College Voice Vol. 5 No. 13 Connecticut College

Total Page:16

File Type:pdf, Size:1020Kb

College Voice Vol. 5 No. 13 Connecticut College Connecticut College Digital Commons @ Connecticut College 1981-1982 Student Newspapers 3-5-1982 College Voice Vol. 5 No. 13 Connecticut College Follow this and additional works at: http://digitalcommons.conncoll.edu/ccnews_1981_1982 Recommended Citation Connecticut College, "College Voice Vol. 5 No. 13" (1982). 1981-1982. Paper 15. http://digitalcommons.conncoll.edu/ccnews_1981_1982/15 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1981-1982 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. .• Connecticut College's Weekly Newspaper / March 5, 1982 vet.v. No.~ Conn. College Announces Campaign Drive by College News Service bringing the total for that fund to over New London. Conn., February 26. $900,000. Connecticut College President Oakes Other new endowment resources are Ames announced the start of a major $4 million for student scholarship capital and annual giving campaign support, $1.2 million in unrestricted drive to raise $30 million over the next endowment, and $1.2 million in cash four years for new endowment, addi- reserves. tions and improvements to the physical The unrestricted endowment will plant, and for current operations at the strengthen the permanent endowment four-year coeducational liberal arts resources of the College and will include college. allocations for professional development Target date for raising the new funds of the faculty, wider ranges of extra- is July, 1986, the 75th anniversary of the curricular activities for students, College's founding. acquisition of additional books for the Ames outlined the plans for the use of i library, purchase and maintenance of • the campaign funds as follows: $11.4 .s• the latest scientific equipment for • million for new endowment resources, .• instructional labs and expansion of the > $9.1 million for campus renewal and computer center capacity. The new cash Coffee, craziness, and cash pushed intrepid D.).'s Put Goodwin and Kenny development, and $9.5 million for reserves will function as endowment, Abr~ms to raise funds for their beloved WCN!. The 91.5 hour marathon, con- support of current operations. providing income to meet current cludm~ Monday, March 1st at noon, raised money towards the purchase of a new Currently Connecticut College has an expenses across the board. transmitter. endowment of $14 million and an Of the $9.1 million projected for , annual giving program that brings in campus renewal and development, $3.4 about $1.2 million per year. million will go toward the renovation of According to Ames the increased Palmer Library into a center for the First party in Hamilton endowment will help to continue to humanities, providing classrooms, right above the band, and she said the attract and retain outstanding faculty By Meg McClellan seminars, and faculty offices. $3.9 party was "pretty obnoxious" and her and provide scholarship for larger million will be used to construct a much To an outsider, the spilled beer and room was shaking when the band numbers of students who otherwise needed new athletic center. The arena, scattered coats of last Friday's all- played. could not come to the College. which was an early goal of the cam- campus party wouldn't seem different However, the party seemed to go Thirty-four percent of the College's paign, opened in 1980, and was largely from the spilled beer and scattered coats better than many people had antici- students receive financial aid. This year funded through a gift of Judson '80 and of any other party. But last Friday's pated. The bathrooms on the first floor almost 90 percent of the total income Duncan '81 Dayton and their parents, party was different because it was the weren't trashed, and someone was sent from endowment and annual giving, in Julia' 49 and Kenneth Dayton of first party in the Hamilton basement. to clean them at 7:30 the next morning. addition to Federal and State funds, was Wayzata, Minnesota. The turnout was very good at the party There also wasn't any reported used to maintain the level of financial $1.1 million is targeted to complete given by Park dorm, but the general vandalism to the rest of the dorm. One aid. the renovation to New London Hall, the responses and reactions to the evening person on the second floor said he was Included in the $11.4 million for new College's science building, and $.7 were mixed. upstairs and "didn't really hear endowment resources is $5 million for million will be used for other The use of the Hamilton basement for anything" in the basement. faculty salaries, a goal that has already renovations, including the refurbishing parties has become an important issue One problem that residents of the first been enhanced by three major faculty