© in This Web Service Cambridge University Press

Total Page:16

File Type:pdf, Size:1020Kb

© in This Web Service Cambridge University Press Cambridge University Press 978-1-107-01538-8 - Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner David Conway Index More information Index Abel, Carl Friedrich, 66 Douze études dans tous les tons mineurs, Abrahams, Esther, 79 op. 39 Abrahams, John, 78, 80 Concerto, nos. 8–10, 226, 230 Abrams (surname), 78 Symphonie, nos. 4–7, 230 Abrams family, 28, 78–81 Grand duo concertant, op. 21, 228 Abrams, Charles, 78, 80 Grande sonate, op. 33, 228 Abrams, David. See Bramah, David Impromptus, op. 32, no. 2, 228 Abrams, Eliza, 78, 80 L’omnibus op. 2, 225 Abrams, Flora, 78, 80 Le chemin de fer op. 27, 225 Abrams, Harriett, 78, 79–81 Les cloches, op. 64 no. 4, 226 Abrams, Jane, 78, 80 Marche funèbre, op. 26, 228, 229 Abrams, ‘Miss G.’, 78, 80 Marche triomphale, op. 27, 228, 229 Abrams, Theodosia, 78, 80 Marcia funèbre, sulla morte d’un Abrams, William, 78, 80 Pappagallo, 227 Académie des Beaux-Arts, 221 Piano Trio, op. 30, 228 Aix-la-Chapelle, 241 Prélude, op. 66, no. 7, 234 Albert, Prince Consort, 106, 114 25 Préludes, op. 31, 228, 236 Albrechtsberger, Johann Georg, 127 Six morceaux charactéristiques op. 8, 226 Alkan, Céleste, see Marix, Céleste (Alkan) Sonate de concert, op. 47, 237 Alkan, Charles-Valentin, 1, 205–7, 219–38, Super flumina Babylonis, op. 52, 231 258, 266 Symphony (orchestral) (lost), 236 and Chopin, 229–30 transcription of Beethoven, Symphony, Conservatoire auditions, 223 226 career transcription of overture to early, 225–6 Le prophète, 229 peak, 228–9 Trois anciennes mélodies de la synagogue, crisis, 229 234 later life, 230 Trois andantes romantiques op. 13, 226 birth of Delaborde, 227 Trois morceaux dans la genre pathétique, described by Marmontel, 231 op. 15, 226 Jewishness in life and music, 237 Variations on a theme of Steibelt, op. 1, 225 keeps kosher?, 234 Alkan, Ernest, 207 legend of death, 230 Alkan, Gustave, 207, 222 lost works, 228 Alkan, Maxime, 207 mental health, 227 Alkan, Napoléon, 207, 222, 223, 229 musical style, 226–7 Alsace, 38 and the Paris Consistory, 234 Altona, 26 translates Bible, 231, 237 America, 90, 240 will, 237 Amsterdam, 56 Works German Synagogue, 21, 61 Chants, 228 theatres Douze études dans tous les tons majeurs, Amsterdamse Schouwburg, 62, 63 op. 35, 228 Hoogduitsche Schouwburg, 62 323 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01538-8 - Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner David Conway Index More information 324 Index anti-Semitism, 9, 10, see also Jew-hatred support progressive reform of Judaism, Arendt, Hannah, 46 152–4 Arne, Thomas, 76, 82 Beer, Amalia (Wulff), 26, 149, 152, 165 Arnim, Achim von, 48, 154 Beer, Heinrich, 44–5, 152, 162, 180 Arnstein family, 125, 128, 129, 145 Beer, Jakob. See Meyerbeer, Giacomo Arnstein, Fanny (Itzig) von, 122, 124, Beer, Judah Herz, 40, 149, 152–4, 156, 158, 251 128, 151 supports synagogue reform, 153 Arnstein, Nathan Adam von, 122, 123 Beer, Michael, 45, 152, 160, 168, 213, 244, Artaria, 44, 121, 129 247, 251 Ascher, Saul, 46 on social status of German Jews, 167 Astley, Philip, 73, see also London: theatres, on Unser Verkehr, 155 Astley’s Works Auber, Daniel, 229 Der Paria, 167, 248 Gustave III, 216 Struensee, 