Player Biographies Chike Amajoyi Emmanuel Awofadeju
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In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
The 2019 NFL Annual Was Designed by Ed Meyer at Killersports and Kyle Akins at Sportsbook Breakers
SPORTSBOOK BREAKERS HAS UNCOVERED HUNDREDS OF NFL SYSTEMS *** THE VIDEO LINK WILL BE TWEETED OUT *** A STUNNING 69.4% OF THESE GAMES PLAY OVER THE TOTAL *** SDQL MASTER CAPPERS AT KILLER CAPPERS *** @SDQL ON TWITTER *** A STUNNING 69.4% OF THESE GAMES PLAY OVER THE TOTAL *** YOUTUBE SDQL QUERY OF THE DAY TREND VIDEOS *** HERE IS A MATRIX OF NFL TOTAL RESULTS *** TEAM TRENDS AND STATS PRESENTED BY SPORTS DATABASE *** CAPITALIZE ON EMERGING TRENDS IN PERFORMANCE *** MASTER THE SDQL, MASTER THE BOOK *** SDQL AGILE ACCESS TO SPORTS DATA *** A WEALTH OF PAST PERFORMANCE INDICATORS *** THE KNOWLEDGEABLE HANDICAPPER WILL NOT JUST LOOK AT THE RECORD OF THE TREND *** MREAST SELLS LARGE SAMPLE SIZE SPORTS TRENDS AT THE KILLER SPORTS TREND MART. *** SDQL *** IN YOUR PERSONAL TREND FILE *** FREE SDQL TRENDS FROM SDQG BY THE SPORTS DATA QUERY GROUP *** THE SDQL MANUAL *** IT IS WHERE IT BEGINS *** THE SDQL MANUAL *** A WEALTH OF PAST PERFORMANCE INDICATORS *** THE POWERFUL DATABASE AT KILLERSPORTS.COM MAKES THIS SEARCH A BREEZE. *** SPORTSBOOK BREAKERS HAS UNCOVERED HUNDREDS OF NFL SYSTEMS *** FOLLOW AND DON'T MISS A SINGLE NFL PERFORMANCE INDICATOR THIS SEASON!PERFORMANCE INDICATORS UNCOVERED BY SUPERCOMPUTERS *** IN YOUR PERSONAL TREND FILE *** A STUNNING 69.4% OF THESE GAMES PLAY OVER THE TOTAL *** IT IS WHERE IT BEGINS *** BLINDLY PROFITABLE *** SDQL *** TWEET YOUR SDQL QUESTION USING THE HASH TAG #SDQL *** TWEET YOUR SDQL QUESTION USING THE HASH TAG #SDQL *** MREAST SELLS LARGE SAMPLE SIZE SPORTS TRENDS AT THE KILLER SPORTS TREND MART. *** FOLLOW -
Hip Hop America Pdf, Epub, Ebook
HIP HOP AMERICA PDF, EPUB, EBOOK Nelson George | 256 pages | 31 May 2005 | Penguin Putnam Inc | 9780143035152 | English | New York, NY, United States Hip HOP America PDF Book Kool Herc -- lay the foundation of the hip-hop movement. Stylistically, southern rap relies on exuberant production and direct lyrics typically about the southern lifestyle, trends, attitudes. Hill's brilliant songwriting flourished from song to song, whether she was grappling with spirituality "Final Hour," "Forgive Them, Father" or stroking sexuality without exploiting it "Nothing Even Matters". According to a TIME magazine article, Wrangler was set to launch a collection called "Wrapid Transit," and Van Doren Rubber was putting out a special version of its Vans wrestling shoe designed especially for breaking [source: Koepp ]. Another key element that's helping spread the hip-hop word is the Internet. Late Edition East Coast. Most hip-hop historians speak of four elements of hip-hop: tagging graffiti , b-boying break dancing , emceeing MCing and rapping. Taking Hip-Hop Seriously. Related Content " ". Regardless, the Bay Area has enjoyed a measurable amount of success with their brainchild. And then, in the mid to late s, there was a resurgence in the popularity of breaking in the United States, and it has stayed within sight ever since. Depending on how old you are, when someone says "hip-hop dance," you could picture the boogaloo, locking, popping, freestyle, uprocking, floor- or downrocking, grinding, the running man, gangsta walking, krumping, the Harlem shake or chicken noodle soup. Another thing to clear up is this: If you think hip-hop and rap are synonymous, you're a little off the mark. -
Recording Artist and Entrepreneur, Jeezy, Collaborates with Oasis Digital Studios to Offer a Custom-Designed NFT Featuring His Iconic Snowman Logo
Recording Artist and Entrepreneur, Jeezy, Collaborates with Oasis Digital Studios to Offer a Custom-Designed NFT Featuring his Iconic Snowman Logo Jeezy’s Snowman Logo Has Been His Signature Piece Since his Major Label Debut Album “Let’s Get It: Thug Motivation 101,” was Released in 2005 Toronto / Vancouver, Canada / Erie PA / New York, NY – April 12, 2021 –Liquid Avatar Technologies Inc. (CSE: LQID / OTC:TRWRF / FRA:4T51) Liquid Avatar Technologies, a global blockchain, digital identity and fintech solutions company together with ImagineAR Inc. (CSE:IP / OTCQB:IPNFF), an Augmented Reality platform company, and DreamView Studios, have announced that Liquid Avatar’s Oasis Digital Studios (“Oasis”) has partnered with American rapper and successful entrepreneur, Jeezy, to create an animated NFT of