of Crozier-Williams Student Center. on campus; consequently, the large turn- floor mentioned was the lack of security endowments. The goal for support of current out was not surprising. There was ample on their floor. They said there were A 1979 grant of $1.5 million from the operations is $9.5 million, which room in the low-ceiling, cement room, quite a few "townies" walking around Sherman Fairchild Foundation provides includes $6.5 million to be raised but some people felt it was a "cold their halls and that in the future a $300,000 in faculty endowment each through increased annual giving during atmosphere for a party" and would be security guard should be on the first year for a period of five years. Late in the next four years and the remainder more appropriate for "beer bashes" than floor. 1981, the MacArthur Foundation chose from individuals and from corporate semi-formal affairs. The extent to which the Hamilton Connecticut College as one of 16 and foundation grants. Of principle concern to most people basement will be used for parties in the colleges to receive $300,000 for an "Connecticut College already enjoys a was the reaction of the people in future is yet to be determined. It seems endowed chair for a junior faculty reputation for high academic quality and Hamilton dorm. One person seemed to unfair to make it the new "Cro" if doing member. A bequest in the will of Lucy for being a leader in changing times," sum up the general feelings of the so jeopardizes residents of Hamilton, but Marsh Haskell, a member of the class of Ames said. 'The campaign will help to members of the first floor when she said at the moment there doesn't seem to be 1919, adds to her 1966 establishment of move it to the top of its group of the the party was "pretty damn loud." Jenny another alternative. an endowed "Fund for Faculty Salaries," finest liberal arts colleges in the nation." Laurey ('85) lives in a room that was Hopes For A Labor Movement In South Africa situation. The white Afrikaner minority Africans derive their migrant labor to producer, Mr. Mohomo wanted to close By Steve Lau under the National Party dictates how work in their agricultural and industrial the credibility gap, using the sectors from the Bantusan: the working On February 24th and 25th, Mr. Nana the Blacks shall exist. documentaries as a medium for political conditions and wages are just enough to Mohomo presented two Emmy Award- The movies showed the following: the communication to show what is actually keep them alive. Black labor unions are winning documentary films: "The End of Blacks are ethnically separated and occurring in South Africa. unregistered under the Industrial the Dialogue" and "Last Grave at placed in homelands called Bantusans; Both films showed the political and Conciliation Act and have minimal Dirnbaza" at Dana Hall. Mr. Mohomo, the homelands are supposed to allow socio-economic deprivation of the Black, bargaining power to obtain working the producer of both these films, is a ethnic self-determination and accounts Indian and Asian population in South benefits and wage increases. Black South African who has been living for about 13 percent of the land in Africa. The films captured the South Africa is extremely dependent in exile since his involvement in the South Africa, the rest is set aside for the impoverished living conditions in which on Black labor which provides the Sharpville demonstrations in 1960. He is the majority of the South African whites; the land is economically unviable, possessing insufficient amounts majority of the South Africa's work currently co-ordinator of AFL-CIO population live. Blacks are regarded as a force. Without this source of cheap Program of Action in Support of Black source of cheap labor and are treated as of natural resources to support the population. As a result, the inhabitants labor, the South African economy as Trade Unions in South Africa. subservient second class citizens. They well as foreign multinational These documentaries were created to live in absolute squalor and are prone to possess no substantial political or civil corporations would suffer tremendous inform people of the South African rights and are denied participation in disease, malnutrition, and premature government's racially oppressive government. Therefore, they are politi- adult and infant death. Continued on Page 2 According to the films, white South apartheid policies. As the film's cally helpless in alleviating their �pag'2 -----CAMPUSNEWS,----- .... ~ Dr. Benjamin Pierce ~ Fire in New London "The students here," says Pierce, "are By Maria Wyckoff very dedicated towards their studies . .J Trying to figure out what makes a They are good students who work .~ church offerings collected from Harkness ~ By Sandra Matos good professor is a difficult problem.
