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Iudaea Capta Vs. Mother Zion: the Flavian Discourse on Judaeans and Its Delegitimation in 4 Ezra
Journal for the Study of Judaism 49 (2018) 498-550 Journal for the Study of Judaism brill.com/jsj Iudaea Capta vs. Mother Zion: The Flavian Discourse on Judaeans and Its Delegitimation in 4 Ezra G. Anthony Keddie1 Assistant Professor, University of British Columbia, Vancouver, BC, Canada [email protected] Abstract This study proposes that the empire-wide Iudaea capta discourse should be viewed as a motivating pressure on the author of 4 Ezra. The discourse focused on Iudaea capta, Judaea captured, was pervasive across the Roman empire following the First Revolt. Though initiated by the Flavians, it became misrecognized across the Mediterranean and was expressed in a range of media. In this article, I examine the diverse evidence for this discourse and demonstrate that it not only cast Judaeans as barbaric enemies of Rome using a common set of symbols, but also attributed responsibility for a minor provincial revolt to a transregional ethnos/gens. One of the most distinctive symbols of this discourse was a personification of Judaea as a mourning woman. I argue that 4 Ezra delegitimates this Iudaea capta discourse, with its mourning woman, through the counter-image of a Mother Zion figure who transforms into the eschatological city. Keywords Iudaea capta/Judaea capta − Flavian dynasty − 4 Ezra − Roman iconography − Jewish-Roman relations − Mother Zion − apocalyptic discourse − First Jewish Revolt 1 I would like to thank Steven Friesen and L. Michael White for their helpful feedback and insightful suggestions on earlier versions of this study. © koninklijke brill nv, leiden, 2018 | doi:10.1163/15700631-12494235Downloaded from Brill.com10/06/2021 11:31:49PM via free access Iudaea Capta vs. -
Cladding the Mid-Century Modern: Thin Stone Veneer-Faced Precast Concrete
CLADDING THE MID-CENTURY MODERN: THIN STONE VENEER-FACED PRECAST CONCRETE Sarah Sojung Yoon Submitted in partial fulfillment of the requirements for the degree Master of Science in Historic Preservation Graduate School of Architecture, Planning and Preservation Columbia University May 2016 Advisor Dr. Theodore Prudon Adjunct Professor at Columbia University Principal, Prudon & Partners Reader Sidney Freedman Director, Architectural Precast Concrete Services Precast/ Prestressed Concrete Institute (PCI) Reader Kimball J. Beasley Senior Principal, Wiss, Janney, Elstner Associates, Inc. (WJE) ABSTRACT Cladding the Mid-Century Modern: Thin Stone Veneer-Faced Precast Concrete Sarah Sojung Yoon Dr. Theodore Prudon, Advisor With significant advancements in building technology at the turn of the twentieth century, new building materials and innovative systems changed the conventions of construction and design. New materials were introduced and old materials continued to be transformed for new uses. With growing demand after WWII forcing further modernization and standardization and greater experimentation; adequate research and testing was not always pursued. Focusing on this specific composite cladding material consisting of thin stone veneer-faced precast concrete – the official name given at the time – this research aims to identify what drove the design and how did the initial design change over time. Design decisions and changes are evident from and identified by closely studying the industry and trade literature in the form of articles, handbooks/manuals, and guide specifications. For this cladding material, there are two major industries that came together: the precast concrete industry and the stone industry. Literature from both industries provide a comprehensive understanding of their exchange and collaboration. From the information in the trade literature, case studies using early forms of thin stone veneer-faced precast concrete are identified, and the performance of the material over time is discussed. -
Noted Previously, Was an Archaic Form of Marriage in Which the Woman Passed from Her Natal Family to Her Husband’S