167 La muette de Portici, 216 Beer, Rebecka (Meyer), 152, 180 Auerbach, Berthold, 167, 198 Beer, Wilhelm, 152, 154, 165, 247, 251 Austria, 5, 120–36, 139–42 Beethoven, Johann van, 133 ‘Jews’ Decree’ (1764), 121 Beethoven, Karl van, 187 Tolerance Edict (1784), 121 Beethoven, Ludwig van, 13, 47, 93, 107–8, 112, 120, 124–5, 127, 129, 171, 191, Bach family 205–6, 214, 225, 228 and Itzig family, 146 appreciates A. B. Marx, 189 as a Berlin musical dynasty, 145–6 aristocratic patrons, 125, 126, 142 Bach, Carl Philipp Emanuel, 145, 146, 149 and patrons of Vienna’s ‘second society’, Bach, Johann Christian, 66 125–6 Bach, Johann Sebastian, 26, 33, 34, 44, 108, piano sonatas performed by 145, 171, 228, 229 Moscheles, 108 Works as referent in musical canon, 50–1 St John Passion, 33 relations with Jews in Vienna, 131–3 St Matthew Passion, 33 relics collected by Jews, 44–5 publication of, 190 researches Jewish music, 133 revived by Mendelssohn, 176 and the Schlesingers, 186–7 Well-Tempered Clavier, 19 Works Bach, Wilhelm Friedemann, 26, 145, 146 Battle Symphony, op. 91, Baden, 122 Fidelio (piano score), 105 Baer, Rabbi Israel, 61 Missa Solemnis, 186 Baker, John, 77, 82 Piano Concerto no. 4, op. 58, 113, 244 Balakirev, Mily, 100 Piano Sonata no. 8, (Pathétique), op. 13, 244 Balassagyarmat, 137 Piano Sonata no. 32, op. 111, 186, 187 Balfe, Michael, 118 Piano Trios, op. 1, 125 bar mitzvah, 28 Scottish Songs, 188 Barnett, Charles Zachary, 102 String Quartet no. 16, op. 135, 187 Barnett, John, 102–3, 116 Symphony no. 7, op. 92 (manuscript), 44 The Mountain Sylph, 102 Symphony no.9, op. 125, 108, 131 Bartholdy, Jakob (Salomon), 48, 150, 151, 180 Violin Concerto, op. 61, 195 on change of Mendelssohn name, 152 Beggar’s Opera, The, 69 on Felix Mendelssohn’s career, 172–3 Beghin, Tom, 131 Baruch, Juda Loew, see Börne, Ludwig Behr, Israel Falkensohn, 15–16 Basevi family, 72 Bellini, Vincenzo, 164 Bass, Lipman, 22 ben Israel, Rabbi Menasseh, 64 Bath, 66, 82, 83–4, 105 ben Nathan, Michael, 21 Beer family, 43, 68, 102 Benda, František (Franz), 23–4 charity, 166 Benedict, Julius, 6, 105, 109, 110 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01538-8 - Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner David Conway Index More information Index 325 Berger, Ludwig, 171 at Bath, 83–4 Berlijn, Anton (Aron Wolf), 63 and Family Quarrels, 85–8 Berlin, 49, 112, 140, 178 and Hebrew Melodies, 89, 95 Dreifaltigkeit Cemetery, 180 Jewish identity, 84, 85–6 Jewish elite, 145 accent, 90 Jewish Free School, 148 supports Jewish charity, 87 Jewish salons, 46, 48, 149–60 withdraws from, 90 Musikschule, 191 and Leoni, 76, 78, 82 restrictions on Jewish residence, 146 as meshorrer, 82 synagogues musical otherness, 35–6 Beer private synagogue, 154, 156 origins, 78, 82 Itzig bet midrash, 145 reputation, 89, 90 Old Synagogue, 158 as theatre manager, 115 Reform, 158 Works theatres The Americans, 82 French Theatre, 149 The Death of Nelson, 82 National Theatre, 162 Kais, 88 University, 190 Braham, Spencer, 83 Berliner allgemeine musikalische Zeitung, Brahms, Johannes, 24, 53 188–9 on his supposed Jewish ancestry, 6 Berlioz, Hector, 107, 205–6, 209, 216, 229, 238, Bramah, David, 78, 79, 81 243, 245, 264 Brandon, Isaac, 88 Damnation of Faust, 172 Brandus (publishing house), 225, 228 on Meyerbeer, 252–3, 