Allman Brothers Organ Transcription
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Some Bros. & a Blonde
page 16 BLUE Joni Mitchell ; Reprise MS2038 ? -How does it sound? ; --Well, you can really see where James Taylor, uhh... you've really got to listen to the background.. .you know so much of the guitar playing sounds just like him.. the electric parts, I guess. -Does she have a lot of piano in it? . ; --Not really. Not so distinctive. But she's got practically * everything else on it , everything else that you might ex-;.. I pect from her, that is, a lot of different instruments. * -Do you think it's prettier than Ladies of the Canyon? . .. f --Technically better. ': ''Technically better?What do you mean? --The music is better. She's doing a lot of more compli cated arrangements. Musically it's almost perfect, you know. -I don't even know who else is playing with her on that album. --It doesn't say. It's very plain. On the inside are all the words. And on the back it has all die titles of the songs. .... ; . .. the front has Blue Joni Mitchell and you open it up .,.'!. and there are her words. Oh wait a minute... down here t I see something... Stephen Stills bass guitar on "Carey",| James Taylor on " California", and "All I Want", "A Case ! Of You". Sneaky pete, pedal steel guitar. ! - Yeah, he's from the Flying Burritfc Brothers. « --Uhh.. engineer.. Henry Lewey. Lewey? \ -Lewey, yeah. f (long pause) '. -How long have you had it? ••• t. --Just this afternoon. , . jj -How many times have you heard it? :- | --Once. I'm on my second now. -
Columbuscityscene11 18
NOVEMBER 2018 [$2.25] www.cityscenecolumbus.com insideON THE COVER 6 on the scene 12 Made in the U.S.A. Shared experiences in providing local handmade products If it Feels Right to the community Derek Trucks grew up amongst the legends but 1 8 Window Wonderland never imagined he would be where he is today Contest focuses on community and collaboration 24 Double the Talent Local author and actor, Gary Braunbeck, shares his stories and insight 14 38 20 Lifting Spirits departments Personal tragedies and hardships result in 6 insight 35 spirits 41 on view valuable community endeavors 10 health 36 travel 44 calendar COVER: Photo courtesy of Tab Winters 14 cuisine 38 visuals 48 critique 2 cityscenecolumbus.com | November 2018 CS INSIGHT If it Feels Right Derek Trucks grew up amongst the legends A but never imagined he would be where he is today By Rocco Falleti The Tedeschi Trucks Band Live from the Palace Theatre Nov. 9. Tickets are available at all Ticketmaster outlets • • • • • 6 cityscenecolumbus.com | November 2018 Mayhem The young prodigy caught the attention of Ace Moreland’s West Side Story, a Jacksonville blues band, was getting ready to take Allman Brothers Band guitarist Col. Bruce the stage at Applejacks, a small bar connected to a hotel in Miami back in the late Hampton. Hampton would serve not only as a ’80s. Moreland had recently enlisted the talents of a young and talented prodigy, mentor, but as a role model to Trucks early on in 9-year-old guitarist Derek Trucks. his career. Trucks is the nephew of drummer and founding member “Bruce’s M.O. -
Requiem for Thomas Wood B.3/10/65 D.6/27/19 “Sometimes I Feel
Requiem for Thomas Wood b.3/10/65 d.6/27/19 “Sometimes I feel, sometimes I feel Like I been tied to the whipping post Tied to the whipping post, tied to the whipping post Good Lord, I feel like I’m dyin’” Allman Brothers Band. Whipping Post The last time I saw Tom Wood alive the scene played out this way. I was heading down Bishop Street when I spotted Tom on the side of the road across from the MWRTA’s headquarters. I’m thinking maybe he was lookin’ for a lift to cover the last 700 yards from the Turning Point to the mother ship. First I groaned, then hesitated, yes hesitated before pulling over to the side of the road and rolling the passenger side window. “Tom, hey Tom, do you want a ride, are you OK?” Tom’s eyes are cloudy and unfocused, they appear to be spinning in his head. “You may need to go to the hospital. Come on, let’s go see your caseworker.” No way, Tom dismisses me. His eyes focus for a moment. “I’m OK. I’ll walk.” As I pull away, the twin throbbing guitars of Duane Allman and Dickey Betts accompanied by the futile existential wail of sorrow by Gregg Allman starts playing between my ears. The Live at the Fillmore version. It’ll be a while before it recedes. I learn, when Tom is lying in a hospital bed with the electrical activity in his brain reduced to a mere flicker, that Tom was a heavy metal aficionado. -