GAIUS’ INSTITUTES – PERSONS – PART 2 – OF ONE’S OWN RIGHT vs. SUBJECT TO THE RIGHT OF ANOTHER (GI.1.48–200) 1. There follows a massive graphic on those of their own right (sui iuris) and those subject to another’s right (alieno iuri subiecti, normally shortened to alieni iuris): B sui iuris 1,13 vs. A alieni iuris 1,8 __________|________________ ________|_________ | | | | | | totally tutela 6,10,11 cura 12 in potestate 6 in manu 7 in mancipio __________|______ _____|_____ ___|______ | | | | | | | | | | testament legit fiduc dat pro min fur dominica patria 2 | 5 | 2 | _______| |____________ |__________________ | | | | | | | | children freedmen wom. litig. sine iust. nupt. mixed adoptivi 3 4 7 8 9 3 4 5 a. The numbers indicate the order in which Gaius takes up the topic. The combination of the Latin and the abbreviations necessary to get this all into one graphic make the specifics hard to follow. The point of the graphic is not the specifics, it’s the structure. b. (On the slide A and B are reversed; this follows the order of the graphic above.) Both sides of the dichotomy have four levels. Levels 1 and 2 deal with categories of persons: level 1 those sui iuris and those alieni iuris, level 2 those totally sui iuris, those in tutelage (tutela), those in another form of guardianship (cura), those in power (in potestate), those literally ‘in hand’ (in manu), those in ‘hand-capture’ (in mancipio). Levels 3 and 4 are mixed dealing sometimes with categories of persons and sometimes with ways of acquiring the status. -
Decreasing Hydrothermalism at Pamukkale- Hierapolis (Anatolia) Since the 7Th Century
EGU2020-20182 https://doi.org/10.5194/egusphere-egu2020-20182 EGU General Assembly 2020 © Author(s) 2021. This work is distributed under the Creative Commons Attribution 4.0 License. Decreasing hydrothermalism at Pamukkale- Hierapolis (Anatolia) since the 7th century Bassam Ghaleb1, Claude Hillaire-Marcel1, Mehmet Ozkul2, and Feride Kulali3 1Université du Québec à Montréal, GEOTOP, Montreal, Canada ([email protected]) 2Pamukkale University, Denizli, Turkey 3Uskudar University, Istanbul,Turkey The dating of travertine deposition and groundwater / hydrothermal seepages in relation to late Holocene climatic changes can be achieved using short-lived isotopes of the 238U decay series, as illustrated by the present study of the Pamukkale travertine system, at the northern edge of the Denizli and Baklan graben merging area (see Özkul et al., 2013; https://doi.org/10.1016/j.sedgeo.2013.05.018. The strongly lithified self-built channels and modern pools where analysed for their 238U,234U,230Th, 226Ra, 210Pb and 210Po contents, whereas 238U,234U and 226Ra were measured in modern hydrothermal waters. When corrected for detrital contamination, 230Th-ages of travertine samples range from 1215±80 years, in the oldest self-built hydrothermal channels, to the Present (modern pool carbonate deposits) thus pointing to the inception of the existing huge travertine depositional systems during the very late Holocene, probably following the major Laodikeia earthquate of the early 7th century (cf. Kumsar et al., 2016; DOI 10.1007/s10064-015-0791-0). So far, the available data suggest three major growth phases of the travertine system: an early phase (7th to 8th centuries CE), an intermediate phase (~ 14th century CE) and a modern one, less than one century old. -
In This Study, Marcello Mogetta Examines the Origins and Early Dissemina- Tion of Concrete Technology in Roman Republican Architecture
Cambridge University Press 978-1-108-84568-7 — The Origins of Concrete Construction in Roman Architecture Marcello Mogetta Frontmatter More Information THE ORIGINS OF CONCRETE CONSTRUCTION IN ROMAN ARCHITECTURE In this study, Marcello Mogetta examines the origins and early dissemina- tion of concrete technology in Roman Republican architecture. Framing the genesis of innovative building processes and techniques within the context of Rome’s early expansion, he traces technological change in monumental construction in long-established urban centers and new Roman colonial cites founded in the 2nd century BCE in central Italy. Mogetta weaves together excavation data from both public monu- ments and private domestic architecture that previously have been studied in isolation. Highlighting the organization of the building industry, he also explores the political motivations and cultural aspirations of patrons of monumental architecture, reconstructing how they negotiated economic and logistical constraints by drawing from both local traditions and long- distance networks. By incorporating the available scientific evidence into the development of concrete technology, Mogetta also demonstrates the contributions of anonymous builders and contractors, shining a light on their ability to exploit locally available resources. marcello mogetta is a Mediterranean archaeologist whose research focuses on early Roman urbanism in Italy. He conducts primary fieldwork at the sites of Gabii (Gabii Project) and Pompeii (Venus Pompeiana Project), for which he has received multiple grants from the National Endowment for the Humanities, the Loeb Classical Library Foundation, the AIA, and the Social Sciences and Humanities Research Council. He coordinates the CaLC-Rome Project, an international collaboration that applies 3D mod- eling and surface analysis to the life cycle of ceramic vessels from the Esquiline necropolis in Rome. -