his iconic snowman logo. The NFT will be available starting late April 2021. A pre-sale waiting list is available for prospective purchasers and collectors on the Oasis website as of today. In the first of many offerings to come, Oasis is helping Jeezy utilize NFT technology as a new way reach his extensive fanbase. Through their collaboration, Jeezy is taking NFTs to a new level by embracing 3D and augmented reality (AR) technology in the production of his art. Starting off his career in the music industry under the name Young Jeezy, Jeezy has now transformed into an entrepreneurial success. In addition to his custom clothing, podcasting and artwork, Jeezy has a line of fitness water called Defiance Fuel, a restauranteur partnership with American Cut Steakhouse and an ongoing incentivized partnership with Tequila Avion. Jeezy also began hosting his own talk show, “Worth a Conversation with Jay “Jeezy” Jenkins” on FOX Soul in October of 2020. -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
Madden NFL 2004 Disc on the Disc Tray with the Label Facing up and Close the Disc Tray
ABOUT PHOTOSENSITIVE SEIZURES A very small percentage of people may experience a seizure when exposed to certain visual images, including flashing lights or patterns that may appear in video games. Even people who have no history of seizures or epilepsy may have an undiagnosed condition that can cause these “photosensitive epileptic seizures” while watching video games. These seizures may have a variety of symptoms including: lightheadedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, or momentary loss of awareness. Seizures may also cause loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents should watch for or ask their children about the above symptoms—children and teenagers are more likely than adults to experience these seizures. The risk of photosensitive epileptic seizures may be reduced by sitting further from the television screen, using a smaller television screen, playing in a well-lit room, and not playing when you are drowsy or fatigued. If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before playing. OTHER IMPORTANT HEALTH AND SAFETY INFORMATION The Xbox video game system documentation contains important safety and health information that you should read and understand before using this software. AVOID DAMAGE TO YOUR TELEVISION Do not use with certain televisions. Some televisions, especially front- or rear-projection types, can be damaged if any video games, including Xbox games, are played on them. -
Coleman Metts, C.A.S
COLEMAN METTS, C.A.S. Production Sound Mixer Member, IATSE 695 Coleman Metts has worked as a Production Sound Mixer for twenty years. His diverse experience has had him working in difficult and unique situations including in the open ocean on a paddle board for director and star Helen Hunt. Coleman’s early work includes the cult classic feature Donnie Darko starring then up and coming talents Jake and Maggie Gyllenhaal. With an easy-going style, Coleman prides himself on recording the best sound possible and loathes the concept of “fixing it in post.” Going back and forth between features and television, Coleman is an active member in the Cinema Audio Society and is Los Angeles based. Television (selected credits); Production Director/Producer/Company/Network I FEEL BAD (Season 1) Julie Anne Robinson / Amy Poehler / 3 Arts / NBC LOPEZ (Season 2) Various / Michael Rotenberg / 3 Arts / TV Land COMEDY GET DOWN (Full Season) Various / Michael Rotenberg / Comedy Central AWKWARD (All five seasons) Various / Lauren Iungerich / MTV ZACH STONE IS GONNA BE FAMOUS (Full season) Various / Bo Burnham / 3 Arts / MTV HARD TIMES OF RJ BERGER (Full season) Various / Seth Grahame-Smith / MTV DOLLHOUSE (Both seasons, 24 eps) Various / Joss Whedon / 20th Fox TV / Fox MOONLIGHT (Full season, 12 eps) Various / Ron Koslow / Silver Productions / CBS HAPPYLAND (Lone season) Various / Ben Epstein, Craig Zadan / MTV Second Unit Television Mixing includes multiple episodes of: Code Black, Agents of S.H.I.E.L.D., Ray Donovan, Agent Carter, Grey’s Anatomy, Bones and -
Patriots Kickoff Preseason Against the Saints
