DOCSLIB.ORG

3-2019 Vocal, A-Fan, Pp. 20-53

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
3-2019 Vocal, A-Fan, Pp. 20-53 78 rpm VOCAL RECORDS “FAMOUS BARITONE ” Russian Artistotipia records (1910-15 period) bore an oval area on the upper portion of the label which would present a portrait of the artist. The item below has three stars in place of the artist portrait (see illustrated labels section), who is identified on the label (in Russian) as “famous baritone”. I sent tapes in 1989 to Aida Favia-Artsay and Syd Grey for help in identification. Aida, in a letter to be included with the record, said “I know he is Giraldoni”. I didn’t think so, and she replied, “While I am convinced you have one of the most delightful rarities, you seem to be set on deprecating its intrinsic (and monetary) value. Oh well – after all it’s your record.” On the other hand, Syd Grey wrote, “It is not a mystery baritone but is confirmed as (George) Baklanov. Jim Dennis and I have done work on an Artistotipia catalogue and a friend in Kiev confirmed that it was Baklanov. He saw the files and it was stated that Baklanov was paid for the record. The reason was he had an exclusive Amour (Russian Gramophone) contract and couldn’t record for anyone else.” This letter is also included with the disc below. Who’s right ? … or it it yet some another baritone? Interestingly, Artistotipia records were usually recorded at about 70 rpm (although not mentioned on the label), presumably to make a somewhat longer playing item. 2540. 12” Artistotopia 417/418. RIGOLETTO: Cortigiani (Verdi) / BORIS GODOUNOV: Aria (Moussorgsky). 2. $60.00. UNCREDITED SOPRANO 2651. 12” White G&T Sample. Matrix 175½s. LAKMÉ: Bell Song (Delibes). In French. 25 Feb.‘07. Biophon Spezial Aufnahme für Biophon (Messters Projection GmbH, Berlin). I believe films were made to match the recordings (not necessarily of the same people who are performing). The singers appear to be notable artists active on the G&T German roster of the period, but who ? 1” crk. Heavy rubs. Greying, although quite quiet between greyed notes. Gen. 6. $15.00 UNCREDITED SOPRANO and TENOR 2652. 12” White G&T Sample. Matrix 178s. LA BOHÈME: Duett (Leoncavallo). In German. 25 Feb ‘07. “Recorded for Biophon” (see previous listing). Edge chip not to grooves. Greyed. Looks 6. $15.00. BESSIE ABOTT [s] 2524. 12” Red Vla 88129. MIREILLE: Valse (Gounod). 1-2. $8.00. 2872. 12” White lbl. Vla 88129. Same as preceding listing (#2524) but white lbl. pressing. Just about 1-2. $8.00. 2639. 12” Red ’12 Pats. Vla 89009. MARTHA: Mesta ognor (Flotow). With LOUISE HOMER [c]. Lightest (totally insignificant) rubs, cons. 2. $8.00. LUIGI ABRATE [t] 1965. 10” Maroon acous. Eng. Co.. D4952 [70638/ 70640]. BALLO IN MASCHERA: Di tu se fedele (Verdi) / GIOCONDA: Cielo e mar (Ponchielli). Just about 1-2. $15.00. ESSIE ACKLAND [c] 2822. 12” Plum PW HMV C.1702 [Cc15098-III/ Cc16641-I]. DOWN THE VALE (Moir) / PARTED (Tosti). Just about 1-2. $7.00. AÏNO ACKTÉ [s] 2032. 