The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 2-22-1977 The aC rroll News- Vol. 59, No. 14 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 59, No. 14" (1977). The Carroll News. 566. http://collected.jcu.edu/carrollnews/566 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. VOL. liO. NO. 15 APR. 22. 1977 The Carroll Nevvs John Carroll University University Heights, Ohio 441 18 Freeman speaks on Union By J ohn F. Kostyo as a means of improving that ~oing agam while trying to get News Editor situation his administration organized. Student Union President. Freeman hopes to get some Committees. such as. Review. Tim Freeman, cites three Student Union committees continued on page 8 major goals for h1s new administration: to initiate new 1 programs: maintain the strong Junior S Noah areas of the present student wins government: and revitalize weaker areas. Stunt Night award Freeman sees the newly organized S.O.C as one of the By P ATRICE AYLWAIN> tion of the Blue Streak March main areas where potential mgBand changes may come "They can Thts past Saturday night The begtnning of the have a lot of power." Freeman Kulas Auditorium resound(>d program was marked by the says about campus organiza· with laughter. -
Macon Layout.Indd
Macon Gray/Old Clinton Milledgeville Eatonton Madison Watkinsville Athens -Where Soul Lives With our central location, breathtaking architecture, and rich musical heritage, Macon is a city with historic soul. You can feel our soul through our attractions,Maco, food, festivals, and culture. No matter where Ge you go, you’re exposed gi to Macon’s story which can be experienced in our historic homes showcasing our southern charm, our world- renowned museums, and our one-of-a-kind restaurants. Visit Macon and let us share a little bit of soul with you. 8:00 am- Breakfast at H&H Restaurant A meeting place for civil rights activists which was opened in 1959 by Inez Hill and Louise Hudson, also known as Mama Hill and Mama Lou- ise. The restaurant was a popular eatery during the early days of The Allman Brothers Band and other music groups from Macon such as The Marshall Tucker Band and Wet Willie. H&H is known for its delicious soul food. 9:30 am- Downtown Macon Visitors Center Enjoy this state-of-the-art visitors center, view colorful exhibits along an informative time-line, browse gifts in the souvenir shop and watch the exciting 11-minute video. With clean restrooms for all, stop by for a perfect introduction to Macon. 10:00 am- Tubman Museum Take a soulful journey through time, From Africa to America at the Tubman African American Museum, the largest facility in the Southeast devoted solely to African American art, history and culture. See colorful exhibits on Harriet Tubman, African American Inventors, Georgia artists, and the incredible slave to freedom story of William & Ellen Craft. -
Combatting Sea-Level Rise in Southern California: How Local Governments Can Seize Adaptation Opportunities While Minimizing Legal Risk
19 HASTINGS WEST NORTHWEST J. ENVTL. L. & POL’Y 463 (2013) COMBATTING SEA-LEVEL RISE IN SOUTHERN CALIFORNIA: HOW LOCAL GOVERNMENTS CAN SEIZE ADAPTATION OPPORTUNITIES WHILE MINIMIZING LEGAL RISK Megan M. Herzog* and Sean B. Hecht** As the primary coastal land use decisionmakers in Southern California, local governments will make choices that will shape the region’s resilience to sea-level rise. To implement adaptation plans effectively, local governments must understand the ways law enhances their adaptive capacity by providing them with the necessary legal authority to take actions to adapt to changing sea-level conditions. Additionally, local governments must appreciate legal risks—that is, potential legal limitations on adaptation tools, as well as potential liability to private parties for harms related to the adverse effects both of adaptation actions and sea-level rise itself. This article identifies how local governments can harness legal doctrines to support aggressive, innovative strategies to achieve successful sea-level rise adaptation outcomes for Southern California while minimizing legal risk. We broadly outline likely sea-level rise impacts in Southern California, and evaluate the risks and opportunities of potential protection, accommodation, and retreat adaptation strategies that local governments could deploy. We focus primarily on four categories of legal issues that may be implicated as Southern California localities plan for the impacts of sea-level rise: 1) the California Coastal Act, 2) the public trust doctrine, 3) the constitutional takings doctrine, and 4) the California Environmental Quality Act. We divide our analysis of these legal doctrines into their potential interactions with both private development and critical municipal infrastructure like roads, power plants, and ports. -
