DOCSLIB.ORG

From 2000 Known As Perth International Arts Festival)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
From 2000 Known As Perth International Arts Festival) FESTIVAL OF PERTH PROGRAMMES (FROM 2000 KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) Date Venue Title & Author Director Producer Principals 1953 Undated His Majesty’s Theatre When we are married by Frank Ponton Michael Langham Bernadette Pratley; J.B.Priestley Raymond Murr 2 Jan-14 Mar 1953 University of W.A. Various Adult Education Board 3-17 Jan 1953 Sunken Gardens Dark of the Moon by David Lopian David Lopian Phillip Edgley; Sylvia Sharp Henry Richardson & William Berney 15 Jan 1953 Somerville Auditorium An evening of ballet and Adult Education Board W.G.James Aina Reega & Arvids Fibigs dance – Dancers Barbara Tyler - Violinist 17 Jan 1953 Somerville Auditorium Open air concert of the Festival of Perth 1953 Conductor – Joseph Post Isador Goodman - Piano Beethoven Festival 20-23 Jan,27 Jan-7 Feb Somerville Auditorium King Richard III by William Michael Langham James Bailey; Faith 1953 Shakespeare Clayton 24 Jan 1953 Somerville Auditorium Beethoven Festival W.G.James Joseph Post – Conductor Isador Goodman - Pianist 18-28 Feb 1953 Sunken Gardens Twelfth Night by William Jeana Tweedie Neil Hunsley; John Shakespeare McCrackan 3-14 Mar 1953 Somerville Auditorium Born Yesterday by Garson David Lopian Hazel Lewis; Fred Kanin Goddard & Cast 12 Mar 1953 Sunken Gardens Psyche – based on Fairy Frank Ponton – Stage Meta Russcher Poole Johnson; Phyllis Tale by Louis Couperus Director Everett 20-21 Mar 1953 Repertory Club The Brookhampton Peter Kemmis - Compere Bellringers and The Ukrainian Choir & Dance Group PR10960/1953-1969 - 1 - 28/10/2020 FESTIVAL OF PERTH PROGRAMMES (FROM 2000 KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) 25 Mar 1953 Repertory Theatre The Picture of Dorian Sydney Davis Ronald Grahame; Ivan Gray by Oscar Wilde Smith; Wilfred Dowsett Undated Not stated Vienna Boys Choir Festival of Perth 1954 Robert Kuhbacher Boys of the Choir 1954 30 Dec-20 Mar 1954 Flyer Various Various Jan 1954 Sunken Gardens Peer Gynt by Henrik Ibsen Adult Education Board David Lopian Paul Nayton; Chris Pendlebury 7-31 Jan 1954 Art Gallery of W.A. Contemporary Australian Various artists of Art Drawings, Paintings, Sculptures & Photos 23 Jan 1954 Sunken Gardens The Tudor Players Adult Education Board Sylvia Biddle - Soprano and W.A.Chamber Music Society Jan-Feb 1954 Somerville Auditorium Pygmalion by Bernard Adult Education Board John Casson Carol Darbyshire; Ruth Shaw and Company of Four Blown; James Bailey Feb 1954 Somerville Auditorium Blossom Time adapted by Edgar Nottage Des Banwell Clarke Scott; Wally Sydney Box Schleicher; Valerie Wynne Feb 1954 Sunken Gardens Antigone by Sophocles University of W.A. and Jeana Tweedie Rayden James; Neil Graduate Dramatic Hunsley; Lesley Williams Society 24 Feb 1954 Flyer Winthrop Hall 4th Somerville Concert Rudolf Pekarek W.A.Symphony Orchestra Mar 1954 Somerville Auditorium Ring round the moon by Company of Four Coralie Condon Harold Harvey; James Jean Anouilh Condon Undated Somerville Auditorium Les Sylphides & Amahl Madame Kira Bousloff Julianna Webster; and the night visitors by and Joanne Priest Douglas Gilchrist; Graeme Gian-Carlo Menotti Campbell; Joyce Simmons 1955 PR10960/1953-1969 - 2 - 28/10/2020 FESTIVAL OF PERTH PROGRAMMES (FROM 2000 KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) Jan 1955 Pamphlet Various Jan 1955 Sunken Gardens The lady’s not for burning Adult Education Board Nita Pannell Ian Tweedie; Rayden by Christopher Fry James; Jan Shier 14 Jan 1955 Winthrop Hall A concert of opera stars Adult Education Board Joyce Simmons – Soprano Ronald Austron – Tenor Leonard Delany – B’tone Clifford Grant - Bass 15 Jan 1955 Somerville Auditorium 3rd Open air concert Adult