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2016 Case List
FRONT COVER 1 3 PEN INTERNATIONAL CHARTER The PEN Charter is based on resolutions passed at its International Congresses and may be summarised as follows: PEN affirms that: 1. Literature knows no frontiers and must remain common currency among people in spite of political or international upheavals. 2. In all circumstances, and particularly in time of war, works of art, the patrimony of humanity at large, should be left untouched by national or political passion. 3. Members of PEN should at all times use what influence they have in favour of good understanding and mutual respect between nations; they pledge themselves to do their utmost to dispel race, class and national hatreds, and to champion the ideal of one humanity living in peace in one world. 4. PEN stands for the principle of unhampered transmission of thought within each nation and between all nations, and members pledge themselves to oppose any form of suppression of freedom of expression in the country and community to which they belong, as well as throughout the world wherever this is possible. PEN declares for a free press and opposes arbitrary censorship in time of peace. It believes that the necessary advance of the world towards a more highly organised political and economic order renders a free criticism of governments, administrations and institutions imperative. And since freedom implies voluntary restraint, members pledge themselves to oppose such evils of a free press as mendacious publication, deliberate falsehood and distortion of facts for political and personal ends. Membership of PEN is open to all qualified writers, editors and translators who subscribe to these aims, without regard to nationality, ethnic origin, language, colour or religion. -
Katalog 2016
Na adresu TFF-a pristiglo je preko sedam stotina fi lmova U organizaciji Magic Factory ove godine od 12. do 16. oktobra održat će se jubilarni 5. Tuzla Film Festival – južnoslavenskog fi lma. Na adresu festivala pristiglo je preko 700 fi lmova, a nakon selekcije i ove godine bit će prikazano oko stotinu fi lmova u šest kategorija: dugometražni, kratki igrani, animirani, dokumentarni, future generation short fi lms. Festival će biti upotpunjen i drugim sadržajima kao što su radionice sa profe- sionalcima iz svijeta fi lma, kafe sa poznatima i otvoreni party sa gostima festivala. Ove godine na festivala dolazi veliki broj gostiju iz inostranstva, a razlog tome je nova kategorija future generation short fi lms, riječ je o internacionalnom kratkom fi lmu gdje je pristiglo 400 fi lmova iz oko 70 zemalja svijeta. Svoj dolazak kao članovi žirija ili gosti festivala najavila su poznata fi lmska imena sa naših prostora. Tuzla Film Festival 2016. Festival Film Tuzla 2 Tuzla Film Festival je doživio svoju petu godišnjicu iako su mu predviđali da nikada neće ugledati svjetlo dana. Problemi koji se događaju zbog ne postojanje kulturne politike grada, kao i Federacije dovode do problema koji svi umjetnici dobro osjećaju na ovom prostoru. Stalna borba za fi nansiranje jedne manifestacije koja se već uveli- ko dokazala, ne samo da umara producente iste, već iz godine u godinu čini odljev kadrova koji su se obrazovali kroz TFF, a sa stečenim iskustvom i Boris Balta znanjem koje posjeduju, mogli bi napraviti Tuzlu direktor Festivala Festival Director kao centar kulturnog događanja sa razvojnom agendom za mlade talente. -
Love Croatian Film 2014 Katalog Hrvatskog Filma Croatian Film Catalogue