Monteagle Florist in MONTEAGLE: Sunday Mornings
The Sewanee Mountain MESSENGER Vol. XXX No. 7 Friday, February 21, 2014 Barry Steps DuBose Center Down Aft er Appoints New Director Th e board of directors of DuBose Conference Center has named Chat- 45 Years tanooga businessman and civic leader David R. Ramsey as its new executive director. Ramsey brings experience in executive leadership, day-to-day business Aft er 45 years of service, Sewanee management, nonprofi t development and fund-raising, as well as a lifelong athletic department staff member Bill history with DuBose. Barry has announced he will retire Ramsey also has deep connections to DuBose, including as a camper at from the University at the end of the Camp Gailor-Maxon and serving meals at Episcopal Laymen’s Conferences. school year. He has served two terms on the DuBose board, and was the board president “I have enjoyed working for the 1996–97. University and the athletic depart- “In many ways, it feels like my whole life has been a preparation for this job: ment during my time on the moun- from my days here as a camper and a layman, to serving on the DuBose board, tain,” said Barry. “Th e coaches, athletic to running and growing construction- directors and support staff , along with related businesses, and doing develop- the administration during this time, ment work for nonprofits,” Ramsey have been a pleasure to work with said. “Every aspect of that experience throughout my career.” Butch Trucks (left ) and David Green leads me here.” Th e athletic department will rec- “David’s executive and develop- ognize Barry prior to tonight’s (Friday, ment experience will be critical as Feb. -
The Allman Brothers Band (From the 1969 Album the ALLMAN BROTHERS BAND) Words and Music by Gregg Allman Arranged by Tubescream8
WHIPPING POST As recorded by The Allman Brothers Band (From the 1969 Album THE ALLMAN BROTHERS BAND) Words and Music by Gregg Allman Arranged by tubescream8 A Bm C D E Esus4 E A7 D7 C5 D5 xx x 5 fr. xx x 7 fr. xx x 8 fr. x x 5 fr. x ` x 6 fr. x x 7 fr. x x 7 fr. 5 fr. x x 5 fr. x xxx 3 fr. x xxx 5 fr. A Intro (bass) PR = 195 1 g I 118 118 c V V V V V V V V V V V V V V V V V V V V Gtr I T A B 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 P H P H P P H P H P P H P H P c V V 3 g k V V V k V V V k V V V V V V V k V V V 11 V V V V V V V V 6 V V V V V I 8 k V k V k V u 8 V k V Gtrs II, III 10 8 T 10 8 10 10 8 10 10 8 10 10 10 8 10 10 8 10 7 5 A 7 5 7 7 5 7 7 5 7 7 7 5 7 7 5 7 B g I 118 c 86 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V Gtr I T A B 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 P H P H P P H P H P P H P H P P H P H P P H P H P 1971 Unichappell Music Inc. -
“Statesboro Blues”—Blind Willie Mctell (1928) Added to the National Registry: 2015 Essay by Brian Bader
“Statesboro Blues”—Blind Willie McTell (1928) Added to the National Registry: 2015 Essay by Brian Bader Blind Willie McTell Blind Willie McTell was born May 5, 1901 in Thomson, Georgia. Though there is some uncertainty about his birth year, his comparatively long life (he died on Aug. 19, 1959, in Milledgeville, Georgia), his prolific recording career, the memories of numerous acquaintances, and McTell’s own recorded reminiscences, allow for a full picture of his life. His skillful fingerpicking guitar style ranks high with the playing of other acoustic blues artists, both blind (Blind Boy Fuller, Blind Blake, Reverend Gary Davis) and sighted (Josh White, Brownie McGhee). Hard to categorize, McTell embodied Piedmont blues, as well as ragtime, and gospel/spiritual/religious music, and may best be described as a mid-twentieth century American songster. One of his tunes--“covered,” or more accurately freely adapted, in a powerful electric blues rendition by the Allman Brothers Band-- is his legacy. This number most familiar to modern blues and rock fans: “Statesboro Blues.” Recorded by McTell and self-accompanied on twelve- string guitar in 1928 for Victor records, it showcases his distinctive voice and his talented guitar playing. The Allman Brothers later credited their cover of the song to “Will McTell” on their live two-record album “At Filmore East” released in 1971 on Capricorn Records. Guitarists Duane Allman (using a slide) and Dickey Betts cut loose with their trademark twin lead guitar line up in a memorable reading as a jumping blues shuffle. In an analysis of the history of “Statesboro Blues,” however, it is important to note that between the McTell recording and the Allman Brothers, there is a version from 1968 by Taj Mahal on his debut album. -
CHUCK LEAVELL the Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS for DOWNLOAD the Wildroots Are Back!
