Grosse, Julius Waldemar (1828-1902)
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L’Accueil De La <Emphasis Type="Italic">
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the Academy's Library HStud 24 (2010) 1, 41–79 DOI: 10.1556/HStud.24.2010.1.3 L’ACCUEIL DE LA TRAGÉDIE DE L’HOMME D’IMRE MADÁCH PAR LES LECTEURS DE LANGUE ALLEMANDE (1862–1892) KATALIN PODMANICZKY France Cette étude est consacrée aux médiateurs – traducteurs, philologues, éditeurs, écrivains – grâce auxquels s’est effectué le transfert de la Tragédie de l’homme d’Imre Madách dans la sphère culturelle germanophone de 1862 à 1892. Cette période fut particulièrement féconde à deux points de vue. D’une part, elle a vu naître sept traductions, ainsi qu’une dizaine de recensions et de critiques. Celles qui sont parues entre 1888 et 1892 avaient pour but la préparation du public à l’apparition prochaine de la Tragédie sur les scènes allemandes. D’autre part, de nombreuses personnalités en vue de l’intelligentsia germanophone ont fait des déclarations élogieuses sur le drame hongrois, alors que d’autres se sont même réapproprié ce chef-d’œuvre étranger en s’inspirant de lui. Mots-clefs : transfert, médiateurs, réception reproductive, réception productive, canonisation La première étape du transfert de la Tragédie d’Imre Madách dans la sphère culturelle allemande, étape durant laquelle l’œuvre n’est accessible au public ger- manophone que par la lecture, s’étend de 1862 à 1892. C’est en effet en 1862, année même de sa publication, que la Tragédie est mentionnée pour la première fois dans l’espace germanophone et c’est en 1892 que la dernière étude précédant sa première représentation sur une scène de langue allemande voit le jour. -
Wilhelm Busch's Aesthetic Views in Light of Tradition and the German
Manifestations of Wilhelm Busch‘s Aesthetics in Eduards Traum by Angelika Morris B.Sc., University of Ottawa, 1981 A Thesis Submitted in Partial Fulfillment of the Requirement for the Degree of MASTER OF ARTS In the Department of Germanic and Slavic Studies © Angelika Morris, 2010 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Page Manifestations of Wilhelm Busch‘s Aesthetics in Eduards Traum by Angelika Morris B.Sc., University of Ottawa, 1981 Supervisory Committee Dr. Angelika Arend, Professor Emerita, Supervisor (Department of Germanic and Slavic Studies) Dr. Helga Thorson, Departmental Member (Department of Germanic and Slavic Studies) Dr. Lisa Surridge, External Examiner (Department of English) iii Supervisory Committee Dr. Angelika Arend, Professor Emerita, Supervisor (Department of Germanic and Slavic Studies) Dr. Helga Thorson, Departmental Member (Department of Germanic and Slavic Studies) Dr. Lisa Surridge, External Examiner (Department of English) Abstract Whether considering Wilhelm Busch‘s famous picture-stories of poetic realism, or his prose works with their satiric grotesque and surrealistic elements, Busch‘s aesthetic views and practices straddle the divide between earlier and contemporaneous forms of art (folk tales, Classicism, Romanticism, Realism) and those akin to late nineteenth and early twentieth century German Moderne. In this thesis, Busch‘s aesthetic views on art and literature are gleaned from a variety of his writings including his mature prose piece Eduards Traum (1891). This study argues that Busch‘s aesthetics in this piece anticipated a number of developments associated with the German Moderne, such as complex narrative techniques, distorted states of time and space, ambiguity, fragmentation, and surrealistic modes of expression. -
Representing the Biblical Judith in Literature and Art: an Intertextual Cultural Critique Peggy L
University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 5-1994 Representing the Biblical Judith in Literature and Art: An Intertextual Cultural Critique Peggy L. Curry University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the English Language and Literature Commons Recommended Citation Curry, Peggy L., "Representing the Biblical Judith in Literature and Art: An Intertextual Cultural Critique" (1994). Open Access Dissertations. 