D. Le CD Jazz / Blues

Total Page:16

File Type:pdf, Size:1020Kb

D. Le CD Jazz / Blues Cité de la musique Observatoire de la musique Les marchés de la musique enregistrée 2010 André NICOLAS Responsable de l’Observatoire de la musique apport annuel R Cité de la musique - 221 avenue Jean Jaurès - 75019 PARIS Tél : 01 44 84 44 98 / Fax : 01 44 84 46 58 [email protected] - http://observatoire.cite-musique.fr S OMMAIRE Chiffres clés - Année 2010 ...............................................................................................................................................................................................................................5 I. Le marché du CD audio A. Les indicateurs du marché .....................................................................................................................................................................................................11 1. Tendances ....................................................................................................................................................................................................................................................................................................................11 2. Segmentation des ventes par genres musicaux ...........................................................................................................................................................................................14 3. Segmentation des ventes par distributeurs .......................................................................................................................................................................................................15 4. Segmentation des ventes par canaux de distribution .......................................................................................................................................................................16 B. Les meilleures ventes par formats ........................................................................................................................................................................17 1. Analyse du top 100 CD albums volume ......................................................................................................................................................................................................................17 2. Analyse du top 100 CD singles volume ......................................................................................................................................................................................................................20 C. Le CD classique ...............................................................................................................................................................................................................................................23 1. Tendances ....................................................................................................................................................................................................................................................................................................................23 2. Segmentation des ventes par distributeurs .......................................................................................................................................................................................................24 3. Segmentation des ventes par canaux de distribution .......................................................................................................................................................................25 4. Analyse du top 100 CD classique volume ................................................................................................................................................................................................................26 D. Le CD jazz / blues ........................................................................................................................................................................................................................................29 1. Tendances ....................................................................................................................................................................................................................................................................................................................29 2. Segmentation des ventes par distributeurs .......................................................................................................................................................................................................30 3. Segmentation des ventes par canaux de distribution .......................................................................................................................................................................31 4. Analyse du top 100 CD jazz / blues volume ..........................................................................................................................................................................................................32 E. Le CD musiques du monde ......................................................................................................................................................................................................35 1. Tendances ....................................................................................................................................................................................................................................................................................................................35 2. Segmentation des ventes par sous-genres ..........................................................................................................................................................................................................36 3. Segmentation des ventes par distributeurs .......................................................................................................................................................................................................36 4. Segmentation des ventes par canaux de distribution .......................................................................................................................................................................37 5. Analyse du top 100 CD musiques du monde volume .........................................................................................................................................................................38 