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Acquisitions
Acquisitions as of June 30, 2009 African and David Soltker and Irving Dobkin Feldstein Endowment Fund for endowments (2008.206). Decorative Arts (2008.558). Amerindian Art North American Furniture African Mexico Artist unknown, Tea Table, Bwa, Dossi, Burkina Faso, Teotihuacan, Figurine, c. 1750/90, mahogany: Roger and Butterfly Mask, early/mid-20th a.d. 400, greenstone: gift of J. Peter McCormick endow- cen., wood and pigment: Charles Ethel F. and Julian R. Goldsmith ments; restricted gift of Jamee J. H. and Mary F. S. Worcester (2008.675). Tlatilco, Female and Marshall Field, and Carol Collection Fund (2008.190). Edo, Figurines, c. 500 b.c., ceramic W. Wardlaw (2009.58); Stand, Benin City, Nigeria, Container and pigment: gift of Ethel F. and 1790/1810, birch: gift of Jamee J. in the Form of a Leopard Head, Julian R. Goldsmith (2008.676–78). and Marshall Field (2008.679). early 21st cen., brass: gift of Omo Vladimir Kagan, Occasional N’Oba N’Edo Uku Akpolokpolo, United States Table, c. 1952, walnut and brass: Oba of Benin (2008.674). The Orbit Fund (2009.232). Navajo, northern Arizona or Mahdiyya State, Sudan, Tunic Walter von Nessen, manufactured New Mexico, Concho Belt, (Jibbeh), 1885/99, cotton: African by Nessen Studio, Inc., Occa- 1880/95, silver and leather: and Amerindian Curator’s Discre- sional Table, c. 1931, aluminum, Auxiliary Board of the Art tionary, Holly and David Ross, Bakelite, and iron: Quinn E. Institute of Chicago (2009.572); Arnold H. Crane, African and Delaney Fund (2009.156). Bow Guards (Ketoh), 1900/20, Amerindian Art Purchase, and silver, leather, turquoise, and O. -
Pat Adams Selected Solo Exhibitions
PAT ADAMS Born: Stockton, California, July 8, 1928 Resides: Bennington, Vermont Education: 1949 University of California, Berkeley, BA, Painting, Phi Beta Kappa, Delta Epsilon 1945 California College of Arts and Crafts, summer session (Otis Oldfield and Lewis Miljarik) 1946 College of Pacific, summer session (Chiura Obata) 1948 Art Institute of Chicago, summer session (John Fabian and Elizabeth McKinnon) 1950 Brooklyn Museum Art School, summer session (Max Beckmann, Reuben Tam, John Ferren) SELECTED SOLO EXHIBITIONS 2017 Bennington Museum, Bennington, Vermont 2011 National Association of Women Artists, New York 2008 Zabriskie Gallery, New York 2005 Zabriskie Gallery, New York, 50th Anniversary Exhibition: 1954-2004 2004 Bennington Museum, Bennington, Vermont 2003 Zabriskie Gallery, New York, exhibited biennially since 1956 2001 Zabriskie Gallery, New York, Monotypes, exhibited in 1999, 1994, 1993 1999 Amy E. Tarrant Gallery, Flyn Performing Arts Center, Burlington, Vermont 1994 Jaffe/Friede/Strauss Gallery, Dartmouth College, Hanover, New Hampshire 1989 Anne Weber Gallery, Georgetown, Maine 1988 Berkshire Museum, Pittsfield, Massachusetts, Retrospective: 1968-1988 1988 Addison/Ripley Gallery, Washington, D.C. 1988 New York Academy of Sciences, New York 1988 American Association for the Advancement of Science, Washington, D.C. 1986 Haggin Museum, Stockton, California 1986 University of Virginia, Charlottesville, Virginia 1983 Image Gallery, Stockbridge, Massachusetts 1982 Columbia Museum of Art, University of South Carolina, Columbia, -
Example Case Study: Milwaukee Art Museum
