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Queens College Student Choreography Showcase 2021
Queens College Student Choreography Showcase 2021 About the Choreographers Alisha Anderson is a professional dancer who works every day to fulfill the highest expression of herself as a human being and an artist. Alisha has studied various genres of dance for over 20 years and specializes in tap, Afrobeat and African dance. She began her dance career at her family owned dance school, Dance Arts Repertory Theater, which had a well known company called Yori that specialized in African dance; and inspired her to become a professional African dancer. Alisha has studied under Randi Lloyd, Lancelot Theobald, Shandella Molly, Jewel Love, Chet and many more. She is currently attending Queens College where she is graduating with a Minor in Dance and a MaJor in Education. Alisha has traveled to Ghana, Senegal and other countries in West Africa to further her studies in African dance. Alisha has performed professionally with Salsa Ache which is a salsa and Afro Caribbean dance company, and currently performs with two of the top African dance companies in New York City, Harambee and Bambara. In 2014 Alisha joined Harambee which is directed by Shandella Molly and located in Bronx, NY. With Harambee Alisha has performed for the African American Museum, Nick Cannon, Vice the TV show and many more. In 2015 she joined Bambara which is directed by Jewel Love, and with the company she has performed for the Tira Banks show, Dance Africa (BAM), numerous African festivals, weddings and much more. Alisha began her teaching career at Layla Dance and Drum school where she has taught for the past three years and enjoys working with the students. -
The Ledger and Times, July 19, 1958
Murray State's Digital Commons The Ledger & Times Newspapers 7-19-1958 The Ledger and Times, July 19, 1958 The Ledger and Times Follow this and additional works at: https://digitalcommons.murraystate.edu/tlt Recommended Citation The Ledger and Times, "The Ledger and Times, July 19, 1958" (1958). The Ledger & Times. 3368. https://digitalcommons.murraystate.edu/tlt/3368 This Newspaper is brought to you for free and open access by the Newspapers at Murray State's Digital Commons. It has been accepted for inclusion in The Ledger & Times by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. Selected As A Best All Round Kentucky Community Newspaper JULY 18, 195g First .. Largest Circulation In with The City Local News Largest 40 • and Circulation In Local PictureA The Comity IN OUR 79th YEAR Murra KN, Saturda Afternoon, 19 1958 MURRAY POPULATION 10,100 Vol. LXXIX No. 171 se natural carelessness United Press people. Long and ir- >ties of work are not in orderly check-ups of ints, and farm peegie to overlook little thiNs iger life and limb. A ard in the barn floor. UNICIPAL PARKING VOTED BY COUNCIL pa, rubbish left idly Hair Styling Show Pre-School Clinic e all booby traps of To Appear Present Location Of Beale Number land Number6 Not To Be Held Here U.S. Plane Is Scheduled The Devry's Beauty Supply A pre-school clinic will. be to 90 In New Directory."2-5" System Used Company will sponsor a hair held at the Hearth Department Home To Park 75 Cars styling show in Murray for N. -
Table of Contents
Table of Contents Letter to collector and introduction to catalog ........................................................................................ 4 Auction Rules ............................................................................................................................................... 5 Clean Sweep All Sports Affordable Autograph/Memorabilia Auction Day One Wednesday December 11 Lots 1 - 804 Baseball Autographs ..................................................................................................................................... 6-43 Signed Cards ................................................................................................................................................... 6-9 Signed Photos.................................................................................................................................. 11-13, 24-31 Signed Cachets ............................................................................................................................................ 13-15 Signed Documents ..................................................................................................................................... 15-17 Signed 3x5s & Related ................................................................................................................................ 18-21 Signed Yearbooks & Programs ................................................................................................................. 21-23 Single Signed Baseballs ............................................................................................................................ -
Table of Contents
