Suggested Textbook Introductions to Russian History
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Leon Trotsky Three Concepts of the Russian Revolution 1
Leon Trotsky Three Concepts of the Russian Revolution 1 The Revolution of 1905 came to be not only the “general rehearsal” of 1917 but also the laboratory in which all the fundamental groupings of Russian political life were worked out and all the tendencies and shadings inside Russian Marxism were projected. At the core of the arguments and divergences was, needless to say, the question concerning the historical nature of the Russian Revolution and its future course of development. That conflict of concepts and prognoses has no direct bearing on the biography of Stalin, who did not participate in it in his own right. The few propagandist articles he wrote on that subject are utterly devoid of theoretical interest. Scores of Bolsheviks who plied the pen popularised the same thoughts, and did it considerably better. Any critical exposition of Bolshevism’s revolutionary concepts naturally belongs in a biography of Lenin. But theories have their own fate. Although during the period of the First Revolution [1905] and subsequently, as late as 1923, at the time when the revolutionary doctrines were elaborated and applied, Stalin had no independent position whatever, a sudden change occurred in 1924, which opened an epoch of bureaucratic reaction and radical transvaluation of the past. The film of the revolution was unwound in reverse order. Old doctrines were subjected either to a new evaluation or a new interpretation. Thus, rather unexpectedly at first glance, attention was focused on the concept of “permanent revolution” as the prime source of all the fallacies of “Trotskyism”. For many years to come criticism of that concept formed the main content of all the theoretical – sit venio verbo – writings of Stalin and his collaborators. -
THE FIRST PRAVDA and the RUSSIAN MARXIST TRADITION by JAMES D
THE FIRST PRAVDA AND THE RUSSIAN MARXIST TRADITION By JAMES D. WHITE I THE appearance of the first Pravdal is an episode of the Bolshevik party's history which has never received any systematic treatment either by Western or Soviet scholars. It is an aspect of the I905 revolution which the party historians and memoirists have been for the most part very eager to forget, and since Western investigators have apparently been unaware of its existence they have allowed its consignment to oblivion to take place without comment. That this first Pravda to be connected with the Bolshevik party is not widely known is hardly surprising, because in this case the exclusion from the historical record took place long before the Bolshevik party came to power. For, following the 1905 revolution, Pravda's editor, A. A. Bogdanov, was subjected to the kind of campaign of silence which was a foretaste of those later applied to Trotsky and Stalin. Nevertheless, the journal Pravda and the group of intellectuals associated with it occupy an important place in the history of Bolshevism. Indeed, it is true to say that without reference to this periodical Russian intellectual history would be incomplete and the evolution of Russian Marxism imperfectly understood. Although Pravda would certainly merit a more extended study both as a source and as a historical event in itself, the present paper is limited to a description of the circumstances which attended the appearance of the journal, the group of people who surrounded it, and an attempt to place it in its ideological context. -
Volga River Tourism and Russian Landscape Aesthetics Author(S): Christopher Ely Source: Slavic Review, Vol
The Origins of Russian Scenery: Volga River Tourism and Russian Landscape Aesthetics Author(s): Christopher Ely Source: Slavic Review, Vol. 62, No. 4, Tourism and Travel in Russia and the Soviet Union, (Winter, 2003), pp. 666-682 Published by: The American Association for the Advancement of Slavic Studies Stable URL: http://www.jstor.org/stable/3185650 Accessed: 06/06/2008 13:39 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=aaass. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org The Origins of Russian Scenery: Volga River Tourism and Russian Landscape Aesthetics Christopher Ely BoJira onrcaHo, nepeonicaHo, 4 Bce-TaKHHe AgoicaHo. -
Symbolic Meaning of Colors in Traditional Mosques
Symbolic Meaning of Colors in Traditional Mosques Mahsa Esmaeili Namiri Submitted to the Institute of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Science in Architecture Eastern Mediterranean University January 2017 Gazimağusa, North Cyprus Approval of the Institute of Graduate Studies and Research Prof. Dr. Mustafa Tümer Director I certify that this thesis satisfies the requirements as a thesis for the degree of Master of Science in Architecture. Prof. Dr. Naciye Doratlı Chair, Department of Architecture Department We certify that we have read this thesis and that in our opinion it is fully adequate in scope and quality as a thesis for the degree of Master of Science in Architecture. Assoc. Prof. Dr. Rafooneh Mokhtarshahi Sani Supervisor Examining Committee 1. Prof. Dr. Hifsiye Pulhan 2. Assoc. Prof. Dr. Rafooneh Mokhtarshahi Sani 3. Asst. Prof. Dr. Nazife Özay ABSTRACT Mosques are considered as one of the essential buildings in the Islamic architecture. They indicate the significance and value of Islamic architecture. In addition, mosques are not only the places for praying, but also they play the fundamental role in replying human’s social, political, economical and even mental needs. This means that, the relation between human and mosques can represent the dignity and magnitude of these Islamic center communities. Therefore, the spiritual concepts and divine meanings of this building should convey to human. One way to display these concepts is to use color in symbolic ways which can be as a tool to communication between human and mosques. This thesis focuses on to find the symbolic meanings of color in traditional mosques, by limiting the study to Safavid and Ottoman periods as well as Central Asian mosques. -
EDUCATION PACK 1 Bristol Old Vic | the Cherry Orchard | Education Pack “A Poem About Life and Death and Transition and Change” PETER BROOK, 1981
EDUCATION PACK 1 Bristol Old Vic | The Cherry Orchard | Education Pack “A poem about life and death and transition and change” PETER BROOK, 1981 FOREWORD CONTENTS The Cherry Orchard was written over a hundred 2. Introduction years ago and the dominant issue of anxiety and 3. Chekhov, A History change are still with us in a tumultuous twenty-first century. As teachers, we are in a position where we 5. Exploring the Story can challenge ideas and stimulate discussion within 7. Dissecting the Characters our classrooms while exploring a wide range of performance opportunities. This is a play where 9. A Note from the Director seemingly very little happens on stage but events of 11. A Note from the Designer rapid economic and cultural change are happening all around. We know the old way of life is doomed 13. The Moscow Arts Theatre but are not sure whether the new dawn will 14. Under the Microscope ultimately be any better than that which is being cast aside. 15. Key Themes This is a play of many contradictions and is wide 16. How to Write a Review open to a director’s interpretation. Does the future 17. Activities look bleak or alluring? Chekhov wrote The Cherry Orchard while he was dying and knew that this would be his last play. Does this create an air of melancholy? How does this sit with the conjuring tricks and circus skills in this self-declared ‘comedy in four acts’? Is it a naturalistic or symbolic play or a combination of the two? We can decide on any one or all of these interpretations and each are as Introduction valid as any other. -
The Circassian Thistle: Lev Nikolaevich Tolstoy's Khadzhi
ABSTRACT THE CIRCASSIAN THISTLE: TOLSTOY’S KHADZHI MURAT AND THE EVOLVING RUSSIAN EMPIRE by Eric M. Souder The following thesis examines the creation, publication, and reception of Lev Nikolaevich Tolstoy’s posthumous novel, Khadzhi Murat in both the Imperial and Soviet Russian Empire. The anti-imperial content of the novel made Khadzhi Murat an incredibly vulnerable novel, subjecting it to substantial early censorship. Tolstoy’s status as a literary and cultural figure in Russia – both preceding and following his death – allowed for the novel to become virtually forgotten despite its controversial content. This thesis investigates the absorption of Khadzhi Murat into the broader canon of Tolstoy’s writings within the Russian Empire as well as its prevailing significance as a piece of anti-imperial literature in a Russian context. THE CIRCASSIAN THISTLE: TOLSTOY’S KHADZHI MURAT AND THE EVOLVING RUSSIAN EMPIRE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of History by Eric Matthew Souder Miami University Oxford, Ohio 2014 Dr. Stephen Norris Dr. Daniel Prior Dr. Margaret Ziolkowski TABLE OF CONTENTS Introduction………………………………………………………………………………………1 Chapter I - The Tolstoy Canon: The Missing Avar……………………………………………….2 Chapter II – Inevitable Editing: The Publication and Censorship of Khadzhi Murat………………5 Chapter III – Historiography and Appropriation: The Critical Response to Khadzhi Murat……17 Chapter IV – Conclusion………………………………………………………………………...22 Afterword………………………………………………………………………………………..24 Bibliography……………………………………………………………………………………..27 ii Introduction1 In late-October 1910, Lev Nikolaevich Tolstoy died at Astopovo Station, approximately 120 miles from his family estate at Yasnaya Polyana in the Tula region of the Russian Empire. -
GRADUATE READING LIST for IMPERIAL RUSSIA History Department University of Pennsylvania
GRADUATE READING LIST FOR IMPERIAL RUSSIA History Department University of Pennsylvania (Spring 2017) ORGANIZATION 1. Overviews and general studies 2. Early Modern and Muscovite Russia 3. Peter the Great 4. XVIII Century 5. Pre-Reform Russia: 1801-1861 6. Post-reform Russia: 1861-1905 7. Revolution and War, 1905-1917 1. Overviews and General Studies of Particular Aspects of Russian History Afiani, V. Iu. Rossiia. Khronika osnovnykh sobytii. IX-XX veka. Moscow: Rosspen, 2002. Anisimov, E. Imperatorskaia Rossiia . Moscow-St. Petersburg: Piter, 2008. Billington, James. The Icon and the Axe. An Interpretive History of Russian Culture . New York: Alfred A. Knopf, 1966. Black, Cyril. Ed. The Transformation of Russian Society . Cambridge, Mass. Harvard University Pres, 1967. Brumfield, William. A History of Russian Architecture . Cambridge, UK: Cambridge University Press, 1993. Burbank, Jane. “An Imperial Rights Regime: Law and Citizenship in the Russian Empire.” Kritika: Explorations in Russian and Eurasian History 7, no. 3 (Summer 2006), 397-432. Cherniavsky, Michael. Ed. The Structure of Russian History . New York: Random House, 1970. Dixon, Simon. The Modernization of Russia . Cambridge: Cambridge University Press, 1999. Dukes, Paul. The Making of Russian Absolutism, 1612-1801 . London: Longmans, 1982. Edie, James, James Scanlan, Mary-Barbara Zeldin. Eds. Russian Philosophy . 3 vols. Knoxville : University of Tennessee Press, 1976. Eroshkin, N. Istoriia gosudarstvennykh uchrezhdenii dorevoliutsionnoi Rossii . 3rd ed. Moscow: Vysshaia shkola, 1983; many other editions. Fedotov, G. P. The Russian Religious Mind . 2 vols. Cambridge, Mass., Harvard University Press, 1966. Figes, Orlando. Natasha’s Dance: A Cultural History of Russia. New York: Picador, 2002. Florovsky, George. Puti russkogo bogosloviia . -
A Companion to Andrei Platonov's the Foundation
A Companion to Andrei Platonov’s The Foundation Pit Studies in Russian and Slavic Literatures, Cultures and History Series Editor: Lazar Fleishman A Companion to Andrei Platonov’s The Foundation Pit Thomas Seifrid University of Southern California Boston 2009 Copyright © 2009 Academic Studies Press All rights reserved ISBN 978-1-934843-57-4 Book design by Ivan Grave Published by Academic Studies Press in 2009 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com iv Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com CONTENTS CHAPTER ONE Platonov’s Life . 1 CHAPTER TWO Intellectual Influences on Platonov . 33 CHAPTER THREE The Literary Context of The Foundation Pit . 59 CHAPTER FOUR The Political Context of The Foundation Pit . 81 CHAPTER FIVE The Foundation Pit Itself . -
Russia Digital Resources and Children’S Books Updated 3/2021 Kid-Friendly Youtube Clips
Russia Digital Resources and Children’s Books Updated 3/2021 Kid-Friendly YouTube Clips: Where did Russia come from? https://www.youtube.com/watch?v=lfe1wEQzSzM History of Russia, Rurik to Revolution: https://www.youtube.com/watch?v=w0Wmc8C0Eq0 Old Russia, 1000 years of Cultural History: https://www.youtube.com/watch?v=8hlB1pGC1Us Russian Revolution in 3 minutes: https://www.youtube.com/watch?v=kHXXtzuUzGQ Russian Republics Explained, Geography Now: https://www.youtube.com/watch?v=_OBUVipjUzk How Diverse is Russia? https://www.youtube.com/watch?v=VCOEjL5nBUY Russia, 10 Best Places to Visit: https://www.youtube.com/watch?v=YrNxPr4PKQo City of Moscow: https://www.youtube.com/watch?v=WSXgjG8NtSs In Search of Old Russia in St. Petersburg: https://www.youtube.com/watch?v=v7zu341g8Hk Vladivostok, the Far East of Russia: https://www.youtube.com/watch?v=Fqdbh6yrMZo Russians in Komi, Old Believers: https://www.youtube.com/watch?v=tSqd2P0PxQg The Nomadic Nenets of Russia: https://www.youtube.com/watch?v=Qkkr0cpikvA Remote Siberian Region Celebrates: https://www.youtube.com/watch?v=Eh4UOFTF_T Russia, Culture Arts Traditions: https://www.youtube.com/watch?v=BmhyrnKOjIw 1 Traditional Dress for Women: https://www.youtube.com/watch?v=5nOydHTc3S4 The State Hermitage Museum: https://www.youtube.com/watch?v=m53NP_ydpmY 25 Magnificent Russian Orthodox Churches: https://www.youtube.com/watch?v=RV3K7pSga0w Myths about Russian Ballet: https://www.youtube.com/watch?v=mcGvE9O-1Ww Why Russians are so Good at Ballet: https://www.youtube.com/watch?v=lpKM32TaPSA -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and Its Eastern Borderlands from the 1840s to the 1930s Permalink https://escholarship.org/uc/item/74g4p86x Author Erley, Laura Mieka Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and Its Eastern Borderlands from the 1840s to the 1930s by Laura Mieka Erley A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Olga Matich Professor Eric Naiman Professor Jeffrey Skoller Fall 2012 Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and its Eastern Borderlands from the 1840s to the 1930s © 2012 by Laura Mieka Erley Abstract Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and Its Eastern Borderlands from the 1840s to the 1930s By Laura Mieka Erley Doctor of Philosophy in Slavic Languages and Literatures and the Designated Emphasis in Film Studies University of California, Berkeley Professor Irina Paperno, Chair This dissertation explores the cultural topos of soil in Russian and early Soviet culture. Centered on the Soviet project of land reclamation in Central Asia in the 1930s, this dissertation traces the roots of Soviet utopian and dystopian fantasies of soil to the ideological and discursive traditions of the 19th century. It considers how Soviet cultural, scientific, and political figures renovated and adapted 19th-century discourse in order to articulate for their own age the national, revolutionary, and utopian values attached to soil. -
The Steppe Anton Chekhov
The Steppe Anton Chekhov I EARLY one morning in July a shabby covered chaise, one of those antediluvian chaises without springs in which no one travels in Russia nowadays, except merchant's clerks, dealers and the less well- to-do among priests, drove out of N., the principal town of the province of Z., and rumbled noisily along the posting-track. It rattled and creaked at every movement; the pail, hanging on behind, chimed in gruffly, and from these sounds alone and from the wretched rags of leather hanging loose about its peeling body one could judge of its decrepit age and readiness to drop to pieces. Two of the inhabitants of N. were sitting in the chaise; they were a merchant of N. called Ivan Ivanitch Kuzmitchov, a man with a shaven face wearing glasses and a straw hat, more like a government clerk than a merchant, and Father Christopher Sireysky, the priest of the Church of St. Nikolay at N., a little old man with long hair, in a grey canvas cassock, a wide-brimmed top-hat and a coloured embroidered girdle. The former was absorbed in thought, and kept tossing his head to shake off drowsiness; in his countenance an habitual business-like reserve was struggling with the genial expression of a man who has just said good-bye to his relatives and has had a good drink at parting. The latter gazed with moist eyes wonderingly at God's world, and his smile was so broad that it seemed to embrace even the brim of his hat; his face was red and looked frozen. -
Russian Architecture
МИНИСТЕРСТВО ОБРАЗОВАНИЯ И НАУКИ РОССИЙСКОЙ ФЕДЕРАЦИИ КАЗАНСКИЙ ГОСУДАРСТВЕННЫЙ АРХИТЕКТУРНО-СТРОИТЕЛЬНЫЙ УНИВЕРСИТЕТ Кафедра иностранных языков RUSSIAN ARCHITECTURE Методические указания для студентов направлений подготовки 270100.62 «Архитектура», 270200.62 «Реставрация и реконструкция архитектурного наследия», 270300.62 «Дизайн архитектурной среды» Казань 2015 УДК 72.04:802 ББК 81.2 Англ. К64 К64 Russian architecture=Русская архитектура: Методические указания дляРусская архитектура:Методическиеуказаниядля студентов направлений подготовки 270100.62, 270200.62, 270300.62 («Архитектура», «Реставрация и реконструкция архитектурного наследия», «Дизайн архитектурной среды») / Сост. Е.Н.Коновалова- Казань:Изд-во Казанск. гос. архитект.-строит. ун-та, 2015.-22 с. Печатается по решению Редакционно-издательского совета Казанского государственного архитектурно-строительного университета Методические указания предназначены для студентов дневного отделения Института архитектуры и дизайна. Основная цель методических указаний - развить навыки самостоятельной работы над текстом по специальности. Рецензент кандидат архитектуры, доцент кафедры Проектирования зданий КГАСУ Ф.Д. Мубаракшина УДК 72.04:802 ББК 81.2 Англ. © Казанский государственный архитектурно-строительный университет © Коновалова Е.Н., 2015 2 Read the text and make the headline to each paragraph: KIEVAN’ RUS (988–1230) The medieval state of Kievan Rus'was the predecessor of Russia, Belarus and Ukraine and their respective cultures (including architecture). The great churches of Kievan Rus', built after the adoption of christianity in 988, were the first examples of monumental architecture in the East Slavic region. The architectural style of the Kievan state, which quickly established itself, was strongly influenced by Byzantine architecture. Early Eastern Orthodox churches were mainly built from wood, with their simplest form known as a cell church. Major cathedrals often featured many small domes, which has led some art historians to infer how the pagan Slavic temples may have appeared.