11” Brown Odéon 36868/36869 [XPh671/ ? ]. JE T’AIME (Grieg) / SI J’AVAIS VOS AILES! [VALSE CHANTÉE] (Messager). Just about 1-2. $300.00. AGUSTRELLO AFFRE [t] 1220. 10” Blk. Paris G&T 2-32685 [1453-F]. LES HUGUENOTS: Plus blanche (Meyerbeer). Piano acc. (Silent) inherent depressions. Very clean, cons. 2. $20.00. 1249. 10” Blk. Paris G&T 2-32969 [2288 C.S.]. FAUST: Laisse-moi contempler ton visage (Gounod). Piano acc. Beautiful copy. Few harmless pressing mks. One tiny PB, just about 1-2. $20.00. 1822. 10” Blk. Paris G&T 3-32188 [3426-F]. LE LAC (Niedermeyer). Just about 1-2. $25.00. BESSIE ABOTT 2112. 11” Red British Odéon RO575 (60478/60587)) [XP3632/XP3631]. ROMÉO ET JULIETTE: Pourquoi me la rends-tu si belle? / ROMÉO ET JULIETTE: Salut! Tombeau! (Gounod). Just about 1-2. $20.00. - 20 - 78 rpm VOCAL RECORDS 3156. 12” Blk. Paris G&T 032000 [2290 C.S.]. QUAND L’OISEAU CHANTE (Tagliafico). Some lt. rubs and few harmless LSs. Gen. 2-3. $35.00. CARMELO ALABISO [t] 3138. 10” Red & Blue Fonografia Nazionale 4603/4604. IL PICCOLO MARAT: Duetto final atto II [Va nella tua stanzetta] (Mascagni). Two sides. With MARIA LAIS [s]. Cons. 2. $20.00. 1721. 10” Maroon elec. Eng. Columbia D6013 [WB2474/WB2480]. GERMANIA: Studenti udite / GERMANIA: No, non chiuder gli occhi (Franchetti). Just about 1-2. $20.00. CARLO ALBANI [t] 2056. 11” Brown French Odéon 97293/97312 [XP ? /XP ? ]. SÉRÉNADE FRANÇAISE / PAGLIACCI: Sérénade d’Arlequin (both Leoncavallo). Minor lbl. scr. side two. Few lightest rubs, cons. 2. $15.00. 2159. 11” Brown Italian Odeon X.110107/X.110108 [Xm1548/Xm1549]. AIDA: Pur ti riveggo / AIDA: La, tra foreste vergini (Verdi). With GINA MORETTI STEFANI [s]. 1874-Milano, 1914. Wife of bass Guido Stefani, Gina made her debut in 1902 and for ten years appeared at various Italian houses as well as in Buenos Aires. A serious illness caused her retire- ment during 1912. Cons . 2. $15.00. 2196. 11” Brown Italian Odeon X.110143/X.110144 [Xm ? /Xm ? ]. IL TROVATORE: Un istante almen. With BIANCA BESALÙ [s], ARMINIO BALLISTINI [b] / IL TROVATORE: : Prima che d’altri. With EMILIA CORSI [s], ARMINIO BALLISTINI [b] . Just about 1-2. $15.00. 1723. 10” Red vinyl White lbl. RCA Vr mat. B-4890. ANDREA CHENIER: Come un bel dì di Maggio (Giordano). Just about 1-2. $12.00. 2368. 12” Lilac HMV AGSB 65 [C-4887/C-4898]. LUCREZIA BORGIA: Di pescatore ignobile (Donizetti) / ANDREA CHENIER: Un di all’ azzurro spazio (Giordano). 1907 recordings, side two unpublished otherwise except for limited PW HRS issue. Just about 1-2. $10.00. FRANCES ALDA [s]. See also: ENRICO CARUSO [t]. The group of unpublished discs below were originally from Alda’s estate and are unique. No other copies of any of these are known to exist. THE FOLLOWING ARE ALL UNPUBLISHED FRANCES ALDA SELECTIONS: 2158. 10” (on 11”) Victor acous. matrix B-12065-1?. OLD BLACK JOE (Foster). Unpublished. 2. $75.00. 2088. 10” (on 11”) Victor mat. B-28102-3. AMICO FRITZ: Son pochi fiori (Mascagni). Unpublished . One wonders why this beautiful performance was never issued. 3. $200.00. 2125. 