Jack Pearson

Total Page:16

File Type:pdf, Size:1020Kb

Jack Pearson Jack Pearson Below is a partial list of Jack’s credits. This is just a sampling of his long career in music. Appearances, Tours, Special Events: • Faculty member at the annual W.C. Handy Music Camp at University North Alabama (numerous years) • Guest lecturer on phrasing for big band orchestra at Middle Tennessee State University • Guest lecturer for Guitar Master Class at Western Kentucky University • Guest instructor on Gibson’s Learn & Master Guitar course • Guest instructor on Learn & Master Blues Guitar with Steve Krenz • Guest instructor at numerous guitar clinics/workshops…too many to list • Host & instructor at Jack Pearson Guitar Clinics • All My Friends – Celebrating The Songs & Voice of Gregg Allman (2014) • Member of The Allman Brothers Band (1997-1999) • Gregg Allman & Friends numerous tours • Subbed for Dickey Betts on The Allman Brothers Band tour (1993) • Subbed for Derek Trucks on The Allman Brothers Band tours • Subbed for Warren Haynes on The Allman Brothers Band tours • Farm Aid, as member of The Allman Brothers Band (1997) • Delbert McClinton numerous tours st nd • Performed with Delbert McClinton as “house band” for 1 and 2 Annual ESPY Awards at Madison Square Garden, New York (1993 & 1994) • String Fever with Vince Gill & Guests – Tennessee Performing Arts Center • Vince Gill & Friends - The Ryman Auditorium, Nashville, TN • Jack’s band, The Nationals, opened for Neville Brothers featuring Aaron Neville, Starwood, Nashville, TN (1994) • Grand Ole Opry, multiple appearances with T. Graham Brown • Performance on commercial jingle sung by Faith Hill • Jack Pearson & William Howse duo performed at The Ryman Auditorium with The Fairfield Four and The Nashville Bluegrass Band • Jack Pearson & William Howse duo performed at dedication ceremony of the Tennessee Historical Marker commemorating John Lee “Sonny Boy” Williamson • Jack Pearson & William Howse duo opened for Doc Watson, Honey Boy Edwards, Yank Rachell & Johnny Shines • Groove Holmes (1988) • Buddy DeFranco (1987) • “Swing Into Spring” with Jimmy Raney, MTSU (1986) • Opened for Leon Redbone • The Allman Brothers Band, Pay Per View concert, TV (1998) • Vince Gill & Friends, Nashville Flood Relief, TV (May 2010) • “The Road” with Shelby Lynn, TV • “Nashville Now” with Delbert McClinton, TV • “Swap Shop On Stage” with Delbert McClinton, TV • “Bulger’s Backroads”, local news piece on Leadbelly, TV • “Bluegrass Blues” TV commercial, appeared with William Howse • W.C. Handy Music Festival, Florence AL • Main Street Jazz Festival, Murfreesboro TN • Chet Atkins Tribute Shows • Bluesfest, Sarasota, FL • Mountain Fest, Breckenridge, CO www.jackpearson.com Page 1 of 5 • Riverbend Festival, Chattanooga, TN • Warren Haynes Christmas Jam 26 • GABBAfest • Jam For Duane, Gadsden, AL • Wanee Music Festival, Live Oak FL • Blues Music Festival • Music City Jazz & Blues Heritage Festival, Nashville, TN • Downtown River Jam, Nashville, TN • Gibson Summer Jam, Nashville, TN • Music City Blues Extravaganza, Nashville, TN • Summer Lights, Nashville, TN • Dancing In The District, Nashville, TN • Italian Street Fair, Nashville, TN • Uncle Dave Macon Days, Murfreesboro TN • Shannon