Example Case Study: Milwaukee Art Museum ARCH 631: Structural Systems Prof. Anne Nichols 2004 1 Contents Overview (Introduction) 1 The Milwaukee Art Museum (Background) 1 The Architect (Background) 2 The Quadracci Pavilion (Body) 4 Design Concept 4 Building Layout 4 Structural Features 8 Building Components and System 9 Burke Brise-Soleil 13 Pedestrian Bridge 14 Loading Summary 15 Gravity Loads 16 Lateral Load Resistance 20 Foundation and Soil 22 Summary Bibliography (References) i Overview On May 4, 2001, a much-anticipated addition to the Milwaukee Art Museum first opened its doors to the public. The $125-million-dollar project, designed by architect Santiago Calatrava, became an icon for the museum and the city of Milwaukee, Wisconsin even before its completion. This report presents a case study of the project. Background information regarding the architectural context for the addition will be provided, as well as a synopsis of the architect’s mastery of structural design. A number of unique elements of the building will be discussed in detail. In addition, the building’s complex structural design will be reviewed through component and system evaluation, diagrams, and simplified computer-based structural analysis. The Milwaukee Art Museum The Milwaukee Art Museum (MAM) traces its beginnings to two institutions, the Layton Art Gallery, established in 1888, and the Milwaukee Art Institute, which was established in 1918. In 1957 the groups joined together, forming the private, nonprofit Milwaukee Art Center, now known as the Milwaukee Art Museum. At this time, the Center moved to its present location on the Milwaukee waterfront Finnish architect Eero Saarinen, known for his St. -
SYLLABUS Printmaking III ARTS 4355-01 Lamar University, SPRING
SYLLABUS Printmaking III ARTS 4355-01 Lamar University, SPRING 2018 TR 2:20-5:15PM , Room # 101 Associate Professor Xenia Fedorchenko Office hours by appointment and: TR 10AM-11AM Office Room # 101A; Ext. 8914 e-mail: [email protected] COURSE DESCRIPTION This course is a continuation of Printmaking II with a focus in combining new and previously learnt techniques with individually selected content. COURSE CONTENT Students will continue to learn about Printmaking through assigned readings, demonstrations of techniques, hands-on experience, and self-directed research. Students will work on plates or stones incorporating both hand-drawn and basic photographic imagery. This course is designed to encourage experimentation with the processes covered. Understanding of presenting ones work to a group, writing a statement, safe studio practices, press characteristics and operation, various ink traits (water-based, intaglio and lithographic inks), comparative qualities of diverse papers and studio equipment (rollers, brayers, etc) as they relate to ones oeuvre will be gained. Further study will occur through a series of incrementally challenging projects outside of class. Students should allow for customization of the semester’s assignments to their own artistic inquiries. Further study will also occur in the form of time spent in the library or through gallery visits. At the end of the semester, students will have the skills and visual vocabulary necessary to create unique and editioned prints that coherently combine technique and content. STUDENT LEARNING OUTCOMES At the end of this course students should be able to: −Understand and utilize various intaglio, monoprinting and planographic matrix-producing techniques. −Gain an in-depth understanding of a chosen process within printmaking −Understand color mixing and color interactions in printmaking and apply these to various printing processes. -
Joel Shapiro Press Release FINAL
FOR IMMEDIATE RELEASE DOMINIQUE LÉVY TO PRESENT THE FIRST COMPREHENSIVE SURVEY OF JOEL SHAPIRO’S EARLY WOOD WALL RELIEF SCULPTURES ALONGSIDE A MAJOR NEW INSTALLATION Joel Shapiro October 28, 2016 – January 7, 2017 Dominique Lévy 909 Madison Avenue, New York New York … Dominique Lévy is pleased to present the first survey of early wood reliefs by the American sculptor Joel Shapiro, organized with Olivier Renaud-Clément. These works, created between 1978 and 1980, will be on view alongside a new site-specific installation. The exhibition will foreground work from the late 1970s, demonstrating the trajectory of Shapiro’s career, over the course of which the artist has continually pursued ideas of color and mass, culminating in a recent body of room-size sculptural installations. Dominique Lévy will publish a monograph in conjunction with the exhibition featuring texts by David Raskin and Phyllida Barlow and poems by Peter Cole and Ange Mlinko, as well as full documentation of the wood reliefs. This marks the Untitled, 1978. Wood and paint. 