Education Board ABC & W.A.Symphony John Farnsworth Hall; Igor Orchestra Hmelnitsky – Pianist Feb 1955 Somerville Auditorium Mary of Scotland by Adult Education Board Coralie Condon Dorothy Krantz; Gina Maxwell Anderson Curtis; James Condon Mar 1955 Sunken Gardens Psyche by Meta Russcher Frank Russcher Shabelewski Ramsay MacLean; Gheda Pusey 1956 30 Dec-17 Mar 1956 Various Various Festival Calendar Pamphlet Various Theatre & Films etc Undated 1956 Special Festival Concert Stephanie James – Colleen Clifford Frank Callaway; Donald University String Musical Director Thornton; Stephen Orchestra; The Moongana Dornan; Molly McGurk Singers “Bastien and Bastienne” Jan 1956 Sunken Gardens The Prodigious Snob by Adult Education Board & Nita Pannell Keith Eddington; Harry Moliere – adapted by The National Theatre Phipps; W.Poole Johnson Miles Malleson 7 Jan 1956 Somerville Auditorium 1st Open air concert ABC & W.A.Symphony John Farnsworth Hall; Orchestra Irene Kohler – Pianist PR10960/1953-1969 - 3 - 28/10/2020 FESTIVAL OF PERTH PROGRAMMES (FROM 2000 KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) 9-12 Jan 1956 Capitol Theatre Classical theatre of China Garnet H Carroll – John Various artists G.H.Carroll & J.C.Williamson Theatres 11 Jan 1956 Somerville Auditorium 2nd Open air concert ABC & W.A.Symphony John Farnsworth Hall; Orchestra Shirley Flesfader - Soprano 12 Jan 1956 Government House Pianoforte Recital by Adult Education Board Festival of Perth Irene Kohler Irene Kohler Committee 14 Jan 1956 Somerville Auditorium 3rd Open air concert ABC & W.A.Symphony John Farnsworth Hall; Orchestra Shirley Flesfader - Soprano 17-28 Jan 1956 Somerville Auditorium Medea – adapted from Frank S Tait; J Nevin Tait Elizabethan Theatre & Doris Fitton; Alistair Euripides Medea by J.C.Williamson Theatres Roberts; Judith Anderson Robinson Jeffers 22 Jan 1956 Supreme Court Gardens Commemorative Concert Australian Broadcasting John Farnsworth Hall; – Occasion of official Commission Shirley Flesfader - opening jubilee orchestral Soprano shell Feb 1956 Somerville Auditorium The Philadelphia Story by Company of Four & The Sydney Davis Colin McKenzie; Sandra Philip Barry National Theatre O’Neil 18 Feb 1956 Winthrop Hall Special Mozart Concert Music Council of W.A. Colleen Clifford Vaughan Hanly – Conductor; Perth String Quartet – Nora Coalstad; Alan Rule 3-18 Mar 1956 Supreme Court Gardens 1st Festival open air art Sponsored by the Sunday Organised by Laurence Various artists exhibition Times Thomas – Director W.A. Art Gallery PR10960/1953-1969 - 4 - 28/10/2020 FESTIVAL OF PERTH PROGRAMMES (FROM 2000 KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) 9-17 Mar 1956 Royal King’s Park Tennis Water follies of 1956 Aztec Services P/L Sam Snyder Joan Beals; Patti Cates Club Pamphlet Various Various 1957 Concert Season Jan-Mar 1957 Music Drama Festival of Perth Publicity W.A.Govt Tourist Bureau Committee Dec-Feb 1957 Various Various W.A.Govt Tourist Bureau 26 Feb-9 Mar 1957 Various Letter to Perth Music Lovers; Progs; Special Announcement Pages book lists Various Jan 1957 Sunken Gardens Cyrano De Bergerac by Adult Education Board Frank Baden-Powell John Kirkbride; Kay Taylor Edmond Rostand Jan 1957 Sunken Gardens Much ado about nothing Adult Education Board Jeana Tweedie Peter Mann; Elspeth by William Shakespeare Dramatic Societies of the Angus; Norman Briers University Jan 1957 Somerville Auditorium Mungo’s Mansion by Adult Education Board Sol Sainken James Kemp; Bernadette Walter Macken The National Theatre Pratley Jan 1957 Somerville Auditorium Festival of French films Under patronage of Marcel Pagnol Francoise Rosay; Jean Monsieur R Loubere – Murat; Micheline Cheirel Consul for France 12 Jan 1957 Somerville Auditorium 1st Open air concert ABC & W.A.Symphony James Robertson; Orchestra Stephanie James Piano; Vaughan Hanly Violin 16 Jan 