10” (on 11”) Victor mat. B-28101-3. AMICO FRITZ: Non mi resta (Mascagni). Unpublished. Some superficial marks. Gen. 3. $200.00. 2126. 10” (on 11”) Victor mat. B-27702-9. FAUST: Jewel Song (Gounod). Unpublished. Superficial marks , 3-4. $175.00. THE FOLLOWING ARE ALL UNPUBLISHED TAKES OF FRANCES ALDA RECORDINGS: 2127. 10” (on 11”) Victor acous. matrix B-19893-1. FOR YOUR COUNTRY AND MY COUNTRY (Irving Berlin). Issued version was take 2. 2. $50.00. 2128. 10” (on 11”) Victor acous. matrix B-20434-1. GOD SAVE THE KING (Carey). Issued version was take two. With Orpheus Quartet (Macdonough [t], Murphy [t], Werrenrath [b], Hooley [b]). Superficial mks. $50.00. 2129. 10” (on 11”) Victor elec. mat. BVE-23505-5. THE BELLS OF ST. MARY’S (Adams). Issued version was take 6. 3. $50.00. 2130. 10” (on 11”) Victor acous mat. B-23506-1. IF YOU COULD CARE (Darewski). From musical As You Were . Issued version was take 2. 3. $50.00. 2131. 10” (on 11”) Victor acous. mat. B-23489-4. ROBIN ADAIR (Keppel). Never issued as an acoustical disc. 2-3. $100.00. 2091. 10” (on 11”) Victor elec. mat. BVE-29489-6. ROBIN ADAIR (Keppel). Issued version was take 8. 2. $50.00. 2132. 10” (on 11”) Victor elec. mat. BVE-29489-7. ROBIN ADAIR (Keppel). Issued version was take 8. 2. $50.00. 2133. 10” (on 11”) Victor acous. mat. B-29491-4 MARTHA The Last Rose of Summer (Moore- Flotow). Never issued as an acoustical disc. Superficial rubs, few LGT s, 3-4. $75.00. 2134. 10” (on 11”) Victor acous. mat. B-29491-5 MARTHA The Last Rose of Summer (Moore- Flotow). Never issued as an acoustical disc. 2. $100.00. 2135. 10” (on 11”) Victor acous. mat. B-29491-6 MARTHA The Last Rose of Summer (Moore- Flotow). Never issued as an acoustical disc. One heavy (harmless) narrow rub, otherwise 2-3. $85.00. 2090. 10” (on 11”) Victor acous. mat. B-30270-2. WHAT’LL I DO? (Berlin). Issued version was take 1. 2. $50.00. 2089. 10” (on 11”) Victor acous. mat. B-30273-3. LOVE HAS A WAY (Schertzinger). Issued version was take 1. 2. $50.00 2136. 10” (on 11”) Victor elec. mat. BVE-32816-2. LA CENA DELLE BEFFE: Sempre così (Gior- dano). Issued version was take 6. Small harmless scr. near end . 3-4 but no apparent greying. $100.00. - 21 - 78 rpm VOCAL RECORDS 2092. 10” (on 11”) Victor elec. mat. BVE-35483-2. EVER OF THEE I’M FONDLY DREAMING (Hall). Issued version was take 3. Faint hair crk. barely visible (about 1”) blank side and absolutely silent. Some rubs, 2-3. $30.00. 2093. 10” (on 11”) Victor elec. mat. BVE-43176-2. A MAORI SLUMBER SONG (Pai). Piano acc. Frank LaForge. Issued version was take 1. Gen. 3. $50.00. 1783. 10” Red Pats. Vla. 87096. ROMANCE (Bourget-Debussy). “A” plate. Few lt. mks., cons . 2. $12.00. 1929. 10” Red ’12 Pats. Vla 87106. MANON LESCAUT: In quelle trine morbide (Puccini). Cons . 2. $8.00. 1722. 10” White lbl. Vla 87118. MURMURING BREEZES, Op. 12, No. 4 (Jensen). Piano acc. André Benoist. Just about 1-2. $12.00. 1569. 10” Red Orth. Vla 1474. MANON LESCAUT: In quelle trine morbide / MANON LESCAUT: L’ora, o tirsi (Puccini). Just about 1-2. $8.00. 2841. 12” Red ’08 Pats Vla 88213.