Street Blues Festival, Jackson TN • Mule Days, Columbia, TN Musician/Singer credits -- Jack has appeared on the following recordings: • A.J. McMahon: “Mek Man” (2000) • Allen Thompson: “Allen Thompson” (2007) • April Barrows: “My Dream Is You” (1996) • Arlen Roth & Various Artists: “Slide Guitar Summit” (2015) • Artimus Pyle: “Artimus Venomus” (2007) • Ashley Turba: “Don’t Give Up” (2002) • B Street Blues: “Car Won’t Go” (2010) • Barry Greenfield: “Exposed Soul” (2008) • Beth Black: “Beth Black” (1996) • Big Kat Kaylor: “Scattered” (1996) • Billy Montana: “No Yesterday” (1995) • Bobby “Blue” Bland: “Portrait Of The Blues” (1991) • Bobby Bradford: “No Saints Walking” (1999) • Bradley Cole: “Tonite” (2000) • Chris LeDoux: o “Horsepower” (2003) o “Capitol Collection: 1990-2000” (2002) o “After The Storm” (2002) o “Cowboy” (2000) • Chris Nole: o “Songs Of The Wide Horizon” (2003) o “Barrel House Boogie Piano” (1999) • Cumberland Quartet: “Acoustic Hymns Vol. 1” (2006) • Dan Bird Band: “DBB” (2010) • Danny Reid Carter: Barcelona” (2007) • Dave Duncan: I Don’t Know If It’s True…But It Happened To Me” (2000) • David Holt: “David Holt & The Lightning Bolts” (2006) • Donnie Fritts: “Everybody’s Got A Song” (1997) • Duncan Walters: “Northern Rain” (2004) • Freight Train Deluxe: “Women, Music and Trucks” (2008) • Gary Fields: “Sounds About Right” (2009) • Gregg Allman: o “Searching For Simplicity” (1997) o “All My Friends – Celebrating The Songs & Voice of Gregg Allman” (2014) www.jackpearson.com Page 2 of 5 • Heather Lawson: “Heather Lawson” (1996) • Herb Jeffries: “The Bronze Buckaroo (Rides Again)” (1995) • J’Nae: “J’Nae” (2005) • Jack Pearson: o “Do What’s Right” (2007) o “Jack Pearson” (1999) o “William Howse & Jack Pearson” (1999) o “Step Out!” ( 1994) • Janet Paschal: “Treasure” (2009) • Janie Grey: “Memories, Enemies & Friends” (1996) • Jim Horn: o “Christmas with Jim Horn” (1999) o “The Hit List” (1998) • Jimmy Buffett: “Beach House On The Moon” (1999) • Jimmy Hall: “Rendezvous With The Blues” (1996) • Jimmy Nalls: “Ain’t No Stranger” (1999) • Joel Di Gregorio: “Shake Rag” (2008) • John Balch: “~HOT~ Biscuit Jam” (2005) • John Jaworowicz: “Muddy Water Fever” (1997) • Johnny Jenkins: “Blessed Blues” (1996) • Johnny Neel & The Last Word: o “Comin’ Atcha…Live” (1995) o “Johnny Neel & The Last Word” (1993) • Karen Gruber: “Into My Own” (2003) • Kenneth Higney: o “Ambulance Driver” (2011) o “American Dirt” (2009) • Kira Small: “Love In A Dangerous World” (2006) • Lee Roy Parnell: “Tell The Truth” (2001) • Lewis, Scruggs & Long: “Lifetimes” (2007) • Lindy Gravelle: “Little Ol’ Girl” (1995) • Mac McAnally: “Semi-True Stories” (2004) • Mack Bailey: “Why I’m Here” (2003) • Marion James: “Essence” (2003) • Miranda Louise: “Mama Told Me” (1995) • Rick Moore: “Better Off With The Blues” (2009) • Rob Galbraith: “Too Long At The Fair” (2004) • Rock Williams: “Heart & Soul” (2003) • Scott Christopher Murray: “Short Stories” (1996) • Smoky Greenwell: “Blow Out” (1998) • Stephen Nutt: “Just Believe” (2007) • Stephen Trio Kummer: “Christmas In The City” (2005) • Steve Bassett: “On A Saturday Night” (1995) • T. J. Klay: “Heart Of Klay” • Tammy Taylor: “If You Only Knew” (1995) • The Bacon Brothers: “Getting There” (1999) • The