1 Sadržaj Contents Notes • 7 — Glazbena kutija Music Box, Bruno Mustić • 10 Inferno, Vinko Möderndorfer • 11 Mirni ljudi Quiet People, Ognjen Sviličić • 12 Most na kraju svijeta The Bridge at the End of the World, Branko Ištvančić • 13 Broj 55 Number 55, Kristijan Milić • 14 Dugometražni igrani film — Cure Girls, Andrea Štaka • 15 Feature Film Broj 55 · Number 55 · Kristijan Milić • 10 Iza sna After the Dream, Igor Filipović • 16 Cure – Život druge · Cure – The Life of Another · Andrea Štaka • 11 Kosac The Reaper, Zvonimir Jurić • 17 Dječaci iz Ulice Marxa i Engelsa · Dječaci iz Ulice Marksa i Engelsa · The Kids from Lazar Lazarus, Svetozar Ristovski • 18 the Marx and Engels Street · Nikola Vukčević • 12 Otok ljubavi Love Island, Jasmila Žbanić • 19 Domoljub · Isänmaallinen mies · A Patriotic Man · Arto Halonen • 13 Spomenik Majklu Džeksonu Monument to Michael Jackson, Darko Lungulov • 20 Duh babe Ilonke · The Little Gypsy Witch · Tomislav Žaja • 14 Sadilishteto Sudilište Judgement, Stephan Komandarev • 21 Happy Endings · Darko Šuvak • 15 Sveci Saints, Ivan Perić • 22 Inferno · Vinko Möderndorfer • 16 Svinjari The Enchanting Porkers, Ivan Livaković • 23 Itsi Bitsi · Steppeulven · Itsi Bitsi · Ole Christian Madsen • 17 Zagreb Cappuccino, Vanja Sviličić • 24 Iza sna · After the Dream · Igor Filipović • 18 Srce mesara Butcher’s Heart, Antonio Nuić • 25 Kosac · The Reaper · Zvonimir Jurić • 19 Anka, Dejan Aćimović • 26 Ljubav ili smrt · Love or Death · Daniel Kušan • 20 Bodljikavo prase The Porcupine, Srđan Dragojević • 27 Most na kraju svijeta -
Authenticity in Electronic Dance Music in Serbia at the Turn of the Centuries
The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries Inaugural dissertation submitted to attain the academic degree of Dr phil., to Department 07 – History and Cultural Studies at Johannes Gutenberg University Mainz Irina Maksimović Belgrade Mainz 2016 Supervisor: Co-supervisor: Date of oral examination: May 10th 2017 Abstract Electronic dance music (shortly EDM) in Serbia was an authentic phenomenon of popular culture whose development went hand in hand with a socio-political situation in the country during the 1990s. After the disintegration of Yugoslavia in 1991 to the moment of the official end of communism in 2000, Serbia was experiencing turbulent situations. On one hand, it was one of the most difficult periods in contemporary history of the country. On the other – it was one of the most original. In that period, EDM officially made its entrance upon the stage of popular culture and began shaping the new scene. My explanation sheds light on the fact that a specific space and a particular time allow the authenticity of transposing a certain phenomenon from one context to another. Transposition of worldwide EDM culture in local environment in Serbia resulted in scene development during the 1990s, interesting DJ tracks and live performances. The other authenticity is the concept that led me to research. This concept is mostly inspired by the book “Death of the Image” by philosopher Milorad Belančić, who says that the image today is moved to the level of new screen and digital spaces. The other authenticity offers another interpretation of a work, or an event, while the criterion by which certain phenomena, based on pre-existing material can be noted is to be different, to stand out by their specificity in a new context. -
Descriptive Geometry in Serbia at the End of the 19Th Century, in the Work
Katarina Jevtić-Novaković Descriptive Geometry in Serbia at the Ph.D., Professor of Applied Studies, end of the 19th Century, in the Work of College of Civil Engineering and Geodesy, Belgrade Serbia Dimitrije Stojanović Olga Timčenko In this paper we will look at the early history of teaching descriptive Ph.D., Associate Professor, geometry in Serbia, concentrating on Dimitrije Stojanovic’s "Methodo– Design and Media Technology, logy of Descriptive Geometry". This book was 25 years in the making, he Aalborg University, Copenhagen started writing it in 1874, completed and published it in 1899. So com– Denmark prehensive was this textbook that though it was written in the last quarter of 19th century it exceedes many modern textbooks in its scope. It has 692 Marija Divac pages of the text and 462 drawings, which were separately printed at the Assistant, PhD student end of the book. Stojanovic’s "Methodology of Descriptive Geometry" is College of Civil Engineering and Geodesy, Belgrade the first attempt to synthesize descriptive and projective geometry. Serbia