1957 Somerville Auditorium 2nd Open air concert ABC & W.A.Symphony James Robertson; Donald Orchestra Thornton Piano; Molly McGurk Soprano PR10960/1953-1969 - 5 - 28/10/2020 FESTIVAL OF PERTH PROGRAMMES (FROM 2000 KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) Feb 1957 Somerville Auditorium Antigone by Jean Anouilh Adult Education Board Robin Lovejoy Ajames Bailey; Anne and The National Theatre Haddy Feb 1957 Somerville Auditorium Star dancers of India Adult Education Board By arrangement with Ibetombi; Shivaram Louise Lightfoot 25 Feb 1957 Perth Art Gallery Festival of Australian Arts Adult Education Board Feb-Mar 1957 Perth Art Gallery Festival of Australian Arts Adult Education Board Festival of Perth Various artists Committee & associated bodies 20-21,23 Dec 1957 Winthrop Hall Handel’s “Messiah” Frank Callaway ABC & W.A.Symphony Lorna McKean; Max Orchestra Worthley 1958 20 Dec-21 Mar 1958 Various Music Drama Festival 1958 Celebrity Artists Dec 1957-Jan 1958 W.A. Art Gallery Australian aboriginal art Jan 1958 Sunken Gardens Ondine by Jean Giraudoux Adult Education Board Katharine Brisbane David Farr; Mary Reynolds University Dramatic Society Jan 1958 Sunken Gardens Macbeth by William Adult Education Board Peter Summerton Sam Harris; Anthony Shakespeare and The National Theatre Stone 11 Jan 1958 Somerville Auditorium 1st Open air concert ABC & W.A.Symphony J Farnswoth Hall; Florence Orchestra Taylor Contralto 15 Jan 1958 Somerville Auditorium 2nd Open air concert ABC & W.A.Symphony J Farnswoth Hall; Orchestra Josephine McKimmie 16 Jan 1958 Government House Recital by Florence Taylor Adult Education Board Stephen Dornan Florence Taylor Ballroom Festival of Perth Committee 18 Jan 1958 Somerville Auditorium 3rd Open air concert ABC & W.A.Symphony J Farnsworth Hall; PR10960/1953-1969 - 6 - 28/10/2020 FESTIVAL OF PERTH PROGRAMMES (FROM 2000 KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) Orchestra Florence Taylor Contralto Jan-Feb 1958 Somerville Auditorium And so to bed by Stephen Dornan Peter Summerton Neville Teede; Alice J.B.Fagan Mallon Feb 1958 Somerville
Load more

Recommended publications
  • A History of Music Education in New Zealand State Primary and Intermediate Schools 1878-1989
    CHRISTCHURCH COLLEGE OF EDUCATION LIBRARY A HISTORY OF MUSIC EDUCATION IN NEW ZEALAND STATE PRIMARY AND INTERMEDIATE SCHOOLS 1878-1989 A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Canterbury by Susan P. Braatvedt B.A. (Natal), Dip.Arts (Auckland), B.A.Rons (Canterbury) VOLUME II University of Canterbury 2002 Chapter Five 1950-1968 266 The growth ofschool music Chapter Five 1950 -1968 The growth of school music "music is fmnly established as an integral part of the school curriculum."l 5.1 Introduction This 18-year period was dominated by the National Party except for one term when Labour was voted back into office from 1958? When the National Party took office in December 1949, they inherited an educational system in which school music had not been particularly well served. Robert Chapman comments: The underlying changes in the golden 1960s were social rather than political, technological rather than legislative, individual rather than public ....The tertiary education boom, television, and the contraceptive pill were transforming family and personal relationships as well as the method by which politics were perceived. Government expenditure underwrote the surging development of health and education ... 3 In chapter one section 1.2 it was pointed out that the influence of English music education endured for many years. It is in this period that we begin to see a development of a more innovative approach which was more eclectic in its character. 1 AE. Campbell, Director-General of Education, AJHR. E-1, 1966, p.17. 2 R Chapman, 'From Labour to National,' The Oxford History ofNew Zealand, W.H.