The Sweep of History
STUDENT’S World History & Geography 1 1 1 Essentials of World History to 1500 Ver. 3.1.10 – Rev. 2/1/2011 WHG1 The following pages describe significant people, places, events, and concepts in the story of humankind. This information forms the core of our study; it will be fleshed-out by classroom discussions, audio-visual mat erials, readings, writings, and other act ivit ies. This knowledge will help you understand how the world works and how humans behave. It will help you understand many of the books, news reports, films, articles, and events you will encounter throughout the rest of your life. The Student’s Friend World History & Geography 1 Essentials of world history to 1500 History What is history? History is the story of human experience. Why study history? History shows us how the world works and how humans behave. History helps us make judgments about current and future events. History affects our lives every day. History is a fascinating story of human treachery and achievement. Geography What is geography? Geography is the study of interaction between humans and the environment. Why study geography? Geography is a major factor affecting human development. Humans are a major factor affecting our natural environment. Geography affects our lives every day. Geography helps us better understand the peoples of the world. CONTENTS: Overview of history Page 1 Some basic concepts Page 2 Unit 1 - Origins of the Earth and Humans Page 3 Unit 2 - Civilization Arises in Mesopotamia & Egypt Page 5 Unit 3 - Civilization Spreads East to India & China Page 9 Unit 4 - Civilization Spreads West to Greece & Rome Page 13 Unit 5 - Early Middle Ages: 500 to 1000 AD Page 17 Unit 6 - Late Middle Ages: 1000 to 1500 AD Page 21 Copyright © 1998-2011 Michael G. -
The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of figural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig. -
Augustus Go to and Log in Using Your School’S Log in Details
Timelines – Augustus Go to www.worldbookonline.com and log in using your school’s log in details: Log-in ID: Password: Click on Advanced Type in Augustus in Search box Click the article titled Augustus Read the article and answer the questions below. 1. What date was Octavian (Augustus) born? ___________________________________________________________________________ 2. In which year did Octavian take the name Gaius Julius Caesar Octavianus? ___________________________________________________________________________ 3. Octavian defeated Mark Antony, who had taken control of Rome following Caesar’s death, in which year? ___________________________________________________________________________ 4. Octavian and Mark Antony formed a political alliance, known as the Second Triumvirate, with Markus Aemilius Lepidus (chief priest of Rome). In which year were Marcus Junius Brutus and Gaius Cassius Longinus, Caesar’s chief assassins, defeated at Philippi in Macedonia? ___________________________________________________________________________ 5. What year was another threat, Sextus Pompey (son of Pompey the Great), defeated by Antony and Octavian? ___________________________________________________________________________ 6. In what year did the Triumvirate disintegrate? ___________________________________________________________________________ 7. In what year did Mark Antony and Cleopatra (Queen of Egypt) become lovers? ___________________________________________________________________________ 8. In what year did Octavian go to war against -
The Two-Piece Corinthian Capital and the Working Practice of Greek and Roman Masons