Load more

Recommended publications
  • COCKEREL Education Guide DRAFT
    VICTOR DeRENZI, Artistic Director RICHARD RUSSELL, Executive Director Exploration in Opera Teacher Resource Guide The Golden Cockerel By Nikolai Rimsky-Korsakov Table of Contents The Opera The Cast ...................................................................................................... 2 The Story ...................................................................................................... 3-4 The Composer ............................................................................................. 5-6 Listening and Viewing .................................................................................. 7 Behind the Scenes Timeline ....................................................................................................... 8-9 The Russian Five .......................................................................................... 10 Satire and Irony ........................................................................................... 11 The Inspiration .............................................................................................. 12-13 Costume Design ........................................................................................... 14 Scenic Design ............................................................................................... 15 Q&A with the Queen of Shemakha ............................................................. 16-17 In The News In The News, 1924 ........................................................................................ 18-19
    [Show full text]
  • Le-Vite-Dei-Cesenati-10.Pdf
    LE VITE DEI CESENATI X A cura di Pier Giovanni Fabbri e Alberto Gagliardo Redazione: Giancarlo Cerasoli, Franco Dell’Amore, Rita Dell’Amore, Paola Errani, Pier Giovanni Fabbri, Alberto Gagliardo. Segretario di redazione: Claudio Medri Consulenza fotografica: Guia Lelli Mami Autori e redattori ringraziano Leonardo Belli, Gessica Boni, Paolo Cascarano (Ana- grafe Ricerche, Comune di Milano), Claudia Colecchia (Fototeca dei Civici Musei di Storia ed Arte, Trieste), Andrea Daltri (Archivio Storico dell’Università di Bologna), Caterina Del Vivo (Archivio Storico del Gabinetto G.P. Vieusseux, Firenze), Adriana Faedi, Cesare Fantino (Biblioteca Basilica di Santa Maria delle Vigne, Genova), Lu- cia Gandini (Biblioteca di Archeologia e Storia dell’Arte, Roma), Barbara Gariboldi (Archivio Storico Civico, Milano), Leila Gentile (Biblioteca Universitaria, Bologna), Ivano Giovannini, Elisabetta Gnecco (Ufficiale dello Stato Civile, Comune di Ge- nova), Antonella Imolesi (Biblioteca Comunale A. Saffi, Forlì), Francesca Mambelli, Marcella Culatti (Fondazione Federico Zeri, Bologna), Elena Mantelli (Biblioteca San Carlo al Corso, Milano), Silvia Mirri (Biblioteca Comunale, Imola), Norma Monta- nari, Claudia Morgan (Fototeca dei Civici Musei di Storia ed Arte, Trieste), Barbara Mussetto (Biblioteca Casanatense, Roma), Elisabetta Papone (Centro di Documen- tazione per la Storia, l’Arte l’Immagine, Comune di Genova), Massimiliano Pavoni (Biblioteca Mozzi Borgetti, Macerata), Raffaella Ponte (Archivio storico, Comune di Genova), Francesca Sandrini (Museo Glauco Lombardi, Parma), Giampiero Savini, Claudio Schenone (Archivio Storico, Comune di Genova), Bruna Tabarri, Riccardo Vlahov (tecnico e storico della fotografia); il personale dell’Archivio Storico Diocesa- no di Cesena, della Biblioteca Malatestiana di Cesena, degli Archivi di Stato di Cesena e di Forlì. Altri ringraziamenti sono stati espressi nei testi.