Electric Experiment: “Life On The Blue Dot” (2007) • The Lewis Family: o “Flyin’ High” (2006) o “One Rose” (2005) • Toxic Reasons: “No Peace In Our Time” (1995) • Various Artists: “I’m Believin’” (2010) • Various Artists: “My First Ride” (2009) • Vickie Carrico: “Never Been Hurt” (2006) www.jackpearson.com Page 3 of 5 Producer, Engineer, etc. credits -- Jack has provided skills behind the board for tracks on the following recordings: • A.J. McMahon: “Mek Man” (2000) – Produced/Engineered/Mixed • Ashley Turba: “Don’t Give Up” (2002) – Produced/Mixed • Jack Pearson: o “Do What’s Right” (2007) – Produced/Engineered/Mixed/Mastered o “Jack Pearson” (1999) – Produced/Engineered/Mixed/Mastered o “William Howse & Jack Pearson” (1999) – Produced/Engineered/Mixed/Mastered o “Step Out!” (1994) – Produced/Engineered/Mixed/Mastered • Jim Horn: “The Hit List” (1998) – Engineered • Jimmy Dormire: “Premonition” (2007) – Engineered • John Balch: “~HOT~ Biscuit Jam” (2005) – Produced/Engineered/Mixed/Mastered • Karen Gruber: “Into My Own” (2003) – Produced/Engineered/Mixed • Kenneth Higney: o “Ambulance Driver” (2011) – Engineered/Mixed/Mastered o “American Dirt” (2009) – Engineered/Mixed/Mastered • “American Dirt” (2009) – Engineered/Mixed/Mastered • Stephen Nutt: “Just Believe” (2007) – Produced/Engineered/Mixed/Mastered • Various Artists: “I’m Believin’” (2010) – Produced/Engineered/Mixed/Mastered • Various Artists: “My First Ride” (“Do What’s Right” Jack Pearson featuring Vince Gill) (2009) – Produced/Engineered/Mixed • Various Artists: “John Work, III: Recording Black Culture” (2007) – Engineered *Grammy Award Winning Album* Songwriter credits -- songs written by Jack have appeared on the following projects: • “Slide Guitar Summit” Arlen Roth & Various Artists (2015) • “I’m Believin’ – Gospel Music In Middle Tennessee” Various Artists (2010) • “My First Ride” Various Artists (2009) • Jessie Hart (2008) • “Do What’s Right” Jack Pearson (2007) • “Is There Anybody Out There” Garnet Mimms (2007) • “Just Believe” Stephen Nutt (2007) • “One Way Out (Live)” The Allman Brothers Band (2004) • “Live At The Beacon DVD” The Allman Brothers Band (2003) • “Hittin’ The Note” The Allman Brothers Band (2003) • “X2” Various Artists (2002) • “Don’t Give Up” Ashley Turba (2002) • “Best Of The Guitarslingers” Various Artists (2002) • “Guitar Heroes” Various Artists (2002) • “Tell The Truth” Lee Roy Parnell (2001) • “I Don’t Know If It’s True…But It Happened To Me” Dave Duncan (2000) • “Mek Man” A.J. McMahon (2000) • “Jack Pearson” Jack Pearson (1999) • “William Howse & Jack Pearson” William Howse & Jack Pearson (1999) • “Blues Fallin’ Down Like Rain” Kenny Neal (1998) • “Mycology An Anthology” The Allman Brothers Band (1998) • “I Know A Good Thing” Amy Watkins (1998) • “Searching For Simplicity” Gregg Allman (1997) • “Rendezvous With The Blues” Jimmy Hall (1996) www.jackpearson.com Page 4 of 5 • “Blessed Blues” Johnny Jenkins (1996) • “Gov’t Mule” Gov’t Mule (1995) nd • “2 Set” The Allman Brothers Band (1995) • “H.O.R.D.E.” Various Artists (1994) • “Where It All Begins” The Allman Brothers Band (1994) • “Step Out!” Jack Pearson ( 1994) • “In The Here And Now” Tracy Nelson (1993) www.jackpearson.com www.jackpearson.com Page 5 of 5 .
