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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Between Modernization and Preservation: the Changing Identity of the Vernacular in Italian Colonial Libya
Between Modernization and Preservation: The Changing Identity of the Vernacular in Italian Colonial Libya BRIAN MCLAREN Harvard University This paper concerns the changing identity of the vernacular The architecture of this tourist system balanced a need to project architecture of the Italian colony of Libya in architectural discourse, an image of a modern and efficient network of travel, with the desire and the related appropriation of this re-configured vernacular by to preserve and even accentuate the characteristic qualities of the architects working in thls region. In this effort, I will describe the indigenous culture of each region. In the first instance, the tourist system difference between an abstract assimilation of these influences in the in Libya offered an experience of the colonial context that was early 1930s and a more scientific interest in the indlgenous culture of fundamentally modern-facilities like the dining room at the Albergo Libya in the latter part of this decade. In the first case, the work of "alle Gazzelle" in Zliten conveying an image of metropolitan comfort. architects like Sebastiano Larco and Carlo Enrico Rava subsumed In the second, a conscious effort was made to organize indigenous cultural references to vernacular constructions into modern aesthetic practices. manifestations that would enhance the tourist experience. One In the second, archtects llke Florestano Di Fausto evinced the material prominent example were the musical and dance performances in the qualities of these buildings in works that often directly re-enacted CaffeArabo at the Suq al-Mushr, which were made in a setting that was traditional forms. However, rather than dlscuss the transformation of intended to enact the mysteries of the East. -
Seeking a Forgotten History
HARVARD AND SLAVERY Seeking a Forgotten History by Sven Beckert, Katherine Stevens and the students of the Harvard and Slavery Research Seminar HARVARD AND SLAVERY Seeking a Forgotten History by Sven Beckert, Katherine Stevens and the students of the Harvard and Slavery Research Seminar About the Authors Sven Beckert is Laird Bell Professor of history Katherine Stevens is a graduate student in at Harvard University and author of the forth- the History of American Civilization Program coming The Empire of Cotton: A Global History. at Harvard studying the history of the spread of slavery and changes to the environment in the antebellum U.S. South. © 2011 Sven Beckert and Katherine Stevens Cover Image: “Memorial Hall” PHOTOGRAPH BY KARTHIK DONDETI, GRADUATE SCHOOL OF DESIGN, HARVARD UNIVERSITY 2 Harvard & Slavery introducTION n the fall of 2007, four Harvard undergradu- surprising: Harvard presidents who brought slaves ate students came together in a seminar room to live with them on campus, significant endow- Ito solve a local but nonetheless significant ments drawn from the exploitation of slave labor, historical mystery: to research the historical con- Harvard’s administration and most of its faculty nections between Harvard University and slavery. favoring the suppression of public debates on Inspired by Ruth Simmon’s path-breaking work slavery. A quest that began with fears of finding at Brown University, the seminar’s goal was nothing ended with a new question —how was it to gain a better understanding of the history of that the university had failed for so long to engage the institution in which we were learning and with this elephantine aspect of its history? teaching, and to bring closer to home one of the The following pages will summarize some of greatest issues of American history: slavery. -
Connecticut College Alumni Magazine, Fall 1974 Connecticut College
Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives Fall 1974 Connecticut College Alumni Magazine, Fall 1974 Connecticut College Follow this and additional works at: http://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Alumni Magazine, Fall 1974" (1974). Alumni News. Paper 188. http://digitalcommons.conncoll.edu/alumnews/188 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. .. .,..... ... ' ... .,-..... '"' .. .~. ' . ..... .' " ~.. - .,- ~il -,'; .. .- - • , -; " ... Connecticut College Alumni Magazine VOLUME 51, NUMBER 4, FALL 1974 The Ames Way: Introducing Our New President by Allen Carroll '73 2 At Home With Power Helen F. Mulvey 7 Home: Love Is All You Need David Case II History in Your Own Backyard: A Study of Homes Carol Broggini Catlin '60 12 The House You Call Home Sarah W. Wing '53 14 Homes For Sale-Real Estate, Everyone's Career Lotta Hess Ackerman '28 17 Sharing the Experience Katherine Meili Anderton '40 18 ROUND&ABOUT 22 In the Mailbox 25 What Do the Following Occupations Have in Common? 25 Class Notes Marion Vibert Clark '24 28 List of Class Correspondents 44 COVER: Rita Daly M.A. '71 PHOTOGRAPHS AND ILLUSTRATIONS: pp. 1,2 Constance Avery-Clark '75: pp. 3, 4, 5, 6 the Oakes Ames family: pp. [4, 15 Rita Daly '71: p. -
Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education
Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education 14 October 2011 On October 14, 2011, the Rice Design Alliance submitted an award submission to the American Institute of Architects for “Collaborative Achievement in Research, Dissemination, and Education.” Along with our organization’s “Biography,” a “Statement of Contributions,” and 15-pages of “Exhibits,” the RDA submission was nominated by Raymond Brochstein, FAIA with five support letters from John Kaliski, AIA, Nonya Grenader, FAIA, David Lake, FAIA, Jay Baker, FAIA, and Edward M. Baum, FAIA. Captured on the following page are a few quotes from these AIA colleagues and RDA supporters. SUBMISSION COMMITTEE Barbara Amelio, Kimberly Hickson, Lonnie Hoogeboom, Craig Minor, Suzy Minor, Danny Samuels, Carrie Glassman Shoemake STAFF Kathryn Fosdick, Raj Mankad, Katie Plocheck, Linda Sylvan “The Rice Design Alliance has been at the forefront of thinking about the future of the built environment and how cities and buildings must be sustainable. RDA has a regional reach beyond Houston, including Austin, Corpus Christi, Galveston and my town, San Antonio. RDA’s audience is not limited to design professionals. It is inclusive, open, and inviting. I have friends who are developers, lawyers, teachers, and artists who routinely attend their events because of the inspirational, informative content. RDA’s commitment to excellence and their success in expanding the audience elucidates how good design benefits all of us and the natural realm. “The Rice Design Alliance was conceived by David Crane who was Dean of the Rice University School of Architecture in 1972. -
Connecticut College Alumni Magazine, Summer 1976 Connecticut College
Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives Summer 1976 Connecticut College Alumni Magazine, Summer 1976 Connecticut College Follow this and additional works at: http://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Alumni Magazine, Summer 1976" (1976). Alumni News. Paper 197. http://digitalcommons.conncoll.edu/alumnews/197 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Connecticut College AIumni Magazine Summer 1976/Volume 53 Number 4 Summer Report The campus celebrates: Seniors file into Palmer Auditorium to receive degrees; two alumnae observe reunion activities from a vantage point in Cummings Arts Center; balloons brighten a dormitory's granite wall. ,~.. ~. Coming back p.5 Reunion '76 in notes and photographs Finishing up p.I The class of 1976 goes out in style Getting out Richard Kadzis '76 looks ahead with mixed emotions VOWME 53 'UMBER' CONNECTICUT COLLEGE ALUMNI MAGAZINEISUMMER REPORT 1976 The happiness of pursuit Rain brought commencement exercises While most of the graduates wore caps into a crowded Palmer Auditorium but and gowns (above right), one eschewed had no effect on the spirit of celebration the traditional outfit in favor of a more that hundreds of students, parents, friends conspicuous white suit and panama hat and alumni brought to the campus. -
Teaching Geomatics
TEACHING GEOMATICS G. Tucci *, V. Bonora University of Florence, Dept. of Restoration and Conservation of Architectural Heritage, 50121 Florence, Italy [email protected] [email protected] KEY WORDS: Teaching, Education, Orthorectification, Knowledge Base, Laser scanning, Photogrammetry ABSTRACT: In the study programmes offered by the Italian Architecture Faculties there is often little time dedicated to the teaching of Geomat- ics. On the other hand there is an ever-increasing awareness that the correct management of the cultural heritage requires that the importance of reliable graphic documentation be recognized; such documentation can be used for elaborating further analyses and for designing conservation projects. This paper presents the results of practical work carried out during the Topography/Surveying and surveying methodology/Survey au- tomation course held in the 2005-2006 academic year at the Faculty of Architecture of the Turin Polytechnic. This work consisted in the metrical survey of the facades of the Valentino Castle at Turin. The castle therefore, not only hosted the classrooms where theoretical lessons were held but also provided the material for practical experience. 1. GEOMATICS AND ARCHITECTURE “Geomatics” is the term used to define all the activities linked survey describes the object being analysed and can be used to to acquisition, processing, analysis, modelling, visualization represent different themes as required. The theoretical content of and management of metric data, which are part of the study the discipline is tested, albeit with the limitations of time and and research process carried out in the fields of remote sensing, the large numbers of students involved, by groups of students cartography, GIS and survey. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
Public Engagement in Urban Innovation: Towards the Concept of Inclusive Mobility
ORIGINAL ARTICLE CERN IdeaSquare Journal of Experimental Innovation, 2019; 3(1): 16-21 DOI: https://doi.org/10.23726/cij.2019.875 Public engagement in urban innovation: towards the concept of inclusive mobility Xiaoxu Liang,1* Michele Lopez,2 Jacopo Aiello,2 Nicola Langone,2 Simone Vottari,2 Yuri Ardesi3 1Politecnico di Torino, Castello del Valentino, Viale Mattioli, 39, Turin, Italy 2Collège des Ingèneurs, Via Giuseppe Giacosa, 38, Turin, Italy 3Politecnico di Torino, Corso Duca degli Abruzzi, 24, Turin, Italy *Corresponding author: [email protected] ABSTRACT In the process towards smart city, the concept of public transportation has evolved as a set of socio-material entanglements by highlighting the social impacts. This research offers a community-based approach to identify criteria for the design towards inclusive mobility by setting a validation model to measure and extract collected stakeholders’ data. The study provides a thematization of optimizing strategies to address mobility in future smart city actions towards sustainable community development, aiming to inspire further research in Italy and beyond. Keywords: Public engagement; smart city; validation. Received: May 2019. Accepted: June 2019. 2010). ICT is one of the crucial instruments aimed at INTRODUCTION involving citizens to participate in city governance, obviously plays an important role in the process of public With the emerging academic concentration on the transportation towards smart mobility (Clara, 2016). “Smart City” planning, the application of big data and Challenge of smart mobility innovations might lay the Information and Communication Technology (ICT) is a groundwork for strengthening coordination to enhance more popular way to arm spaces with smart functions governance capacity (Diane, 2018). -