255 Brandus, Louis, 239 Bernhard, Isaac, 147 Brendel, Franz, 195, 263 Bienenfeld, Johann Adam, 123 Brentano, Antonia, 132 Bigot, Marie, 171 Brentano, Clemens, 154 Bildung, 42, 46, 124, 170 Breslau, 61 and synagogue music reform, 136 Bridgetower, George, 125 in Mendelssohn household, 170 Bristol, 105 Birmingham, 66, 113 Brno, 194 Bizet, Georges, 221 Browning, Robert, 97 Bland, Charles, 73 Bruch, Max, 19, 236 Bland, Mrs., 72–3, 85 Kol Nidrei, 193 Bochsa, Nicholas, 101 Brussels, 56, 224, 241 Bohemia, 130 Brydges, James, 1st Lord Chandos, 67 Jewish bands in, 25 Bull, Ole, 107 Jews expelled from, 121 Burleigh, Michael, 10 Bohlman, Philip, 25 Burney, Charles, 34, 64, 68, 97 Böhm, Josef, 194 on Cervetto the elder, 71 Bolaffi, Michele, 246 on Cervetto the younger, 72 Bologna, 56 Robin Hood, 88 Bonn, 125 visits Amsterdam synagogue, 21 Börne, Ludwig, 8, 31, 140, 146, 263 Burnim, Kalman, 68 Börnstein, Heinrich, 166 Byron, Lord, 90, 92 Boulogne, 199 and Nathan, 93–7 Braham (surname), 78 Hebrew Melodies, 93–6, 111 Braham, Charles, 90 settings, 100 Braham, Constance, 90 philo-Semitism, 93, 95–6 Braham, Frances, 90 Braham, John, 35–7, 73–5, 82–91, 92, 105, 113, Cabanel family, 68 134, 257 Caceres, Abraham, 58 Abrams family, 81 Cahen, Ernest, 210 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01538-8 - Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner David Conway Index More information 326 Index Calzabigi, Ranieri de’, 52 structure and function, 208 Cambridge, Prince Adolphus, 1st Duke of, 106 Westphalia, 155 Canterbury, 91 Corri, Domenico, 92 Carlsbad, 129 Costa, Michael, 118 Carlyle, Thomas Crabb Robinson, Henry, 87, 89, 90 on Moses Mendelssohn, 111 Cramer, Johann Baptist, 107, 114 Casti, Giovanni, 124 Crémieux, Isaac Adolphe, 209, 219, 254 Castillo, Jacob, 58 Crosten, William, 250 Catalani, Angelica, 246, 247 Cervetto, Giaccobe (Jacob), 71–2 d’Almeida, Joseph, 74 Cervetto, James, 71, 72 d’Eichtal family, 181, 208, 242 Chandos, Lord. See Brydges, James, 1st Lord d’Eichtal, Gustave, 6, 23–4 Chandos d’Indy, Vincent, 230 Charles V, King of Spain, 55 D’Israeli, Isaac, 111 Charles X, King of France, 242, 243 d’Ortigue, Joseph, 228, 229 Charlotte, Princess Royal, 95, 97 da Modena, Leone, 17 Chatam Sofer, see Schreiber, Rabbi Moses da Pinto, Isaac, 60 chazan, 18, 20, see also synagogue music Da Ponte, Lorenzo, 52–3, 92 Cherubini, Luigi, 107, 206, 210, 212, 213, 229, Jewish background, 52 238, 242, 245, 259 as Mozart’s librettist, 52–3 choir, 19, 20 in Vienna, 124 in synagogue, 19, 20, 103 da Symons, Lyon, 65 at Seesen, 155 Dacosta, 210 Chopin, Frederic, 107, 109, 208, 222, 225, Daguerre, Louis, 205 227–9, 231, 238, 240, 243–4, 266 Dannreuther, Edward, 194 and Alkan, 229–30 Danzig, 211 on Meyerbeer, 253 Daquin, Louis, 204 and Rothschild family, 241 Darmstadt, 162 Chorley, Henry, 27, 109 David, Félicien, 107 Christlich-Deutsche
Recommended publications
  • Layout 1 (Page
