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John Stamos Helps Inspire Youngsters on WE
August 10 - 16, 2018 2 x 2" ad 2 x 2" ad John Stamos H K M F E D A J O M I Z A G U 2 x 3" ad W I X I D I M A G G I O I R M helps inspire A N B W S F O I L A R B X O M Y G L E H A D R A N X I L E P 2 x 3.5" ad C Z O S X S D A C D O R K N O youngsters I O C T U T B V K R M E A I V J G V Q A J A X E E Y D E N A B A L U C I L Z J N N A C G X on WE Day R L C D D B L A B A T E L F O U M S O R C S C L E B U C R K P G O Z B E J M D F A K R F A F A X O N S A G G B X N L E M L J Z U Q E O P R I N C E S S John Stamos is O M A F R A K N S D R Z N E O A N R D S O R C E R I O V A H the host of the “Disenchantment” on Netflix yearly WE Day Bargain Box (Words in parentheses not in puzzle) Bean (Abbi) Jacobson Princess special, which Classified Merchandise Specials Solution on page 13 Luci (Eric) Andre Dreamland ABC presents Merchandise High-End 2 x 3" ad Elfo (Nat) Faxon Misadventures King Zog (John) DiMaggio Oddballs 1 x 4" ad Friday. -
The Woman in Black: Revision Guide
The Woman in Black: Revision Guide The Woman in Black Knowledge Organiser Plot Characters Themes Overview: Starting in present day, AK is going to tell us a story from his youth, Thus involves him as Arthur Kipps: pragmatic, rational and a little Betrayal - Was Jennet betrayed by Alice who forced her a young lawyer working under Mr B. He get’s sent to Crythin Gifford to sort through the papers of AD boring.His first response to TWIB is that she;s a poor to give up Nathaniel? Or was she trying to give Nat a at EMH. On the train AK meets SD. He starts to see flashes of TWIB from the funeral of AD onwards. woman with a disease. He relishes the mundane better life? Was Arthur betrayed by JH? He stays over in EMH and SD finally tells him the whole story and about the curse. TWIB in actually parts of life with Esme. He is a Modern Young Man - AD’s sister, JH who had a son out of wedlock and who was adopted by AD and hubby as she often reducing the villager to silly village folk. TWIB Isolation - set in the middle of nowhere, among bogs couldn’t have children. The boy and nanny drowned in the marshes in an accident and JH saw the will never really leave AK - he;s scarred. and fogs. Arthur finds himself literally separated from whole thing, Curse = every time we see TWIB a child dies. No child has died yet, so AK hops back society at EMH. -
The Supernatural World of the Kawaiisu by Maurice Zigmond1
The Supernatural World of the Kawaiisu by Maurice Zigmond1 The most obvious characteristic at the supernatural world of the Kawaiisu is its complexity, which stands in striking contrast to the “simplicity” of the mundane world. Situated on and around the southern end of the Sierra Nevada mountains in south - - central California, the tribe is marginal to both the Great Basin and California culture areas and would probably have been susceptible to the opprobrious nineteenth century term, ‘Diggers’ Yet, if its material culture could be described as “primitive,” ideas about the realm of the unseen were intricate and, in a sense, sophisticated. For the Kawaiisu the invisible domain is tilled with identifiable beings and anonymous non-beings, with people who are half spirits, with mythical giant creatures and great sky images, with “men” and “animals” who are localized in association with natural formations, with dreams, visions, omens, and signs. There is a land of the dead known to have been visited by a few living individuals, and a netherworld which is apparently the abode of the spirits of animals - - at least of some animals animals - - and visited by a man seeking a cure. Depending upon one’s definition, there are apparently four types of shamanism - - and a questionable fifth. In recording this maze of supernatural phenomena over a period of years, one ought not be surprised to find the data both inconsistent and contradictory. By their very nature happenings governed by extraterrestrial fortes cannot be portrayed in clear and precise terms. To those involved, however, the situation presents no problem. Since anything may occur in the unseen world which surrounds us, an attempt at logical explanation is irrelevant. -
ABSTRACT the Women of Supernatural: More Than
ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables -
LEASK-DISSERTATION-2020.Pdf (1.565Mb)
WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A. -
The Woman in Black and Other Stories
The Woman in Black and Other Stories SUSAN HILL PROFILE BOOKS Woman in Black and Other Stories.indd 3 03/08/2015 19:46 This edition published in Great Britain in 2015 by PROFILE BOOKS LTD 3 Holford Yard Bevin Way London wc1x 9hd www.profilebooks.com The Woman in Black first published in Great Britain in 1983 by Hamish Hamilton, an imprint of Penguin Books Ltd, re-published in hardback by Profile Books in 2011; Dolly first published by Profile Books in 2012; The Man in the Picture first published by Profile Books in 2007; Printer’s Devil Court first published by Profile Books in 2014; The Small Hand first published by Profile Books in 2010. Copyright © Susan Hill, 1983, 2007, 2010, 2011, 2012, 2014, 2015 1 3 5 7 9 10 8 6 4 2 Printed and bound in Great Britain by Clays, St Ives plc The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. A CIP catalogue record for this book is available from the British Library. ISBN 978 1 78125 552 0 eISBN 978 1 78283 223 2 Woman in Black and Other Stories.indd 4 03/08/2015 19:46 Contents The Woman in Black 1 Dolly 111 The Man in the Picture 203 Printer’s Devil Court 271 The Small Hand 323 Woman in Black and Other Stories.indd 5 03/08/2015 19:46 The Woman in Black Woman in Black and Other Stories.indd 1 03/08/2015 19:46 Christmas Eve It was nine-thirty on Christmas Eve. -
