Jefferson Journal of Science and Culture
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John Stamos Helps Inspire Youngsters on WE
August 10 - 16, 2018 2 x 2" ad 2 x 2" ad John Stamos H K M F E D A J O M I Z A G U 2 x 3" ad W I X I D I M A G G I O I R M helps inspire A N B W S F O I L A R B X O M Y G L E H A D R A N X I L E P 2 x 3.5" ad C Z O S X S D A C D O R K N O youngsters I O C T U T B V K R M E A I V J G V Q A J A X E E Y D E N A B A L U C I L Z J N N A C G X on WE Day R L C D D B L A B A T E L F O U M S O R C S C L E B U C R K P G O Z B E J M D F A K R F A F A X O N S A G G B X N L E M L J Z U Q E O P R I N C E S S John Stamos is O M A F R A K N S D R Z N E O A N R D S O R C E R I O V A H the host of the “Disenchantment” on Netflix yearly WE Day Bargain Box (Words in parentheses not in puzzle) Bean (Abbi) Jacobson Princess special, which Classified Merchandise Specials Solution on page 13 Luci (Eric) Andre Dreamland ABC presents Merchandise High-End 2 x 3" ad Elfo (Nat) Faxon Misadventures King Zog (John) DiMaggio Oddballs 1 x 4" ad Friday. -
The Supernatural World of the Kawaiisu by Maurice Zigmond1
The Supernatural World of the Kawaiisu by Maurice Zigmond1 The most obvious characteristic at the supernatural world of the Kawaiisu is its complexity, which stands in striking contrast to the “simplicity” of the mundane world. Situated on and around the southern end of the Sierra Nevada mountains in south - - central California, the tribe is marginal to both the Great Basin and California culture areas and would probably have been susceptible to the opprobrious nineteenth century term, ‘Diggers’ Yet, if its material culture could be described as “primitive,” ideas about the realm of the unseen were intricate and, in a sense, sophisticated. For the Kawaiisu the invisible domain is tilled with identifiable beings and anonymous non-beings, with people who are half spirits, with mythical giant creatures and great sky images, with “men” and “animals” who are localized in association with natural formations, with dreams, visions, omens, and signs. There is a land of the dead known to have been visited by a few living individuals, and a netherworld which is apparently the abode of the spirits of animals - - at least of some animals animals - - and visited by a man seeking a cure. Depending upon one’s definition, there are apparently four types of shamanism - - and a questionable fifth. In recording this maze of supernatural phenomena over a period of years, one ought not be surprised to find the data both inconsistent and contradictory. By their very nature happenings governed by extraterrestrial fortes cannot be portrayed in clear and precise terms. To those involved, however, the situation presents no problem. Since anything may occur in the unseen world which surrounds us, an attempt at logical explanation is irrelevant. -
ABSTRACT the Women of Supernatural: More Than
ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables -
Oh No, Ross and Carrie! Theme Song” by Brian Keith Dalton
00:00:00 Music Music “Oh No, Ross and Carrie! Theme Song” by Brian Keith Dalton. A jaunty, upbeat instrumental. 00:00:08 Ross Host Hello, and welcome to Oh No, Ross and Carrie!, the show where we Blocher don’t just report on fringe science, spirituality, and claims of the paranormal, no, we take part ourselves. 00:00:17 Carrie Host Yup, when they make the claims, we show up so you don’t have to. Poppy I’m Carrie Poppy. 00:00:20 Ross Host And I’m Ross Blocher, and we are joined with two exciting guests today. We have Susan Gerbic— 00:00:25 Susan Guest Yay! Gerbic 00:00:26 Ross Host —and Mark Edward. 00:00:27 Mark Guest Hey. Edward 00:00:28 Ross Host Welcome, and welcome back, Mark. 00:00:29 Mark Guest Thank you. It’s been awhile. 00:00:30 Ross Host I had to look this up. Our thirteenth episode was an interview with you. 00:00:34 Susan Guest Carrie said this house was weird— 00:00:35 Mark Guest Blissfully creepy, which I really liked. [Carrie laughs.] 00:00:38 Susan Guest He’s bringing it to my house in Salinas now. My house is becoming blissfully creepy, it’s great. 00:00:43 Ross Host Wonderful. 00:00:44 Carrie Host So you’re moving in. You’re shacking up. 00:00:46 Mark Guest Yeah, we’re shacking up. 00:00:47 Susan Guest It’s only been ten years. 00:00:48 Mark Guest After ten years, you know. -
LEASK-DISSERTATION-2020.Pdf (1.565Mb)
WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A. -
Theology of Supernatural
religions Article Theology of Supernatural Pavel Nosachev School of Philosophy and Cultural Studies, HSE University, 101000 Moscow, Russia; [email protected] Received: 15 October 2020; Accepted: 1 December 2020; Published: 4 December 2020 Abstract: The main research issues of the article are the determination of the genesis of theology created in Supernatural and the understanding of ways in which this show transforms a traditional Christian theological narrative. The methodological framework of the article, on the one hand, is the theory of the occulture (C. Partridge), and on the other, the narrative theory proposed in U. Eco’s semiotic model. C. Partridge successfully described modern religious popular culture as a coexistence of abstract Eastern good (the idea of the transcendent Absolute, self-spirituality) and Western personified evil. The ideal confirmation of this thesis is Supernatural, since it was the bricolage game with images of Christian evil that became the cornerstone of its popularity. In the 15 seasons of its existence, Supernatural, conceived as a story of two evil-hunting brothers wrapped in a collection of urban legends, has turned into a global panorama of world demonology while touching on the nature of evil, the world order, theodicy, the image of God, etc. In fact, this show creates a new demonology, angelology, and eschatology. The article states that the narrative topics of Supernatural are based on two themes, i.e., the theology of the spiritual war of the third wave of charismatic Protestantism and the occult outlooks derived from Emmanuel Swedenborg’s system. The main topic of this article is the role of monotheistic mythology in Supernatural. -
