Burning Issue: Lawlessness in the North of Kosovo
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The New Silk Road, Part II: Implications for Europe
The New Silk Road, part II: implications for Europe Through the New Silk Road (NSR) initiative, China increasingly invests in building and modernizing Stephan Barisitz, overland and maritime infrastructures with a view to enhancing the overall connectivity between Alice Radzyner1 China and Europe. The NSR runs through a number of Eurasian emerging markets and extends out to Southeastern Europe (SEE), where Chinese investments include the modernization of ports and highspeed rail and road projects to speed up the transport of goods between China and Europe (e.g. port of Piraeus, rail connection to Budapest). Participation in the NSR will probably stimulate SEE’s economic expansion and may even contribute to overcoming its traditional peripheral position in Europe. Ideally, SEE will play a role in catalyzing a deepening of China-EU economic relations, e.g. by facilitating European exports to China and other countries along NSR trajectories, which would boost growth in Europe more widely. In the long run, these developments might also influence the EU’s political and economic positioning on a global scale. JEL classification: F15, F34, N75, R12, R42 Keywords: New Silk Road, One Belt, One Road, connectivity, trade infrastructure, economic corridors, regional policy, Southeastern Europe (SEE), China, EU-China relations, China-EU relations, China-EU trade, EU-China trade, EU candidate countries Introduction This paper is the second of a set of twin studies on the New Silk Road (NSR).2 While part I shows how the NSR is developing through the growing number of Chinese projects in several Eurasian and Asian emerging markets, part II focuses on Southeastern Europe (SEE), where Chinese investments seem to be paving the way toward the heart of the continent. -
Coda 2017 Program Katalog Lett
1 Thank you For tickets and registration CODA festivalen takker alle bidragsytere, samarbeidspartnere, medarbeidere og alle våre www.codadancefest.no frivillige som har vært med på å løfte #codafestival frem årets festival. Takk! CODA Oslo International Dance Festival The CODA festival wishes to thank our patrons, collaborating partners, colleagues and volunteers, KOLOFON - COLOPHON Vulkan 1, 0182 Oslo all of whom have contributed to making this year’s festival happen. [email protected] Thank you! Greetings from the CODA team CODA OSLO INTERNATIONAL DANCE FESTIVAL BIDRAGSYTERE / CONTRIBUTORS VULKAN 1 KULTURRÅDET N-0182 OSLO OSLO KOMMUNE WWW.CODADANCEFEST.NO DEN NORSKE AMBASSADE LONDON CODA OSLO INTERNATIONAL DANCE FESTIVAL 2002 – 2017 DEN NORSKE AMBASSADE PARIS GRUNNLEGGERE / FOUNDERS ODD JOHAN FRITZØE & LISE NORDAL OSLO KOMMUNE DANSENS HUS, RIKSSCENEN, PRODA / ROM FOR DANS, STYRET / MEMBERS OF THE BOARD INSTITUT FRANCAIS NORVÈGE VULKAN 1, OSLO, SCHOUS KULTURBRYGGERI, MARSTRANDGATA 8, OSLO, TORGER ØDEGAARD, STYRELEDER/ PAVILION DANCE SOUTH WEST WWW.DANSENSHUS.COM TRONDHEIMSVEIEN 2, OSLO, WWW.PRODA.NO CHAIRMAN OF THE BOARD FRITT ORD TRAM 11, 12, 13 TO SCHOUS PLASS, BUS 54, WWW.RIKSSCENEN.NO WWW.ROMFORDANS.NO HELGE SKANSEN, NESTLEDER/ 34 TO MØLLERVEIEN TRAM 11, 12, 13 TO SCHOUS PLASS TRAM 11, 12, 13 TO BIRKELUNDEN. BUS TO DEPUTY CHAIRMAN BILKOLLEKTIVET DÆLENGA. BUS 20, 21, TO KØBENHAVNGATA LARS JACOB HOLM DB SCHENKER VIGDIS LIAN PS HOTELL BÆRUM KULTURHUS, BLACK BOX TEATER, KULTURHUSET I OSLO, PERNILLE BØNKAN COMFORT HOTEL BØRSPARKEN CLAUDE MONETS ALLE 27, 1307 SANDVIKA, MARSTRANDGATA 8, OSLO, YOUNGS GATE 6, OSLO, WWW.BLACKBOX.NO WWW.BAERUMKULTURHUS.NO WWW.KULTURHUSETIOSLO.NO KUNSTNERISK LEDELSE / ARTISTIC CURATOR CODA 2017 LISE NORDAL DOCUMENTATION TRAIN R10, R11, L1 & L12 FROM OSLO CEN- TRAM 11, 12, 13 TO BIRKELUNDEN. -