    [Show full text]
  • 17.2. Cylinders, Ed. Discs, Pathes. 7-26
    CYLINDERS 2M WA = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Repro B/T = Excellent reproduction Edison orange box and printed top. All others in clean, used boxes. Any mold on wax cylinders is always described. All cylinders not described as in OB (original box with generic top) or OBT (original box and original top) are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual and refers to the cylinders rather than the boxes. Any major box problems are noted. CARLO ALBANI [t] 1039. Edison BA 28116. LA GIOCONDA: Cielo e mar (Ponchielli). Repro B/T. Just about 1-2. $30.00. MARIO ANCONA [b] 1001. Edison 2M Wax B-41. LES HUGUENOTS: Nobil dama (Meyerbeer). Announced by Ancona. OBT. Just about 1-2. $75.00. BLANCHE ARRAL [s] 1007. Edison Wax 4-M Amberol 35005. LE COEUR ET LA MAIN: Boléro (Lecocq). This and the following two cylinders are particularly spirited performances. OBT. Slight box wear. Just about 1-2. $50.00. 1014. Edison Wax 4-M Amberol 35006. LA VÉRITABLE MANOLA [Boléro Espagnole] (Bourgeois). OBT. Just about 1-2. $50.00. 1009. Edison Wax 4-M Amberol 35019. GIROLFÉ-GIROFLA: Brindisi (Lecocq). OBT. Just about 1-2. $50.00. PAUL AUMONIER [bs] 1013. Pathé Wax 2-M 1111. LES SAPINS (Dupont). OB. 2. $20.00. MARIA AVEZZA [s]. See FRANCESCO DADDI [t] ALESSANDRO BONCI [t] 1037. Edison BA 29004. LUCIA: Fra poco a me ricovero (Donizetti).
    [Show full text]
  • Rezension Für: Deutsches Symphonie-Orchester Berlin
    Rezension für: Deutsches Symphonie-Orchester Berlin Edition Friedrich Gulda – The early RIAS recordings Ludwig van Beethoven | Claude Debussy | Maurice Ravel | Frédéric Chopin | Sergei Prokofiev | Wolfgang Amadeus Mozart 4CD aud 21.404 Radio Stephansdom CD des Tages, 04.09.2009 ( - 2009.09.04) Aufnahmen, die zwischen 1950 und 1959 entstanden. Glasklar, "gespitzter Ton" und... Full review text restrained for copyright reasons. Neue Musikzeitung 9/2009 (Andreas Kolb - 2009.09.01) Konzertprogramm im Wandel Konzertprogramm im Wandel Full review text restrained for copyright reasons. Piano News September/Oktober 2009, 5/2009 (Carsten Dürer - 2009.09.01) Friedrich Guldas frühe RIAS-Aufnahmen Friedrich Guldas frühe RIAS-Aufnahmen Full review text restrained for copyright reasons. page 1 / 388 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de DeutschlandRadio Kultur - Radiofeuilleton CD der Woche, 14.09.2009 (Wilfried Bestehorn, Oliver Schwesig - 2009.09.14) In einem Gemeinschaftsprojekt zwischen dem Label "audite" und Deutschlandradio Kultur werden seit Jahren einmalige Aufnahmen aus den RIAS-Archiven auf CD herausgebracht. Inzwischen sind bereits 40 CD's erschienen mit Aufnahmen von Furtwängler und Fricsay, von Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau u. v. a. Die jüngste Produktion dieser Reihe "The Early RIAS-Recordings" enthält bisher unveröffentlichte Aufnahmen von Friedrich Gulda, die zwischen 1950 und 1959 entstanden. Die Einspielungen von Beethoven, Debussy, Ravel und Chopin zeigen den jungen Pianisten an der Schwelle zu internationalem Ruhm. Die Meinung unserer Musikkritiker: Eine repräsentative Auswahl bisher unveröffentlichter Aufnahmen, die aber bereits alle Namen enthält, die für Guldas späteres Repertoire bedeutend werden sollten: Mozart, Beethoven, Debussy, Ravel, Chopin.