Recommended publications
  • War for the Planet of the Apes (2017)
    WAR FOR THE PLANET OF THE APES (2017) ● Released by July 14th, 2017 ● 2 hours 20 minutes ● $150,000,000 (estimated) budget ● Matt Reeves directed ● Chernin Entertainment, TSG Entertainment ● Rated PG-13 for sequences of sci-fi violence and action, thematic elements, and some disturbing images QUICK THOUGHTS: ● Demetri Panos: ● OPINION: WITH MATT REEVES FLOURISHED STORYTELLLING, QUALITY ​ PERFORMANCES, GRAND SCALE NARRATIVE; WAR FOR THE PLANET OF THE APES CAPS OFF A RARE TRILOGY FEAT WHERE THE MOVIES JUST GOT BETTER AS THEY WENT ALONG. REEVES NOT ONLY ABLE TO DIRECT BIG SCALE ACTION, HE COMPOSES SHOTS THAT NOT ONLY CAPTURE INTIMATE EXPRESSION BUT GRAND SCALE LANDSCAPE. SPEAKING OF EXPRESSION; MOTION CAPTURE TECHNOLOGY IS REACHING IF NOT AT ITS PEAK! I ARGUE THAT IT IS SO GOOD, IT SHOULD BE CONSIDERED A PROSTHETIC. TO TAKE THAT ONE STEP FURTHER, THE ACADEMY SHOULD NOW TAKE NOTE AND NOT BE HINDERED TO NOTICE PERFORMANCES UNDER MOTION CAPTURE. IT IS NOT UNLIKE NOMINATING JOHN HURT FROM ELEPHANT MAN OR ERIC STOLTZ FROM MASK. ANDY SERKIS PERFORMANCE HERE TRANSCENDS THE MASK. HE PLAYS CEASAR AS A LEADER WHO NOT ONLY GRAPPLES WITH THE RESPONSIBILITY OF HIS RACE BUT WITH RAMIFICATIONS OF HIS DECISIONS. HIS IS A GRIPPING PERFORMANCE, ONE OF THE BEST OF THE SUMMER. WOODY HARRELSON’S, THE COLONEL, PERFORMANCE TEETERS FROM GOING OVER THE TOP BUT HIS CHARACTER MIRRORS REAL IFE PERSONAS, WHILE ONE CAN UNDERSTAND THE COLONEL’S MOTIVIATION, HIS ACTIONS ARE NOT THOSE BOUND BY RATIONALITY AND THEREFORE SCARY. ALSO, PROPS TO AMIAH MILLER WHOSE RE-IMAGINED NOVA IS ENDEARING AND STRONG.
    [Show full text]
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
    [Show full text]
  • The Life of David Gale
    Wettbewerb/IFB 2003 THE LIFE OF DAVID GALE DAS LEBEN DES DAVID GALE THE LIFE OF DAVID GALE Regie:Alan Parker USA 2002 Darsteller David Gale Kevin Spacey Länge 131 Min. Bitsey Bloom Kate Winslet Format 35 mm, Constance Harraway Laura Linney Cinemascope Zack Stemmons Gabriel Mann Farbe Dusty Wright Matt Craven Braxton Belyeu Leon Rippy Stabliste Berlin Rhona Mitra Buch Charles Randolph Nico Melissa McCarthy Kamera Michael Seresin Duke Grover Jim Beaver Kameraführung Mike Proudfoot Barbara Kreuster Cleo King Edward J.Adcock A.J.Roberts Constance Jones Kameraassistenz Bill Coe Joe Mullarkey Lee Ritchey Schnitt Gerry Hambling Jamie Gale Noah Truesdale Ton David McMillan Greer Chuck Cureau Musik Alex Parker Ross Sean Hennigan Jake Parker John Charles Sanders Production Design Geoffrey Kirkland Talkmaster Marco Perella Ausstattung Steve Arnold Gouverneur Hardin Michael Crabtree Jennifer Williams Sharon Gale Elizabeth Gast Requisite Don Miloyevich Laura Linney, Kevin Spacey Universitätspräsident Cliff Stephens Kostüm Renée Ehrlich Kalfus Maske Sarah Monzani Regieassistenz K.C.Hodenfield DAS LEBEN DES DAVID GALE Casting Juliet Taylor Dr.David Gale ist Professor an einer texanischen Universität – ein liebevoller Howard Feuer Vater und anerkannter Akademiker, der aus seinen Überzeugungen nie ein Herstellungsltg. David Wimbury Hehl gemacht hat. Dr. Gale ist ein engagierter Gegner der Todesstrafe und Produktionsltg. Alma Kuttruff als solcher wird er weithin respektiert. Doch dann geschieht das Unfassba- Produzenten Alan Parker Nicolas Cage re: Er wird angeklagt, Constance Harraway, eine junge Mitstreiterin, die ihn Executive Producers Moritz Borman in seinem Kampf um das Leben eines Verurteilten unterstützt hat, verge- Guy East waltigt und ermordet zu haben. Der Richter verurteilt ihn zum Tode.