PATRIOTS KICKOFF PRESEASON AGAINST THE SAINTS MEDIA SCHEDULE NEW ENGLAND PATRIOTS (0-0) vs. *NEW ORLEANS SAINTS (0-0) Thursday, August 9, 2012 Gillette Stadium (68,756) 7:30 p.m. EDT MONDAY, AUGUST 6 9 a.m. -11:00 a.m. Practice *prior to the Saints preseason opener vs. Arizona in the Hall of Fame Game 11:00-11:30 a.m. Player Media Availability The Patriots open the preseason at home against the New Orleans Saints this 11:45 a.m. Nick Caserio Press Conf. Thursday night at 7:30 p.m. The Saints will travel to Foxborough after their preseason opener in the Hall of Fame game against Arizona in Canton, Ohio on TUESDAY, AUGUST 7 Sunday. The Patriots will conduct joint practice sessions with New Orleans on 1:00 p.m. Coach Belichick Press Conf. Tuesday and Wednesday. It will mark the second time in the last three years that the 1:30-4:00 p.m. Joint Practice with the Saints Patriots have conducted joint practices with the Saints during training camp. Prior to 4:00-4:30 p.m. Player Media Availability the 2010 preseason opener, the defending Super Bowl Champion New Orleans Saints 4:00 p.m. Tom Brady Media Availability and the Patriots practiced against each other for two days before the Patriots claimed WEDNESDAY, AUGUST 8 a 27-24 win in the preseason contest at Gillette Stadium. 10:00 a.m. Joint Practice with the Saints 12:30-1:00 p.m. Player Media Availability BROADCAST INFORMATION TELEVISION: This week’s game will be broadcast by the Patriots Preseason THURSDAY, AUGUST 9 Television Network and can be seen in every New England state as well as Hawaii. -
Friday Afternoon Session 1 Session 2 Session 3 2:30 - 3:20 Pm 3:40 - 4:30 Pm 4:50 - 5:40 Pm
2/2/2017 Glazier Clinics > Coaching Clinics > Chicago Illinois Football Clinic February Schedule Print Version (http://www.glazierclinics.com/) FRIDAY AFTERNOON SESSION 1 SESSION 2 SESSION 3 2:30 - 3:20 PM 3:40 - 4:30 PM 4:50 - 5:40 PM Dave Brown Implementing the Pistol Offense Base Pistol Runs Base Pistol Passes CSU-Pueblo Room: Mallard Room: Mallard Room: Mallard Pass Game Coord/QB Coach TBD D-Line Speaker TBD Topic 1: D-Line *Check back TBD Topic 2: D-Line *Check back TBD Topic 3: D-Line *Check TBD Program for updated info for updated info back for updated info Room: Court E Room: Court E Room: Court E Tim Dougherty Building Blocks of the 3-4 Weekly/Game Preparation for the 3-4 Defense: Zone Blitz Galesburg HS, IL Defense: Philosophy & LB Play Spread Package Head Coach Room: Amphitheater Room: Amphitheater Room: Amphitheater Charlie Fisher Western Illinois Easy Implementation of a Situational Pass Game: Be Game Planning & Red Zone Head Coach Shotgun Passing Game Prepared & Be Ready Thoughts Bio Room: Court A-D Room: Court A-D Room: Court A-D (http://www.goleathernecks.com/coaches.aspx? rc=971&path=football) Pat Fox Updating Coverage Concepts in Building a Defensive Game Plan to Defending the Pistol out of G-Defense System/Notre Dame Prep, MI the 4-2-5 Defense Defend RPOs & Tempo Offenses the 4-2-5 - A Head Coach Room: Court G-J Room: Court G-J Room: Court G-J Jeff Genyk Punt Block & Return: Use KOR: How to Attack the Whole Strike Special Teams System/Vanderbilt Formation Adjustments, Field, Flip Field Position & Spec Teams Coord/RB -
The Daily Egyptian, September 11, 1990
Southern Illinois University Carbondale OpenSIUC September 1990 Daily Egyptian 1990 9-11-1990 The aiD ly Egyptian, September 11, 1990 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_September1990 Volume 76, Issue 17 This Article is brought to you for free and open access by the Daily Egyptian 1990 at OpenSIUC. It has been accepted for inclusion in September 1990 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. .Daily Egyptian Southern Illinois Univers ity at Carbondale Tuesday, September 1 1,1990, Vol. 76, Nc>. 17,16 Pages Hussein offers free oil to third world United Press Intemational supply Third World countri!S with 'Yith Third World nations whose The countries should apply to exchan!:"s or those paid for" and oil free of charge." ar. Iraqi economics were being hurt by huge Iraq indicating the quantity and called Saddam's offer .. a Iraq's Saddam Hussein. unable Infonnation Ministry SIX" to .:nan oil prices O!Sulting from the Persian type of oi I they want, and then transparCnt a!templ 10 deflect the 10 sell his aude oil br.cause of U.N. said Monday on lra.:;i televis .... Gulf crisis. shoold """ttheir own ships 10 felCh focus of worid attention from his sancLions. offered Monday to The action - taken a (}3'r "t iter The Iraqi spokesman sal.:! the the oil because Iraq would not be blal8lll aggression against anod.er supply Third World countries with President Bush and Soviet country's oIIer of free oil was made able to transpon it the spokesman oountty." oil fnee of charge, an offer U.S. -
Pick up Passes at the Retriever Office!
