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Columbuscityscene11 18
NOVEMBER 2018 [$2.25] www.cityscenecolumbus.com insideON THE COVER 6 on the scene 12 Made in the U.S.A. Shared experiences in providing local handmade products If it Feels Right to the community Derek Trucks grew up amongst the legends but 1 8 Window Wonderland never imagined he would be where he is today Contest focuses on community and collaboration 24 Double the Talent Local author and actor, Gary Braunbeck, shares his stories and insight 14 38 20 Lifting Spirits departments Personal tragedies and hardships result in 6 insight 35 spirits 41 on view valuable community endeavors 10 health 36 travel 44 calendar COVER: Photo courtesy of Tab Winters 14 cuisine 38 visuals 48 critique 2 cityscenecolumbus.com | November 2018 CS INSIGHT If it Feels Right Derek Trucks grew up amongst the legends A but never imagined he would be where he is today By Rocco Falleti The Tedeschi Trucks Band Live from the Palace Theatre Nov. 9. Tickets are available at all Ticketmaster outlets • • • • • 6 cityscenecolumbus.com | November 2018 Mayhem The young prodigy caught the attention of Ace Moreland’s West Side Story, a Jacksonville blues band, was getting ready to take Allman Brothers Band guitarist Col. Bruce the stage at Applejacks, a small bar connected to a hotel in Miami back in the late Hampton. Hampton would serve not only as a ’80s. Moreland had recently enlisted the talents of a young and talented prodigy, mentor, but as a role model to Trucks early on in 9-year-old guitarist Derek Trucks. his career. Trucks is the nephew of drummer and founding member “Bruce’s M.O. -
Macon Layout.Indd
Macon Gray/Old Clinton Milledgeville Eatonton Madison Watkinsville Athens -Where Soul Lives With our central location, breathtaking architecture, and rich musical heritage, Macon is a city with historic soul. You can feel our soul through our attractions,Maco, food, festivals, and culture. No matter where Ge you go, you’re exposed gi to Macon’s story which can be experienced in our historic homes showcasing our southern charm, our world- renowned museums, and our one-of-a-kind restaurants. Visit Macon and let us share a little bit of soul with you. 8:00 am- Breakfast at H&H Restaurant A meeting place for civil rights activists which was opened in 1959 by Inez Hill and Louise Hudson, also known as Mama Hill and Mama Lou- ise. The restaurant was a popular eatery during the early days of The Allman Brothers Band and other music groups from Macon such as The Marshall Tucker Band and Wet Willie. H&H is known for its delicious soul food. 9:30 am- Downtown Macon Visitors Center Enjoy this state-of-the-art visitors center, view colorful exhibits along an informative time-line, browse gifts in the souvenir shop and watch the exciting 11-minute video. With clean restrooms for all, stop by for a perfect introduction to Macon. 10:00 am- Tubman Museum Take a soulful journey through time, From Africa to America at the Tubman African American Museum, the largest facility in the Southeast devoted solely to African American art, history and culture. See colorful exhibits on Harriet Tubman, African American Inventors, Georgia artists, and the incredible slave to freedom story of William & Ellen Craft. -
CHUCK LEAVELL the Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS for DOWNLOAD the Wildroots Are Back!
CHUCK LEAVELL The Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS FOR DOWNLOAD The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. It’s one of those discs that can really lift the darkness. If, by chance you’re feeling down, you won’t be after this record is done with you. …Stunning.” - ROCK DOCTOR (John Kereiff) “With a guest list that’s mind boggling, you couldn’t get a better set if Paul Shaffer rounded up his SNL/Letterman pals and enlisted them to have a party. This set makes every hour after hours and the party never ends. Simply smoking.” - Midwest Record (Chris Spector) “With excellent songwriting, stellar performances, and wide-ranging styles, it is an album easily recommended for everyone.” - Blues Blast Magazine (Anita Schlank) Get your copy today! WildRootsRecords.com The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. -
A Resolution by the State Transportation Board of Georgia 2001