725. https://scholarworks.umass.edu/open_access_dissertations/725 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. REPRESENTING THE BIBLICAL JUDITH IN LITERATURE AND ART: AN INTERTEXTUAL CULTURAL CRITIQUE A Dissertation Presented by PEGGY~ CURRY Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 1994 English Department © Copyright by Peggy Louise Curry 1994 All Rights Reserved REPRESENTING THE BffiLICAL JUDITH IN UTERATURE AND ART: AN INTER1EXTUAL CULTURAL CRITIQUE A Dissertation Presented by PEGGY L. CURRY Peter Elbow, Member £7£ ~ ¥? Vincent DiMarco, Chairman English Department ACKNOWLEDGEMENTS Many scholars and artists have contributed to this study of Judith and I am indebted to them. I would like to thank Shelley Reed for inspiring me with her art and giving me permission to use her Judith portrait in my work. I am grateful to Princeton University Press for permission to reproduce the photographs found in Mary Garrard's book, Artemisia Gentileschi: The lmqge ofthe Female Hero in Italian Baroque Art. -
Cornelius Hasselblatt Kalevipoeg Studies the Creation and Reception of an Epic
cornelius hasselblatt Kalevipoeg Studies The Creation and Reception of an Epic Studia Fennica Folkloristica THE FINNISH LITERATURE SOCIETY (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. STUDIA FENNICA EDITORIAL BOARD Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, Lecturer, University of Helsinki, Finland Taru Nordlund, Title of Docent, Lecturer, University of Helsinki, Finland Riikka Rossi, Title of Docent, Researcher, University of Helsinki, Finland Katriina Siivonen, University Teacher, University of Helsinki, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Tero Norkola, Publishing Director, Finnish Literature Society, Finland Kati Romppanen, Secretary of the Board, Finnish Literature Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Cornelius Hasselblatt Kalevipoeg Studies The Creation and Reception of an Epic Finnish Literature Society • SKS • Helsinki Studia Fennica Folkloristica 21 The publication has undergone a peer review. The open access publication of this volume has received part funding via a Jane and Aatos Erkko Foundation grant. -
Gedenktafeln Und Inschriften in Weimar A
Gedenktafeln und Inschriften in Weimar Hinweise: Die Grenzen zwischen „Gedenktafeln“ im engeren Sinne und Ergänzungshinweise (auch zu heute nicht mehr vorhandenen Tafeln) anderen Inschriften an Gebäuden sind fließend. In die Übersicht sowie für die Überlassung von Fotografien dankbar. wurden z.T. auch Erläuterungstafeln aufgenommen, die im Die Aufnahme der Texte der Tafeln in der Spalte „Inhalt“ der Tabelle öffentlichen Raum angebracht wurden, ebenso Gedenksteine oder ermöglicht dem Benutzer eine Volltext-Suche – beispielsweise nach die „Stolpersteine“ des Künstlers Gunter Demnig. Namen von Kriegsopfern, die in der Gesamttabelle nicht alphabetisch Diese Übersicht erhebt keinen Anspruch auf Vollständigkeit. Einige gelistet sind. der hier genannten Tafeln sind unter Umständen bereits wieder Besonderer Dank gilt Frau Barbara Kabardin, die uns Fotografien entfernt worden. Das Stadtarchiv Weimar ist für Korrektur- und vieler Gedenktafeln zur Verfügung stellte. Letzte Aktualisierung: 12.08.2020 Name Ort Inhalt Bild (Datum Anbringung) Freiherr-vom-Stein- HIER WOHNTE A Allee 10 ESTHER ABEL Abel, Esther GEB. VON DEN VELDEN („Stolperstein“ im JG. 1887 Gehweg) GEDEMÜTIGT / ENTRECHTET FLUCHT IN DEN TOD (2. Oktober 2015) 3.4.1942 Abendroth, Jahnstraße 14 (Die Tafel nicht ist mehr vorhanden.) Hermann 1 Name Ort Inhalt Bild (Datum Anbringung) Ahner, Alfred Thomas-Müntzer-Str. Hier wohnte 1946 –1973 22 der Maler ALFRED AHNER (1985) 13.8.1890 – 12.11.1973 AIDS-Hilfe - Frauentorstraße Dreizeiler Dreizeiler für Weimar seit 1994 Diese Installation erinnert an Menschen, die an AIDS verstorben sind. Sie ist Teil des Projektes „Denkraum: NAMEN und STEINE“ der deutschen AIDS-Stiftung, Bonn und des Künstlers Tom Fecht AIDS-Hilfe Weimar & Ostthüringen e.V. Alliierte / Übergabe Markt 1 / Rathaus IN GEDENKEN AN DIE EHRENHAFTE der Stadt 1945 UND UNBLUTIGE ÜBERGABE VON WEIMAR AN DIE (7. -
T-.: ' V . Uhlyisrsitt of ARIZOHA
Wilhelm Busch; a humorous critic of his time Item Type text; Thesis-Reproduction (electronic) Authors Engel-Stevens, Michael, 1915- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 03/10/2021 22:04:12 Link to Item http://hdl.handle.net/10150/319491 m i M E I M BUSCH, A HUMOROUS . CRITIC OF HIS T1HE . > • . MieHa©l. E^el"Stevens / . A 3?tiesis SiiUmit%e& ;to tiie Faculty" of the. v; : ’ ' 'B1HAEMEH$: OF OER1AH In Partial Fulfillment of the Requirements ■; For the Degree of v;:tv V- M SfSR . OF- A IES:: ■: v-.v.-'t-.: ' v ; ■ • • . In the Graduate College ' . : . UHlYiSRSITT OF ARIZOHA: ; 1960 STATi&IENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author.