Recommended publications
  • Some Bros. & a Blonde
    page 16 BLUE Joni Mitchell ; Reprise MS2038 ? -How does it sound? ; --Well, you can really see where James Taylor, uhh... you've really got to listen to the background.. .you know so much of the guitar playing sounds just like him.. the electric parts, I guess. -Does she have a lot of piano in it? . ; --Not really. Not so distinctive. But she's got practically * everything else on it , everything else that you might ex-;.. I pect from her, that is, a lot of different instruments. * -Do you think it's prettier than Ladies of the Canyon? . .. f --Technically better. ': ''Technically better?What do you mean? --The music is better. She's doing a lot of more compli­ cated arrangements. Musically it's almost perfect, you know. -I don't even know who else is playing with her on that album. --It doesn't say. It's very plain. On the inside are all the words. And on the back it has all die titles of the songs. .... ; . .. the front has Blue Joni Mitchell and you open it up .,.'!. and there are her words. Oh wait a minute... down here t I see something... Stephen Stills bass guitar on "Carey",| James Taylor on " California", and "All I Want", "A Case ! Of You". Sneaky pete, pedal steel guitar. ! - Yeah, he's from the Flying Burritfc Brothers. « --Uhh.. engineer.. Henry Lewey. Lewey? \ -Lewey, yeah. f (long pause) '. -How long have you had it? ••• t. --Just this afternoon. , . jj -How many times have you heard it? :- | --Once. I'm on my second now.
    [Show full text]
  • Tim Carter, and Dave Hagerman on “Keep on Smilin’” by Wet Willie
    1 Rockin’ Songs of the South: Freebird Night By Deroy Murdock Bohemian Club January 28, 2009 January 29, 2009 (Ladies’ Night) Draft I (Separate Thursday, Head Table and Friday scripts to follow) [The Jinks Theater’s curtain rises as we hear…] [Song: “South’s Gonna Do It Again”] Sire: Thank you very much, Michael Lee Firkins and Carlos Reyes with the Charlie Daniels Band’s hit, “The South’s Gonna Do it Again.” [Applause.] I’m Haley Barbour, and I’m your Sire tonight. This is my first time to be a Sire, but with my accent, Rich Garlinghouse, the Imperial Potentate around here, thought I’d be perfect . 2 . and, Rich, thanks for letting me do it without an interpreter. Rich says I’m the only member of the Club who pronounces his first name with three syllables. [For Thursday continue with head-table remarks, then end; Resume remarks after first musical number in Jinks Theater Thursday night. Downstairs script begins with thank yous after “South’s Gonna Do It Again.] [For Friday Night, continue straight through.] -- 3 We are here tonight to honor and appreciate Southern Rock. One of this genre’s pioneers, Greg Allman, believes the term “Southern Rock” is redundant. “Sort of like ‘rock rock.’” After all, rock & roll began as southern music. There’d be no rock without the blues, created in the Mississippi Delta by the original bluesmen, like Charlie Patton of Dockery Farms, and Hazlehurst’s Robert Johnson, who, legend has it, sold his soul to the devil to learn to play the blues guitar, down where Highway 49 intersects with US 61.
    [Show full text]
  • The BG News April 20, 1990
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-20-1990 The BG News April 20, 1990 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 20, 1990" (1990). BG News (Student Newspaper). 5076. https://scholarworks.bgsu.edu/bg-news/5076 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. ARTS IN APRIL BG NETTERS VICTORIOUS International and ethnic Falcons prevail 6-3 artworks presented Friday Mag ^ over tough Wooster club Sports The Nation *s Best College Newspaper Friday Weather Vol.72 Issue 116 April 20,1990 Bowling Green, Ohio High 67* The BG News Low 49° BRIEFLY Hostage release postponed Erosion In Damascus. Syrian Foreign Minis- by Rodeina Kenaan "The United States ter Farouk al-Sharaa said his govern- Associated Press writer ment has "been exerting a great deal of of ozone CAMPUS does not knuckle under influence" to secure the hostage BEIRUT, Lebanon — Pro-Iranian to demands." release by Sunday. He would not elab- Beta rescheduled: The 27th kidnappers said Thursday they post- -George Bush, orate. layers annual Beta 500 race has been poned indefinitely the release of an President Bush said the United rescheduled for this Sunday at noon. American hostage because the United CJ.S.