Keywords: Dimitrije Stojanovic, descriptive geometry, projective geometry, synthesis, Serbia 1. INTRODUCTION which would grow into the University in the beginning of 20th century, in 1905. The existing departments The development of higher education in Serbia began in developed into faculties of the Higher School: Philo– the 19th century. It is related to the creation of a modern sophical, Law and Technical. Serbian state, after liberation from centuries old Turkish With regard to studying Geometry in Serbia, in rule. The development of the education system and its Lyceum it was studied as a separate subject, with a modernization was accompanied by numerous obstac– modest curriculum, as it can be seen from the textbook les, mostly lack of funds, as well as by conflicts and di– “Elementary Geometry” from 1841 by Atanasije sagreements over different ideas about the creation of Nikolic. -
Croatian Film Catalogue 2015 Katalog Hrvatskog Filma 2015 Sadržaj Contents
Croatian Film Catalogue 2015 Katalog hrvatskog filma 2015 Sadržaj Contents Dugometražni igrani film – Feature Film Bit ćemo prvaci svijeta · Bićemo prvaci sveta · We Will Be the World Champions · Darko Bajić · 10 Imena višnje · Ungiven · Branko Schmidt ·11 Lazar · Svetozar Ristovski ·12 Memoari slomljenog uma · Memoirs of a Broken Mind · Danilo Lola Ilić ·13 Narodni heroj Ljiljan Vidić · Shooting Stars · Ivan-Goran Vitez ·14 Naša svakodnevna priča · Our Everyday Life · Ines Tanović · 15 Puni udar · Full Contact · David Verbeek · 16 Sirene i krikovi · Sirens and Screams · Ivan Perić · 17 Svinjari · The Enchanting Porkers · Ivan Livaković · 18 Ti mene nosiš · You Carry Me · Ivona Juka · 19 Trema · Interruption · Yorgos Zios · 20 Vrapci · Þrestir · Sparows · Rúnar Rúnnarson · 21 Zagrebačke priče vol. 3 · Zagreb Stories Vol. 3 · Ivan Salaj, Pero Orešković, Matija Vukšić, Vlatka Vorkapić, Danilo Šerbedžija, Radislav Jovanov Gonzo · 22 Zvizdan · The High Sun · Dalibor Matanić · 25 Život je truba · Life Is a Trumpet · Antonio Nuić · 26 Kratkometražni igrani film – Short Fiction Film Bakina unuka · Granddaughter ·Tomislav Šestan · 28 Belladonna · Dubravka Turić · 29 Crne mačke · Black Cats · Marko Turčinov · 30 Cvijeće · Flowers · Judita Gamulin · 31 Da je kuća dobra i vuk bi je imao · No Wolf Has a House · Hana Jušić · 32 Daddy Issues · Judita Gamulin · 33 Dan Marjana · Marjan Hill Day · Igor Jelinović · 34 Dobro sam, vidimo se · An Awful Pair of Shoes and a Funeral · Luka Čurčić · 35 Doručak · Le petit déjeuner · Breakfast · Salvatore Li Causi -
The Genealogy of Dislocated Memory: Yugoslav Cinema After the Break
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses April 2014 The Genealogy of Dislocated Memory: Yugoslav Cinema after the Break Dijana Jelaca University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Communication Commons Recommended Citation Jelaca, Dijana, "The Genealogy of Dislocated Memory: Yugoslav Cinema after the Break" (2014). Doctoral Dissertations. 10. https://doi.org/10.7275/vztj-0y40 https://scholarworks.umass.edu/dissertations_2/10 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE GENEALOGY OF DISLOCATED MEMORY: YUGOSLAV CINEMA AFTER THE BREAK A Dissertation Presented by DIJANA JELACA Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2014 Department of Communication © Copyright by Dijana Jelaca 2014 All Rights Reserved THE GENEALOGY OF DISLOCATED MEMORY: YUGOSLAV CINEMA AFTER THE BREAK A Dissertation Presented by DIJANA JELACA Approved as to style and content by: _______________________________________ Leda Cooks, Chair _______________________________________ Anne Ciecko, Member _______________________________________ Lisa Henderson, Member _______________________________________ James Hicks, Member ____________________________________ Erica Scharrer, Department Head Department of Communication TO LOST CHILDHOODS, ACROSS BORDERS, AND TO MY FAMILY, ACROSS OCEANS ACKNOWLEDGMENTS This dissertation is about a part of the world that I call “home” even though that place no longer physically exists. I belong to that “lost generation” of youth whose childhoods ended abruptly when Yugoslavia went up in flames. -