A Virtual Train Journey Along the Mare Ligure from Ventimiglia to Rome
Italian Culture Newsletter Number 22 A Virtual Train Journey along the Mare Ligure from Ventimiglia to Rome. Marie and I have made this journey on a number of occasions. In doing so we have either made the journey in a single day albeit with a change of train, usually at Genova. On other occasions, we have spent an evening or even a few days at Genova and/or at Livorno or Pisa. The journey described will involve more stops on the way but could be more interesting on that account. The trip begins in Ventimiglia where we stayed overnight on our last day of our last holiday in Italy. This had been occasioned by the French railway strike which prevented any trains from running from Ventimiglia to Nice on the day of our arrival from Rome into the city at the Italian- French border in Liguria. Our first visit to Ventimiglia was in 2006 when some Italian friends from Cuneo, due north of Ventimiglia, in Piemonte, met us at the rail station in Ventimiglia to take us for a short stay at their apartment in Nice. On that occasion we didn’t see much of the city except for part of the old medieval town, which now mostly is the home of many of the southerners from Naples, Calabria and Sicily who moved north seeking employment after WWII. The old town is perched high above the new city with its long sea-front promenade and railway station. Ventimiglia is the ancient Albium Intemelium, the capital of the Intemelii, a Ligurian tribe which long resisted the Romans, until in 115 BC it was forced to submit to Marcus Aemilius Scaurus. -
POLITECNICO DI TORINO Repository ISTITUZIONALE
POLITECNICO DI TORINO Repository ISTITUZIONALE The Study on Main Issues of Chinese and Italian Historic Centers’ Conservation Based on A Comparative Perspective Original The Study on Main Issues of Chinese and Italian Historic Centers’ Conservation Based on A Comparative Perspective / Jia, Yanfei. - (2014). Availability: This version is available at: 11583/2537913 since: Publisher: Politecnico di Torino Published DOI:10.6092/polito/porto/2537913 Terms of use: Altro tipo di accesso This article is made available under terms and conditions as specified in the corresponding bibliographic description in the repository Publisher copyright (Article begins on next page) 11 October 2021 Chapter 3 Conservation issues: comparing Italy and China 198 “The rage of repairing….will be less fatal to our magnificent edifices than the reformation and the Civil war.” written by Thomas Gray in 1785 to J. Bentham 3 Conservation issues: comparing Italy and China Conservation thoughts began to be introduced to China in the end of 1900s, mainly from the Japan’s research results, then from the Western directly from 1930s. Owing to two world wars and internal political turbulent situation, it leaded to little gains. The huge quick urbanization from 1980s has swept away existing built environment extensively and annihilated national-wild identity. Professionals shed great attention on the historic heritage conservation since then. Massive international laws, charters and international cases began to be introduced, and China started to involve in international historic conservation movements actively. Though basic hierarchy conservation system was established, ideal methods was plotted, specific planning program was outlined, limited projects was performed successfully. Actually, the current system cannot prevent large-scale violation and destruction, misinterpretation and aberrant interventions. -
Italian Villas and Their Gardens
Italian Villas and Their Gardens By Edith Wharton INTRODUCTION ITALIAN GARDEN-MAGIC Though it is an exaggeration to say that there are no flowers in Italian gardens, yet to enjoy and appreciate the Italian garden-craft one must always bear in mind that it is independent of floriculture. The Italian garden does not exist for its flowers; its flowers exist for it: they are a late and infrequent adjunct to its beauties, a parenthetical grace counting only as one more touch in the general effect of enchantment. This is no doubt partly explained by the difficulty of cultivating any but spring flowers in so hot and dry a climate, and the result has been a wonderful development of the more permanent effects to be obtained from the three other factors in garden-composition—marble, water and perennial verdure—and the achievement, by their skilful blending, of a charm independent of the seasons. It is hard to explain to the modern garden-lover, whose whole conception of the charm of gardens is formed of successive pictures of flower-loveliness, how this effect of enchantment can be produced by anything so dull and monotonous as a mere combination of clipped green and stonework. The traveller returning from Italy, with his eyes and imagination full of the ineffable Italian garden-magic, knows vaguely that the enchantment exists; that he has been under its spell, and that it is more potent, more enduring, more intoxicating to every sense than the most elaborate and glowing effects of modern horticulture; but he may not have found the key to the mystery.