    [Show full text]
  • Revue De Presse L'usure Du Temps D'alan Parker
    REVUE DE PRESSE L’USURE DU TEMPS D’ALAN PARKER SORTIE CINÉMA 23 DÉCEMBRE 2015 « Un film intimiste et passionnant» CHARLIE HEBDO «Il faut absolument voir ce film méconnu d’Alan Parker. Parce qu’il sonne juste, parce qu’il est subtil et qu’il est d’une puissance émotionnelle rare. » PARISCOPE « À mi-chemin entre du Cassavetes et du Bergman, un film haut en couleurs. » TOUTE LA CULTURE « La plus grande réussite d’Alan Parker : un drame aussi poignant et délicat que tourmenté.» ÀVOIR-ÀLIRE « Au sein d’une photographie raffinée, voir jouer ensemble d’aussi grands comédiens que Diane Keaton et Albert Finney est un plaisir qui ne se refuse pas. » DVD CLASSIK « Intensifié par la photographie de Michael Seresin, ce drame psychologique, superbement rythmé, alterne sans cesse entre légèreté et gravité » CINECHRONICLE « Le choc en retour est 35 ans plus tard toujours aussi implacable. » DIGITAL CINE TOUTELACULTURE.COM - par Yaël Hirsch (le 22/12/2015) [Réédition] L’usure du temps, l’enfer du couple par Alan Parker Ce mercredi 23 décembre 2015 ressort sur les écrans français L’usure du temps (Shoot the Moon, 1981), le film le plus personnel d’Alan Parker (Fame, Pink Floyd, Evita). L’Association Française des Cinémas d’Art et d’Essai (AFCAE) et Splendor Films proposent de redécouvrir ce film puissant sur la fin d’un couple. Note de la rédaction : ★★★★★ Faith (Diane Keaton, sublime) et George (Albert Finney) vivent dans une maison avec leurs quatre enfants. Il est écrivain, elle est au foyer. Les enfants souffrent de leurs violentes disputes.
    [Show full text]
  • Hdvideopro.Com
    Monkey Business | HDVideoPro.com Login | Register Follow Us Print | Digital | App HDVP Blog Gear Film & TV Workflow Technique CineSoundPro Columns Contests News Subscribe Tuesday, July 15, 2014 0 Monkey Business Director Matt Reeves and cinematographer Michael Seresin, BSC, evolve with technology for Dawn of the Planet of the Apes By Iain Blair Labels: Feature Film This Article Features Photo Zoom In 2011, the FOX reboot Rise of the Planet of the Apes, starring James Franco, Freida Pinto, Andy Serkis and a bunch of genetically enhanced chimps who get ready to take over the world, turned into a critical and commercial success, scoring nearly half a billion at the box office. Three years later, Dawn of the Planet of the Apes, the sequel—and eighth film in the long-running franchise—picks up the story, and things look even grimmer for what's left of the human race. A growing nation of smart, evolved apes, led by Caesar (Serkis), is in charge, thanks to the devastating virus unleashed in San Francisco a decade earlier. But a small band of human survivors (including Gary Oldman and Keri Russell) soon clashes with the apes in a struggle that will determine who will emerge as Earth's dominant species. Directed by Matt Reeves, who helmed the science fiction- horror hit Cloverfield (2008), about the arrival of a giant monster in New York City, and horror-thriller Let Me In Find us on Facebook (2010), the film was shot by Michael Seresin, BSC, the HDVideoPro Magazine New Zealand-born director of photography whose eclectic Like résumé includes such films as Bugsy Malone, Midnight Express, City Hall, Angela's Ashes and Harry Potter and the Prisoner of Azkaban.