    [Show full text]
  • 'And There Came All Manner of Choirs:' Melbourne's Burgeoning Choral Scene Since 1950 *
    SYMPOSIUM: CHORAL MUSIC IN MELBOURNE ‘And there Came all Manner of Choirs:’ Melbourne’s Burgeoning Choral Scene since 1950 * Peter Campbell The great era of the community choral society in Melbourne—as for much of Australia—was probably the fifty years straddling the year 1900, but there is a continuous and frequently vigorous lineage traceable from the earliest years of settlement to the present. District choirs, including the North Melbourne and Collingwood Choral Societies, and the Prahran Philharmonic Society, were established in the period after 1850, during the prosperous gold- rush years,1 when wealth was able to support the cultural pursuits that were the trappings of higher social aspirations. Similar but later organisations include such choirs as the Malvern Choral Union, established in 1907.2 The Melbourne Philharmonic Society, which has been established in 1853, flourished after Bernard Heinze was appointed in 1937,3 especially once the ABC was engaging it for many performances, thus alleviating the Philharmonic of the burden of orchestral and promotional costs. This article examines state of choirs in Melbourne from the time of Heinze’s gradual lessening of duties at the Philharmonic, in the early 1950s, to the present day. Changes in purpose, structure and quantity (both in terms of the number of singers and the number of organisations) are noted, and social and musical reasons for the differences are advanced. A summary of Melbourne’s contemporary choral landscape is presented in order to illustrate the change that has occurred over the period under discussion. The lengthy, productive and intimate relationship between choir, conductor and broadcaster seen in the case of the Philharmonic, Bernard Heinze and the ABC, also exacted a great cost.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Brahms Symphony No. 4 in E Minor, Op. 98 Mozart
    L BRAHMS SYMPHONY NO. 4 L PASC 231 PASC 231 KRIPS MOZART SYMPHONY NO. 39 LONDON SYMPHONY ORCHESTRA 1BRAHMS BRAHMS Symphony Symphony No. 4 - 1st 4 in mvt. E minor, - Allegro Op. non 98 troppo (11:34) 21 BRAHMS1st mvt. - AllegroSymphony non 4 troppo - 2nd mvt.(11:34) - Andante moderato (11:17) 32 BRAHMS2nd mvt. -Symphony Andante moderato 4 - 3rd mvt. (11:17) - Allegro giocoso (6:41) 43 BRAHMS3rd mvt. - AllegroSymphony giocoso 4 - 4th (6:41) mvt. - Allegro energico e passionato (10:03) 5 54 MOZART4th mvt. - AllegroSymphony energico 39 - 1st e passionato mvt. - Adagio (10:03) - Allegro (8:47) 6Recorded MOZART 17th, Symphony 19th & 20th 39 April, - 2nd 1950, mvt. Kingsway - Andante Hall, Londoncon moto (8:16) 7First MOZART issued in October Symphony 1950 39as Decca - 3rd LXT2517 mvt. - Menuetto and Trio (4:11) 8Transferred MOZART from Symphony Ace of Clubs 39 ACL.132 - 4th mvt. - Allegro (4:05 MOZART Symphony No. 39 in E flat major, K.543 5 1st mvt. - Adagio - Allegro (8:47) 6 2nd mvt. - Andante con moto (8:16) 7 3rd mvt. - Menuetto and Trio (4:11) 8 4th mvt. - Allegro (4:05) Recorded 18th December, 1951, Kingsway Hall, London Transfered from and first issued in the UK in June 1952 as Decca LXT2689 London Symphony Orchestra conducted by Josef Krips Transfers by Andrew Rose from the Pristine Audio collection XR remastering by Andrew Rose at Pristine Audio, April-June 2010 Cover artwork based on a photograph of Josef Krips BRAHMS SYMPHONY NO. 4 IN E MINOR, OP. 98 Total duration: 64:54 ©2010 Pristine Audio.