II. Le marché du DVD musical A. Les indicateurs du marché .....................................................................................................................................................................................................41 1. Tendances ....................................................................................................................................................................................................................................................................................................................41 2. Segmentation des ventes par genres musicaux ...........................................................................................................................................................................................42 3. Segmentation des ventes par canaux de distribution .......................................................................................................................................................................43 4. Analyse du top 100 DVD musical volume................................................................................................................................................................................................................44 III. Le marché de la musique numérique A. Les indicateurs du marché .....................................................................................................................................................................................................47 1. Tendances ....................................................................................................................................................................................................................................................................................................................47 2. Segmentation des ventes numériques par terminaux .....................................................................................................................................................................48 3. Analyse du top 100 des titres téléchargés volume ..................................................................................................................................................................................48 4. Analyse du top 100 des albums téléchargés volume...........................................................................................................................................................................51 Analyses croisées A. Relations entre le marché de la musique enregistrée, les diffusions radiophoniques et les investissements publicitaires ............................................................................................................................................................................54 B. Analyse du top
Recommended publications
  • Fairfaxfairfax Areasareas Ofof Burkeburke
    ServingServing Camps & Schools FairfaxFairfax AreasAreas ofof BurkeBurke Author Russ Banham is spending the week touring the county in support of his latest insideinside book, ‘The Fight for Fairfax.’ Classified, Page 18 Classified, ❖ Sports, Page 12 ❖ Schools Switch From PTA Calendar, Page 8 To PTO News, Page 3 Olympic Effort County For Local Skaters Sports, Page 12 Requested in home 9-25-09 home in Requested Time sensitive material. sensitive Time Attention Postmaster: Attention Scribe #86 PERMIT Martinsburg, WV Martinsburg, PAID News, Page 3 Postage U.S. PRSRT STD PRSRT Photo by Justin Fanizzi/The Connection www.ConnectionNewspapers.comSeptember 24-30, 2009 Volume XXIII, Number 38 online at www.connectionnewspapers.comFairfax Connection ❖ September 24-30, 2009 ❖ 1 2 ❖ Fairfax Connection ❖ September 24-30, 2009 www.ConnectionNewspapers.com Fairfax Connection Editor Michael O’Connell News 703-778-9416 or [email protected] Fairfax — An Author’s Muse Falling Russ Banham writes For Books about post-World War Literary event II history of county. expands beyond GMU Campus. By Justin Fanizzi The Connection by Photo By Justin Fanizzi The Connection uss Banham has just about seen it all in his 55 years. He was on Fanizzi Justin or the past decade, the Fall for Rthe field after the New York Mets Fthe Book Festival has provided won the 1973 Major League the Fairfax community with a Baseball National League Championship first rate literary experience. Now in Series. He has been commissioned by an its 11th year, festival staff has a big- iconic American family to write a biogra- /The Connection ger goal in mind: to bring that same phy about their patriarch, Henry Ford, and experience to the entire Washington, his circle of friends includes former “Brady D.C.
    [Show full text]
  • The University of Chicago Objects of Veneration
    THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies...............................................................................
    [Show full text]
  • Champ Lexical De La Religion Dans Les Chansons De Rap Français
    Masarykova univerzita Filozofická fakulta Ústav románských jazyků a literatur Francouzský jazyk a literatura Champ lexical de la religion dans les chansons de rap français Bakalářská diplomová práce Jakub Slavík Vedoucí práce: doc. PhDr. Alena Polická, Ph.D. Brno 2020 2 Prohlašuji, že jsem bakalářskou diplomovou práci vypracoval samostatně s využitím uvedených pramenů a literatury. Zároveň prohlašuji, že se elektronická verze shoduje s verzí tištěnou. V Brně dne ………………… ………………………………… Jakub Slavík 3 Nous tenons à remercier Madame Alena Polická, directrice de notre mémoire, à la fois pour ses conseils précieux et pour le temps qu’elle a bien voulu nous consacrer durant l’élaboration de ce mémoire. Par la suite, nous aimerions également remercier chacun qui a contribué de quelque façon à l’accomplissement de notre travail. 4 Table des matières Introduction ......................................................................................................... 6 1. Partie théorique ............................................................................................. 10 1.1. Le lexique religieux : jalons théoriques ................................................................... 10 1.1.1. La notion de champ lexical ..................................................................................... 11 1.1.2. Le lexique de la religion ......................................................................................... 15 1.1.3. L’orthographe du lexique lié à la religion ..............................................................