Cirkus-Columbia-Pressbook.Pdf (1.2 Mib)
CIRKUS COLUMBIA A FILM BY DANIS TANOVlC´ SYNOPSIS Bosnia and Herzegovina, 1991. The communists have fallen from power and Divko Buntic returns to the small town where he grew up to reclaim his family home. After a 20-year exile in Germany, Divko arrives in his flashy red Mercedes with sexy young girlfriend Azra, lucky black cat Bonny and a pocketful of Deutschmarks. Cash and cousin Ivanda, the recently inducted “democratic” mayor, help Divko forcefully evict estranged wife Lucija and 20-year-old son Martin. Lucky to not have been jailed after their eviction skirmish with the police, Martin and Lucija are moved into a small dilapidated municipal apartment. Once settled in the comfort of his old house, Divko tries to reach out to Martin, the son he never knew. He offers Martin an invitation to live with him and his soon-to-be new wife Azra. When Lucija finds out, she is furious and fearful that she’ll lose her son to his father. Martin reassures his mother, but the young CB radio enthusiast continues to secretly visit his father’s home to use the equipment he left behind. When Divko’s beloved cat Bonny disappears, the whole town joins in a frantic search to get the cash reward. The daily hunt for the missing cat strains Divko’s fragile relationship with Azra. It also opens up an unexpected but strong attraction between Azra and Martin. Busy fretting over everyday concerns, most of the townsfolk seem to disregard the rumbling political unrest: Croatia has seceded, all Yugoslavs are being forced to take sides, and the Serbs begin bombing Dubrovnik. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Cinematic Representations of Nationalist-Religious Ideology in Serbian Films during the 1990s Milja Radovic Doctor of Philosophy The University of Edinburgh March 2009 THESIS DECLARATION FORM This thesis is being submitted for the degree of PhD, at the University of Edinburgh. I hereby certify that this PhD thesis is my own work and I am responsible for its contents. I confirm that this work has not previously been submitted for any other degree. This thesis is the result of my own independent research, except where stated. Other sources used are properly acknowledged. Milja Radovic March 2009, Edinburgh Abstract of the Thesis This thesis is a critical exploration of Serbian film during the 1990s and its potential to provide a critique of the regime of Slobodan Milosevic. -
Nikome Se Ne Ponovilo – Genocid U Srebrenici I Borba
NIKOME SE NE PONOVILO Genocid u Srebrenici i borba protiv zaborava Genocide in Srebrenica and fight against oblivion NEVER AGAIN, TO ANYONE NIKOME SE NE PONOVILO Genocid u Srebrenici i borba protiv zaborava Izdavači Inicijativa mladih za ljudska prava Dobračina 4, 11000 Beograd ForumZFD Srbija Resavska 16a, 11000 Beograd Nezavisno društvo novinara Vojvodine Sutjeska 2, 21000 Novi Sad Urednica Ajla Škrbić Izvršna urednica Ana Pejović Prevodioci Ivana Radović Jelena Dereta Tomislav Brlek Lektura Sandra Zlotrg Ifeta Palić-Kupus Dizajn Ivo Matejin Štampa Izdavanje knjige je podržalo Ministarstvo spolj- Standard 2 nih poslova Savezne Republike Nemačke. Ne- mačka podržava napore u regionu Zapadnog Tiraž Balkana za uspostavljanje participativne kul- 500 ture sećanja, regionalne saradnje i pomirenja. NEVER AGAIN, TO ANYONE Genocide in Srebrenica and fight against oblivion Publishers Youth Initiative for Human Rights Serbia, 4 Dobračina St., 11000 Belgrade ForumZFD Serbia, 16a Resavska St., 11000 Belgrade Independent Journalists’ Association of Vojvodina, 2 Vojvodine Sutjeska St., 21000 Novi Sad Editor Ajla Škrbić Executive editor Ana Pejović Translators Ivana Radović Jelena Dereta Tomislav Brlek Proof reading Sandra Zlotrg Ifeta Palić-Kupus Design Ivo Matejin This publication has been produced with the Printed by support of the Ministry of Foreign Affairs of Standard 2 the Federal Republic of Germany. Germany supports efforts to establish a participatory Number of copies culture of remembrance, regional co-operation 500 and reconciliation in the Western Balkans. SADRŽAJ Riječ urednice 16 PRAVO 21 Genocid u Srebrenici: pravna i moralna analiza Menachem Z. Rosensaft 24 Suočavanje s govorom koji anihilira: poricanje genocida kao oblik nasilja i njegove političke implikacije Roland Moerland 68 Srebrenica, dan poslije: produženi život zločina Lejla Gačanica 92 POLITIKA 113 Zašto nismo.. -