    [Show full text]
  • Archipelagobkcat
    Tarjei Vesaas THE BIRDS Translated from the Norwegian by Michael Barnes & Torbjørn Støverud archipelago books archipelagofall 2015 / spring books 2016 archipelago books fall 2015 /spring 2016 frontlist The Folly / Ivan Vladislavi´c . 2 Private Life / Josep Maria de Sagarra / Mary Ann Newman . 4 Tristano Dies: A Life / Antonio Tabucchi / Elizabeth Harris . 6 A General Theory of Oblivion / José Eduardo Agualusa / Daniel Hahn . 8 Broken Mirrors / Elias Khoury / Humphrey Davies . 10 Absolute Solitude / Dulce María Loynaz / James O’Connor . 12 The Child Poet / Homero Aridjis / Chloe Aridjis . 14 Newcomers / Lojze Kovacˇicˇ / Michael Biggins . 16 The Birds / Tarjei Vesaas / Torbjørn Støverud and Michael Barnes . 18 Distant Light / Antonio Moresco / Richard Dixon . 20 Something Will Happen, You’ll See / Christos Ikonomou / Karen Emmerich . .22 My Struggle: Book Five / Karl Ove Knausgaard / Don Bartlett . 24 Wayward Heroes / Halldór Laxness / Philip Roughton . 26 recently published . 28 backlist . 40 forthcoming . 72 subscribing to archipelago books . 74 how to donate to archipelago books . 74 individual orders . 75 donors . 76 board of directors, advisory board, & staff . 80 In the tradition of Elias Canetti, a tour de force of the imagination . —André Brink Vladislavi´c is a rare, brilliant writer . His work eschews all cant . Its sheer verve, the way it burrows beneath ossified forms of writing, its discipline and the distance it places between itself and the jaded preoccupations of local fiction, distinguish it . —Sunday Times (South Africa) Vladislavi´c’s cryptic, haunting tale echoes Jorge Luís Borges and David Lynch, drawing readers into its strange depths . —Publishers Weekly The Folly is mysterious, lyrical, and wickedly funny – a masterful novel about loving and fearing your neighbor .
    [Show full text]
  • PETER BROOK Motivos Y Estrategias
    UNIVERSIDAD DE GRANADA FUNDAMENTOS DE LA PUESTA EN ESCENA EN EL TEATRO DE PETER BROOK Motivos y estrategias TESIS DOCTORAL FUNDAMENTOS DE LA PUESTA EN ESCENA EN EL TEATRO DE PETER BROOK Motivos y estrategias Autor Juan Antonio Bottaro Montoto Directores María José Sánchez Montes Carlos Alba Peinado Departamento de Lingüística General y Teoría de la Literatura Granada 2014 Editor: Editorial de la Universidad de Granada Autor: Juan Antonio Bottaro Montoto D.L.: GR 2119-2014 ISBN: 978-84-9083-141-0 AGRADECIMIENTOS A mi directora de tesis, la Dra. María José Sánchez Montes, por la sabiduría con la que me ha guiado, su paciencia y su gran colaboración. A mi director de tesis, Dr. Carlos Alba Peinado, por su ánimo, guía e inesti- mable apoyo. Al Dr. Ángel Berenguer, por su impresionante labor al frente del programa de Teoría, historia y práctica del teatro (UAH), en el que tanto aprendí y que tanto ha hecho por el avance de los estudios teatrales. A los tres, de nuevo, mi más sincero agradecimiento. A Victoria ÍNDICEÍNDICE 1. INTRODUCCIÓN 10 1.1. Objetivo de la tesis 10 1.2. Estado de la cuestión 10 1.3. Metodología 15 1.4. Estructura 20 2. GÉNESIS Y MOTIVOS EN PETER BROOK 21 2.1. Peter Stephen Paul 21 2.2. El director de escena 29 2.3. La crisis del teatro 43 2.4. La muerte del teatro 49 2.5. Las raíces del teatro 62 2.6. El «teatro sagrado» 74 2.7. El «teatro tosco» 89 2.8. La metáfora del círculo 94 2.9.