    [Show full text]
  • Jubliäums-LEA Lässt Stars Und Promis Feiern Medienmogul Beierlein Für Lebenswerk Geehrt
    5. Live Entertainment Award in der neuen O2 World Hamburg Jubliäums-LEA lässt Stars und Promis feiern Medienmogul Beierlein für Lebenswerk geehrt Zum fünften Mal wurden am Donnerstag in Hamburg die Live Entertainment Awards (LEA) verliehen, mit denen die deutsche Konzert- und Showbranche herausragende Leistungen von Veranstaltern, Künstlermanagern, Konzertagenten und Spielstätten- betreibern würdigt. Der wichtigste Preis für ein Lebenswerk im Musikgeschäft ging an den 80-jährigen Münchner Medienmanager und „Unterhalter der Nation“ – Hans R. Beierlein. Dass auch das Veranstaltungsgewerbe inzwischen von der Wirtschaftskrise gebeutelt wird und 2009 – nach mehreren Jahren kontinuierlicher Umsatzzuwächse – erstmals Einbußen verzeichnen musste, davon war in der ehemaligen Color Line Arena nichts zu spüren. Die neue O2 World Hamburg erlebte nicht nur ihre Feuertaufe und Premiere, sondern auch eine Livebranche, die sich in einer dreieinhalbstündigen glamourösen Gala selbst feierte – und die hierzu reichlich Prominenz und Stars aus dem Showbusiness auf den roten Teppich lud: Da stellten sich Peter Maffay, die Scorpions und Christina Stürmer ebenso dem Blitzlichtgewitter wie Roger Cicero, Soulsängerin Joy Denalane, Reamonn-Sänger Rea Garvey, Comedian Hans Werner Olm oder die Musiker von Silbermond und Tomte. Weiter auf dem Parkett gesehen: die HSV-Profis Jerome Boateng und Dennis Aogo, die Boxer Juan Carlos Gomez und Kohren Gevor, Starmodel Fiona Erdmann, die Sänger Michy Reincke, Tom Gaebel, Lotto King Karl, Carsten Pape, Kai Wingenfelder, Hans
    [Show full text]
  • Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
    nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here..
    [Show full text]
  • Hidden Champions
    01 | 2009 4 Euro Message Trade Fairs Congresses Events Tourism Industry barometer CMT 2009 Culture Queen musical "We will rock you" Classics Hidden Champions Oldtimer trade fair Stuttgart's leading trade fairs for Retro Classics 2009 small and medium-sized companies bluepool_Message_Jan-09 29.10.2008 10:31 Uhr Seite 1 In der Ruhe liegt die Kraft. Blau ist die Farbe der Wahrheit, der Treue und der Ruhe. Blau fördert – im Gegensatz zu Rot – die Konzentration. Deshalb sind Arbeitnehmer in blauen Räumen auch produktiver. Und Gewichtheber stemmen in blauen Turnhallen mehr als sonst. Das haben wissenschaft- liche Studien ergeben. Auch wir von Bluepool können viel stemmen. Mit über 100 Mitarbeitern planen und bauen wir jährlich Messe- stände in mehr als 30 Ländern. Wenn man so viel herumkommt, berührt einen das, was in der Welt passiert mehr, als wenn man nur in der Zeitung darüber liest. Deshalb spenden wir immer wieder zugunsten der Opfer von Naturkatastrophen. Schließlich ist Blau nicht nur die Farbe der Ruhe, sondern dann auch die der Hoffnung. bluepool GmbH Messen I Events I Systeme I Equipment Gaußstraße 4 D-70771 Leinfelden-Echterdingen T +49 711 90214 -0 F +49 711 90214 -137 [email protected], www.bluepool.de Sie finden uns auch in Salzburg und Shanghai bluepool_Message_Jan-09 29.10.2008 10:31 Uhr Seite 1 Contents 08 News 04 International trading place New Chinese Trade Center in Leinfelden-Echterdingen 05 Editorial: "We're working on the championship." Cover Story 08 Hidden Champions Stuttgart's leading trade fairs for small and medium-sized companies Location Stuttgart 12 "Expectations exceeded by far" Messe Stuttgart attains record numbers 15 Potential and projects Community portrait: Nürtingen Trade fairs – Markets 16 CMT In der Ruhe liegt Luxury at sea 19 Retro Classics 23 Youngtimer die Kraft.