    [Show full text]
  • 2018 Winter Seminar
    2018 WINTER SEMINAR MARCH 22-24, 2018 SHERATON GRAND NASHVILLE www.cfsaa.org “Nashville may be best known as ‘Music ABOUT NASHVILLE City’, but its food and drink scene is Nashville is the capital of Tennessee and home to Vanderbilt Uni- starting to have just as much soul and versity. Legendary country music venues include the Grand Ole rock’n’roll swagger.” Opry House, home of the famous “Grand Ole Opry” stage and radio show. The Country Music Hall of Fame and Museum and historic Ryman Auditorium are Downtown, as is the District, fea- - The Guardian turing honky-tonks with live music, the bars of Broadway Street, and the Johnny Cash Museum, celebrating the singer's life. “Nashville, Tennessee moves beyond its The 2018 Winter Seminar will be based in the Sheraton Grand country roots and embraces a new, mul- Nashville Downtown, located just steps from the historic Arts District and the center of Music City nightlife. The recently reno- tifaceted role as one of our country’s vated hotel features spacious rooms, an indoor pool & spa, and leading arts-and-entertainment cities.” the trendy Library Bar & Lounge. The hotel also offers a variety of event spaces, including an impressive rooftop dining room. The glass-walled rooftop dining room offers a 360-degree view of the - American Way city, and will be the location for two Winter Seminar events. ARRIVAL AND DEPARTURE The Sheraton Grand is conveniently located in the center of Nashville with easy access from the highway and the airport. From the airport: Grayline Airport Express runs a shuttle ser- vice from the airport to the hotel.
    [Show full text]
  • Jazzfest 2012 Is Here!
    Volume 40 • Issue 6 June 2012 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Clockwise: Louis Armstrong, Louis Prima Jazzfest 2012 and Louis Jordan. Publicity is here! photos courtesy Featuring Tribute CTSIMAGES. to Three Louies by Swingadelic …among many other delights! Saturday, June 16. Details on page 5 and at www.njjs.org Get tix today! New JerseyJazzSociety in this issue: NEW JERSEY JAZZ SOCIETY Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Editor’s Pick/Deadlines/NJJS Info . 6 Prez Sez April Jazz Social: Roseanna Vitro . 44 Crow’s Nest . 46 By Frank Mulvaney President, NJJS New/Renewed Members . 46 Change of Address/Support NJJS/Volunteer/JOIN NJJS . 47 ell, Jazzfest is just a couple of weeks marketing and public relations experience. STORIES Waway and I hope you will be able to get He has authored numerous articles on jazz Jazzfest 2012 Preview. cover tickets, if you have not ordered them already. and many were compiled and published in Jazz in July Moves to Budd Lake . 4 Big Band in the Sky. 8 The lineup is fabulous and we are expecting a book form in Jazz Notes: Interviews Across the Talking Jazz: Sachal Vasandani . 16 sellout. Last year’s Jazzfest was very successful Generations (Praeger, 2009). Sandy also writes Vince Giordano at Mayo PAC . 21 despite the rain and we learned a lot from Jersey Jazz’s “Big Band In the Sky” obituary Remembering Sonny Igoe . 22 column. We still have a vacancy on the board Les Paul Birthday at Ramapo .
    [Show full text]
  • National Historic Landmark Nomination Ryman Auditorium
    NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Ryman Auditorium Other Name/Site Number: Union Gospel Tabernacle 2. LOCATION Street & Number: 116 Fifth Avenue North Not for publication:__ City/Town: Nashville Vicinity:__ State: TN County: Davidson Code: 037 Zip Code: 37219 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): X Public-Local: _ District: __ Public-State: _ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 ___ buildings ___ sites ___ structures ___ objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of related multiple property listing: NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria.