A RESOLUTION BY THE STATE TRANSPORTATION BOARD OF GEORGIA 2001 DUANE ALLMAN BOULEVARD AND RAYMOND BERRY OAKLEY III BRIDGE — DESIGNATED. WHEREAS, in 1969, a group of young but already seasoned and demonstrably and incredibly talented musicians, including guitarist Duane Allman, bassist Berry Oakley, vocalist and organist Gregg Allman, guitarist Dickey Betts, percussionist Butch Trucks, and percussionist Jaimoe, formed the Allman Brothers Band and established the band's home in Macon in April of that year; and WHEREAS, at now legendary jam sessions at their initial base on College Street, their later home at the "Big House" on Vineville Avenue, and other locations in and around Macon, including Rose Hill Cemetery and a farm known as Idlewild South, the band fused elements of blues, jazz, rock, and country music to create a musical genre now known and loved as "southern rock" and became one of the most exciting groups of performers ever to take the stage; and WHEREAS, the band members' talents and tour de force marathon performances across the nation not only received critical acclaim and awed their peers among musical greats but also served to inspire countless others and made Macon a musical mecca; and WHEREAS, Duane Allman's all too brief life was tragically ended at age 24 by a motorcycle accident on a street in Macon on October 29, 1971, and Berry Oakley suffered a similar fate at the same age and at almost the same location a year later on November 11, 1972; WHEREAS although their presence is sadly missed, these musicians' incomparable -
Request for Proposals and Interpretive Area Concept
REQUEST FOR PROPOSALS AND INTERPRETIVE AREA CONCEPT TABLE OF CONTENTS REQUEST FOR PROPOSALS Project Overview 3 Background 3 Scope of Work 4 Proposal Contents 5 Budget Note 6 Submission Procedures 7 Additional Materials 8 Question and Answer Period 8 INTERPRETIVE AREA CONCEPT Narrative Overview 9 Exhibit Modules and Content 13 Digital Interactive 19 Off-Site Accessibility and Community Partnerships 21 Discography Interactive 22 ADDENDA Mercer Music at Capricorn Case Statement 24 Floor Plans 36 Capricorn Records Discography 38 Resources 51 2 | Mercer Music at Capricorn, 2018 REQUEST FOR PROPOSALS PROJECT OVERVIEW Mercer University is seeking an Exhibit Designer to develop and install a permanent interpretive area as part of Mercer Music at Capricorn, a project which seeks to restore the historic Capricorn Sound Studios building as part of the largest market-rate residential development in the history of downtown Macon. Mercer Music at Capricorn will have a music incubator for aspiring young musicians, restored and expanded recording studios, offices for arts-related non-profits such as Macon Film Festival, Bragg Jam and Macon Pops, space for small concerts, special events and educational programs through Mercer’s Townsend School of Music and a two-story interpretive area that tells the story of Capricorn Records and Macon’s musical heritage through historic artifacts, static exhibits and interactive digital kiosks featuring music, video and text. This Request for Proposals represents the next step in the development of the interpretive area. Envisioned as not just a museum, but as a tool to advance a vibrant music scene, the project seeks to leverage Macon’s rich, nationally important music heritage to shape Macon’s music future. -
Eat Music Presskit
THE DEVON ALLMAN PROJECT PRESSKIT The Devon Allman Project When your surname is synonymous with one of the most revered forebears of seminal Southern Rock as well as archetypical Americana, it’s incumbent on you to honor that legacy and the music on which it was built. It’s little wonder then that Devon Allman, son of the late Gregg Allman (Allman Brothers) and an accomplished singer, songwriter and guitarist in his own right, should opt to launch a new band along with a series of high profile performances, the latest chapters in an already storied solo career. read full info CONTACT INFO LINKS Booking: [email protected] RELEASES Website Ride or Die [2016, Ruf Records] Facebook Ragged & Dirty [2014, Ruf Records] Turquoise [2013, Ruf Records] phone Hendrik Wippermann: +49 (0)178 340 298 0 phone Robert Kampf: +49 (0)173 525 497 0 [email protected] THE DEVON ALLMAN PROJECT PRESSKIT Watch on VIDEOS & Youtube TRACKS phone Hendrik Wippermann: +49 (0)178 340 298 0 phone Robert Kampf: +49 (0)173 525 497 0 [email protected] THE DEVON ALLMAN PROJECT PRESSKIT FULL INFO The Devon Allman Project When your surname is synonymous with one of the most revered forebears of seminal Southern Rock as well as archetypical Americana, it’s incumbent on you to honor that legacy and the music on which it was built. It’s little wonder then that Devon Allman, son of the late Gregg Allman (Allman Brothers) and an accomplished singer, songwriter and guitarist in his own right, should opt to launch a new band along with a series of high profile performances, the latest chapters in an already storied solo career. -
BB Nov 24 Issue Resized Lowres FINAL Lighter