Theology of Supernatural
religions Article Theology of Supernatural Pavel Nosachev School of Philosophy and Cultural Studies, HSE University, 101000 Moscow, Russia; [email protected] Received: 15 October 2020; Accepted: 1 December 2020; Published: 4 December 2020 Abstract: The main research issues of the article are the determination of the genesis of theology created in Supernatural and the understanding of ways in which this show transforms a traditional Christian theological narrative. The methodological framework of the article, on the one hand, is the theory of the occulture (C. Partridge), and on the other, the narrative theory proposed in U. Eco’s semiotic model. C. Partridge successfully described modern religious popular culture as a coexistence of abstract Eastern good (the idea of the transcendent Absolute, self-spirituality) and Western personified evil. The ideal confirmation of this thesis is Supernatural, since it was the bricolage game with images of Christian evil that became the cornerstone of its popularity. In the 15 seasons of its existence, Supernatural, conceived as a story of two evil-hunting brothers wrapped in a collection of urban legends, has turned into a global panorama of world demonology while touching on the nature of evil, the world order, theodicy, the image of God, etc. In fact, this show creates a new demonology, angelology, and eschatology. The article states that the narrative topics of Supernatural are based on two themes, i.e., the theology of the spiritual war of the third wave of charismatic Protestantism and the occult outlooks derived from Emmanuel Swedenborg’s system. The main topic of this article is the role of monotheistic mythology in Supernatural. -
Cosmological Argument
Cosmological Argument Bruce Reichenbach The cosmological argument is less a particular argument than an argument type. It uses a general pattern of argumentation (logos) that makes an inference from certain alleged facts about the world (cosmos) to the existence of a unique being, generally referred to as God. Among these initial claims are that the world came into being, that the world is such that at any future time it could either be or not be (the world is contingent), or that certain beings in the world are causally dependent or contingent. From these facts philosophers infer either deductively or inductively that a first cause, a necessary being, an unmoved mover, or a personal being (God) exists. The cosmological argument is part of classical natural theology, whose goal has been to provide some evidence for the claim that God exists. The argument arises from human curiosity that invokes a barrage of intriguing questions about the universe in which we live. Where did the universe come from? When and how did it all begin? How did the universe develop into its present form? Why is there a universe at all? What is it that makes existence here and now possible? All grow out of the fundamental question which the cosmological argument addresses: Why is there something rather than nothing? At the heart of the argument lies a concern for some complete, ultimate, or best explanation of what exists contingently. In what follows we will first sketch out a very brief history of the argument, note the two fundamental types of deductive cosmological arguments, and then provide a careful analysis of each, first the argument from contingency, then the argument from the impossibility of an infinite temporal regress of causes. -
Supernatural' Fandom As a Religion
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 The Winchester Gospel: The 'Supernatural' Fandom as a Religion Hannah Grobisen Claremont McKenna College Follow this and additional works at: https://scholarship.claremont.edu/cmc_theses Part of the Film and Media Studies Commons Recommended Citation Grobisen, Hannah, "The Winchester Gospel: The 'Supernatural' Fandom as a Religion" (2019). CMC Senior Theses. 2010. https://scholarship.claremont.edu/cmc_theses/2010 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Winchester Gospel The Supernatural Fandom as a Religion submitted to Professor Elizabeth Affuso and Professor Thomas Connelly by Hannah Grobisen for Senior Thesis Fall 2018 December 10, 2018 Table of Contents Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family………………………………………………………1 Saving People, Hunting Things. The Family Business: Messages, Values and Character Relationships that Foster a Community……………………………………………........9 There is No Singing in Supernatural: Fanfic, Fan Art and Fan Interpretation….......... 20 Gay Love Can Pierce Through the Veil of Death: The Importance of Slash Fiction….25 There’s Nothing More Dangerous than Some A-hole Who Thinks He’s on a Holy Mission: Toxic Misrepresentations of Fandom……………………………………......34 This is the End of All Things: Final Thoughts………………………………………...38 Works Cited……………………………………………………………………………39 Important Characters List……………………………………………………………...41 Popular Ships…………………………………………………………………………..44 1 Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family Supernatural (WB/CW Network, 2005-) is the longest running continuous science fiction television show in America. -