Seed-2014-Catalogue.Pdf
1 ORGANIZERS PARTNERS Dear old and new documentary friends, Here we are again to present you the newest but also upcoming documentary productions from Southeast European countries. Since our last meeting we have been writing, filming, IN CO-OPERATION WITH fighting, loving, editing, producing, getting angry, kissing, cheating, making problems and solving them, doing everything we could to stay up and alive and ready to offer you the freshest of the fresh. Besides old partners you already know from the last year, Croatia, Serbia, Macedonia, Slovenia and Bulgaria, this year we are happy that Bosnia & Herzegovina and Kosovo joined the SEED family. Altogether, 77 films are presented in this catalogue. Like last year, feature CONTACTS films finished between August 2013 and October 2014, but also those that are going to be finished within the next year. To make it richer and more fun, this year we included finished RESTART CROATIAN AUDIOVISUAL SLOVENIAN FILM CENTRE KOSOVA CINEMATOGRAPHY short films in the catalogue, but also a list of feature docs in development. Most of them are Gjure Deželića 74 CENTRE Miklošičeva 38, SI-1000 Ljubljana CENTER still looking for co-production partners, so read it carefully, it might be you. 10000 Zagreb, Croatia Nova Ves 18, 10000 Zagreb, Croatia Slovenia Qafa-Galeria No.15 ph: +385.1.5573860 ph: +385.1.6041080 ph: +386.1.2343200 10000 Pristina, Kosovo gsm: +385.91.5315205 [email protected] [email protected] phl: +381.38.213227 However, we hope this catalogue will help you to navigate more easily among newest titles [email protected] www.havc.hr www.film-center.si [email protected] www.restarted.hr head: Hrvoje Hribar head: Jožko Rutar www.qkk-rks.com coming from this hot and unpredictable region, to pick something for your festivals or to head: Oliver Sertić head: Arben Zharku catch interesting names for your future co-productions. -
Fiction & Documentary
FICTION & DOCUMENTARY FICTION 2 Nightlife by Damjan Kozole 4 Mother by Vlado Škafar 6 Huston, We Have A Problem by Žiga Virc 8 Perseverance by Miha Knific 10 Nika by Slobodan Maksimović 12 A Comedy of Tears by Marko Sosič 14 Case: Osterberg by Matej Nahtigal 1 FICTION 16 Šiška Deluxe by Jan Cvitkovič IN 18 Idyll by Tomaž Gorkič FICTION PRODUCTION 32 20 Family Film by Olmo Omerzu 43 DOCUMENTARY 22 The High Sun by Dalibor Matanić IN 24 Life is a Trumpet by Antonio Nuić DOCUMENTARY PRODUCTION 58 26 Ministry of Love by Pavo Marinković 28 Lucy in the Sky by Giuseppe Petitto 30 Our Everyday Life by Ines Tanović Production: Slovenian Film Centre Editor: Inge Pangos Translation: Borut Praper Visual & design: Boštjan Lisec Print: Collegium Graphicum Print run: 700 Ljubljana, January 2016 Slovenian Film Guide_Fiction & Documentary 3 Nightlife by Damjan Kozole Nočno življenje, 2016, DCP, 1:2.35, in colour, 93 min Late at night, a renowned lawyer is found on the sidewalk of a busy street in Ljubljana. He is semi-conscious and his body is covered in blood from numerous dog bite wounds. Phy- sicians at the Ljubljana Medical Centre are fighting for his life, while his wife is coping with the shock and her deepest fears. During that night she breaks all of the moral princi- ples she has advocated all her life. Damjan Kozole (1964) is an award-winning filmmaker whose directing credits include the critically acclaimed Spare Parts, nominated for the Golden Bear at the 53th Berlin IFF, Selected Filmography and Slovenian Girl, which premiered in 2009 at Toronto, Pusan and Sarajevo IFF and has (feature) been distributed worldwide.