Table of Contents Letter to collector and introduction to catalog ........................................................................................ 4 Auction Rules ............................................................................................................................................... 5 January 31, 2018 Major Auction Top Ten Lots .................................................................................................................................................. 6-14 Baseball Card Sets & Lots .......................................................................................................................... 15-29 Baseball Card Singles ................................................................................................................................. 30-48 Autographed Baseball Items ..................................................................................................................... 48-71 Historical Autographs ......................................................................................................................................72 Entertainment Autographs ........................................................................................................................ 73-77 Non-Sports Cards ....................................................................................................................................... 78-82 Basketball Cards & Autographs ............................................................................................................... -
Cross‐Cultural Perspectives on the Creation of American Dance 1619 – 1950
Moore 1 Cross‐Cultural Perspectives on the Creation of American Dance 1619 – 1950 By Alex Moore Project Advisor: Dyane Harvey Senior Global Studies Thesis with Honors Distinction December 2010 [We] need to understand that African slaves, through largely self‐generative activity, molded their new environment at least as much as they were molded by it. …African Americans are descendants of a people who were second to none in laying the foundations of the economic and cultural life of the nation. …Therefore, …honest American history is inextricably tied to African American history, and…neither can be complete without a full consideration of the other. ‐‐Sterling Stuckey Moore 2 Index 1) Finding the Familiar and Expressions of Resistance in Plantation Dances ‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 6 a) The Ring Shout b) The Cake Walk 2) Experimentation and Responding to Hostility in Early Partner Dances ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 14 a) Hugging Dances b) Slave Balls and Race Improvement c) The Blues and the Role of the Jook 3) Crossing the Racial Divide to Find Uniquely American Forms in Swing Dances ‐‐‐‐‐‐ 22 a) The Charleston b) The Lindy Hop Topics for Further Study ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 30 Acknowledgements ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 31 Works Cited ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 32 Appendix A Appendix B Appendix C Appendix D Moore 3 Cross‐Cultural Perspectives on the Creation of American Dance When people leave the society into which they were born (whether by choice or by force), they bring as much of their culture as they are able with them. Culture serves as an extension of identity. Dance is one of the cultural elements easiest to bring along; it is one of the most mobile elements of culture, tucked away in the muscle memory of our bodies. -
Daily Iowan (Iowa City, Iowa), 1959-07-22
oi oweR Serving The State Unfverriff/ of 10W4 and the People of Iowa City Established In 186&-Five Cents A Copy Assoclated Press Leased Wire And Wirepboto Iowa City. Iowa, Wednesday, July 22, 1959 ==~~~~~~~--~~~------------------------------------------~~! ~---------------~----------~------------~--------~~ ----- Government Steps Russia n·s Fear S.tron'g Into Steel Strike I , Mitchell Acts As Fact Finder Germany,, Says Ike: • . For President Germany's Konrad Adenauer- West Threatens Scorns, Claim Will Allow No Let-Up In Bargaining' To Walk Out Basic Policy Abandonment Of Chinese, NEW YORK L4'l - Secretary BV HERB AL TSCHULL Ihis foreign millister, Heinrich von goliations on German unification of Labor James P . Mitchell GENEVA (,fI _ The breeze of Brentano. U .' 'undderwthe BGig Four W!th. theiEasl stepped I nto the week -old steel It Again Tuesday n xtb'l't f . thr h th For years the So)'iet Dlon has an est ermans 51 ttIng n as Soviet Alliance strike T\l"sday as a one-man fact e ~ I Y wa tlng oug e been accusing Adenauer of being advi~rs. But the two Germanys finder for President Eisenhower. Asks Terms Reduction Western camp here has touched a stubborn old man who Is keep- would enter into direct negotia Mitchell told a news conference evcn Konrad Adenauer. ing the cold ~ar going by reCusing lions If the Big Four considered CoJld Result In Soviet In Washington that the govern For Berlin Truce Almost unnoticed, West Ger- to talk to the Ellst German Com. this adviseable. Block Of Unification ment will insist the United Steel· many's Chancellor, 63, has aban- munlsts. -