Una Forma D'orrore Specificamente Teatrale
B R U M A L Revista de Investigación sobre lo Fantástico DOI: https://doi.org/10.5565/rev/brumal.519 Research Journal on the Fantastic Vol. VI, n.º 2 (otoño/autumn 2018), pp. 307-317, ISSN: 2014-7910 UNA FORMA D’ORRORE SPECIFICAMENTE TEATRALE: THE WOMAN IN BLACK NICOLA PASQUALICCHIO Università di Verona [email protected] Recibido: 06-06-2018 Aceptado: 22-09-2018 SOMMARIO L’articolo esamina il dramma The Woman in Black di Stephen Mallatratt (1987), metten- dolo a confronto con il romanzo omonimo di Susan Hill (1983) da cui deriva. L’articolo analizza i procedimenti specificamente teatrali di realizzazione dell’orrore, che fanno del dramma un’opera più originale della tradizionale ghost story che ne è all’origine. In particolare viene sottolineata la ritrovata continuità tra performance teatrale e azione rituale, che espone la scena all’irruzione del soprannaturale. PAROLE CHIAVE: horror teatrale, fantasmi teatrali, teatro e rito. A SPECIFICALLY THEATRICAL KIND OF HORROR: THE WOMAN IN BLACK ABSTRACT The article focuses on Stephen Mallatratt’s play The Woman in Black (1987) and con- fronts it with the homonymous novel by Susan Hill (1983), that is its source. The goal of the article is to emphasize the originality of the play in comparison with the literary work, and to demonstrate how it employs specifically theatrical devices to achieve its horror effects. In particular, the article underlines the continuity between theatrical performance and rite, that opens the stage door to the irruption of the supernatural. KEY WORDS: stage -
The Woman in Black (The Susan Hill Collection) by Susan Hill
The Woman in Black (The Susan Hill Collection) by Susan Hill Ebook The Woman in Black (The Susan Hill Collection) currently available for review only, if you need complete ebook The Woman in Black (The Susan Hill Collection) please fill out registration form to access in our databases Download here >> Hardcover:::+++Publisher:::: Profile Books; Main edition (2011)+++Language:::: English+++ISBN-10:::: 9781846685620+++ISBN-13:::: 978- 1846685620+++ASIN:::: 1846685621+++Product Dimensions::::4.7 x 0.9 x 7.2 inches++++++ ISBN10 9781846685620 ISBN13 978-1846685 Download here >> Description: First published in 1983, The Woman in Black is Susan Hills best-loved novel, and the basis for the UKs second longest ever running stage play, and a major film starring Daniel Radcliffe. Arthur Kipps, a young lawyer, travels to a remote village to put the affairs of a recently deceased client, Alice Drablow in order. As he works alone in her isolated house, Kipps begins to uncover disturbing secrets - and his unease grows when he glimpses a mysterious woman dressed in black. The locals are strangely unwilling to talk about the unsettling occurrence, and Kipps is forced to uncover the true identity of the Woman in Black on his own, leading to a desperate race against time when he discovers her true intent... The Woman in Black is one of those rare instances of watched film before reading book. It doesn’t happen often. And I feel confident in saying that in this case it had no affect on my experience. Admittedly, it has been several years since I have watched the film, but still I think that my previous statement would hold true regardless of time passed. -
The Haunted Seas of British Television: Nation, Environment and Horror
www.gothicnaturejournal.com Gothic Nature ________________________________________________________________ Gothic Nature II How to Cite: Fryers, M. (2021) The Haunted Seas of British Television: Nation, Environment and Horror. Gothic Nature. 2, pp. 131-155. Available from: https://gothicnaturejournal.com/. Published: March 2021 ________________________________________________________________ Peer Review: All articles that appear in the Gothic Nature journal have been peer reviewed through a fully anonymised process. Copyright: © 2021 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See: http://creativecommons.org/licenses/by/4.0/. Open Access: Gothic Nature is a peer-reviewed open-access journal. www.gothicnaturejournal.com Cover credit: Model IV, 2017 Artist: D Rosen Cast Aluminum (Original Objects: Buck Antler and Stomach (Decorative Model), Camel Mask (Theatrical Model), Whip (Didactic Model), Stiletto (Decoy Model), Goose Neck (Decoy Model), Nylons, Bra Underwire, Calvin Klein Dress, Facial Mask, Necklace, Wax 21 x 25 x 12 in. Photo credit: Jordan K. Fuller Fabrication: Chicago Crucible Web Designer: Michael Belcher www.gothicnaturejournal.com The Haunted Seas of British Television: Nation, Environment and Horror Mark Fryers ABSTRACT Historically, the sea holds symbolic power within British culture, a space of imperial triumph and mastery over nature. The British coastline, similarly, has served as both a secure defence and a space of freedom and abandonment. However, since the decline of both the empire and the maritime industries, these certainties have eroded, along with the physical coastline itself.