The Potential of Popular Culture for the Creation of Left Populism in Serbia: the Case of the Hip-Hop Collective “The Bombs of the Nineties” Research Article
The Potential of Popular Culture for the Creation of Left Populism in Serbia: The Case of the Hip-Hop Collective “The Bombs of the Nineties” Research Article Jovana Papović MA Candidate, EHESS-Ecole des hautes études en sciences sociales, Paris [email protected] Astrea Pejović PhD Candidate, Central European University, Budapest [email protected] http://www.suedosteuropa.uni-graz.at/cse/en/pejovic_papovic Contemporary Southeastern Europe, 2015, 3(2), 107-126 Contemporary Southeastern Europe is an online, peer-reviewed, multidisciplinary journal that publishes original, scholarly, and policy-oriented research on issues relevant to societies in Southeastern Europe. For more information, please contact us at [email protected] or visit our website at www.contemporarysee.org The Potential of Popular Culture for the Creation of Left Populism in Serbia: The Case of the Hip-Hop Collective “The Bombs of the Nineties” Jovana Papović and Astrea Pejović The focus of this article is to highlight the potential of popular culture to become an agent of leftist populist politics in contemporary Serbia. The authors observe the hip-hop collective “The Bombs of the Nineties”, whose music tackles topics from recent history, and who subvert the fashion style of the 1990s “Dizel” subculture, which is often connected to Serbian nationalism and war profiteering. The paper analyses the relationships “The Bombs of the Nineties” create between their practices, class warfare and leftist discourses, aiming to show the potentials and threats those relationships introduce. Following Ernesto Laclau’s understanding of populism as a “hegemonic political articulation of demands”, we assume that “The Bombs of the Nineties” could represent a solid populist political agent in that they attempt to reveal and draw attention to the “unfulfilled demands” of disempowered Serbian youth. -
Isidora Bjelica BEOG URB APOSTOLI a RA N O DA G
Isidora Bjelica APOSTOLI URBANOG BEOGRADA APOSTOLI Copyright © 00 by Isidora Bjelica Copyright © 007 ovog izdanja LAGUNA URBANOG BEOGRADA SADRŽAJ U POTRAZI ZA IZGUBLJENIM VREMENOM SRPSKA DECA ENDIJA VORHOLA ili UMESTO UVODA 9 OLIVER MANDIĆ ili KRALJ BEOGRADA NOĆU . OLIVER MANDIĆ ili KRALJ BEOGRADA NOĆU PRVI PUT POSLE 1 GODINA . .8 VLADIMIR JOVANOVIĆ – SRPSKI VORHOL ili PREDLOG ZA ULTIMATIVNI INTERNET FAJL . .9 SRĐAN PETROVIĆ AZV NI SRLE PANKER ili NAJLEPŠI BEOGRAĐANIN PRED VUKOVAROM . SRBA TRAVANOV ili BEOGRADSKI PROMOTER DOLČE VITA FILOSOFIJE . .71 LJUBOMIR IŠ MUNIĆ ili BEOGRADSKI ZLATNI VOAJER NA PUTU ZA HOLIVUD . .80 SRĐAN ŠAPER OD BEOGRADSKOG DAVITELJA I IDOLA DO GAZDA SRKIJA . .87 JOCA JOVANOVIĆ ili MLAD I ZDRAV KAO RUŽA . .98 7 8 Isidora Bjelica NEBOJŠA PAJKIĆ NAJVEĆI BEOGRADSKI DRKADŽIJA ili JEDINI FILMOSLOV KOGA SMO IKAD IMALI . .10 SLOBA KONJOVIĆ . .110 MOMČILO RAJIN ili BEOGRADSKI GENIJE IZ SENKE 117 U POTRAZI ZA IZGUBLJENIM VREMENOM MARINA ABRAMOVIĆ i NEŠAA P RIPOVIĆ BEOGRADSKI KONCEPTUALNI PAR . -
Bitef Satnica Preuzmite
SREDA / WEDNESDAY 20.09. Kulturni centar Beograda, Bitef biblioteka / Promocija knjige NOĆNI DNEVNIK, 1985 – 1991 / Galerija Artget / 20:00 Bitef Library Book promotion NIGHT DIARY 1985 – 1991 Belgrade Cultural Centre, Artget Gallery ČETVRTAK / THURSDAY 21.09. Radionica / Radionica pozorišne kritike SUMNJIVA LICA / Festivalski centar / 12:00 Workshop Theatre criticism workshop PERSONS OF INTERESTS Festival Centre PETAK / FRIDAY 22.09. Promocija knjige KULTURNA DIPLOMATIJA: Bitef biblioteka / UMETNOST, FESTIVALI I GEOPOLITIKA / Festivalski centar / 16:00 Bitef Library Book promotion CULTURAL DIPLOMACY: Festival Centre ARTS, FESTIVALS AND GEOPOLITICS Glavni program / Klub Bitef teatra / 18:00 Main Programme QUIZOOLA! Bitef Theatre Club SUBOTA / SATURDAY 23.09. 