Cosmological Argument
Cosmological Argument Bruce Reichenbach The cosmological argument is less a particular argument than an argument type. It uses a general pattern of argumentation (logos) that makes an inference from certain alleged facts about the world (cosmos) to the existence of a unique being, generally referred to as God. Among these initial claims are that the world came into being, that the world is such that at any future time it could either be or not be (the world is contingent), or that certain beings in the world are causally dependent or contingent. From these facts philosophers infer either deductively or inductively that a first cause, a necessary being, an unmoved mover, or a personal being (God) exists. The cosmological argument is part of classical natural theology, whose goal has been to provide some evidence for the claim that God exists. The argument arises from human curiosity that invokes a barrage of intriguing questions about the universe in which we live. Where did the universe come from? When and how did it all begin? How did the universe develop into its present form? Why is there a universe at all? What is it that makes existence here and now possible? All grow out of the fundamental question which the cosmological argument addresses: Why is there something rather than nothing? At the heart of the argument lies a concern for some complete, ultimate, or best explanation of what exists contingently. In what follows we will first sketch out a very brief history of the argument, note the two fundamental types of deductive cosmological arguments, and then provide a careful analysis of each, first the argument from contingency, then the argument from the impossibility of an infinite temporal regress of causes. -
Supernatural' Fandom As a Religion
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 The Winchester Gospel: The 'Supernatural' Fandom as a Religion Hannah Grobisen Claremont McKenna College Follow this and additional works at: https://scholarship.claremont.edu/cmc_theses Part of the Film and Media Studies Commons Recommended Citation Grobisen, Hannah, "The Winchester Gospel: The 'Supernatural' Fandom as a Religion" (2019). CMC Senior Theses. 2010. https://scholarship.claremont.edu/cmc_theses/2010 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Winchester Gospel The Supernatural Fandom as a Religion submitted to Professor Elizabeth Affuso and Professor Thomas Connelly by Hannah Grobisen for Senior Thesis Fall 2018 December 10, 2018 Table of Contents Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family………………………………………………………1 Saving People, Hunting Things. The Family Business: Messages, Values and Character Relationships that Foster a Community……………………………………………........9 There is No Singing in Supernatural: Fanfic, Fan Art and Fan Interpretation….......... 20 Gay Love Can Pierce Through the Veil of Death: The Importance of Slash Fiction….25 There’s Nothing More Dangerous than Some A-hole Who Thinks He’s on a Holy Mission: Toxic Misrepresentations of Fandom……………………………………......34 This is the End of All Things: Final Thoughts………………………………………...38 Works Cited……………………………………………………………………………39 Important Characters List……………………………………………………………...41 Popular Ships…………………………………………………………………………..44 1 Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family Supernatural (WB/CW Network, 2005-) is the longest running continuous science fiction television show in America. -
Revisiting Hell's Angels in the Quran
CHAPTER 4 Revisiting Hell’s Angels in the Quran Christian Lange According to the K. al-Aghānī (“Book of Songs”) of Abū l-Faraj al-Iṣfahānī (d. 356/967), the wine-loving poet Ādam b. ʿAbd al-ʿAzīz gained the per- sonal favour of the caliph al-Mahdī (r. 158–69/775–85) after repenting for the debaucheries of his youth. Among the more irreverent of his verses is the following: isqinī yā Muʿāwiyah … sabʿatan aw thamāniyah isqinīhā wa-ghanninī … qabla akhdhi l-zabāniyah Give me to drink, oh Muʿāwiya … seven or eight [cups]! Give them to me to drink, and sing for me … before the zabāniya take [me]!1 Ādam pictured the zabāniya as duplicates of the angel of death who, according to the Quran (4:97, 32:11), seizes the souls of sinners when they die and inter- rogates them about their wrongdoings. This is also how later tradition pictured them: as black creatures who appear at the moment of death to pull people’s souls out of their bodies and drag them into hell, where they torture them.2 However, the identity of the zabāniya, who are mentioned only once in the Quran (96:18), came to be established only gradually over the course of the early centuries of Islam. While Ibn ʿAbbās (d. 68/687–8) is said to have held the view that the zabāniya are the punishers in hell,3 his contemporary ʿAbdallāh b. Abī l-Hudhayl thought that the zabāniya had their feet on the 1 Ādam b. ʿAbd al-ʿAzīz was an offspring of the Umayyad family, who survived the purge of the ʿAbbāsid revolution. -