    [Show full text]
  • Porträt : Antwort Einer Mutigen Frau
    Porträt : Antwort einer mutigen Frau Autor(en): Silberschmidt, Catherine Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 60 (2018) Heft 374 PDF erstellt am: 29.09.2021 Persistenter Link: http://doi.org/10.5169/seals-863035 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Holyday Camp (1947) To Dorothy a Son (1954) Porträt wie intelligente Antwort auf die der Starpianistin Francesca und Geschlechterstereotype des konservativen ihrem Vormund, einem zwanghaften, britischen Nachkriegsfilms. latent homosexuellen Frauenhasser, Fasziniert von amerikanischen der sein Mündel zu Höchstleistungen Slapstickkomödien, die sie als Kind antreibt und ihr Beziehungen zu Muriel Box war eine der im Dorfkino gesehen hatte, entstand andern Männern untersagt.
    [Show full text]
  • Literary Miscellany
    Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment.
    [Show full text]
  • Marie Collier: a Life
    Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family.
    [Show full text]
  • (WA Opera Society
    W.A.OPERA COMPANY (W.A. Opera Society - Forerunner) PR9290 Flyers and General 1. Faust – 14th to 23rd August; and La Boheme – 26th to 30th August. Flyer. 1969. 2. There’s a conspiracy brewing in Perth. It starts September 16th. ‘A Masked Ball’ Booklet. c1971. D 3. The bat comes to Perth on June 3. Don’t miss it. Flyer. 1971. 4. ‘The Gypsy Baron’ presented by The W.A. Opera Company – Gala Charity Premiere. Wednesday 10th May, 1972. Flyer. 5. 2 great love operas. Puccini’s ‘Madame Butterfly’ ; Rossini’s ‘The Barber of Seville’ on alternate nights. September 14-30. Flyer. 1972. D 6. ‘Rita’ by Donizetti and ‘Gallantry’ by Douglas Moore. Sept. 9th-11th, & 16th, 17th. 1p. flyer. c1976. 7. ‘Sour Angelica’ by Puccini, Invitation letter to workshop presentation. 1p..Undated. 8. Letter to members about Constitution Amendments. 2p. July 1976. 9. Notice of Extraordinary General Meeting re Constitution Change. 1p. 7 July 1976. 10. Notice of Extraordinay General Meeting – Agenda and Election Notice. 1p. July 1976. 11. Letter to Members summarising events occurring March – June 1976. 1p. July 1976. 12. Memo to Acting Interim Board of Directors re- Constitutional Developments and Confrontation Issues. 3p. July 1976. 13. Campaign letter for election of directors on to the Board. 3p. 1976. 14. Short Biographies on nominees for Board of Directors. 1p.. 1976. 15. Special Priviledge Offer. for ‘The Bear’ by William Walton and ‘William Derrincourt’ by Roger Smalley. 1p. 1977. 16. Membership Card. 1976. 17. Concession Vouchers for 1976 and 1977. 18. The Western Australian Opera Company 1980 Season.