    www.newhampshirelakesandmountains.com Publishing news & views of Lancaster, Groveton, Whitefield, Lunenburg & other towns of the upper Connecticut River valley of New Hampshire & Vermont [email protected] VOL. CXLIV, NO. 11 WEDNESDAY, MARCH 16, 2011 LANCASTER, NEW HAMPSHIRE TELEPHONE: 603-788-4939 TWENTY EIGHT PAGES 75¢ $200,000 cut from Stark School budget SAU, school board plan next move By Jonathan Benton people that showed an interest [email protected] were at the meeting, it was a well organized group of people in a mi- STARK — In the aftermath of a nority and it surprised everybody $222,000 school budget cut last in the room.” Tuesday approved by only a hand- According to Shallow at this ful of residents the people of Stark time option one seems the least now face some tough choices. viable. “As a result of the budget “I’d like to say this is Democ- that was passed the total dollar racy in action and what you do figure is not enough to tuition the when this happens is take what students to at least Groveton un- you have and move on,” said der the current rate formula,” he Georgina Caron who proposed to said. “I’ve gone through the budg- amend the school budget, “and I et to tuition and to close the ex- think we can still give kids good isting building paying for nothing education.” but insurance and we’re still about PHOTO BY EDITH TUCKER Three options now lie before $50,000 short.” Northern Pass attorney Donald Pfundstein of Gallagher, Callahan & Gartrell, formerly legal counsel to the state Senate, spoke at a microphone in the people of Stark to be present- The second option keeps the Representatives Hall in opposition to HB 648 on Wednesday while surrounded by orange-vest-wearing proponents.
    [Show full text]
  • Barings Global Opportunities Umbrella Fund (An Umbrella Fund Constituted As an Open-Ended Unit Trust Established Pursuant to the Unit Trusts Act, 1990)
    Barings Global Opportunities Umbrella Fund (an umbrella fund constituted as an open-ended unit trust established pursuant to the Unit Trusts Act, 1990) Interim Report & Unaudited Financial Statements For the financial period ended 31 October 2020 Barings Global Opportunities Umbrella Fund Interim Report and Unaudited Financial Statements Contents For the financial period ended 31 October 2020 Directors and Other Information 1 Introduction 2 Investment Objective and Policy 3 Investment Managers’ Report 4 Statement of Financial Position 6 Statement of Comprehensive Income 8 Statement of Changes in Net Assets Attributable to Holders of Redeemable Participating Units 10 Notes to the financial statements 12 Schedule of Investments Barings Asia Balanced Fund 25 General information 35 Appendix 1 – Additional information Hong Kong Code 36 Appendix 2 – Significant Changes in Portfolio Composition 39 Appendix 3 – AIFMD Related Periodic Investor Reporting 41 Appendix 4 – Risk Management Systems and Risk Profile Summary 42 Barings Global Opportunities Umbrella Fund Directors and Other Information Directors of the AIFM Administrator and Registrar Alan Behen (Irish) Northern Trust International Fund Administration Services Peter Clark (British)** (Ireland) Limited James Cleary† (Irish) Georges Court David Conway† (Irish) 54-62 Townsend Street Barbara Healy† (Irish) Dublin 2 Timothy Schulze (United States)* D02 R156 Paul Smyth (Irish) Ireland Julian Swayne (British) * Timothy Schulze resigned as Director of the AIFM with effect from Company Secretary
    [Show full text]
  • Music and Some Highly Musical People