    [Show full text]
  • Various Klassiske Perler Volum 1 Mp3, Flac, Wma
    Various Klassiske Perler Volum 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Klassiske Perler Volum 1 Country: Norway Released: 1993 MP3 version RAR size: 1605 mb FLAC version RAR size: 1182 mb WMA version RAR size: 1942 mb Rating: 4.2 Votes: 268 Other Formats: AC3 AIFF AHX MP1 MOD AAC AC3 Tracklist Hide Credits 1 –Edvard Grieg Morgenstemning Fra Peer Gynt 4:18 2 –Wolfgang Amadeus Mozart Andantino Fra Konsert For Fløyte Og Harpe. K 299 9:31 3 –Stanley Myers Cavatina 4:15 4 –Antonio Vivaldi Largo Fra Piccolafløytekonsert C-Dur, P 79 3:01 5 –Wolfgang Amadeus Mozart Andante Fra Klaverkonsert Nr 21 C-Dur "Elvira Madigan" 7:47 6 –Christoph Willibald Gluck Dans På De Saligste Enger Fra Orfeus Og Eurydike 7:50 7 –Ciagomo Puccini* Koret Fra Madame Butterfly 3:09 8 –Johann Sebastian Bach Air Fra Orkestersuite Nr 3 D-Dur 5:33 9 –Camille Saint-Saéns* Svanen Fra Dyrenes Karneval 3:03 10 –Sergej Rachmaninow* Vokalis 6:07 11 –Erik Satie Gymnopédie III 2:54 Adagio 12 –Tomaso Albinoni 8:23 Arranged By – R. Giazotto* 13 –Giacomo Puccini O Mio Babbino Caro Fra Gianni Schicchi 2:24 14 –Frédéric Chopin Nocturne Ess-Dur, Op 9 Nr 2 4:08 Companies, etc. Copyright (c) – Sony Music Entertainment Norway AS Credits Liner Notes – Jon Skarstein, Odd Lingjærde Mastered By – DADC Austria Notes This CD was sent out to various Norwegian health care professionals by pharmaceutical company Novo Nordisk Pharma AS to promote the (at the time) brand new antidepressant drug Seroxat. The inlay includes informational articles on depression.
    [Show full text]
  • Volume 70, Number 11 (November 1952) Guy Mccoy
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 11-1-1952 Volume 70, Number 11 (November 1952) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 70, Number 11 (November 1952)." , (1952). https://digitalcommons.gardner-webb.edu/etude/123 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. IN THE FINEST HOMES ••. ON THE LeTTeRS CONCERT STAGE ~~ T o T B E E D I T o R ITS liL1ristmasShopping &Juide . ~ ; ¢=.<- ~ am going to try and start one of INSTRUMENTS IN MINIATURE Articles these libraries for my few pupils as Piano, Violin, Cornet, Cello, Banjo, Trom- LYREAND WREATH PIN bone, Guitar, Drum, Saxophone. Sir: I would like to express a the benefit her students receive well deserved compliment to the from this library must be too nu- J-70 reads Music J_22A Gold Plated (Pin Back Only). .60 tJ-228 Sterling Pin or Chorm ETUDE Magazine. I think the Au- merous to mention. .75 J-71 reads Choir (Specify which instrument) gust issue is one of the best ever Roger Warren Roszell J-72 Plain Bar or Engraving *BRACElET WITH NINE CHA.RMS published.
    [Show full text]
  • ARSC Journal
    THE MARKETPLACE HOW WELL DID EDISON RECORDS SELL? During the latter part of 1919 Thomas A. Edison, Inc. began to keep cumulative sales figures for those records that were still available. The documents were continued into 1920 and then stopped. While the documents included sales figures for all series of discs time allowed me to copy only those figures for the higher priced classical series. Thus the present article includes the 82,000 ($2.00); 82,500 ($2.50); 83,000 ($3.00) and 84,000 ($4.00) series. Should there be sufficient interest it may be possible to do the other series at a later date. While the document did list some of the special Tone-Test records pressing figures were included for only two of them. I have arbitrarily excluded them and propose to discuss the Edison Tone Tests at a later date. The documents also originally included supplementary listings, which, for the sake of convenience, have been merged into the regular listings. The type copy of the major portion of the listings has been taken from regular Edison numerical catalogs and forms the framework of my forthcoming Complete Edison Disc Numerical Catalog. Several things may be noted: 1) Many of the sales figures seem surprisingly small and many of the records must be classed as rarities; 2) Deletion was not always because of poor sales-mold damage also played a part; 3) Records were retained even with extremely disappointing sales. Without a knowledge of the reason for discontinuance we cannot assume anything concerning records that had already been discontinued.