    [Show full text]
  • The Spectator
    Michael Seresin claims, rather modestly, to “have no palate”, choosing instead to describe wine with light, colour and form. These are not your typical winemaker’s terms, but they make perfect sense given his unusual back story. Born and raised in New Zealand Seresin emigrated to Europe in 1966 to pursue a career in cinematography. Movie buffs will know what happened next—Seresin, in his own words, “did really well, really quickly”, making a name for himself with series of Alan Parker Flicks: Bugsy Malone, Midnight Express, Fame. It was during this period that he leased a house in Italy—still his “favourite country in the world”—and fell in love with wine. “We were surrounded by winemaking families, many of whom had been there for generations—I really loved the cultural life round there. That’s what made me think there was something magical about growing grapes.” Many of Seresin’s neighbouring vintners were also skilled musicians and painters and, inspired by the seamless blend of winemaking and the arts, he briefly considered setting up stall in Italy. “But then I thought, I’m not businessman—I’m just not smart enough.” He eventually decided to buy a small pocket of land—around 70 hectaress—in the Wairau Valley back in New Zealand. The first vines were planted in 1992, and the Seresin Estate’s first vintage was bottle four years later. Today, the company comprises three vineyards—the original one, “Home”, Raupo Creek and Tatou— totalling 160 hectares, roughly the same area as Regent’s Park. All three are certified organic and biodynamic, and tended to by hand.
    [Show full text]
  • College Voice Vol. 5 No. 13
    Connecticut College Digital Commons @ Connecticut College 1981-1982 Student Newspapers 3-5-1982 College Voice Vol. 5 No. 13 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1981_1982 Recommended Citation Connecticut College, "College Voice Vol. 5 No. 13" (1982). 1981-1982. 15. https://digitalcommons.conncoll.edu/ccnews_1981_1982/15 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1981-1982 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. .• Connecticut College's Weekly Newspaper / March 5, 1982 vet.v. No.~ Conn. College Announces Campaign Drive by College News Service bringing the total for that fund to over New London. Conn., February 26. $900,000. Connecticut College President Oakes Other new endowment resources are Ames announced the start of a major $4 million for student scholarship capital and annual giving campaign support, $1.2 million in unrestricted drive to raise $30 million over the next endowment, and $1.2 million in cash four years for new endowment, addi- reserves. tions and improvements to the physical The unrestricted endowment will plant, and for current operations at the strengthen the permanent endowment four-year coeducational liberal arts resources of the College and will include college. allocations for professional development Target date for raising the new funds of the faculty, wider ranges of extra- is July, 1986, the 75th anniversary of the curricular activities for students, College's founding.
    [Show full text]
  • Wavelength (April 1987)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1987 Wavelength (April 1987) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1987) 78 https://scholarworks.uno.edu/wavelength/64 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. 1685 C0550 12/31/99 EARL K. LONG LIBRARY ACQUISITIONS DEPARTMENT UNIVERSITY OF NEW ORLEANS NEW ORLEANS LA 70148 ...· ..· ...· .. ·~ •.· .. ·..· .. ' ..._ .. _•. •... "'. ·.. ·. •. ·.. ... ' ... ·.' •.' . UNITED COLORS OF BENETION. "I'm 1101s ure, but I'm almost positive, that all music came from New Or/ea11s. " -Ernie K-Doe, 1979 Features .. Jazz Is the Sound •.' of New Orleans. .29 Frogman Henry . .33 Departments April News . .. 4 Jazz Fest Schedule.. .13 Allan Jaffe.. .15 Chomp Report .16 Film ...... .18 Caribbean. .20 U.S. Indies . .22 Reissues ... .24 Rare Record . .26 Reviews .... ..26 April Listings .36 Classifieds .41 last Page .42 Puhli~ hu . N<.1UI11JO s s ..·ntL Editor . Cnnntc:" Zc:.mah Atkin-.nn ;\,,,,ociate F.dilor . Gent: Sc:munuu'' Ad\<ertising. Elltahcth h1111o.unc. ll1an;,a Nt.u.l••'· Contributors. Steve Armbn"tcr. Buh C<tl:.llltUII. R1ck C'nkman. Tum ~Allan. C'arnl Gni<.~dy. Gm<t Guc· l'lom:. Kouhy ll:.mr. Lynne H:my. Pat Jnlly. Jan~:-. Lum. Bunny M:llthcw'. Rll'k Olivier. Ja,~un Pallcr:-.on. Hammond Seem.