24/7: DUGE PREDSTAVE I NIKAD KRAJA / Svečana sala Rektorata Međunarodna tribina / Univerziteta umetnosti / 24/7: DURATIONAL PERFORMANCES 10:30 International panel discussion Formal Hall, University of Arts, WITH NO END IN SIGHT The Rectory OLIMP Glavni program / U SLAVU KULTA TRAGEDIJE – PREDSTAVA OD 24 SATA / Sava Centar / 18:00 Main Programme MOUNT OLYMPUS Sava Centre TO GLORIFY THE CULT OF TRAGEDY – A 24H PERFORMANCE PONEDELJAK / MONDAY 25.09. Otvaranje i interaktivna prezentacija Bitef polifonija / TROGLASNE INVENCIJE BITEF POLIFONIJE / Ustanova kulture „Parobrod“ / 12:00 Bitef Polyphony Opening and interactive presentation Cultural Institution “Parobrod” THREE-PART INVENTIONS OF BITEF POLYPHONY Centar za kulturnu Bitef polifonija / Predstava MALA ŽURKA PROPUŠTENOG PLESA / dekontaminaciju -
Authenticity in Electronic Dance Music in Serbia at the Turn of the Centuries
The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries Inaugural dissertation submitted to attain the academic degree of Dr phil., to Department 07 – History and Cultural Studies at Johannes Gutenberg University Mainz Irina Maksimović Belgrade Mainz 2016 Supervisor: Co-supervisor: Date of oral examination: May 10th 2017 Abstract Electronic dance music (shortly EDM) in Serbia was an authentic phenomenon of popular culture whose development went hand in hand with a socio-political situation in the country during the 1990s. After the disintegration of Yugoslavia in 1991 to the moment of the official end of communism in 2000, Serbia was experiencing turbulent situations. On one hand, it was one of the most difficult periods in contemporary history of the country. On the other – it was one of the most original. In that period, EDM officially made its entrance upon the stage of popular culture and began shaping the new scene. My explanation sheds light on the fact that a specific space and a particular time allow the authenticity of transposing a certain phenomenon from one context to another. Transposition of worldwide EDM culture in local environment in Serbia resulted in scene development during the 1990s, interesting DJ tracks and live performances. The other authenticity is the concept that led me to research. This concept is mostly inspired by the book “Death of the Image” by philosopher Milorad Belančić, who says that the image today is moved to the level of new screen and digital spaces. The other authenticity offers another interpretation of a work, or an event, while the criterion by which certain phenomena, based on pre-existing material can be noted is to be different, to stand out by their specificity in a new context. -
Serbia Turns Blind Eye to Rare Bird Slaughter
Issue No. 211 Friday, July 22 - Thursday, September 08, 2016 ORDER DELIVERY TO Belgrade ‘failing to Political Must-see YOUR DOOR +381 11 4030 303 develop satirists eye music [email protected] - - - - - - - ISSN 1820-8339 1 mid-market Belgrade local festivals BELGRADE INSIGHT IS PUBLISHED BY 0 1 tourism’ elections in August Page 5 Page 9 Page 13 9 7 7 1 8 2 0 8 3 3 0 0 0 Even when the Democrats longas continue to likely is This also are negotiations Drawn-out Surely the situation is urgent Many of us who have experi We feel in-the-know because bia has shown us that (a.) no single no (a.) that us shown has bia party or coalition will ever gain the governa form to required majority negotiations political (b.) and ment, will never be quickly concluded. achieved their surprising result at last month’s general election, quickly itbecame clear that the re sult was actually more-or-less the result election other every as same in Serbia, i.e. inconclusive. as Serbia’s politicians form new political parties every time disagree with they their current party reg 342 currently are (there leader political parties in Serbia). istered the norm. One Ambassador Belgrade-based recently told me he was also alarmed by the distinct lack of urgency among politicians. Serbian “The country is standstill at and a I don’t understand their logic. If they are so eager to progress towards the EU and en theycome how investors, courage go home at 5pm sharp and don’t work weekends?” overtime. -