    [Show full text]
  • VIP- News›› ›› Premium Vol
    WWW.VIP-BOOKING.coM VIP- News›› ›› PREmiUM VOL. 124 APRIL 2010 McGowan’s Musings: Peter Kelly ruled that Prince had commit- ted to perform in Dublin’s 82,300-seat Firstly, I hope that you’re all located where Croke Park in June 2008, but withdrew you wish to be – home, office, the country without explanation just days beforehand, you usually live in, and if you can’t make after 55,000 tickets were sold. Prince (51) it back I hope you’re extending your time did not testify at the hearing. The artist’s on a sunny beach somewhere! Iceland has agency, William Morris, was absolved of li- not had a good time of it of late, what with ability, agent Marc Geiger testified that he financial meltdown and rising debts; this is rarely spoke to Prince directly and found not the sort of new export that they need him one of his toughest clients to under- – we said ‘cash, not ash!’ you can hear the stand or nail down – surely not? When told creditors cry. But this is a serious situation, Allan McGowan that MCD owner Denis Desmond was on and obviously our business is badly af- the warpath, Prince apparently said, “Tell fected, with many acts unable to be in the ever decreasing profit margins, more and the cat to chill. We will work something right place at the right time to fulfill tour- more health and safety obligations and re- out.” Good for Denis! However Prince is ing commitments. Please let us know if strictions, lack of support from other sec- a remarkable performer, so we hope he you have had problems, as we’d like to get tors of the business – particularly record makes his only three concerts this summer.
    [Show full text]
  • MTO 23.2: Lafrance, Finding Love in Hopeless Places
    Finding Love in Hopeless Places: Complex Relationality and Impossible Heterosexuality in Popular Music Videos by Pink and Rihanna Marc Lafrance and Lori Burns KEYWORDS: Pink, Rihanna, music video, popular music, cross-domain analysis, relationality, heterosexuality, liquid love ABSTRACT: This paper presents an interpretive approach to music video analysis that engages with critical scholarship in the areas of popular music studies, gender studies and cultural studies. Two key examples—Pink’s pop video “Try” and Rihanna’s electropop video “We Found Love”—allow us to examine representations of complex human relationality and the paradoxical challenges of heterosexuality in late modernity. We explore Zygmunt Bauman’s notion of “liquid love” in connection with the selected videos. A model for the analysis of lyrics, music, and images according to cross-domain parameters ( thematic, spatial & temporal, relational, and gestural ) facilitates the interpretation of the expressive content we consider. Our model has the potential to be applied to musical texts from the full range of musical genres and to shed light on a variety of social and cultural contexts at both the micro and macro levels. Received December 2016 Volume 23, Number 2, June 2017 Copyright © 2017 Society for Music Theory [1.1] This paper presents and applies an analytic model for interpreting representations of gender, sexuality, and relationality in the words, music, and images of popular music videos. To illustrate the relevance of our approach, we have selected two songs by mainstream female artists who offer compelling reflections on the nature of heterosexual love and the challenges it poses for both men and women.
    [Show full text]
  • One Direction Infection: Media Representations of Boy Bands and Their Fans
    One Direction Infection: Media Representations of Boy Bands and their Fans Annie Lyons TC 660H Plan II Honors Program The University of Texas at Austin December 2020 __________________________________________ Renita Coleman Department of Journalism Supervising Professor __________________________________________ Hannah Lewis Department of Musicology Second Reader 2 ABSTRACT Author: Annie Lyons Title: One Direction Infection: Media Representations of Boy Bands and their Fans Supervising Professors: Renita Coleman, Ph.D. Hannah Lewis, Ph.D. Boy bands have long been disparaged in music journalism settings, largely in part to their close association with hordes of screaming teenage and prepubescent girls. As rock journalism evolved in the 1960s and 1970s, so did two dismissive and misogynistic stereotypes about female fans: groupies and teenyboppers (Coates, 2003). While groupies were scorned in rock circles for their perceived hypersexuality, teenyboppers, who we can consider an umbrella term including boy band fanbases, were defined by a lack of sexuality and viewed as shallow, immature and prone to hysteria, and ridiculed as hall markers of bad taste, despite being driving forces in commercial markets (Ewens, 2020; Sherman, 2020). Similarly, boy bands have been disdained for their perceived femininity and viewed as inauthentic compared to “real” artists— namely, hypermasculine male rock artists. While the boy band genre has evolved and experienced different eras, depictions of both the bands and their fans have stagnated in media, relying on these old stereotypes (Duffett, 2012). This paper aimed to investigate to what extent modern boy bands are portrayed differently from non-boy bands in music journalism through a quantitative content analysis coding articles for certain tropes and themes.