Bryan Adams Andy Grammer Martha Reeves Alabama Amy Grant Rihanna A MUSICIANS’ PERSPECTIVE Greg Allman CeeLo Green Eric Roberson Steve Angello Gyptian Darius Rucker Rodney Atkins Warren Haynes Rush Sara Bareilles Don Henley Bobby Rush ON PANDORA Big Bad Voodoo Daddy Hootie and The Blowfish Joe Sample Clint Black Mallary Hope David Sanborn We are big fans of Pandora. That’s why we helped give Jack Blades Bruce Hornsby Skid Row the company a discount on rates for the past decade. Blondie Mick Hucknall Michael W. Smith Jonatha Brooke (Simply Red) Britney Spears Pandora is now enjoying phenomenal success as a Wall Jackson Browne The J. Geils Band Dave Stewart Jimmy Buffett Jaimoe Survivor Street company. Skyrocketing growth in revenues and Oteil Burbridge The Jazz Crusaders T.I. users.We celebrate that. At the same time, the music The Cab Billy Joel Susan Tedeschi community is just now beginning to gain its footing in Colbie Caillat John Paul Jones Robin Thicke Camper Van Beethoven Mick Jones (Foreigner) George Thorogood this new digital world. CoCo Carmel Journey TOTO George Clinton Jim Kerr and Charlie Burchill Butch Trucks Pandora’s principal asset is the music. Keyshia Cole (Simple Minds) Derek Trucks Common KISS Josh Turner Why is the company asking Congress once again to Easton Corbin Jana Kramer Frankie Valli and Bob Gaudio step in and gut the royalties that thousands of musicians Cowboy Mouth Ludacris (The 4 Seasons) Cracker Maroon 5 Dionne Warwick rely upon? That’s not fair and that’s not Randy Crawford Nick Mason Roger Waters how partners work together. -
Folio Weekly Cover Feature
ART HANGAMA AMIRI PG. 19 ARTS & EVENTS PG. 20 FOLIO A + E CONCERTS LIVE & LOCAL PG. 22 t’s not an overstatement to say on stuf ,” Tedeschi said. “[‘Shame’] is Tedeschi Trucks Band is Northeast basically saying, ‘Step it up, you’re not Florida’s most visible act of the above everyone else, shame on you for Ilast decade. Venerable solo artist Susan SIGNS OF not caring about other people.’” Tedeschi and T e Allman Brothers A bluesy and buoyant heartbreaker, Band guitarist Derek Trucks formed the “Hard Case” could f t in anywhere in the maelstrom of funk, blues, soul, folk and THE TIMES band’s discography. (“You got a lot to country when the couple combined their learn/ I got a lot to lose/ Guess I hold a respective backing bands. Success didn’t TEDESCHI TRUCKS BAND hits the candle/ For singers of the blues/ You’re take long: T eir debut record, Revelator, road with a TOPICAL NEW ALBUM a hard case to refuse”). While Trucks, snatched a Grammy for Best Blues Album who joined T e Allman Brothers Band in 2011. T eir fourth LP, Signs, dropped at 19, usually delivers three or four in February. No one is above anyone else, she said. T e collaborative aspect is strong on standout guitar solos on each album, T e 12-piece band christened Daily’s “We talk about what we should work Signs. T e set was recorded on two-inch the performance on “Still Your Mind” is Place in 2017, and they return for the on. -
The Allman Brothers Band at Fillmore East”-- the Allman Brothers Band (1971) Added to the National Registry: 2004 Essay by Alan Paul (Guest Post)*
“The Allman Brothers Band at Fillmore East”-- The Allman Brothers Band (1971) Added to the National Registry: 2004 Essay by Alan Paul (guest post)* Ori Album cover Original label Duane Allman The Allman Brothers Band’s double album, “At Fillmore East,” is often and rightly proclaimed as rock’s greatest live release. It still sounds completely fresh, totally inspired, and utterly original. It is the gold standard of blues-based rock and roll. But, after almost 45 years of such praise, it’s easy to lose sight of what a radical album “At Fillmore East” really was. It took a lot of guts for the band and their record label to release a two-LP live album as their third release. After all, when it came out in October 1971, the band was something of a commercial flop. Though drawing raves for their marathon live shows that combined the Grateful Dead’s go-anywhere jam ethos with a far superior musical precision, their first two releases still had caused barely a ripple in the marketplace. The band’s self-titled 1969 debut sold less than 35,000 copies and the following year’s “Idlewild South” did only marginally better despite two singles, “Midnight Rider” and “Revival.” The lackluster sales didn’t reflect the increasingly large and rabid crowds the Allman Brothers were drawing on their relentlessly paced tours. Crowds loved the band’s rare combination of blues, jazz, rock and country and their willingness to play until somebody pulled the plug. Finally, it dawned on the band and its management that a live album was the only way to capture the band’s real essence. -
The Allman Brothers Story