    [Show full text]
  • Columbuscityscene11 18
    NOVEMBER 2018 [$2.25] www.cityscenecolumbus.com insideON THE COVER 6 on the scene 12 Made in the U.S.A. Shared experiences in providing local handmade products If it Feels Right to the community Derek Trucks grew up amongst the legends but 1 8 Window Wonderland never imagined he would be where he is today Contest focuses on community and collaboration 24 Double the Talent Local author and actor, Gary Braunbeck, shares his stories and insight 14 38 20 Lifting Spirits departments Personal tragedies and hardships result in 6 insight 35 spirits 41 on view valuable community endeavors 10 health 36 travel 44 calendar COVER: Photo courtesy of Tab Winters 14 cuisine 38 visuals 48 critique 2 cityscenecolumbus.com | November 2018 CS INSIGHT If it Feels Right Derek Trucks grew up amongst the legends A but never imagined he would be where he is today By Rocco Falleti The Tedeschi Trucks Band Live from the Palace Theatre Nov. 9. Tickets are available at all Ticketmaster outlets • • • • • 6 cityscenecolumbus.com | November 2018 Mayhem The young prodigy caught the attention of Ace Moreland’s West Side Story, a Jacksonville blues band, was getting ready to take Allman Brothers Band guitarist Col. Bruce the stage at Applejacks, a small bar connected to a hotel in Miami back in the late Hampton. Hampton would serve not only as a ’80s. Moreland had recently enlisted the talents of a young and talented prodigy, mentor, but as a role model to Trucks early on in 9-year-old guitarist Derek Trucks. his career. Trucks is the nephew of drummer and founding member “Bruce’s M.O.
    [Show full text]
  • CB-1990-03-31.Pdf
    TICKERTAPE EXECUTIVES GEFFEN’S NOT GOOFIN’: After Dixon. weeks of and speculation, OX THE rumors I MOVE I THINK LOVE YOU: Former MCA Inc. agreed to buy Geffen Partridge Family bassist/actor Walt Disney Records has announced two new appoint- Records for MCA stock valued at Danny Bonaduce was arrested ments as part of the restructuring of the company. Mark Jaffe Announcement about $545 million. for allegedly buying crack in has been named vice president of Disney Records and will of the deal followed Geffen’s Daytona Beach, Florida. The actor develop new music programs to build on the recent platinum decision not to renew its distribu- feared losing his job as a DJ for success of The Little Mermaid soundtrack. Judy Cross has tion contract with Time Warner WEGX-FM in Philadelphia, and been promoted to vice president of Disney Audio Entertain- Inc. It appeared that the British felt suicidal. He told the Philadel- ment, a new label developed to increase the visibilty of media conglomerate Thom EMI phia Inquirer that he called his Disney’s story and specialty audio products. Charisma Records has announced the appointment of Jerre Hall to was going to purchase the company girlfriend and jokingly told her “I’m the position of vice president, sales, based out of the company’s for a reported $700 million cash, going to blow my brains out, but New York headquarters. Hall joins Charisma from Virgin but David Geffen did not want to this is my favorite shirt.” Bonaduce Records in Chicago, where he was the Midwest regional sales engage in the adverse tax conse- also confessed “I feel like a manager.
    [Show full text]
  • Requiem for Thomas Wood B.3/10/65 D.6/27/19 “Sometimes I Feel
    Requiem for Thomas Wood b.3/10/65 d.6/27/19 “Sometimes I feel, sometimes I feel Like I been tied to the whipping post Tied to the whipping post, tied to the whipping post Good Lord, I feel like I’m dyin’” Allman Brothers Band. Whipping Post The last time I saw Tom Wood alive the scene played out this way. I was heading down Bishop Street when I spotted Tom on the side of the road across from the MWRTA’s headquarters. I’m thinking maybe he was lookin’ for a lift to cover the last 700 yards from the Turning Point to the mother ship. First I groaned, then hesitated, yes hesitated before pulling over to the side of the road and rolling the passenger side window. “Tom, hey Tom, do you want a ride, are you OK?” Tom’s eyes are cloudy and unfocused, they appear to be spinning in his head. “You may need to go to the hospital. Come on, let’s go see your caseworker.” No way, Tom dismisses me. His eyes focus for a moment. “I’m OK. I’ll walk.” As I pull away, the twin throbbing guitars of Duane Allman and Dickey Betts accompanied by the futile existential wail of sorrow by Gregg Allman starts playing between my ears. The Live at the Fillmore version. It’ll be a while before it recedes. I learn, when Tom is lying in a hospital bed with the electrical activity in his brain reduced to a mere flicker, that Tom was a heavy metal aficionado.