5 1/4 x 5 1/4 x 3 inches (13.3 x 13.3 x 7.6 cm). © 2016 Joel Shapiro first time the series will be comprehensively surveyed. / Artists Rights Society (ARS), New York. Shapiro has worked with the idea of form collapsing since 2002; he views his work until this point as building up to this “moment of discovery that I can get the work off the floor and be more playful in the air.”1 He describes these large-scale installations as being “the projection of thought into space without the constraint of architecture.” Shapiro will create a new site-specific installation for the exhibition, which will occupy the second floor of Dominique Lévy Gallery. -
Galleri Stuart Klipper Att Köpa Konst
GALLERI STUART KLIPPER ATT KÖPA KONST Stuart Klippers uppdrag för Artipelag består av sexton stycken fotografier med motiv ifrån Stockholms skärgård som säljs i en upplaga om tre per motiv. Verken hänger utanför Restaurang Artipelag på “Björns golv” och i butiken. På “Björns golv” finns en lista med information om vilka verk som är sålda. Fotogra- fierna printas hos Projektor på Canson Platine, ett mycket fint franskt museipapper, som har en semi-gloss finish. Serien är exklusivt framtagen av Stuart Klipper för Artipelag och verken har en signerad etikett på baksidan där även editionsnumret framgår. Fotografierna säljs endast ramade. Vi samarbetar med Konstbar, Riddargatan 1 i Stockholm. Mått och priser (inkl 25% moms) 18 x 54 cm 10 000 SEK 30 x 97 cm 20 000 SEK 46 x 137 cm 30 000 SEK 61 x 193 cm 60 000 SEK En upplaga av samtliga sexton motiv är redan printade och ramade och finns här på Artipelag. Väljer du ett av dessa sexton motiv, kan du, om du vill, få med dig verket direkt. De andra två upplagorna, oavsett vald storlek, kommer att printas och ramas efter beställning och betalning. Detta är en process som tar 4-8 veckor. Så här gör du Har du bestämt dig för ett verk i storlek 18 x 54 cm, och om första upplagan av ditt valda motiv ännu inte är såld, kan du betala kontant eller med kort och få det med dig på en gång. I butiken betalar du samt hämtar ditt verk. Önskar du istället beta- la mot förskottsfaktura (10 dagar betalningsvillkor), reserverar vi ditt verk och kontaktar dig när vi mottagit din betalning för att bestämma leveranssätt. -
Animals: Them and Us to Open at the North Dakota Museum of Art
FOR IMMEDIATE RELEASE Contact: Matthew Wallace [email protected] 701-777-4195 ANIMALS: THEM AND US TO OPEN AT THE NORTH DAKOTA MUSEUM OF ART Museum Director Laurel Reuter has gathered the work of twenty-five artists from across North and South America in a contemporary exhibition Animals: Them and Us. The show is on display at the North Dakota Museum of Art in Grand Forks through January 5, 2009. The public is invited to a reception on November 22, 5 – 7 pm for Animals: Them and Us, and Vivienne Morgan: A Sense of Place, a landscape photography exhibition by Bemidji- based artist Vivienne Morgan. There will be a short lecture by Morgan. According to Morgan, “After living in the United States for nearly thirty years, I still define myself as English. I almost live in two worlds, watching BBC television, listening to BBC Radio 4: all my news and sense of America is filtered through those sources. It keeps me happy to remain connected, but when I leave my house, the whole wild wooded landscape of Northern Minnesota tells me plainly: I'm not in England anymore. Of all things English, my identity is most closely tied to the English landscape.” The biological definition of animal refers to all members of the kingdom Animalia, including humans who are only one of the nine or ten million species of animals that inhabit planet Earth. In curating the exhibition, Reuter searched for art from the complicated animal genre that exhibits contrasting and conflicting visions, points-of-view, assumptions, assertions, and historical remembrances of other members of the kingdom Animalia. -