The Allman Brothers Story "I was 16 when Rolling Stone sent me out on the road with the Allman Brothers Band. I spent over two weeks amassing interviews with all the band members and their roadies. The night before I was to leave, Gregg Allman - still mourning the recent deaths of his legendary guitarist- brother Duane Allman and bassist Berry Oakley - had a late-night vision that the FBI could possibly be using me to investigate his band. He demanded all my tapes back until further notice. I left the tour in an emotional mess and wound up catatonic in the San Francisco airport, where I ran into my then-stewardess sister Cindy. She cheered me up and sent me home. Days later, the tapes arrived at my house with an apology note from Gregg Allman. I never told the magazine. It was my first cover story." - Cameron Crowe - Summer 2000 In which a rock & roll band from Dixie struggles in dreary motels, six-session-a-night grinds and a $48,000 debt, then a couple years later plays to sellout crowds for $100,000 a night...all the while riding the shotgun to death. The accent comes up out of Nashville, by way of Georgia, makes a dash across the States and ends up vaguely California. He sounds a bit like Kris Kristofferson, looks uncannily like his late brother, Duane. The hotel television is on; the sound is off. It is late, and the black and white movie something surely about horror and death at this small hour - glows up on Gregg Allman's tired face like a moonscape in Macon's Rose Hill Cemetery. -
DUANE ALLMAN and AMERICAN MUSIC by Bob Beatty A
“YOU WANNA PLAY IN MY BAND, YOU’D BETTER COME TO PICK”: DUANE ALLMAN AND AMERICAN MUSIC by Bob Beatty A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Public History Department of History Middle Tennessee State University August 2018 Doctoral Committee: Carroll Van West, Ph.D., Chair John Dougan, Ph.D. C. Brendan Martin, Ph.D. Kristine M. McCusker, Ph.D. Dedicated to Suzi and Pat Beatty. Thank you, Mom and Dad, for the unwavering support of all of my various interests and in my pursuit of my life and career goals. I am sorry you aren't here to celebrate this moment with me. ii ACKNOWLEDGMENTS All acknowledgments begin with my family: my wife Candy and daughters Ryan and Tyler, who lived this journey with me. Thanks to each of you for the role you play in my life and my life's work. Thank you to Dr. Carroll Van West, whose careful shepherding of this project and this phase of my graduate career is so appreciated. Thank you also to my dissertation committee, Drs. John Dougan, C. Brendan Martin, and Kristine M. McCusker, whose insights into this process were invaluable. To Troy Wilson, Brandon Munson, and Steve Marshall: a man is blessed to have one friend as good as each of you, my cup overflows that I have three. The same is true of my first best friend, my cousin Brad Beatty. I am forever grateful to my friends in the Allman Brothers Band world who encouraged and inspired me to dig deeper into this band and its meaning: most notably: Andy Beichler; Jules Fothergill; Gary Barrett; -
ALLMAN BROTHERS BAND Is Also a Vital Contemporary Phenomenon, As Much a Part of the Present and Future of Music As Any Band Can Be
Gregg Allman vocals, Hammond B-3 organ Butch Trucks drums & tympani Jaimoe drums Warren Haynes vocals, lead & slide guitar Marc Quiñones percussion & vocals Oteil Burbridge bass Derek Trucks lead & slide guitar They formed in 1969, but the road veterans continue to tour like they have something to prove. And they're already legends, with a secure place in history, a plaque at the Rock & Roll Hall of Fame and a 2012 Grammy Lifetime Achievement Award. But THE ALLMAN BROTHERS BAND is also a vital contemporary phenomenon, as much a part of the present and future of music as any band can be. In early 2003, the group released the critically lauded Hittin' The Note, their first new studio project in nine years (and 24th overall). Released March 18, 2003 on their own Peach label, these 11 tracks proved the band's ability to adapt its classic sound to the energy and aesthetics of modern rock. The ALLMAN BROTHERS BAND underlined the success of Hittin’ The Note (including two Grammy nominations for the track “Instrumental Illness”) with a live DVD and CD recorded in New York during the group’s annual marathon of shows at the Beacon Theatre (which they have packed over 150 times, including 13 sell-outs in 2007). The group also continues to release music from their personal archives, which they’ve guarded closely over the years. The Allman Brothers Band at the Beacon Theatre…just hearing the phrase conjures up images and sounds of well executed and passionately played live rock and roll. To capture the event for fans who might not necessarily have been lucky enough to get into the 2894-seat venue, the group recorded the shows, and released the Live At The Beacon Theatre DVD in late ’03, and it was quickly certified platinum.