Dragan Kapicic Myths of the Kafana Life Secrets of the Underground
investments s e i t r e p o offices r p y r u x u l houses apartments short renting Dragan Kapicic Myths of the Kafana Life Secrets of the Underground Belgrade Impressions of the foreigners who arrive to Serbia Beach in the Centre of the City 2 Editorial Contents ife in Belgrade is the real challenge for those who have decided to spend part of their THEY SAID ABOUT SERBIA 04 lives in the Serbian capital. Impressions of the foreigners who arrive LReferring to this, one of our collocutors to Serbia through economic and in this magazine issue was the most emotional - Dragan Kapicic, one-time diplomatic channels basketball ace and the actual President of the Basketball Federation of Serbia. ADA CIGANLIJA Belgrade is also the city of secrets since 06 it has become a settlement a couple Beach in the Centre of the City of thousands years ago. Mysteries are being revealed almost every day. INTERVIEW The remains of the Celtic, Roman, 10 Byzantine, and Turkish architectures DRAGAN KAPICIC, are entwined with the modern ones The Basketball Legend that have been shaping Belgrade since the end of the 19th century. Secretive is also the strange world SPIRIT OF THE OLD BELGRADE 12 of underground tunnels, caves and Myths of the Kafana Life shelters that we open to our readers. Many kilometres of such hidden places lie under the central city streets and APARTMENTS 18 parks. They became accessible for visitors only during the recent couple short RENTING of years. 27 Also, Belgrade has characteristic bohemian past that is being preserved HOUSES 28 in the traditions of restaurants and cafes. -
UVOD.Doc Layout 1
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/323857923 Dunavska strategija EU u 21. veku (European Union’s Strategy for the Danube Region in the 21st century) Book · September 2015 CITATIONS READS 0 226 2 authors, including: Duško Dimitrijević Institute of International Politics and Economics 191 PUBLICATIONS 31 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Serbia in contemporary international relations: Strategic directions of development and strengthening the position of Serbia in international integrative processes – foreign affairs, international economic, legal and security aspects View project All content following this page was uploaded by Duško Dimitrijević on 19 March 2018. The user has requested enhancement of the downloaded file. DUNAVSKA STRATEGIJA EVROPSKE UNIJE U 21. VEKU Priređivači: Duško Dimitrijević, Milovan Radaković Institut za međunarodnu politiku i privredu DUNAVSKA STRATEGIJA EVROPSKE UNIJE U 21. VEKU Priređivači: Duško Dimitrijević, Milovan Radaković Beograd, 2016. DUNAVSKA STRATEGIJA EVROPSKE UNIJE U 21. VEKU Izdavač: Institut za međunarodnu politiku i privredu, Makedonska br. 25, Beograd Za izdavača: Prof. dr Branislav ĐORĐEVIĆ DIREKTOR Priređivači: Dr Duško DIMITRIJEVIĆ Dr Milovan RADAKOVIĆ Recenzenti Prof. dr Joachim BECKER, Institute for International Economics and Development, Vienna University, Austria Dr Edita STOJIĆ KARANOVIĆ, Predsednica međunarodnog naučnog foruma „Dunav – reka saradnje”, Beograd, Srbija Prof. dr Blagoje BABIĆ Kompjuterska obrada Sanja BALOVIĆ ISBN 978-86-7067-223-9 Zbornik radova je rezultat rada na projektu Ministarstva prosvete, nauke i tehnoloskog razvoja: „Srbija u savremenim međunarodnim odnosima: Strateški pravci razvoja i učvršćivanja položaja Srbije i međunarodnim integrativnim procesima – spoljnopolitički, međunarodni ekonomski, pravni i bezbednosni aspekti, iz programa osnovnih istraživanja kod Ministarstva prosvete, nauke i tehnološkog razvoja Republike Srbije“ (evidencioni br. -
