.

Includes: Bert Roest and Johanneke Uphof, “Introduction”; Sylvie Duval, “The Observance’s Women: New Models of Sanctity and Religious Discipline for the Female Dominican Observant Movement during the Fifteenth Century”; Anna Campbell, “Creating a Colettine Identity in an Observant and Post-Observant World: Narratives of the Colettine Reforms after 1447”; Johanneke Uphoff, “Instruction and Construction: Sermons and the Formation of a Clarissan Identity in Nuremberg”; Alison More, “Canonical Change and the Orders of ‘Franciscan’ Tertiaries”; Anna Dlabačová, “Transcending the Order: The Pursuit of Observance and Religious Identity Formation in the Low Countries, c. 1450–1500”; Anne T. Thayer, “Selections in a World of Multiple Options: The Witness of Thomas Swalwell, OSB”; Martina Wehrli- Johns, “‘The Prayer Booklet of Eternal Wisdom’ (Der ewigen wiszheit Betbüchlin, 1518): Catechistic Shaping of Religious Lay Identity”; Koen Goudriaan, “The Vineyard of Saint Francis”; Ludovic Viallet, “The Name of God, the Name of Saints, the Name of the Order: Reflections on the ‘Franciscan’ Identity during the Observant Period”; Alessandro Vanoli, “The American Inquisition and the Arabic Language: A Short Note about the Invention of the Moriscos in the Sixteenth Century”; Fabrizio Conti, “Grids for Confessing Sins: Notes on Instruments for Pastoral Care in Late Medieval Milan”; Michele Camaioni, “Capuchin Reform, Religious Dissent and Political Issues in Bernardino Ochino’s Preaching in and towards Italy (1535–1545)”; and Emily Michelson, “How to Write a Conversionary Sermon: Rhetorical Influences and Religious Identity.”

Rossi, Maria Clara, and Marina Garbellotti, eds. Adoption and Fosterage Practices in the Late Medieval and Modern Age. Viella Historical Research 3. Rome: Viella, 2015. 218 pp. €35. ISBN: 978-88-6728-171-8.

Includes: Maria Clara Rossi and Marina Garbellotti, “Adoption and Fosterage Practices: An Introductory Note”; Cesarina Casanova, “Adoption and Agnation: Some Reflections”; Maria Gigliola Di Renzo Villata, “Adoption between Middle Ages and Modern Era: Was it in Decline?”; Maria Clara Rossi, “Stories of Affection in the Middle Ages: Adoptive Children, ‘Children of the Soul’ and Spiritual Children”; Michele Pellegrini, “More filiorum: The Problematic Integration of Young Foundlings into the Familia of a Late Medieval Hospital”; Giuliana Albini, “From Abandonment to Fosterage: Stories of Children in Late Fifteenth Century Milan”; Teresa Vinyoles Vidal and Ximena Illanes Zubieta, “Treated As Sons and Daughters”; Nicholas Terpstra, “Real and Virtual Families: Forms and Dynamics of Fostering and Adoption in Bologna’s Early Modern Hospitals”; Lucia Sandri, “Forms and Contracts of Adoption in Florence’s Hospital of the Innocents between the Late Middle Ages and the Modern Era”; Salvatore Marino, “The ‘Children of the Soul’ of the Annunziata in Naples between the Medieval and Early Modern Period”; and Marina Garbellotti, “The Importance of the Name: The Institution of Adoptio in Hereditatem in the Modern Age.”

Smirnova, Victoria, Marie Anne Polo de Beaulieu, and Jacques Berlioz, eds. The Art of Cistercian Persuasion in the Middle Ages and Beyond: Caesarius of Heisterbach’s Dialogue on Miracles and Its Reception. Studies in Medieval and Reformation Traditions 196. Leiden: Brill, 2015. xviii + 296 pp. $149. ISBN: 978-90-04-30482-6.