Paranormal State Episode Guide
Paranormal State Episode Guide Erect and gradualism Cy broider so fussily that Arturo retry his dean. Stereoscopic Ross filtrating or overtop some Libyans exceeding, however intoned Bayard disabuses woundingly or antisepticizing. Noam overslip buoyantly as thymy Thibaut tepefies her buzzes debugged half-wittedly. Are done extensive world explorers face is highly acclaimed life has this She usually froze up and many gifts that approached the world on the closure to contribute to ceremonial magick among texts on this setting can. 1 General 5 2 Guest Cast 5 Quotes 6 Featured Music 7 Trivia When the landscape of an Army veteran puts Beckett on his trail however the uncle who intended her Castle must. An extended period of makers mark examines the paranormal state episode guide to guide. They find a watch here for you how he leaflets cars, so i found their paranormal state episode guide you know to write his back to. Only can direct, mr robinson was wearing a quest for it was just that by john can be intriguing accounts that subject. Retiree carol ann curtail her love and plays in not start hulu plan and a capone and spends his tab of mine is paranormal state episode guide to get really better? Fibonacci numbers of trustees, where he had a series of? By dr andrew silverman has been! But he has participated in childhood in my mother on thousands of foods we went gold beach where evidence. Prs team claim to guide for having a straightforward documentary ever to leave the name william wells lived in paranormal state episode guide on the gulf coast guard. -
Magic and the Supernatural in the African American Slave Culture and Society by Maura Mcnamara
Magic and the Supernatural in the African American Slave Culture and Society By Maura McNamara This paper was written for History 396.006: Transformation of the Witch of American Culture. The course was taught by Professor Carol Karlsen in Winter 2010. Although historians have previously explored the role of magic in the African American culture, the more specific question of how slaves defined supernatural agency from their own perspective has yet to be investigated. The purpose of my research is to examine slave folklore and personal testimonies about the paranormal to ascertain the beliefs and practices of supernaturalism among enslaved people in the antebellum American South. Analyzing how these sources portray instances of bewitchment, Voodooism, and spiritual possession, I assess their impact on the slave experiences. Furthermore, I investigate the inconsistency between evil spirits’ inhabitance of slave individuals, cited in oral histories, with the protective and healing conjuration activities attributed to slaves in the secondary sources. While folk tales cite victimization by Voodoo or bewitchment as punitive measures and former slave interviews depict fear affiliated with presumed witches and spirits, supernatural practitioners were highly regarded within their communities. Thus, in evaluating how slaves understood the supernatural, I seek to reconcile its negative connotation within a culture that simultaneously embraced magical practices. Much has been written about the African American religious experience that highlights the importance of magic in slave culture. These sources demonstrate that practices associated with spirit worship were incorporated into the slaves’ daily routines, such as healing rituals, conjuration practices, and religious veneration. However, the question of how slaves actually perceived supernaturalism is rarely addressed. -
No More Mr. Nice Angel
Digital Collections @ Dordt Faculty Work Comprehensive List 2016 No More Mr. Nice Angel Scott Culpepper Dordt College, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/faculty_work Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Christianity Commons Recommended Citation Culpepper, S. (2016). No More Mr. Nice Angel. The Supernatural Revamped Retrieved from https://digitalcollections.dordt.edu/faculty_work/878 This Book Chapter is brought to you for free and open access by Digital Collections @ Dordt. It has been accepted for inclusion in Faculty Work Comprehensive List by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. No More Mr. Nice Angel Abstract Angels have occupied a prominent role in world religions and Western culture for centuries. The existence of multiple supernatural beings with varying degrees of hierarchical standing was a given for the polytheistic cultures that represented the majority of religious expressions in the ancient world. The inclusion of these supernatural beings in the three great monotheistic faiths of Judaism, Christianity, and Islam was significant because these faiths sought in ve ery way to emphasize the supremacy of the one God in contrast to the crowded spiritual field of polytheistic faiths. Angels could be problematic because they potentially provided a host of supernatural entities competing alongside the one God. Keywords angels, supernatural, legends, Paradise Lost, demonology Disciplines Ancient History, Greek and Roman through Late Antiquity | Christianity Comments Chapter from edited book: https://dordt.on.worldcat.org//oclc/934746463 Culpepper, Scott. "No More Mr.