1956 Final Stats and Standings
Final 1956 Standings and Statistics Table of Contents 2….Standings 3….American League Leaders 5….National League Leaders 7….Team Stats 8….Team-by-Team Individual Stats 24….World’s Series Stats MLB Standings Through Games Of 9/30/1956 American League W LGB Pct R RA New York Yankees 106 48-- .688 854 570 Detroit Tigers 102 524.0 .662 807 585 Boston Red Sox 89 6517.0 .578 781 727 Chicago White Sox 83 7123.0 .539 722 607 Cleveland Indians 83 7123.0 .539 637 602 Washington Senators 53 10153.0 .344 658 888 Baltimore Orioles 51 10355.0 .331 541 758 Kansas City Athletics 49 10557.0 .318 569 832 National League W LGB Pct R RA Cincinnati Redlegs 94 60-- .610 755 624 Brooklyn Dodgers 88 666.0 .571 706 552 St. Louis Cardinals 85 699.0 .552 660 592 New York Giants 84 7010.0 .545 573 534 Milwaukee Braves 82 7212.0 .532 640 619 Chicago Cubs 69 8525.0 .448 560 664 Pittsburgh Pirates 59 9535.0 .383 554 670 Philadelphia Phillies 55 9939.0 .357 570 763 2 American League Leaders Including Games of Sunday, September 30, 1956 Hits Strikeouts Batting Leaders Al KalineDET 232 Jim LemonWSH 140 Nellie FoxCHA 205 Larry DobyCHA 119 Batting Average Mickey MantleNYA 200 Roy SieversWSH 108 Ted WilliamsBOS .401 Harvey KuennDET 194 Eddie YostWSH 100 Mickey MantleNYA .377 Pete RunnelsWSH 189 Gus TriandosBAL 97 Al KalineDET .376 Jackie JensenBOS 183 Willy MirandaBAL 91 Gil McDougaldNYA .342 Jim PiersallBOS 179 Vic WertzCLE 90 Charlie MaxwellDET .338 Minnie MinosoCHA 175 Hank BauerNYA 89 Vic PowerKC .331 Vic PowerKC 175 Mickey MantleNYA 80 Pete RunnelsWSH .326 Charlie MaxwellDET -
My Replay Baseball Encyclopedia Fifth Edition- May 2014
My Replay Baseball Encyclopedia Fifth Edition- May 2014 A complete record of my full-season Replays of the 1908, 1952, 1956, 1960, 1966, 1967, 1975, and 1978 Major League seasons as well as the 1923 Negro National League season. This encyclopedia includes the following sections: • A list of no-hitters • A season-by season recap in the format of the Neft and Cohen Sports Encyclopedia- Baseball • Top ten single season performances in batting and pitching categories • Career top ten performances in batting and pitching categories • Complete career records for all batters • Complete career records for all pitchers Table of Contents Page 3 Introduction 4 No-hitter List 5 Neft and Cohen Sports Encyclopedia Baseball style season recaps 91 Single season record batting and pitching top tens 93 Career batting and pitching top tens 95 Batter Register 277 Pitcher Register Introduction My baseball board gaming history is a fairly typical one. I lusted after the various sports games advertised in the magazines until my mom finally relented and bought Strat-O-Matic Football for me in 1972. I got SOM’s baseball game a year later and I was hooked. I would get the new card set each year and attempt to play the in-progress season by moving the traded players around and turning ‘nameless player cards” into that year’s key rookies. I switched to APBA in the late ‘70’s because they started releasing some complete old season sets and the idea of playing with those really caught my fancy. Between then and the mid-nineties, I collected a lot of card sets. -
African American Philosophy
African American Dance - Philosophy, Aesthetics, and “Beauty” Thomas F. DeFrantz “A metaphysics, ontology, epistemology, or aesthetics is necessarily distorted by communicative practices which invariably include inherited and privileged structures, forms, assumptions, and codes that remain unstated. The subject, on such accounts, may be considered problematic because the subject may inappropriately present its ideas as ones that surmount the limitations of what it is to be a subject - contextually bounded.” (Harris, 1996: 197) Aesthetics in dance, and especially the terms of “beauty” as they might relate to African American artistry, remain extremely difficult to discuss. How can aesthetic theory be engaged in relation to African American dance practice? What sorts of aesthetic imperatives surround African American dance and how does black performance make sense of these imperatives?” Who names the quality of performance, or who determines that a performance may be accurately recognized as “black? More than this, how can African American dance participate on its own terms in a discourse of “beauty?” This essay offers portions of my current research project to consider the recuperation of “beauty” as a productive critical strategy in discussions of African American dance. I argue that black performance in general, and African American concert dance in particular, seek to create aesthetic sites that allow black Americans to participate in discourses of recognition and appreciation to include concepts of “beauty.” In this, I suggest that “beauty” may indeed produce social change for its attendant audiences. I also propose that interrogating the notion of “beauty” may allow for social change among audiences that include dance theorists and philosophers. -