PRINT TERRY HINES & ASSOCIATES - SAN FRANCISCO APPROVED BY INITIAL # DATE TIME PUBLICATION SIZE DATE(S) TO RUN ARTIST RETRIEVER SPELL TRAFFIC CORRECTION WEEKLY 1/4 pg. TUESDAY 4.26 # FINAL PDF SENT 14 Advertisement April 26, 2005 THE RETRIEVER INVITE YOU AND A GUEST TO AN ADVANCED SCREENING OF PICK UP WARNER BROS. PICTURES PRESENTS PASSES INASSOCIATION WITH VILLAGE ROADSHOW PICTURES A DARK CASTLE ENTERTAINMENT PRODUCTION “HOUSE OF WAX” ELISHA CUTHBERT PASSES MUSIC CHAD MICHAEL MURRAY BRIAN VAN HOLT PARIS HILTON JARED PADALECKI JON ABRAHAMS ROBERT RI’ CHARD BY JOHN OTTMAN EDITED PRODUCTION DIRECTOR OF CO- AT THE BY JOEL NEGRON DESIGNER GRAHAM “GRACE” WALKER PHOTOGRAPHY STEPHEN WINDON, A.C.S. PRODUCER RICHARD MIRISCH EXECUTIVE SCREENPLAY PRODUCERS HERBERT W. GAINS STEVE RICHARDS AND BRUCE BERMAN BY CHAD HAYES & CAREYW.HAYES RETRIEVER PRODUCED DIRECTED RETRIEVER BY JOEL SILVER ROBERT ZEMECKIS SUSAN LEVIN BY JAUME COLLET-SERRA OFFICE! THIS FILM IS RATED R FOR HORROR VIOLENCE, SOME SEXUAL CONTTENT AND LANGUAGE. PHOTO ID WILL BE NECESSARY FOR ADMITTANCE. A PARENT OR ADULT GUARDIAN MUST ACCOMPANY CHILDREN UNDER THE AGE OF 17. Theatre is overbooked to ensure a full house. Passes received through this promotion do not guarantee admission and must be surrendered upon demand. Seating is on a first come, first served basis. EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. No one will be admitted without a ticket or after the screening begins. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket and accepts any restrictions required by ticket provider. -
Hip Hop Dance: Performance, Style, and Competition
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank HIP HOP DANCE: PERFORMANCE, STYLE, AND COMPETITION by CHRISTOPHER COLE GORNEY A THESIS Presented to the Department ofDance and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofFine Arts June 2009 -------------_._.. _--------_...._- 11 "Hip Hop Dance: Performance, Style, and Competition," a thesis prepared by Christopher Cole Gorney in partial fulfillment ofthe requirements for the Master ofFine Arts degree in the Department ofDance. This thesis has been approved and accepted by: Jenife .ning Committee Date Committee in Charge: Jenifer Craig Ph.D., Chair Steven Chatfield Ph.D. Christian Cherry MM Accepted by: Dean ofthe Graduate School 111 An Abstract ofthe Thesis of Christopher Cole Gorney for the degree of Master ofFine Arts in the Department ofDance to be taken June 2009 Title: HIP HOP DANCE: PERFORMANCE, STYLE, AND COMPETITION Approved: ----- r_---- The purpose ofthis study was to identify and define the essential characteristics ofhip hop dance. Hip hop dance has taken many forms throughout its four decades ofexistence. This research shows that regardless ofthe form there are three prominent characteristics: performance, personal style, and competition. Although it is possible to isolate the study ofeach ofthese characteristics, they are inseparable when defining hip hop dance. There are several genre-specific performance formats in which hip hop dance is experienced. Personal style includes the individuality and creativity that is celebrated in the hip hop dancer. Competition is the inherent driving force that pushes hip hop dancers to extend the form's physical limitations.