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]
  • URMC V126no43 20161019.Pdf (4.834Mb)
    A&C OPINION Zombie Fest in CampusView: Volume 126, No. 43 Wednesday October 19, 2016 Old Town Clinton? PAGE 11 PAGE 6 President Tony Frank reads a copy of the Collegian. PHOTO BY MEGAN FISCHER COLLEGIAN SPORTS Izzy Matthews gets in the groove PAGE 8 Putting it Frankly The Collegian interviews University President Tony Frank By Collegian Editorial Board @CSUCollegian of state funding for higher educa- higher education in our lifetime: percent more today than it was us collectively. Instead, (we are) tion is unknown. virtually every year we raise tui- 20 years ago; remarkably fl at saying, ‘If my daughter is going to Collegian: Board of Governors is tion almost exclusively at public cost of educating students. But, benefi t from her education, then Editor’s Note: The editorial projecting either a 3 percent or 5 universities because state fund- what has changed over that time she and I should have to pay for board for the Rocky Mountain percent increase in resident un- ing per student, which is the key is the state support per student that.’ Collegian spoke with CSU Pres- dergraduate tuition if there’s no part of the arithmetic, is going has gone down dramatically, and Somewhere in between is ident Dr. Tony Frank last week, change in state funding this year. down. tuition has gone up dramatically. probably some middle ground, after the latest CSU Board of Do you worry that consecutive If you take state funding per So, what hasn’t really changed but as we’ve been saying for years, Governors meeting.
    [Show full text]
  • Two Door Cinema Club Powracają Do Polski Po 6 Latach I Pierwszy Raz Zagrają W Warszawie
    INFORMACJA PRASOWA #06 WARSZAWA, 25 kwietnia 2017 na Orange Warsaw Festival Two Door Cinema Club powracają do Polski po 6 latach i pierwszy raz zagrają w Warszawie. 3 czerwca na Orange Warsaw Festival odbędzie się ich długo oczekiwany koncert. Tego samego dnia zagrają Imagine Dragons i Justice. Od małego, niezależnego francuskiego labelu do największych scen świata - historia Two Door Cinema Club to spełnienie snu o karierze muzycznej w tej najbardziej tradycyjnej formule. Trzech chłopaków z Bangor, nadmorskiego miasta położonego kilkanaście kilometrów od Belfastu, założyło zespół w 2007 roku. Jeszcze pod inną nazwą wystartowali w lokalnym konkursie talentów, gdzie zajęli ostatnie miejsce. Upór i talent sprawiły, że już dwa lata później w londyńskim studio nagrywali swój debiutancki album, pro- dukowany przez Phillipa Zdara, członka kultowej, elektronicznej formacji Cassius. Płyta „Tourist History” ukazała się na początku 2010 roku nakładem paryskiej oficyny Kitsune. Małe, niezależne wydawnictwo przezywało wtedy swój moment chwały, skupiając wokół siebie najciekawszych artystów sceny elektro- nicznej. Single „I Can Talk”, „Something Good Can Work” czy „What You Know” do dziś są rozpoznawalny- mi przebojami i zapewniły TDCC ogrom fanów. „Beacon”, drugi album zespołu, wydany w 2012 roku był kontynuacją sukcesu i jeszcze mocniejszym akcentem postawionym na amerykańskiej scenie. Najnowsze wydawnictwo tria, płyta „Gameshow” miała swoją premierę w październiku ubiegłego roku. Inspiracją dla muzyków stali się Bowie i Prince, dlatego muzyka TDCC nabrała nowego charakteru, nie tracąc jednak niczego ze swojej przebojowości. Jak brzmią na żywo nowe utwory TDCC oraz ukochane przez fanów klasyki gitarowej elektroniki przekonamy się 3 czerwca na głównej scenie Orange Warsaw Festival. W sprzedaży są jeszcze bilety i karnety regular tickets w kilku opcjach, w tym także bilety w promocyjnych cenach dla klientów Orange i specjalne łączone pakiety na Orange Warsaw Festival i Open’er Festival Powered by Orange.
    [Show full text]