WEDNESDAY, SEPTEMBER 20, 2017 Vs. CHICAGO CUBS LH Blake Snell (3-6, 4.25) Vs
WEDNESDAY, SEPTEMBER 20, 2017 vs. CHICAGO CUBS LH Blake Snell (3-6, 4.25) vs. LH Jon Lester (11-7, 4.30) First Pitch: 7:10 p.m. | Location: Tropicana Field, St. Petersburg, Fla. | TV: Fox Sports Sun | Radio: WDAE 620 AM, WGES 680 AM (Sp.) Game No.: 152 (73-78) | Home Game No.: 78 (38-39) | All-Time Game No.: 3,228 (1,493-1,734) | All-Time Home Game No.: 1,618 (818-799) April: 12-14 | May: 17-13 | June: 13-13 | July: 12-13 | August: 13-15 | September: 6-10 | Pre-All-Star: 47-43 | Post-All-Star: 26-35 ZIMMER FIRST PITCH—Tonight Beau Zimmer, grandson of the late Don going 17-3 in those games prior to the All-Star break. Zimmer, will throw a ceremonial first pitch on behalf of the Zimmer fam- Ê The Rays have hit 7 HR in extra innings, tying the club record (2008). ily…Zim was the Rays longtime senior baseball advisor until his passing in Ê The Rays have a club-record 24 HR from their catchers. 2014, managed the Cubs from 1988-91 and was named NL Manager of the Year in 1989…his 11 seasons with the Rays were his most with any major A RARITY OF SORTS—2B Brad Miller’s home run last night marked league club, and his No. 66 (for his 66 years in baseball) is one of only three the seventh time since Baseball Reference data is available (1912) that a numbers retired by the Rays. team’s only hit was a home run by the No. -
How the History of Hip Hop Dance Has Led to a Struggle for Integration Into Collegiate Dance Programs
How the History of Hip Hop Dance Has Led to a Struggle for Integration into Collegiate Dance Programs By Alexandra Rosen Center for Dance, Music and Theater Goucher College Baltimore, MD Abstract This essay, How the History of Hip Hop Dance has Led to a Struggle for Integration into Collegiate Dance Programs, was written by Alexandra Rosen. Rosen is a senior (2020) at Goucher College in Baltimore, Maryland where she has conducted this research through the Center for Dance, Music and Theater. According to the Merriam Webster dictionary the term hip hop is defined as, “a cultural movement associated with especially rap music.” Nonetheless, the term has always included 4 elements; breakdancing, rapping, Djing/MCing and graffiti writing. All of these individual art forms can be referred to as hip hop and each has its own rich history worth exploring (this research will solely focus on hip hop dance). Additionally, it is important to note that hip hop goes beyond art forms. It is a culture. With hip hop being known as a street born culture it has sometimes been difficult to gain the respect of academia. However, it is clear to those who have learned and lived hip hop that the genre is built on the preservation of history and political resistance. Hip hop dance has evolved over time and has become a big part of American culture within the last decade (Hazzard-Donald). Many students are becoming interested in the dance form and have embodied the movement into their social culture. However, it is important for those doing the movement to understand the history behind it. -
What Is Contemporary Dance in Africa?
What is Contemporary Dance in Africa? Today’s African choreographers may change what you think you know about dance coming from the Continent by Darlisa Wajid-Ali When we think about African dance, what do we think? What kinds of sights, sounds, and associations does the phrase “African dance” conjure? Where do these ideas come from? The dance documentary Movement (R)evolution Africa (directed by Joan Frosch, 2007) seeks to redefine existing definitions of African artistry, dismantle colonial stereotypes, and reveal the presence of current contemporary artists creating work in Africa. This film can expand Western audiences’ knowledge about contemporary African artists and their respective creative processes. African dance as a relevant form, not frozen in time This documentary challenges the notion that African dance exists solely as a traditional form. “Traditional,” in this sense, refers to dances that are centuries old and continue to be taught and performed around the world. In West Africa, popular dances include Lamban, Sunu, Marjaani, and Adzogbo, to name just a few. In this film, prominent artists from different countries in Africa convincingly argue that their movement should be defined as contemporary dance. This title is justified because they are creating new work that speaks to their current environment. This film reveals how artists in Africa are engaging in new forms of expression. Many African dance classes in America are focused on the traditional steps, and I believe this creates an incomplete view that African dance stopped evolving after the 17th century. Many dancers might recognize and acknowledge the presence of African dance in forms like jazz and hip hop.