New Editions 2012
January – February 2013 Volume 2, Number 5 New Editions 2012: Reviews and Listings of Important Prints and Editions from Around the World • New Section: <100 Faye Hirsch on Nicole Eisenman • Wade Guyton OS at the Whitney • Zarina: Paper Like Skin • Superstorm Sandy • News History. Analysis. Criticism. Reviews. News. Art in Print. In print and online. www.artinprint.org Subscribe to Art in Print. January – February 2013 In This Issue Volume 2, Number 5 Editor-in-Chief Susan Tallman 2 Susan Tallman On Visibility Associate Publisher New Editions 2012 Index 3 Julie Bernatz Managing Editor Faye Hirsch 4 Annkathrin Murray Nicole Eisenman’s Year of Printing Prodigiously Associate Editor Amelia Ishmael New Editions 2012 Reviews A–Z 10 Design Director <100 42 Skip Langer Design Associate Exhibition Reviews Raymond Hayen Charles Schultz 44 Wade Guyton OS M. Brian Tichenor & Raun Thorp 46 Zarina: Paper Like Skin New Editions Listings 48 News of the Print World 58 Superstorm Sandy 62 Contributors 68 Membership Subscription Form 70 Cover Image: Rirkrit Tiravanija, I Am Busy (2012), 100% cotton towel. Published by WOW (Works on Whatever), New York, NY. Photo: James Ewing, courtesy Art Production Fund. This page: Barbara Takenaga, detail of Day for Night, State I (2012), aquatint, sugar lift, spit bite and white ground with hand coloring by the artist. Printed and published by Wingate Studio, Hinsdale, NH. Art in Print 3500 N. Lake Shore Drive Suite 10A Chicago, IL 60657-1927 www.artinprint.org [email protected] No part of this periodical may be published without the written consent of the publisher. -
Robert Morris, Minimalism, and the 1960S
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1988 The Politics of Experience: Robert Morris, Minimalism, and the 1960s Maurice Berger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1646 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
Educating Artists
DUKE LAW MAGAZINE MAGAZINE LAW DUKE Fall 2006 | Volume 24 Number 2 F all 2006 Educating Artists V olume 24 Number 2 Also: Duke Faculty on the Hill From the Dean Dear Alumni and Friends, University’s Algernon Sydney Sullivan Medal, awarded annually for outstanding commitment to service. This summer, four Duke law faculty members were Graduates Candace Carroll ’74 and Len Simon ’73 called to testify before Congressional committees. have used their talents and resources in support Professor Neil Vidmar appeared before the Senate of civil liberties, women’s rights, and public inter- Committee on Health, Education, Labor and Pensions, est causes; their recent leadership gift to Duke’s to address legislation on medical malpractice suits. Financial Aid Initiative helps Duke continue to attract Professor Madeline Morris testified before the Senate the best students, regardless of their ability to pay, Foreign Relations Committee regarding ratification of and gives them greater flexibility to pursue public the U.S.–U.K. extradition treaty. Professor James Cox interest careers. Other alumni profiled in this issue offered his views on proposed reforms for the conduct who are using their Duke Law education to make a of securities class action litigation to the House difference include Judge Curtis Collier ’74, Chris Kay Committee on Financial Services Subcommittee ’78, Michael Dockterman ’78, Andrea Nelson Meigs on Capital Markets, Insurance, and Government ’94, and Judge Gerald Tjoflat ’57. Sponsored Enterprises. Professor Scott Silliman, I want to thank all alumni, friends, and faculty executive director of the Center on Law, Ethics and who contributed so generously to the Law School in National Security, was on Capitol Hill three times in the past year. -