    [Show full text]
  • Catalogo Delle Opere a Stampa E Una Cartolina Con Firma Autografa, Il Primo 24 Pp
    Lim Antiqua s.a.s - Studio bibliografico Via della Chiesa IX, 44 Loc. Monte San Quirico 55100 LUCCA Telefono e Fax +39 0583 34 2218 (dalle 9 alle 13) +39 333 2551758 www.limantiqua.com/it email: [email protected] P. IVA 01286300460 Dati per bonifico: C/C postale n. 11367554 IBAN: IT 67 Q 07601 13700 000011367554 BIC: BPPIITRRXXX Orario di apertura Lunedì – Venerdì ore 9.00/14.00 Gli ordini possono essere effettuati per telefono, email o via fax. Il pagamento può avvenire tramite contrassegno, bollettino postale, bonifico sul conto postale o PayPal. Le spese di spedizione sono a carico del destinatario. I prezzi indicati sono comprensivi di IVA. Gli ordini saranno ritenuti validi e quindi evasi anche in caso di disponibilità parziale dei pezzi richiesti. Compositori p. 2 Direttori d’orchestra p. 26 Strumentisti e pianisti p. 38 Cantanti d’opera p. 43 5. Pierre Boulez Compositori 1. Franco Alfano (Napoli 1875 – Sanremo 1954) Lettera autografa firmata del compositore napoletano noto per aver completato Turandot di Puccini, indirizzata al giornalista Giorgio Pillon. Dat. 12 gennaio 1946: “Chiarissimo Professore, la notizia della morte di Romualdo Pantini, mio vecchio caro amico, mi è giunta di sorpresa …Io devo a Pantini innumerevoli consigli se non altrettante reali collaborazioni. “Eliana” datosi al Teatro Reale di Roma, dopo l’estero, due anni fa, appartiene a queste ultime. Anche per “Sakuntala” egli mi è stato largo di suggerimenti”. Franco Alfano rivestì prestigiosi incarichi tra i quali ricordiamo l'insegnamento al Liceo di Bologna, nel 1918 la direzione del Conservatorio di Bologna e dal 1923 la direzione del conservatorio "Giuseppe Verdi" di Torino che mantenne sino al 1939.
    [Show full text]
  • [T] IMRE PALLÓ
    VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses.
    [Show full text]
  • CURRICULUM VITAE NIKITA STOROJEV, Bass
    CURRICULUM VITAE NIKITA STOROJEV, Bass http://www.nikitastorojev.com Education 1970-72 State University at Sverdlovsk; Philosophy Major 1972-75 Mussorgsky Conservatory of Yekaterinburg Mastered bel canto technique under the direction of professor Ian Voutiras 1975-78 Moscow Tchaikovsky Conservatory of Music Diplomas received: Opera Singer ( оперный певец ) Chamber Music Singer ( камерный певец ) Professor of Voice ( педагог оперного пения ) 1977-80 Studied stage directing under professor/stage director Joseph Tumanov Studied and specialized in stage interpretation under Professor Eugene Nesterenko Private lessons with Tonini (coach of Pavarotti), Nicolai Ghiaurov, Jerome Hines and Giulio Fioravanti Professional Qualifications (Opera/Concert Performance) 1976-81 Principal soloist at the Bolshoi Opera 1978 Winner of International Tchaikovsky Competition, Moscow 1976-81 Principal soloist, Philharmonic Society of Moscow, gaining experience from working with the best Russian orchestras and conductors; Eugene Svetlanov, Gennady Rozhdestvenski, Boris Hikin, Yuri Fedosseyev, Valéry Gergiev 1983-85 Principal soloist with the Deutsche Oper am Rhein, Düsseldorf. Italian repertoire prepared and performed with Alberto Erede. German repertoire prepared and performed with Peter Schneider (conductor) and Yuri Kout (conductor). 1983-2007 Principal guest soloist at the opera houses, concert halls and international festivals: Milan, New York, Paris, London, Vienna, Berlin, Madrid, München, Moscow, St. Petersburg, Amsterdam, Rome, Tokyo, San Francisco….. Languages: Russian, English, Spanish, Italian, German, French Academic Employment 2007-2001 Assistant Professor of Voice and Opera, University of Texas at Austin 1997-1996 Professor of Voice and Opera, Schola Cantorum, Paris: 1982-1981 Professor, Escuela Superior de Música, Monterrey 1977-1978: Assistant to Eugene Nesterenko in Moscow Conservatory Teaching Experience 2001-2007 Assistant Professor, Voice/Opera Division, University of Texas at Austin 1978-2007 Master classes in: Moscow Conservatory, St.