    [Show full text]
  • Symphonic Dances
    ADELAIDE SYMPHONY ORCHESTRA SEASON 2019 MASTER SERIES 6 Symphonic Dances August Fri 16, 8pm Sat 17, 6.30pm PRESENTING PARTNER Adelaide Town Hall 2 MASTER SERIES 6 Symphonic Dances August Dalia Stasevska Conductor Fri 16, 8pm Louis Lortie Piano Sat 17, 6.30pm Adelaide Town Hall John Adams The Chairman Dances: Foxtrot for Orchestra Ravel Piano Concerto in G Allegramente Adagio assai Presto Louis Lortie Piano Interval Rachmaninov Symphonic Dances, Op.45 Non allegro Andante con moto (Tempo di valse) Lento assai - Allegro vivace Duration Listen Later This concert runs for approximately 1 hour This concert will be recorded for delayed and 50 minutes, including 20 minute interval. broadcast on ABC Classic. You can hear it again at 2pm, 25 Aug, and at 11am, 9 Nov. Classical Conversation One hour prior to Master Series concerts in the Meeting Hall. Join ASO Principal Cello Simon Cobcroft and ASO Double Bassist Belinda Kendall-Smith as they connect the musical worlds of John Adams, Ravel and Rachmaninov. The ASO acknowledges the Traditional Custodians of the lands on which we live, learn and work. We pay our respects to the Kaurna people of the Adelaide Plains and all Aboriginal and Torres Strait Islander Elders, past, present and future. 3 Vincent Ciccarello Managing Director Good evening and welcome to tonight’s Notwithstanding our concertmaster, concert which marks the ASO debut women are significantly underrepresented of Finnish-Ukrainian conductor, in leadership positions in the orchestra. Dalia Stasevska. Things may be changing but there is still much work to do. Ms Stasevska is one of a growing number of young women conductors Girls and women are finally able to who are making a huge impression consider a career as a professional on the international orchestra scene.
    [Show full text]
  • RSTD OPERN Nov Dez 212X476 15.10.12 17:48 Seite 1
    RSTD OPERN_Nov_Dez_212x476 15.10.12 17:48 Seite 1 Opernprogramm November 2012 November Franz Liszt Legende der heiligen Elisabeth 20.00 - 22.35 Hermann: Kolos Kováts, Sophie: Éva Farkas, Ludwig: Sándor Sólyom-Nagy, Elisabeth: Éva Marton, 1 Friedrich II. von Hohenstaufen: József Gregor, Ungarischer Magnat: István Gáti, Seneschal: István Gáti. Donnerstag Ungarische Nationalphilharmonie, Leitung: Árpád Joó, 1984. November Léo Delibes Lakmé 20.00 - 21.55 Nilakantha: Clifford Grant, Lakmé: Joan Sutherland, Mallika: Huguette Tourangeau, Hadji: Graeme Ewer, 3 Gerald: Henri Wilden, Frederick: John Pringle, Ellen: Isobel Buchanan. Samstag Australian Opera Chorus, Elizabethan Sydney Orchestra, Leitung: Richard Bonynge, 1976. November Bedrichˇ Smetana Die verkaufte Braut 20.00 - 22.25 Marenka: Dana Burešová, Jenik: Tomáš Juhás, Kecal: Jozef Benci, Vašek: Aleš Vorácek, 6 Mícha: Gustáv Belácek, Háta: Lucie Hilscherová, Krušina: Svatopluk Sem, Ludmila: Stanislava Jirku. Dienstag BBC Singers, BBC Symphony Orchestra, Leitung: Jirí Belohlávek, 2011. November Wolfgang Amadé Mozart Le nozze di Figaro 20.00 - 23.00 Almaviva: Tom Krause, Gräfin: Anna Tomowa-Sintow, Susanna: Ileana Cotrubas, Figaro: José van Dam, Cherubino: Frederica 8 von Stade, Bartolo: Jules Bastin, Marcellina: Jane Berbié, Basilio: Heinz Zednik, Don Curzio: Kurt Equiluz. Donnerstag Chor und Orchester der Wiener Staatsoper, Leitung: Herbert von Karajan, 1977. November Christoph Willibald Gluck Alceste 20.00 - 22.25 Admete: Paul Groves, Alceste: Anne Sofie von Otter, Oberpriester: Dietrich Henschel, Euandros: Yann Beuron, 10 Herakles: Dietrich Henschel, Herold: Ludovic Tézier, Orakel: Nicolas Testé, Apollo: Ludovic Tézier. Samstag Monteverdi Choir, English Baroque Soloists, Leitung: Sir John Eliot Gardiner, 1999. November Christoph Willibald Gluck Paride ed Elena 20.00 - 22.30 13 Paride: Magdalena Kožená, Elena: Susan Gritton, Amore: Carolyn Sampson, Pallade: Gillian Webster.
    [Show full text]