Includes: Marie Anne Polo de Beaulieu, Victoria Smirnova, and Jacques Berlioz, “Introduction”; Brian Patrick McGuire, “The Monk Who Loved to Listen: Trying to Understand Caesarius”; Anne-Marie Turcan-Verkerk, “To What Extent Were the Twelfth-Century Cistercians Interested in Rhetorical Treatises?”; Victoria Smirnova, “Caesarius of Heisterbach Following the Rules of Rhetoric (Or Not?)”; Marie Formarier, “Visual Imagination in Religious Persuasion: Mental Imagery in Caesarius of Heisterbach’s Dialogus miraculorum (VIII, 31)”; Victoria Smirnova, “Narrative Theology in Caesarius of Heisterbach’s Dialogus miraculorum”; Stefano Mula, “Exempla and Historiography: Alberic of Trois- Fontaines’s Reading of Caesarius’s Dialogus miraculorum”; Elisa Brili, “The Making of a New Auctoritas: The Dialogus miraculorum Read and Rewritten by the Dominican Arnold of Liège”; Marie Anne Polo de Beaulieu, “Dialogus miraculorum: The Initial Source of Inspiration for Johannes Gobi the Younger’s Scala coeli?”; Jasmin Margarete Hlatky, “On a Former Mayor of Deventer: Derick van den Wiel, the Devotio moderna and the Middle Dutch Translation of the Dialogus miraculorum”; Elena Koroleva, “The Dialogus miraculorum in the Light of Its Fifteenth-century German Translation by Johannes Hartlieb”; Danièle Dehouve, “Caesarius of Heisterbach in the New Spain (1570–1770)”; Nathalie Luca, “From Caesarius to Jông Myông-Sôk: A South Korean Exemplum of a Messiah”; and Pierre-Antoine Fabre, “Readings/Lessons of the Exemplum.”

Tan, Tian Yuan, Paul Edmondson, and Shih-pe Wang, eds. 1616: Shakespeare and Tang Xianzu’s China. The Arden Shakespeare. London: Bloomsbury, 2016. xxii + 326 pp. $29.95. ISBN: 978-1-4725-8341-3.

Includes: Wilt L. Idema, “Foreword”; Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang, “Introduction”; Yongming Xu, “The Backdrop of Regional Theatre to Tang Xianzu’s Drama”; Paul Edmondson, “Stratford-upon-Avon: 1616”; Wei Hua, “The ‘Popular Turn’ in the Elite Theatre of the Ming after Tang Xianzu: Love, Dream, and Deaths in The Tale of the West Loft”; Nick Walton, “Blockbusters and Popular Stories”; Ayling Wang, “Shishiju as Public Forum: The Crying Phoenix and the Dramatization of Current Political Affairs in Late Ming China”; Helen Cooper, “Dramatizing the Tudors”; Tian Yuan Tan, “Sixty Plays from the Ming Palace, 1615–1618”; Janet Clare, “Licensing the King’s Men: From Court Revels to Public Performance”; Stephen H. West, “Tired, Sick, and Looking for Money: Zang Maoxun in 1616”; Jason Scott-Warren, “Status Anxiety: Arguing about Plays and Print in Early Modern London”; Patricia Sieber, “Is There a Playwright in This Text? The 1610s and the Consolidation of Dramatic Authorship in Late Ming Print Culture”; Peter Kirwan, “‘May I subscribe a name?’: Terms of Collaboration in 1616”; Shih-pe Wang, “Revising Peony Pavilion: Audience Reception in Presenting Tang Xianzu’s Text”; Anjna Chouhan, “‘No epilogue, I pray you’: Audience Reception in Shakespearian Theatre”; Mei Sun, “Seeking the Relics of Music and Performance: An Investigation of Chinese Theatrical Scenes Published in the Early Seventeenth Century (1606–1616)”; David Lindley, “Music in the English theatre of 1616”; Regina Llamas, “Xu Wei’s A Record of Southern Drama: The Idea of a Theatre at the Turn of Seventeenth-Century China”; Will Tosh, “Taking Cover: 1616 and the Move Indoors”; Xiaoqiao Ling, “Elite Drama Readership Staged in Vernacular Fiction: The Western Wing and The Retrieved History’ of Hailing”; Kate McLuskie, “‘There be salmons in both’: Models of Connection for Seventeenth-Century English and Chinese Drama”; and Stanley Wells, “Afterword.”

van der Poel, Dieuwke, Louis Peter Grijp, and Wim van Anrooij, eds. Identity, Intertextuality, and Performance in Early Modern Song Culture. Intersections: Interdisciplinary Studies in Early Modern Culture 43. Leiden: Brill, 2016. xx + 378 pp. $181. ISBN: 978-90-04-31497-9.