The two-piece Corinthian capital and the working practice of Greek and Roman masons Seth G. Bernard This paper is a first attempt to understand a particular feature of the Corinthian order: the fashioning of a single capital out of two separate blocks of stone (fig. 1).1 This is a detail of a detail, a single element of one of the most richly decorated of all Classical architec- tural orders. Indeed, the Corinthian order and the capitals in particular have been a mod- ern topic of interest since Palladio, which is to say, for a very long time. Already prior to the Second World War, Luigi Crema (1938) sug- gested the utility of the creation of a scholarly corpus of capitals in the Greco-Roman Mediter- ranean, and especially since the 1970s, the out- flow of scholarly articles and monographs on the subject has continued without pause. The basis for the majority of this work has beenformal criteria: discussion of the Corinthian capital has restedabove all onstyle and carving technique, on the mathematical proportional relationships of the capital’s design, and on analysis of the various carved components. Much of this work carries on the tradition of the Italian art critic Giovanni Morelli whereby a class of object may be reduced to an aggregation of details and elements of Fig. 1: A two-piece Corinthian capital. which, once collected and sorted, can help to de- Flavian period repairs to structures related to termine workshop attributions, regional varia- it on the west side of the Forum in Rome, tions,and ultimatelychronological progressions.2 second half of the first century CE (photo by author). -
Cicero's Life
Cicero Philippic II Cicero’s Life Lives of Cicero of all lengths and depths abound; what follows is intended to highlight the main landmarks in Cicero’s career. A separate table chronicles the events of 44 BC in more detail. Date (BC) Cicero and his circle Rome 107 Marius elected consul for the first time 106 Birth of Marcus Tullius Cicero and Gnaeus Pompeius (Pompey), later called ‘Magnus’; both equestrians. 104 – 100 Marius consul for five successive years. 104/2 Birth of Cicero’s brother, Quintus. 90s Cicero is educated at Rome in house of L. Licinius Crassus and later continues his studies with the augur Q. Mucius Scaevola. 91 – 88 Cicero and Pompey both serve under The Social War, in which Rome’s Sulla, Pompey as a successful Italian allies fight against Rome’s general. predominance and win citizenship. 88 – 84 Occupation of Rome first by Sulla (88) and then by Marius and Cinna (87 – 6). Marius dies in 86, Cinna continues to control affairs until his death in 84. ?86 Cicero writes a rhetorical treatise, de Inventione. 82 Sulla marches on Rome and is made dictator. Proscriptions follow (in 81). He retires from office in 79 and dies in 78. Date (BC) Cicero and his circle Rome 81 Cicero’s first civil case, pro Quinctio Sulla’s reforms curtailing powers of (which he probably loses). tribunate, increasing size of senate and constituting seven senatorial courts. 80 Cicero’s first criminal case, pro Roscio Amerino (which he wins). 79 – 77 Cicero marries Terentia and travels abroad, including to Athens for six months to study rhetoric under Apollonius Molo. -
Heritage-Making and the Language of Auctoritas and Potestas (Cultura
CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2014 Culture and Axiology is a semiannual peer-reviewed journal devo- 2 2014 Vol XI No 2 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages the submission of manuscripts based on original research that are judged to make a novel and important contribution to understan- ding the values and cultural phenomena in the contempo rary world. CULTURE AND AXIOLOGY CULTURE INTERNATIONAL JOURNAL OF PHILOSOPHY INTERNATIONAL ISBN 978-3-631-66062-1 www.peterlang.com CULTURA 2014_266062_VOL_11_No2_GR_A5Br.indd 1 03.12.14 12:11 CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2014 Culture and Axiology is a semiannual peer-reviewed journal devo- 2 2014 Vol XI No 2 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages the submission of manuscripts based on original research that are judged to make a novel and important contribution to understan- ding the values and cultural phenomena in the contempo rary world. CULTURE AND AXIOLOGY CULTURE INTERNATIONAL JOURNAL OF PHILOSOPHY INTERNATIONAL www.peterlang.com CULTURA 2014_266062_VOL_11_No2_GR_A5Br.indd 1 03.12.14 12:11 CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE AND AXIOLOGY Cultura. International Journal of Philosophy of Culture and Axiology E-ISSN (Online): 2065-5002 ISSN (Print): 1584-1057 Advisory Board Prof. -
The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna.