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Olympic Rowing Regatta Beijing, China 9-17 August
2008 Olympic Rowing Regatta Beijing, China 9-17 August MEDIA GUIDE TABLE OF CONTEnts 1. Introduction 3 2. FISA 5 2.1. What is FISA? 5 2.2. FISA contacts 6 3. Rowing at the Olympics 7 3.1. History 7 3.2. Olympic boat classes 7 3.3. How to Row 9 3.4. A Short Glossary of Rowing Terms 10 3.5. Key Rowing References 11 4. Olympic Rowing Regatta 2008 13 4.1. Olympic Qualified Boats 13 4.2. Olympic Competition Description 14 5. Athletes 16 5.1. Top 10 16 5.2. Olympic Profiles 18 6. Historical Results: Olympic Games 27 6.1. Olympic Games 1900-2004 27 7. Historical Results: World Rowing Championships 38 7.1. World Rowing Championships 2001-2003, 2005-2007 (current Olympic boat classes) 38 8. Historical Results: Rowing World Cup Results 2005-2008 44 8.1. Current Olympic boat classes 44 9. Statistics 54 9.1. Olympic Games 54 9.1.1. All Time NOC Medal Table 54 9.1.2. All Time Olympic Multi Medallists 55 9.1.3. All Time NOC Medal Table per event (current Olympic boat classes only) 58 9.2. World Rowing Championships 63 9.2.1. All Time NF Medal Table 63 9.2.2. All Time NF Medal Table per event 64 9.3. Rowing World Cup 2005-2008 70 9.3.1. Rowing World Cup Medal Tables per year 2005-2008 70 9.3.2. All Time Rowing World Cup Medal Tables per event 2005-2008 (current Olympic boat classes) 72 9.4. -
Symphonic Dances
ADELAIDE SYMPHONY ORCHESTRA SEASON 2019 MASTER SERIES 6 Symphonic Dances August Fri 16, 8pm Sat 17, 6.30pm PRESENTING PARTNER Adelaide Town Hall 2 MASTER SERIES 6 Symphonic Dances August Dalia Stasevska Conductor Fri 16, 8pm Louis Lortie Piano Sat 17, 6.30pm Adelaide Town Hall John Adams The Chairman Dances: Foxtrot for Orchestra Ravel Piano Concerto in G Allegramente Adagio assai Presto Louis Lortie Piano Interval Rachmaninov Symphonic Dances, Op.45 Non allegro Andante con moto (Tempo di valse) Lento assai - Allegro vivace Duration Listen Later This concert runs for approximately 1 hour This concert will be recorded for delayed and 50 minutes, including 20 minute interval. broadcast on ABC Classic. You can hear it again at 2pm, 25 Aug, and at 11am, 9 Nov. Classical Conversation One hour prior to Master Series concerts in the Meeting Hall. Join ASO Principal Cello Simon Cobcroft and ASO Double Bassist Belinda Kendall-Smith as they connect the musical worlds of John Adams, Ravel and Rachmaninov. The ASO acknowledges the Traditional Custodians of the lands on which we live, learn and work. We pay our respects to the Kaurna people of the Adelaide Plains and all Aboriginal and Torres Strait Islander Elders, past, present and future. 3 Vincent Ciccarello Managing Director Good evening and welcome to tonight’s Notwithstanding our concertmaster, concert which marks the ASO debut women are significantly underrepresented of Finnish-Ukrainian conductor, in leadership positions in the orchestra. Dalia Stasevska. Things may be changing but there is still much work to do. Ms Stasevska is one of a growing number of young women conductors Girls and women are finally able to who are making a huge impression consider a career as a professional on the international orchestra scene. -
October 1936) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 10-1-1936 Volume 54, Number 10 (October 1936) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 54, Number 10 (October 1936)." , (1936). https://digitalcommons.gardner-webb.edu/etude/849 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE zJxtusic ^Magazine ©ctefoer 1936 Price 25 Cents ENSEMBLES MAKE INTERESTING RECITAL NUVELTIES PIANO Pianos as are Available The Players May Double-Up on These Numbers Employing as Many By Geo. L. Spaulding Curtis Institute of Music Price. 40 cents DR. JOSEF HOFMANN, Director Faculty for the School Year 1936-1937 Piano Voice JOSEF HOFMANN, Mus. D. EMILIO de GOGORZA DAVID SAPERTON HARRIET van EMDEN ISABELLE VENGEROVA Violin Viola EFREM ZIMBALIST LEA LUBOSHUTZ Dr. LOUIS BAILLY ALEXANDER HILSBERG MAX ARONOFF RUVIN HEIFETZ Harp Other Numbers for Four Performers at One Piamo Violincello CARLOS SALZEDO Price Cat. No. Title and Composer Cat. No. Title and Composer 26485 Song of the Pinas—Mildred Adair FELIX SALMOND Accompanying and $0.50 26497 Airy Fairies—Geo. -
The 11Th WIPAC Piano Competition!
Established 2001 ________________________________________________________ Dedicated to creating a Renaissance of interest in the Art of Piano Performance ♫ Making music flourish in our communities ♫ Promoting international friendship and cultural understanding through the art of classical piano music ♫♫♫ 3862 Farrcroft Drive, Fairfax, VA 22030 USA E-mail: [email protected] Website: www.wipac.org (703) 728-7766 …………………..…………... A Message from the Chair Welcome to The Festival of Music 2013 & The 11th Washington International Piano Artists Competition Washington International Piano Arts Council (WIPAC) continues to present this celebration of music in cooperation with The George Washington Music Department, The Kosciuszko Foundation and the Embassies of Bulgaria and Portugal. The path to success in this competition was made easier and manageable by all the special people I met who supported us along the way. May I begin with a special thanks to a very special friend of WIPAC, Her Excellency Elena Poptodorova, Ambassador of Bulgaria, who has been a bright light that shines on that path. Her generosity had no bounds, always welcoming and standing ready to open the door to help us. The Embassy of Bulgaria hosts the Final Round of this year’s competition, even in her unscheduled absence. To all the pianists who came from three continents, my admiration and deep appreciation for your valor, strength, tenacity and hard work, preparing your programs and practicing many hours at the same time as maintaining a busy life of career and family! A toast! John and I consider ourselves very fortunate to be surrounded by dedicated board members and friends who continue to keep our torch burning so that we may give the pianists a place in the sky where they can showcase their amazing talents. -
An Assessment of the Contribution to Australian String Pedagogy and Performance of Jan Sedivka
\ AN ASSESSMENT OF THE CONTRIBUTION TO AUSTRALIAN STRING PEDAGOGY AND PERFORMANCE OF JAN SEDIVKA BY MARlNA LOUISE PHILLIPS B.Mus (Hons) (The University of Western Australia) M.Mus (The University of Western Australia) SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY (VIOLIN PERFORMANCE) UNIVERSITY OF TASMANIA HOBART, DECEMBER 2001 f~ I LL\fS y ',.\ t'h .1)_ I 2w l vof.1 This exegesis contains no material which has been accepted for a degree or diploma by the University or any other institution, nor is it material published or written by another person except where due acknowledgment has been made in the text. 2g 11 0 ' Date Jk,,~ touiu, P~· 11,f~ Marina Louise Phillips This exegesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. 18 / 11 o / Date PL11°j1/ Marina Louise Phillips ABSTRACT The doctoral exegesis presented here has assessed the contribution to Australian string performance and pedagogy of Jan Sedivka, Professor of Violin for almost forty years at the Tasmanian Conservatorium of Music. The exegesis examines and documents the pedagogical philosophy, content, and process of Jan Sedivka. A biographical overview _of his musical life and a brief outline of signiflGant developments in the evolution of the Australian string culture precede a literature review. The methodology employed in this research included questionnaires, an extensive series of interviews and many hours of observation. The interviews were conducted with Sedivka and his former students from each five-year period of his teaching in Australia, in addition to prominent associates and colleagues. -
Olympic Rowing Regatta Beijing, China Olympic Rowing Regatta
2008 Olympic Rowing Regatta Beijing, China 9-17 August TIMETABLE, ENTRIES & WHO TO WATCH TABLE OF CONTENts 1. Timetable of Events 3 2. Entries by Event 4 3. Who to Watch in Beijing 5 Cover photograph © Peter Spurrier/Intersport-Images Media Guide © Copyright 2008 FISA. All rights reserved. 1 1. TIM1. Media 2008FISA.Allrights Guide©Copyright reserved. Rowing Regatta of the 2008 Olympic Games in Beijing, China Provisional Programme at 29 July 2008 et SATURDAY SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY A 9 August 10 August 11 August 12 August 13 August 14 August 15 August 16 August 17 August B 8:30 8:30 L E Council Meeting Council Meeting OF EV Heats Heats Reps/Q Reps Semis and Finals B/C/D/E Finals Finals Time Group A Time Group B Time Group A Time Group B Time Group A Time Group A&B Time Finals B/C/D 13:50 W1x Group B E 14:00 W1x 14:00 LM2x FD N 14:10 W1x 14:10 W1x FE 14:10 LW2x FC T S 14:20 W1x 14:20 M1x FE 14:20 LM2x FC 14:30 W1x 14:30 W1x FD 14:30 LW2x FB 14:40 W1x 14:40 M1x FD 14:40 LM2x FB 14:50 M1x 14:50 LW2x 14:50 *W1x* 14:50 W1x FC 14:50 LM4- FB 15:00 M1x 15:00 LW2x 15:00 *W1x* 15:00 M1x FC 15:00 W4x FB 15:10 M1x 15:10 LW2x 15:10 *M1x* 15:10 *LM2x* 15:10 M4x FB 15:20 M1x 15:20 LM2x 15:20 *M1x* 15:20 *LM2x* 15:20 M8+ FB 15:30 M1x 15:30 LM2x 15:30 W1x 15:30 W1x 15:30 LW2x RESERVE Finals A 15:40 M1x 15:40 LM2x 15:40 W1x 15:40 W1x 15:40 LW2x DAY 15:30 W1x FA LW2x FA 15:50 W2- 15:50 LM2x 15:50 W1x 15:50 M1x 15:50 LM2X 16:00 W2- 16:00 LM4- 16:00 W1x 16:00 LW2x 16:00 M1x 16:00 LM2X 15:50 M1x FA LM2x FA 16:10 M2- 16:10 -
The Living Daylights 2(12) 26 March 1974
University of Wollongong Research Online The Living Daylights Historical & Cultural Collections 3-26-1974 The Living Daylights 2(12) 26 March 1974 Richard Neville Editor Follow this and additional works at: https://ro.uow.edu.au/livingdaylights Recommended Citation Neville, Richard, (1974), The Living Daylights 2(12) 26 March 1974, Incorporated Newsagencies Company, Melbourne, vol.2 no.12, March 26 - April 1, 28p. https://ro.uow.edu.au/livingdaylights/22 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Living Daylights 2(12) 26 March 1974 Publisher Incorporated Newsagencies Company, Melbourne, vol.2 no.12, March 26 - April 1, 28p This serial is available at Research Online: https://ro.uow.edu.au/livingdaylights/22 Don Dunstan gags press • Brawling at Pentridge • Prying on teachers • Student news special a plagiarised potpourri of of news, Daylight Robbery views and trivia with MIKE MORRIS having to deal with the demoralising N december 12, 1969, a series of idealism . with one notable excep 22 today tion: Richard Milhous Nixon is a prospect o f a review o f their work bomb explosions rocked the Ital O by the Sydney morning herald's ian bank o f agriculture in Milan, killing quaker. Now aint that a spanner in the Thelma Forshaw. Last Saturday For- AST WEEK was our 21st issue, 16 people and wounding 88. Police G ood Works. shaw found herself unable to read which we characteristically forgot to and the judiciary moved, as they say, L HH, the last o f the high divers, more than 100 of the 760 words of announce, and this week we try out a new quickly and in a whirlwind drive ar the heavy rollers, the crazy Thomas Pynchon’s Gravity's rainbow. -
Athènes 2004
ATHÈNES 2004 LES AUTRES RÉGIONAUX RÉSULTATS G ATHLÉTISME Mortelette, Anthony Perrot, Julien Peude- Yang Hee-chun (CDS) et Jaroslav Jerabek Classement final : 1. France pts 10 +27 ; 2. coeur, Bastien Ripoll). (SVQ). Hongrie 8 +8 ; 3. Allemagne 6 +29 ; 4. Grèce Okori seule rescapée MESSIEURS Quatre de couple 8e de finale : Ryan Bayley (AUS) 10.520 bat 4 -13 ; 5. Brésil 2 -28 ; 6. Egypte 0 -23. 100 m Josiah Ng (MAL) ; Theo Bos (PBS) 11.164 bat Quarts de finales mardi : OR : RUSSIE 5’56.85 OR : JUSTIN GATLIN (USA) 9’’85 Teun Mulder (PBS) ; Rene Wolff (ALL) 10.548 Croatie - Grèce ARGENT : RÉPUBLIQUE TCHÈQUE 5’57.43 ARGENT : FRANCIS OBIKWELU (POR) 9.86 bat Barry Forde (BAR) ; Mickael Bourgain Allemagne - Espagne Bronze : Ukraine 5’58.87 RE (ancien record : 9’’87 par Linford Christie (FRA) 10.936 bat Sean Eadie (AUS) ; Laurent Corée du Sud - Hongrie 4. Pologne 5’58.94 ; 5. Allemagne 6’07.04 ; 6. et Dwain Chambers (GBR) Gané (FRA) 10.772 bat Jose Villanueva France - Russie Bronze : Maurice Greene (USA) 9’’87 Belarus 6’09.33. (ESP) ; Damian Zielinski (POL) 10.848 bat 4. Shawn Crawford (USA) 9’’89 ; 5. Asafa Po- Quatre sans barreur poids léger Ross Edgar (GBR). G PLONGEON well (JAM) 9’’94 ; 6. Kim Collins (SKN) 10’’00 ; OR : DANEMARK 6’01.39 Repêchages 8e de finale : Ross Edgar (GBR) 7. Obadele Thompson (BAR) 10’’10 ; Aziz Za- ARGENT : AUSTRALIE 6’02.79 10.906 bat Josiah Ng (MAL) et Sean Eadie DAMES kari (GHA) Abandon. Bronze : Italie 6’03.74 (AUS) ; Barry Forde (BAR) 11.294 bat Teun Haut vol Demi-finale 1: 1. -
Rowing Voice Live from the World Championships Continu- Ing All Week
Published byO RowingWI Ink N www.rowingservice.com/voicG e 1 28 :August4 2007a The Voice in Munich. oice RKeep up with the V worlds: regular results, forecast, tips, news and views. Rowing Voice live from the world championships continu- ing all week. RowingVoice is pub- lished by Rowing Ink. Editors Rachel Quarrell and Christopher Dodd © RowingVoice™ All rights reserved. Material may not be reproduced in any media without written permis- sion of RowingVoice Contact: voice@ The quad qualify for the Olympics with Vernon at stroke. But Grainger was back in the back rowingservice.com seat by next morning Photograph: Peter Spurrier/Intersport Images tel 07710-538114 fax 0870-164-1650 Quad arrives in Beijing Published irregularly. Race by race: where the GB crews GB crew - Andrea Dennis finished and where they’re going next, by Unfortunately, perhaps, Dennis drew the toughest Our grateful thanks to Christopher Dodd and Rachel Quarrell. heat. It contained the title holder, Marit Van Eu- Peter Spurrier/ pen of the Netherlands and the only-just Ameri- Intersport Images and Women’s quadruple sculls can sculler Jen Goldsack, late of Wallingford and Sybrand Treffers for the Qualified direct to final - CHN, GBR GB Rowing. Only the first earned a passage to photographic contribu- GB crew - Katherine Grainger/Debbie Flood/ the semifinal, and the Canadian Melanie Kok was tions in this issue. Fran Houghton/Annie Vernon leading after 500 metres. Dennis was third at 1000 A brilliant opening performance which kept the metres, but the drama was being played out in Germans in their place and was faster than the front between Van Eupen and Goldsack. -
OH805 GOLDSWORTHY, Reuben
STATE LIBRARY OF SOUTH AUSTRALIA J. D. SOMERVILLE ORAL HISTORY COLLECTION OH 561/14 Full transcript of an interview with H. FAIRHURST On 13 October 1972 By Mary Rose Goggs Recording available on CD Access for research: Unrestricted Right to photocopy: Copies may be made for research and study Right to quote or publish: Publication only with written permission from the State Library OH 561/14 H. FAIRHURST NOTES TO THE TRANSCRIPT This transcript was created by the J. D. Somerville Oral History Collection of the State Library. It conforms to the Somerville Collection's policies for transcription which are explained below. Readers of this oral history transcript should bear in mind that it is a record of the spoken word and reflects the informal, conversational style that is inherent in such historical sources. The State Library is not responsible for the factual accuracy of the interview, nor for the views expressed therein. As with any historical source, these are for the reader to judge. It is the Somerville Collection's policy to produce a transcript that is, so far as possible, a verbatim transcript that preserves the interviewee's manner of speaking and the conversational style of the interview. Certain conventions of transcription have been applied (ie. the omission of meaningless noises, false starts and a percentage of the interviewee's crutch words). Where the interviewee has had the opportunity to read the transcript, their suggested alterations have been incorporated in the text (see below). On the whole, the document can be regarded as a raw transcript. Abbreviations: The interviewee’s alterations may be identified by their initials in insertions in the transcript. -