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com The Basic Afro-American Reprint Library - THE UNIVERSITY OF CHICAGO LIBRARY /5, 20 M U S I C AND SOME HIGHLY MUSICAL PEOPLE: CONTAINING BRIEF CHAPTERS ON I. A DESCRIPTION OF MUSIC. II. THE MUSIC OF NATURE. III. A GLANCE AT THE HISTORY OF MUSIC. IV. THE POWER, BEAUTY, AND USES OF MUSIC. FollowING WHICH ARE GIVEN SEETCHES OF THE LIVES OF REMARKABLE MUSICIANS OF THE COLORED RACE, {#ith 49ertraitz, AND AN APPENDIX CONTAINING COPIES OF MUSIC COMPOSED BY COLORED MEN. BY JAMES M. TROTTER. “A man should hear a little music, read a little £: and see a fine picture, every day of his life, in order that worldly cares may not obliterate the sense of the beautiful which God has implanted in the human soul.” – GoETHE. **Tis thine to merit, mine to record.”- HomER. FIFTH THOUSAND. BOSTON : LEE AND SHE PAR D, PUBLISHERS. NEW YORK: C H.A.R. L. E S T. DILLING EIA.M. 1881. JOHNSON REPRINT CORPORATION JOHNSON REPRINT COMPANY LTD. 111 Fifth Avenue, New York, N.Y. 10003 Berkeley Square House, London, W. 1 THE BASIC AFRO-AMERICAN REPRINT LIBRARY Books on the history, culture, and social environment of Afro-Americans Selected by Clarence L. Holte CoPYRIGHT, 1878, BY JAMES M. TROTTER. First reprinting, 1968, Johnson Reprint Corporation Printed in the United States of America *: *''' UNIVERSITY OF CH1 AGO LIBRARY PREFA CE.
    [Show full text]
  • LOS ANGELES CAPITAL GLOBAL FUNDS PLC Interim Report and Unaudited Condensed Financial Statements for the Financial Half Year End 31St December, 2020
    LOS ANGELES CAPITAL GLOBAL FUNDS PLC Interim Report and Unaudited Condensed Financial Statements For the financial half year end 31st December, 2020 Company Registration No. 499159 LOS ANGELES CAPITAL GLOBAL FUNDS PLC Table of Contents Page Management and Administration 1 General Information 2 Investment Manager’s Report 3-4 Condensed Statement of Financial Position 5-6 Condensed Statement of Comprehensive Income 7-8 Condensed Statement of Changes in Net Assets Attributable to Holders of Redeemable Participating Shares 9-10 Condensed Statement of Cash Flows 11-12 Notes to the Condensed Financial Statements 13-21 Los Angeles Capital Global Funds PLC - Los Angeles Capital Global Fund Schedule of Investments 22-31 Statement of Changes in the Portfolio 32-33 Appendix I 34 LOS ANGELES CAPITAL GLOBAL FUNDS PLC Management and Administration DIRECTORS REGISTERED OFFICE Ms. Edwina Acheson (British) 30 Herbert Street Mr. Daniel Allen (American) Dublin 2 Mr. David Conway (Irish)* D02 W329 Mr. Desmond Quigley (Irish)* Ireland Mr. Thomas Stevens (American) * Independent COMPANY SECRETARY LEGAL ADVISERS Simmons & Simmons Corporate Services Limited Simmons & Simmons Waterways House Waterways House Grand Canal Quay Grand Canal Quay Dublin Dublin D02 NF40 D02 NF40 Ireland Ireland INVESTMENT MANAGER CHARTERED ACCOUNTANTS AND Los Angeles Capital Management and Equity STATUTORY AUDIT FIRM Research Inc.* Grant Thornton 11150 Santa Monica Boulevard 13-18 City Quay Suite 200 Dublin 2 Los Angeles D02 ED70 California 90025 Ireland USA * since 1st January, 2021 name has changed to Los Angeles Capital Management LLC MANAGEMENT COMPANY DEPOSITARY DMS Investment Management Services (Europe) Limited* Brown Brothers Harriman Trustee 76 Lower Baggot Street Services (Ireland) Limited Dublin 2 30 Herbert Street D02 EK81 Dublin 2 Ireland D02 W329 Ireland * since 29th July, 2020 ADMINISTRATOR, REGISTRAR AND DISTRIBUTOR TRANSFER AGENT LACM Global, Ltd.