    [Show full text]
  • Québec Cinema at the Wisconsin Film Festival
    Great Shades of Spring Season Premiere Writers write. We help New season begins April 2012! you start, polish, pitch. Check wpt.org for schedule and details. Online courses Screenplays, TV Pilots, Fiction, more The new season features interviews with Critiques & Consults local independent filmmakers followed by a presentation of their film. Writers’ Institute April 13-15 Write-by-the-Lake Retreat June 18-22 School of the Arts July 22-27 Be more independent www.dcs.wisc.edu/lsa/writing 608-262-3447 WISCONSIN PUBLIC TELEVISION City of Madison Department of Planningg Esther, are you sure you and Community & Economic know what you’re doing? the city can loan you money Oh, Shorty, you’re such WIFILMFEST.ORG • 877.963.FILM • WIFILMFEST.ORG to h i r e pr ofess i on als ! Development a good neighbor! And now present..... I can relax while getting 2012 • Grab That a loan at a great 2.75% rate! Loan! % Improve Your Home! • Energy Justst lookl at this • Windows • Insulation • Plumbing • Furnace Effi ciency great rate: 2.75 & Doors • Roofi ng • Electrical • Siding Upgrade WISCONSIN FILM FESTIVAL • MADISON • APRIL 18–22, 18–22, APRIL • MADISON • FESTIVAL FILM WISCONSIN Home Remodeling www.cityofmadison.com/homeloans 2 Loan 266-6557 • 266-4223 MADISON, WISCONSIN [ MARCH 25–31, 2012] film festival ((( SOUNDING ))) OUT THE ENVIRONMENT IN 30 FILMS ALL FILMS AND EVENTS ARE FREE AND OPEN TO THE PUBLIC. NO TICKETS REQUIRED. FEATURED EVENTS KEYNOTE: VAN JONES SEMPER FI: ALWAYS FAITHFUL THE CITY DARK Barrymore Theatre RACHEL LIBERT AND TONY HARDMON, U.S. (2011) IAN CHENEY, U.S.
    [Show full text]
  • Alfonso Cuarón
    May 7, 2019 (XXXVIII: 14) Alfonso Cuarón: HARRY POTTER AND THE PRISONER OF AZKABAN (2004, 142m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Alfonso Cuarón WRITING J.K. Rowling (novel), Steve Kloves (screenplay) PRODUCED BY Chris Columbus, David Heyman, and Mark Radcliffe CINEMATOGRAPHY Michael Seresin MUSIC John Williams EDITING Steven Weisberg At the 2005 Academy Awards, the film was nominated for Oscars for Best Achievement in Music Written for Motion Pictures, Original Score and Best Achievement in Visual Effects. CAST Daniel Radcliffe...Harry Potter Richard Griffiths...Uncle Vernon Pam Ferris...Aunt Marge Fiona Shaw...Aunt Petunia Devon Murray ...Seamus Finnegan Harry Melling...Dudley Dursley Warwick Davis...Wizard Adrian Rawlins...James Potter David Bradley ...Argus Filch Geraldine Somerville...Lily Potter Michael Gambon... Albus Dumbledore Lee Ingleby...Stan Shunpike Alan Rickman... Professor Severus Snape Lenny Henry...Shrunken Head Maggie Smith...Professor Minerva McGonagall Jimmy Gardner...Ernie the Bus Driver Robbie Coltrane...Rubeus Hagrid Gary Oldman...Sirius Black Matthew Lewis...Neville Longbottom Jim Tavaré...Tom the Innkeeper Sitara Shah...Parvati Patel Robert Hardy...Cornelius Fudge Jennifer Smith...Lavender Brown Abby Ford...Young Witch Maid Tom Felton...Draco Malfoy Rupert Grint...Ron Weasley Bronson Webb...Slytherin Boy Emma Watson...Hermione Granger Josh Herdman...Gregory Goyle Oliver Phelps...George Weasley Genevieve Gaunt...Pansy Parkinson James Phelps...Fred Weasley Kandice Morris...Girl 1 Chris Rankin...Percy Weasley Alfred Enoch...Dean Thomas Julie Walters...Mrs.