    [Show full text]
  • Columbia Poetry Review Publications
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Poetry Review Publications Spring 4-1-1992 Columbia Poetry Review Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cpr Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Poetry Review" (1992). Columbia Poetry Review. 5. https://digitalcommons.colum.edu/cpr/5 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Poetry Review by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. COLUMBIA POETRY REVIEW Columbia College/Chicago Spring 1992 Columbia Poetry Review is published in the spring of each year by the English Department of Columbia College, 600 South Michigan Avenue, Chicago, Illinois 60605. Submissions are encouraged and should be sent to the above address. Subscriptions and sample copies are available at $6.00 an issue. Copyright © I 992 by Columbia College. Grateful acknowledgement is made to Dr. Philip Klukoff, Chairman of the English Department; Dr. Sam Floyd, Academic Vice-President; Lya Rosenblum, D ean of Graduate Studies; Bert Gall, Administrative Vice­ President; and Mike Alexandroff, President of Columbia College. The cover photograph is by John Mulvany. Student Editors: John
    [Show full text]
  • The Carroll News
    John Carroll University Carroll Collected The aC rroll News Student 2-22-1977 The aC rroll News- Vol. 59, No. 14 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 59, No. 14" (1977). The Carroll News. 566. http://collected.jcu.edu/carrollnews/566 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. VOL. liO. NO. 15 APR. 22. 1977 The Carroll Nevvs John Carroll University University Heights, Ohio 441 18 Freeman speaks on Union By J ohn F. Kostyo as a means of improving that ~oing agam while trying to get News Editor situation his administration organized. Student Union President. Freeman hopes to get some Committees. such as. Review. Tim Freeman, cites three Student Union committees continued on page 8 major goals for h1s new administration: to initiate new 1 programs: maintain the strong Junior S Noah areas of the present student wins government: and revitalize weaker areas. Stunt Night award Freeman sees the newly organized S.O.C as one of the By P ATRICE AYLWAIN> tion of the Blue Streak March­ main areas where potential mgBand changes may come "They can Thts past Saturday night The begtnning of the have a lot of power." Freeman Kulas Auditorium resound(>d program was marked by the says about campus organiza· with laughter.
    [Show full text]
  • The Allman Brothers Band (From the 1969 Album the ALLMAN BROTHERS BAND) Words and Music by Gregg Allman Arranged by Tubescream8
    WHIPPING POST As recorded by The Allman Brothers Band (From the 1969 Album THE ALLMAN BROTHERS BAND) Words and Music by Gregg Allman Arranged by tubescream8 A Bm C D E Esus4 E A7 D7 C5 D5 xx x 5 fr. xx x 7 fr. xx x 8 fr. x x 5 fr. x ` x 6 fr. x x 7 fr. x x 7 fr. 5 fr. x x 5 fr. x xxx 3 fr. x xxx 5 fr. A Intro (bass) PR = 195 1 g I 118 118 c V V V V V V V V V V V V V V V V V V V V Gtr I T A B 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 P H P H P P H P H P P H P H P c V V 3 g k V V V k V V V k V V V V V V V k V V V 11 V V V V V V V V 6 V V V V V I 8 k V k V k V u 8 V k V Gtrs II, III 10 8 T 10 8 10 10 8 10 10 8 10 10 10 8 10 10 8 10 7 5 A 7 5 7 7 5 7 7 5 7 7 7 5 7 7 5 7 B g I 118 c 86 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V Gtr I T A B 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 P H P H P P H P H P P H P H P P H P H P P H P H P 1971 Unichappell Music Inc.
    [Show full text]