    [Show full text]
  • I Puritani a Londra: Rassegna Stampa (Maggio - Ottobre 1835) Alice Bellini - Daniela Macchione*
    i, 2015 issn 2283-8716 I Puritani a Londra: rassegna stampa (maggio - ottobre 1835) Alice Bellini - Daniela Macchione* Si pubblica qui di seguito una raccolta di recensioni relative alla prima stagione dei Puritani1 di Vincenzo Bellini al King’s Theatre di Londra (21 maggio-15 agosto 1835). Le fonti utilizzate comprendono un’ampia varietà di periodici, senza tuttavia alcuna pretesa di completezza. I due omaggi alla memoria di Bellini aggiunti alla fine della rassegna, espressione di due differenti correnti critiche, sono stati scelti tra i vari articoli pubblicati a Londra alla notizia della morte del compositore; essi riassumono i primi sei anni di presenza belliniana sulle scene inglesi e illustrano la controversa recezione critica dell’opera italiana a Londra. I documenti sono presentati in ordine alfabetico per testata e cronologico per data di pubblicazione. L’ordine cronologico qui adottato ha il vantaggio di mettere in evidenza la particolarità delle somiglianze tra articoli pubblicati in diverse testate, dovute plausibilmente soprattutto all’autoimprestito, una pratica comune nella pubblicistica musicale londinese del tempo, così spiegata da Leanne Langley: Music journalists were obliged to be neither thorough nor objective; literary recycling and self-borrowing (often without acknowledgment) were common practices; most London music journalists, then as now, were freelancers working for more than one periodical, often anonymously and perhaps shading the tone and content of their writing to suit a given journal’s market profile;
    [Show full text]
  • Download (1MB)
    BYRON'S LETTERS AND JOURNALS Byron's Letters and Journals A New Selection From Leslie A. Marchand's twelve-volume edition Edited by RICHARD LANSDOWN OXFORD UNIVERSITY PRESS OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford, ox2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © In the selection, introduction, and editorial matter Richard Lansdown 2015 © In the Byron copyright material John Murray 1973-1982 The moral rights of the author have be en asserted First Edition published in 2015 Impression: 1 All rights reserved. No part of this publicationmay be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writi ng of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this work in any other form and you must impose this same condition on any acquirer Published in the United States of America by Oxford University Press i98 Madison Avenue, New York, NY 10016, United States of America British Library Cataloguing in Publication Data Data available Library of Congress Control Number: 2014949666 ISBN 978-0-19-872255-7 Printed in Great Britain by Clays Ltd, St Ives pk in memory of Dan Jacobson 1929-2014 'no one has Been & Done like you' ACKNOWLEDGEMENTS Two generations of Byron scholars, biographers, students, and readers have acknowledged the debt they owe to Professor Leslie A.
    [Show full text]
  • 4Topofciass 8| Ex-Virgin Classics Man to Fill Philips Îlyearwego 23
    4Topofciass 8| îlYearwego 23 Snaptoit 24 On song Ex-Virgin Classics Whitney, Houston Monitor focuses l | man to fill Philips , issingles 1992 sartist top repackagedonn dance giants'ffiants' LP A "r iiusicweek For Everyone in the Business of Music 23 JANUARY 1993 £2.65 PolyGram plans newstand-alone Russell promoted as budget division low-pricePolyGram ismusic to co-ordinate and video its divisionreleases underto be alaunched single new in Canadian gets Sony expectedThe création to be ofcalled the company, 4 Front Sony Music chairman Paul 1 to be co-opted Burger, Video,Entertainment follows theAudio imminent and Russellprésident has ofbeen Sony's promoted entire to theRussell council says,in his 'The place. lir s of thisLondon Wednesday, to ... si tionexpiry deal of PolyGram's %vith Pickwick distribu- in calEuropean shake-up opération of the company. in a radi- betweencommunication Europe are and very the longUS. challenge, but I look forward March.Pickwick, which has recent- putsThe Sony company in a unique says the position move Thisrecognises solidifies the commercialthe région and creativeBurger market." joined CBS Records deally concluded with aWarner pan-European Music throughoutto co-ordinate Europe. and sell productIt also Europe."économie realities of the new in Israël in 1977, before mov- Europe,major's UK has budget handled releases ail thefor i^hat^U^ lSSfthe fbr CBS Records Interr SSoSIaSS 1 Sony Music Woollcott will now concen- With Canada havi UK is Pm^Bur^r,6,..,s^ current- International1 président | Mel trate on his job as deputy fered an even worse r Ca a (P 8dU Burger, in common with the HriT^fevinn^wfd^n the UK toTforIhTtwriabeb."Russell says he expects the^ Buth^sLtTom-ing in with a hatche ' j1 "^R^Ts^^nderstooT ' " that MPAtounveil Emro atMidem Virgin buy-out The MPA is todaunch fil SHSS lifts EMI sales cil ,ïï m £ S) reveMs thâ^the ^ EileHSES6 ny in^L^lasrquàrte? orSp, '531111 « Eurorpe°l^raCh-ea1ySbneggÙn a» © —21 is5%.