Includes: Louis Peter Grijp and Dieuwke van der Poel, “Introduction”; Ingrid Åkesson, “Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries”; Nelleke Moser, “Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800”; Hubert Meeus and Tine de Koninck, “Guilielmus Bolognino’s Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion”; Franz-Josef Holznagel, “Songs and Identities: Handwritten Secular Songbooks in German- Speaking Areas of the Fifteenth and Sixteenth Centuries”; Sophie Reinders, “‘Social Networking is in our DNA’: Women’s Alba Amicorum as Places to Build and Affirm Group Identities”; Clara Strijbosch, “The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women’s Alba”; Dieuwke van der Poel, “Exploring Love’s Options: Song and Youth Culture in the Sixteenth Century Netherlands”; David Robb, “Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany”; Mary-Ann Constantine, “The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790–1820)”; Éva Guillorel, “Folksongs, Conflicts and Social Protest in Early Modern France”; Christopher Marsh, “‘Fortune My Foe’: The Circulation of an English Super-Tune”; Patricia Fumerton, “Samuel Pepys and the Making of Ballad Publics”; and Anne Marieke van der Wal, “Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750–1838.”

Wilson, Carolyn C., ed. Examining Giovanni Bellini: An Art “More Human and More Divine.” Turnhout: Brepols, 2015. 394 pp. €100. ISBN: 978-2-503-53570-8.

Includes: Carolyn C. Wilson, “Introduction: Giovanni Bellini, an Art ‘More Human and More Divine’”; Colin Eisler, “Giovanni Bellini’s Iris and Autopsia’s Stylistic Role”; Amy N. Worthen, “An Inconvenient Text: The Supplementum Chronicarum as a Source for Information about Gentile and Giovanni Bellini”; Paul Hills, “Vesting the Body of Christ”; Brigit Blass-Simmen, “‘Qualche lontani’: Distance and Transcendence in the Art of Giovanni Bellini”; Rosella Lauber, “‘Finito et ricercato mirabilmente’: Per nuovi contributi sul San Francesco nel deserto di Giovanni Bellini, ora nella Frick Collection di New York”; Mauro Di Vito, “Per lo quale ennallumini la nocte”: Il verbasco fiorito del San Francesco che riceve le stimmate di Giovanni Bellini alla Frick Collection ed altri appunti di storia naturale”; Elizabeth Perkins, “Giovanni Bellini, Antonello da Messina, and the ‘Signs of Men’s Character’”; Eveline Baseggio Omiccioli, “A New Interpretation of Jacometto’s ‘Most Perfect Work’: Parallels in Portraits by Giovanni Bellini and Leonardo da Vinci”; Karolina Zgraja, “A Contribution to the Study of Giovanni Bellini’s Drawings and Underdrawings”; Antonio Mazzotta, “A Portrait of Gabriele Veneto and Some Reflections on Giovanni Bellini’s Portraiture around 1500”; Catarina Schmidt Arcangeli, “Giovanni Bellini’s Private Devotional Images: A Boom around 1500”; Costanza Barbieri, “‘Apparò i primi principi da Giovan Bellino allora vecchio’: Questioni aperte sulla formazione di Sebastiano”; Beverly Louise Brown, “Poetry in Motion: Bellini, Titian, and the all’antica Relief”; Patricia Meilman, “Always a Challenge: Bellini, Titian, and Some Portraits of Women”; and Peter Humfrey, “The Reception of Giovanni Bellini in Britain (c. 1500–1900).”