Lianrl]P0tpr Ie Oentinned Svarm; a Few Eprlnkleo Abonttown IB Cfiwwrvtog Ffifii of Omploymont in Order to Assist Those Who Can Ukply, but Othenvtee Aa V^A
nCTOAT, OCTOBER 17.1«47 > Thfi WiMther A v e n f* Dfitly CtrcalAtioa FAGS FOUETEElf Porecoet of D. fL Weather BoreoU iffianrbeatfr tufttina ^frralft Foe tbe Moatb mt Septcashcr, 1847 Partly cioadv aafi very mild to asw ached’-ila was quite In ^ vea- 9,221 night; Sunday partly clendy and lant for foam due to thslf hours 8m Cs fipsn Jtfit H m LocalBanks lianrl]p0tpr iE oentinned svarm; a few eprlnkleo ABontTown IB Cfiwwrvtog Ffifii of omploymont In order to assist those who can UkPly, but othenvtee aa v^a. not transact buaineaa during the Manehe$ter-^A City of Village Cltarm i t u k Bradlqr «i * 5 5 * 2 1 ? ^ Local restaurdht proprietors Issue Notice are making an effort to com usual offks hours, 'A e Savings B»nk of Manchester and A e Man- ply with the government re Advemkdag ea Pate It) PRICE FOUR CENTS quest to Oonasrve food. They To Oiler Services to cheater Trust Company have de qVOL. L X yiL , NO. IS MANCHESTER, CONN., SATURDAY, OCTOBER 18, 1947 <TWEtVE PAGES) have tried to arrange their cided, ea an axperlment, to open menus to comply with the gov Those Inconvenienced each Auraday, holidays axchidad, niM Jao^tyr. w . a w ernment request but find thU 'rt-om 4:00 tf 8:80 o'clock. MniB— ttet there ere • few w * does not always meet with the By New Schedule A la arrangement which be*, Two Killetl in Crossing Crash M lM In the evminr nif-hoA ln * customer’s desire for meat on comes effective October 2Srd, will S a m«tal work chwew Tuesday and poultry producU since March J8 of this year the probably become permanent If It Expects Majority Landing Fatal thu f«n by the t . -
'How WE Can Improve Maywood'
Chatman Lewis Flaggs Group SURVEY ANAYSIS REPORT CLFC AND EGI ALL RIGHTS RESERVED 2017© Information contained in this report is intended to provide analysis of the Village of Maywood and the alignment of research with the peoples input relative to the village needs. The data was sampled throughout the four zones (1-4) in Maywood, IL. Further, Maywood residents ‘How WE can improve Maywood’volunteered to go door to door to make contact with residents and conduct phone interviews. The information was carefully gathered, analyzed and tabulated by a third party, ‘How WE can improve University of Illinois Urbana Champaign department of Maywood’ statistics. This report should not be used in place of any professional advice. CLFC and COMMUNITY SURVEY RESULTS EGI accepts no responsibility for any loss arising from any action taken by anyone using this material. The information contained herein this report is copy written and may not be used without express written permission of said owner CLFC or the EGI. All rights reserved© CommunityChatman and Economic Lewis Flaggs Development | Business StrategySurvey |for Advisory The Economic | Research | Feasibility Study | Business Turnaround Growth Initiative-EGI Publish date March 26, 2017 Community and Economic Growth Survey- Sampled October 2016 Published March 2017 Contents Disclaimer 1. Foreword 2. Background pages 4-6 3. Risk management analysis and implications pages 7-8 4. Demographic Summation pages 9-14 5. Resident information pages 15-19 6. Analysis and evidence pages 20-32 7. Conclusion Key Findings page 33 1 Community and Economic Growth Survey- Sampled October 2016 Published March 2017 Foreword CLFC research has found the Village of This report depicts how businesses could be Maywood, Illinois to be one of tremendous properly supported by the village population opportunity in terms of economic prosperity of 24, 100 persons and the immediate as well as socio-economic growth.