    [Show full text]
  • The Martin Hill Collection of International and New Zealand Ceramics
    The Martin Hill Another View: Collection of The Michael Seresin International Collection of and New Zealand International Black Ceramics and White Photography Auction: Wednesday 8 June at 6.30pm Auction: Thursday 9 June at 6.30pm Important Photographs Auction: Thursday 9 June at 6.30pm to follow The Michael Seresin Collection A+O is pleased to welcome you to a unique For thirty years Michael Seresin has been catalogue containing two of the most significant a collector of vintage 20th century black and private collections assembled in New Zealand white photography. In this period his keen over many decades and which contain the finest eye has appreciated and located some of the examples of noted international practitioners. foundation images of art photography by leading This catalogue follows the most successful practitioners such as Henri Cartier-Bresson, Bill major art catalogue in the company’s history, a Brandt, Brassai, E.J. Bellocq, Mario Giacomelli, ART+OBJECT selection of highlights from our April Important W. Eugene Smith, Manuel Alvarez Bravo and Paintings & Contemporary Art catalogue can be Eugene Atget. His obvious affinity with artistic 3 Abbey Street found on page 4. potential of the camera lens has resulted in a Newton The Martin Hill Collection is an example of collection of museum quality and never to be Auckland a family devotion to the handmade principles of repeated opportunity for photography collectors PO Box 68 345 the English Arts and Crafts movement and the in New Zealand. Newton international webs of influence and inspiration The entire collection toured New Zealand Auckland 1145 which resonated around the world as the 20th public galleries in 2005 under the title Another century progressed.
    [Show full text]
  • 7017 1478289112.Pdf
    ISTANBUL, NOT CONSTANTINOPLE: THE USE OF DESIGNERLY TOOLS IN THE REPRESENTATION OF ISTANBUL IN AMERICAN CINEMA TUNA YILMAZ JULY 2009 ISTANBUL, NOT CONSTANTINOPLE: THE USE OF DESIGNERLY TOOLS IN THE REPRESENTATION OF ISTANBUL IN AMERICAN CINEMA A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF IZMIR UNIVERSITY OF ECONOMICS BY TUNA YILMAZ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF DESIGN IN THE GRADUATE SCHOOL OF SOCIAL SCIENCES JULY 2009 Approval of the Graduate School of Social Sciences ___________________ Asst. Prof. Dr. Alp LİMONCUOĞLU Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Design. ___________________ Prof. Dr. Tevfik BALCIOĞLU Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Design. ____________________ Asst. Prof. Dr. Gül KAÇMAZ ERK Supervisor Examining Committee Members Asst. Prof. Dr. Gül KAÇMAZ ERK _____________________ Prof. Dr. Robert J. CARDULLO _____________________ Assoc. Prof. Dr. C. Abdi GÜZER _____________________ ABSTRACT ISTANBUL, NOT CONSTANTINOPLE: THE USE OF DESIGNERLY TOOLS IN THE REPRESENTATION OF ISTANBUL IN AMERICAN CINEMA Yılmaz, Tuna Master of Design, Department of Design Studies Supervisor: Asst. Prof. Dr. Gül KAÇMAZ ERK July 2009, 121 pages It is possible to say that cinema as the art of the twentieth century, and modern city are born in the same period of time and have developed concurrently. While these two have advanced throughout this historical time period, they have also interacted and transformed each other.
    [Show full text]