    [Show full text]
  • The Mountain Sylph: a Forgotten Exemplar of English Romantic Opera
    The Mountain Sylph: A Forgotten Exemplar of English Romantic Opera Rodney Stenning Edgecombe The Opera Quarterly, Volume 18, Number 1, Winter 2002, pp. 26-39 (Article) Published by Oxford University Press For additional information about this article https://muse.jhu.edu/article/25463 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] The Mountain Sylph: A Forgotten Exemplar of English Romantic Opera rodney stenning edgecombe hree years after his second cousin, Giacomo Meyerbeer, brought Robert le Tdiable to the stage in 1831 (at the same time launching the career of the bal- lerina Marie Taglioni through its spectral ballet), the English composer John Barnett mounted his opera The Mountain Sylph at the Lyceum Theatre in Lon- don. The libretto, by one T. J. Thackeray, was even more closely connected with Taglioni than Barnett was with Meyerbeer, because it versified the plot of La sylphide (1832), the scenario of which tenor Adolphe Nourrit, the first Robert, had devised especially for his balletic costar. Although in his New Grove article on Barnett, Nicholas Temperley remarks that Thackeray’s libretto derived “from German folklore,” this is only partly true.1 Nourrit had loosely based La sylphide on a story by Charles Nodier, Trilby, ou Le lutin d’Argail (a Franco-Celtic enter- prise, therefore), swapping the genders of the protagonists (a goblin and a fisherman’s wife in Nodier; a sprite and a farmer in the ballet). More impor- tant, Nourrit reconceived the supernatural figure in terms derived from the Swiss physician Paracelsus and drew on the latter’s secondary mythology of the sylph (which probably portmanteaus “nymph” with “sylvestris”) instead of the primary figures of fairies or nymphs.
    [Show full text]
  • Towards a Reflexive Paradigm for the Study of Musics in Australian Colonial Societies (1788–1900)*
    2020 © David R.M. Irving and Alan Maddox, Context 46 (2020): 51–73. Towards a Reflexive Paradigm for the Study of Musics in Australian Colonial Societies (1788–1900)* David R.M. Irving and Alan Maddox Let no one say the past is dead. The past is all about us and within. — Oodgeroo Noonuccal1 When contemplating the musical activity of past cultures across vast geographical spaces and from before the era of sound recording, music researchers are confronted with multiple challenges. They must take into account the memories stored in oral histories and textual sources, recognise the plurality of cultural influences and performance practices in complex networks of personal interaction, and grapple with the representational limitations of staff notation and struggle to interpret iconography before and after the age of photography. They must understand how sounds and emotions are linked to places and spaces, and explain how they move and migrate. * We pay our respects to Elders past, present, and future of all Aboriginal and Torres Strait Islander peoples mentioned in this article and the traditional custodians of the land on which the research for the article was primarily undertaken, the Gadigal people of the Eora nation. Thanks go to the University of Sydney for supporting this research through an International Research Collaboration Award (no. 63714). We are also grateful to the anonymous readers of the manuscript for their input and feedback, and especially to Graeme Skinner for generously sharing his advice and expertise. 1 Oodgeroo Noonuccal (Kath Walker), ‘The Past,’ originally published in The Dawn is at Hand: Poems (Brisbane: Jacaranda Press, 1966).