    [Show full text]
  • CYLINDERS 2M = 2-Minute Wax, 4M WA= 4-Minute Wax, 4M BA = Edison Blue Amberol, OBT = Original Box and Top, OP = Original Descriptive Pamphlet
    CYLINDERS 2M = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. ReproB/T = Excellent reproduction orange box and printed top Any mold on wax cylinders is always described. All cylinders are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual. All cylinders EDISON unless otherwise indicated. “Direct recording” means recorded directly to cylinder, rather than dubbed from a Diamond-Disc master. This is used for cylinders in the lower 28200 series where there might be a question. BLANCHE ARRAL [s] 4108. Edison BA 28125. MIGNON: Je suis Titania (Thomas). Repro B/T. Just about 1-2. $40.00. ADELINA AGOSTINELLI [s]. Bergamo, 1882-Buenos Aires, 1954. A student in Milan of Giuseppe Quiroli, whom she later married, Agostinelli made her debut in Pavia, 1903, as Giordano’s Fedora. She appeared with success in South America, Russia, Spain, England and her native Italy and was on the roster of the Hammerstein Manhattan Opera, 1908-10. One New York press notice indicates that her rendering of the “Suicidio” from La Gioconda on a Manhattan Sunday night concert “kept her busy bowing in recognition to applause for three or four minutes”. At La Scala she was cast with Battistini in Simon Boccanegra and created for that house in 1911 the Marschallin in their first Rosenkavalier. Her career continued into the mid-1920s when she retired to Buenos Aires and taught. 4113. Edison BA 28159. LA TRAVIATA: Addio del passato (Verdi). ReproB/T.
    [Show full text]
  • Giuseppe Verdi Aida Arien Und Szenen Mp3, Flac, Wma
    Giuseppe Verdi Aida Arien Und Szenen mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Aida Arien Und Szenen Country: Germany Style: Opera, Romantic MP3 version RAR size: 1375 mb FLAC version RAR size: 1744 mb WMA version RAR size: 1992 mb Rating: 4.9 Votes: 880 Other Formats: VQF AU MP2 FLAC MIDI MMF DTS Tracklist Aida Arien Und Szenen (Italienisch Gesungen) A1 Holde Aida, Rez. Und Arie Des Radames A2 Nun Zu Dem Tempel Vulkans A3 Als Sieger Kehre Heim, Szene Und Romanze Der Aida A4 Heil Dir, Dem Götteliebling, Aus Der Tempelszene B1 O Vaterland, Nilarie B2 Wiedersehen Wirst Du Die Duft'gen Wälder, Duett Aida-Amonasro B3 Aufs Neue Hat Zum Kampf ..., Duett Aida-Radames B4 Sieh Dort Den Todesengel..., Leb' Wohl, O Erde, Finale Companies, etc. Manufactured By – TELDEC »Telefunken-Decca« Schallplatten GmbH Credits Choir – Chor Der Academia Di Santa Cecilia* Conductor – Alberto Erede Orchestra – Orchester Der Academia Di Santa Cecilia* Vocals [Aida] – Renata Tebaldi Vocals [Amneris] – Ebe Stignani Vocals [Amonasro] – Aldo Protti Vocals [Der König] – Fernando Corena Vocals [Ein Bote] – Piero De Palma Vocals [Radames] – Mario del Monaco Vocals [Ramphis] – Dario Caselli Notes Uncredited Liner Notes In German Die vollständige Aufnahme: LXT 2735/37 Barcode and Other Identifiers Rights Society: Contr. Copyr. Matrix / Runout (Side A): ARL-3477-4E 17 CA Manufactured in Germany Matrix / Runout (Side B): ARL-3478-3E 52 CA Manufactured in Germany Other versions Category Artist Title (Format) Label Category Country Year Verdi* / Renata
    [Show full text]