Marija R Eap 7 1 2012
ORIGINALNI NAU 5NI RAD UDK 78.011.26(497.11) "1980/1990" 316.723(497.11) "1980/1990" Marija Ristivojevi 4 Institut za etnologiju i antropologiju Filozofski fakultet, Univerzitet u Beogradu [email protected] ∗ Rokenrol kao lokalni muzi 6ki fenomen Apstrakt: U radu se razmatra proces lokalizacije pop kulturnog i muzi 6kog feno- mena - rokenrola. Teza od koje polazim jeste da se i rokenrol, kao prevashodno glo- balni muzi 6ki žanr, može percipirati kao lokalni, te u tom smislu predstavljati prepo- znatljiv identifikacijski element lokalnog stanovništva. Rokenrol oznaka se u ovom slu 6aju odnosi na fenomen beogradskog "novog talasa" u muzici, aktuelnog osamde- setih godina proteklog veka. Na osnovu analize narativa dobijenih pra 4enjem rele- vantnih dokumentarnih filmova, namera mi je da ispitam najpre da li je "novi talas" percipiran kao lokalni fenomen, na koji na 6in se odvija konstruisanje te predstave, a zatim i šta je to što ovom fenomenu pruža lokalni legitimitet. Klju 6ne re 6i: muzika, lokalni identitet, rokenrol, "novi talas", Beograd Uvod Neretko se može 6uti konstatacija kako je odre 7ena muzika "obeležila ne- ko vreme i mesto". 5esto nije neophodno biti naro 6iti muzi 6ki poznavalac da bi, na primer, sama pomisao na Liverpul generisala asocijaciju na Bitlse (za nekoga je to pre fudbal), iako je grupa odavno prestala da postoji i prerasla lo- kalni liverpulski okvir, te postala globalni muzi 6ki (i kulturni) fenomen. Upra- vo takvo olako baratanje asocijacijama govori u prilog shvatanju da je muzika važan 6inilac u konstruisanju predstava o odre 7enom mestu, bilo da je re 6 o delu tog mesta (veza izme 7u ulice Kings roud u Londonu i pank pokreta), 6i- tavom mestu (Sijetl i grandž muzika) ili pak, regionu (Andaluzija i flamenko). -
Chinese Presence in the Western Balkans
Xavier Richet Professor Emeritus of Economics, University of the Sorbonne Nouvelle, Paris, Jean Monnet Chair ad personam, e-mail: [email protected] Jovan Zafiroski Associate professor, ss. Cyril and Methodius University, Faculty of law “Iustinianus primus” in Skopje, e-mail: [email protected], [email protected] Chinese presence in the region LSEE - CEFTA Academic Network on International Trade, 2nd Network Workshop, Skopje, 13-14 September 2019 2 Three Players WB6: Disintegration, nationalisation, reintegration: BiH, Kosovo*, MNE, NMK, RS 2 External built states (BiH, Kosovo*) Political instability, corruption, rule of law, authoritarian Adjustment, catching up. In the orbit of the EU: trade, FDI, accession programmes but waiting for Godot? EU: Upcoming integration: strict conditionalities The Balkan Common Market: a stepping stone, an airlock, a quarantine? Numerous programs :Western Balkan Investment network, *This designation is without prejudice to positions on status, and is in line with limited financial means UNSCR 1244 and the ICJ Opinion on the Kosovo Declaration of Independence LSEE - CEFTA Academic Network on International Trade, 2nd Network Workshop, Skopje, 13-14 September 2019 3 Three Players China: Why the WB matters? A subset of a regional strategy: 17+1 within the New Silk Road. New markets, building regional value chains? Services providing: building infrastructures through loans Looking for influence? A real economic impact? Strong asymmetries Trade offs Complementarity with Chinese presence -
The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1.