    [Show full text]
  • Aldeburgh CONNECTION
    THE Aldeburgh CONNECTION Walter Hall, Sunday, February 1, 2009, 2:30 pm The Wings of Song We wish to thank the following: Michiel Horn for sponsoring Gillian Keith Sasha Olsson and Tony Fyles for sponsoring Elizabeth Turnbull James and Connie MacDougall for sponsoring Lawrence Wiliford * We also thank Jane Blackstone and Eleanor J. Burton for sponsoring the intermission tea and James and Connie MacDougall for providing the floral arrangement on the stage * We are performing on the Edith McConica Steinway The Wings of Song The songs of Felix Mendelssohn (1809-47) Gillian Keith, soprano Elizabeth Turnbull, mezzo Lawrence Wiliford, tenor Stephen Ralls and Bruce Ubukata, piano Once again, a significant anniversary gives an opportunity to re-examine the work of a composer whom we think we know well. Felix Mendelssohn, whose 200th birthday falls on February 3, was the eldest of three composers who have always been grouped together as sadly shortlived Romantics: the two other bi- centenaries will occur next year. Schumann was a great admirer of Mendelssohn, hailing him “the Mozart of the nineteenth century”. Chopin and Mendelssohn met less frequently, but there was a close bond between the German and the Pole, whom he called his “Sciopino.” Reputation is a fickle, unpredictable thing. The two who were born in 1810 were modestly successful in their lifetimes, but have never ceased to be hailed as great masters ever since. Mendelssohn, on the other hand, had the misfor- tune of achieving the highest possible place in the contemporary Pantheon well before his untimely death. All kinds of forces, from Nazi anti-Semitism to the Bloomsbury Group’s anti-Victorian stance, contrived to bring his name to a low ebb in general regard by the mid-twentieth century.
    [Show full text]
  • Fantasy, Forgery, and the Byron Legend
    University of Kentucky UKnowledge Literature in English, British Isles English Language and Literature 1995 Fantasy, Forgery, and the Byron Legend James Soderholm University of Wisconsin, Milwaukee Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Soderholm, James, "Fantasy, Forgery, and the Byron Legend" (1995). Literature in English, British Isles. 86. https://uknowledge.uky.edu/upk_english_language_and_literature_british_isles/86 Fantasy, Forgery, and the Byron Legend Fantasy, Forgery, and the Byron Legend JAMES SODERHOLM THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1996 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 frontispiece: Lord Byron, Thomas Phillips. Newstead Abbey, Nottingham City Museums. Library of Congress Cataloging-in-Publication Data Soderholm, James, 1957- Fantasy, forgery, and the Byron legend / James Soderholm. p. cm. Includes bibliographical references and index. ISBN 0-8131-1939-1 (cloth : alk. paper) 1. Byron, George Gordon Byron, Baron, 1788-1824—Authorship. 2.
    [Show full text]
  • Director of Thesis Date Bfi a R E 9 7 9
    Byron's religious views with special reference to the Hebrew melodies Item Type text; Thesis-Reproduction (electronic) Authors Taylor, Wayne Windsor, 1913- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 23:56:47 Link to Item http://hdl.handle.net/10150/553618 Byron's Religious Views with Special Reference to the Hebrew elodiea ty Tayne W« Taylor A Thesis submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 1942 Approved: lcM 2_ Director of Thesis Date Bfi A R E 9 7 9 / 3*! Z- To Dr* Melvin T* Solve whose original suggestion and subsequent advice made this study possible TABLE OF CONTENTS Chapter Pager- I. IntrodMtlon • . ......... ... 1 II. The . » . • 4 III. The Sources . • . * . * . 9 IV. The Hebrew Element . * . • • . • .... • * ... 54 V. The Christian Element • • • .... ... * 44 VI. The Calvinistic Element • . > . 50 VII. Cenelusion . * * . * * . • . 61 Bibliography . .... » , ... ... * , ' _ 66 \ 1 Chapter I Introduction The Hebrew Melodieo form part of the key which opens the door to Byron’s religious,beliefs. Most of these songs were Inspired by Byron’s reading and deep appreciation of the Bible. The purpose here is to point out what sections of the Bible were used as subject material for the Melodies and to indicate the great influence of Biblical teachings on Byron’s life and religious opinions.
    [Show full text]