CHUCK LEAVELL The Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS FOR DOWNLOAD The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. It’s one of those discs that can really lift the darkness. If, by chance you’re feeling down, you won’t be after this record is done with you. …Stunning.” - ROCK DOCTOR (John Kereiff) “With a guest list that’s mind boggling, you couldn’t get a better set if Paul Shaffer rounded up his SNL/Letterman pals and enlisted them to have a party. This set makes every hour after hours and the party never ends. Simply smoking.” - Midwest Record (Chris Spector) “With excellent songwriting, stellar performances, and wide-ranging styles, it is an album easily recommended for everyone.” - Blues Blast Magazine (Anita Schlank) Get your copy today! WildRootsRecords.com The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. -
The Allman Betts Band at Pikes Peak Center on Friday, September 13, 2019
For Immediate Release Media Contact: Denise M. Abbott The Broadmoor World Arena/Pikes Peak Center (719) 477-2117 (o) [email protected] The Allman Betts Band at Pikes Peak Center on Friday, September 13, 2019 Coming to Pikes Peak Center and announcing today is The Allman Betts Band which will visit Colorado Springs on Friday, September 13. After a successful year touring as The Devon Allman Project with special guest Duane Betts, the sons of Gregg Allman and Dickey Betts have joined forces to form The Allman Betts Band. The new band includes Devon Allman, Duane Betts, Berry Oakley Jr. (son of original Allman Brothers Band bassist Berry Oakley), Johnny Stachela (slide guitar) and Devon Allman Project percussionists R. Scott Bryan and John Lum. Tickets for the September show will go on sale Friday, February 8 at 10 a.m. and range from $34 - $47 plus applicable fees. They can be purchased online at PikesPeakCenter.com, BroadmoorWorldArena.com, or AXS.com; at the Pikes Peak Center or The Broadmoor World Arena box offices; or via phone at (719) 520-SHOW. The band kicks off 2019 with a new Allman Betts Band album and a worldwide tour that will feature new music, songs from their solo projects, and classic Allman Brothers and Gregg Allman tunes in honor of the 50th Anniversary of The Allman Brothers Band. The new album, slated for release in the spring of 2019, will include guest appearances from former Allman Brothers Band keyboardist and current Rolling Stones keyboardist, Chuck Leveall. . -
Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] Das klassische Bestseller-Album "Brothers And Sisters" der Allman Brothers Band erscheint am 5. Juli 2013 remastert auf CD und Vinyl By the time they released their fifth album Brothers And Sisters in August 1973, the Allman Brothers Band had experienced dizzying highs and soul-crushing lows. The group had spent its first two years developing its formidable collective chemistry into an unprecedented stylistic fusion that established it as the era’s most influential American rock act. But just as the band had achieved a hard-won commercial breakthrough with 1971’s At Fillmore East, it suffered a devastating loss with the death of Duane Allman, its founder, leader and musical visionary, in a motorcycle crash on October 29, 1971. Following Duane’s traumatic passing, the band regained its bearings and soldiered on, with Duane’s brother, singer/organist Gregg Allman, and guitarist/vocalist Dickey Betts—now the lone axeman in an act famous for its dual-guitar fireworks—assuming more prominent roles in its direction. The musicians marshaled their strengths to make Brothers and Sisters—their first album recorded completely without Duane—a decisive creative rebirth as well as their best-selling release to date. Brothers And Sisters bested the sales of At Fillmore East and Eat A Peach, spending five weeks at #1 and becoming the first Allman Brothers Band release to gain Platinum sales status. Configurations Vinyl - Brothers And Sisters original recording remastered. CD - Brothers And Sisters original recording remastered.