2013 Geoffrey Parsons Award Winner Announced
Adelaide: Sunday 18 August 2013 for immediate release THE 2013 GEOFFREY PARSONS AWARD WINNER ANNOUNCED Earlier this evening (18 August), the Final of Australia’s most lucrative and prestigious award for the collaborative pianist, the Accompanists’ Guild of SA’s 29th Geoffrey Parsons Award, took place in Adelaide at the Elder Conservatorium of Music, The University of Adelaide. In keeping with the Guild’s acknowledgement of the professional aspirations of their competitors, the cash-pool is a significant $7,500, made possible with the generous support of The Royal Commonwealth Society of Australia, SA Branch. Geoffrey Parsons was an internationally acclaimed Australian accompanist particularly for singers. He regularly accompanied, Elizabeth Schwarzkopf, Victoria de los Angeles, Dame Janet Baker, Olaf Bär, and Barbara Bonney. He was the Guild’s International Patron until his untimely death in 1995. The three Finalists competed for a cash pool of $7,500. They were selected from auditions earlier this week which included a performance of prepared works with their chosen associates, sight reading and a first rehearsal of the set work, Jewel Song from Gounod’s opera Faust with internationally acclaimed Australian soprano, Gisele Blanchard. The Final was judged by a panel, chaired by the Guild’s Pianist in Residence for the 2013 Festival of Accompanists, David Barnard. He was joined by leading SA musicians, Dale Ringland and Guila Tiver. As well as performing the set-work with Gisele Blanchard, each finalist presented works of their own choice which demanded great technical, interpretative and ensemble skills, including: Brahms’ Cello Sonata No 1, Saint-Saëns’ Allegro appassinato, Carl Vine’s Sonata for Flute and Piano and lieder by Schubert and Wolf. -
Peter Walmsley A
PETER WALMSLEY O.A.M., A.MUS.A., L.T.C.L., F.T.C.L. Peter Walmsley commenced his musical career under the tuition of his father, Harold Walmsley in Broken Hill with the award winning BIU Band in 1955. Commencing on tenor horn he also played soprano cornet and Bb cornet being the principal cornet of the band when it won the Australian Championships in 1961 and 1963. As a soloist he has won over 40 first prizes in State and National competitions including the Australian Champion of Champions (the first occasion at the age of 15, the youngest to date) and also the NSW Champion of Champions. During this period he studied piano to diploma standard with Lance Dossor at the Elder Conservatorium in Adelaide. Playing trumpet he won the instrumental section of the ABC's Concerto Competition in Adelaide in 1964 and was a Commonwealth finalist in Melbourne. In 1965 he studied with the late Mervyn Simpson, conducted the Footscray- Yarraville Band and did casual orchestral, theatre and dance band playing. On returning to Broken Hill he was appointed conductor of the BIU Band and formed a very successful junior band. He also formed his own dance band which played for balls, dances and club engagements and commenced teaching private students. In 1967 Peter was appointed to the trumpet section of the Sydney Symphony Orchestra, and retired in 2001. As well as orchestral work he has performed as a soloist, directed and played with many brass ensembles, orchestras and choirs and worked in all types of professional orchestras - chamber, opera, recording for films and commercials.