The 19 Annual Pleasure Island Seafood Blues & Jazz
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Some Bros. & a Blonde
page 16 BLUE Joni Mitchell ; Reprise MS2038 ? -How does it sound? ; --Well, you can really see where James Taylor, uhh... you've really got to listen to the background.. .you know so much of the guitar playing sounds just like him.. the electric parts, I guess. -Does she have a lot of piano in it? . ; --Not really. Not so distinctive. But she's got practically * everything else on it , everything else that you might ex-;.. I pect from her, that is, a lot of different instruments. * -Do you think it's prettier than Ladies of the Canyon? . .. f --Technically better. ': ''Technically better?What do you mean? --The music is better. She's doing a lot of more compli cated arrangements. Musically it's almost perfect, you know. -I don't even know who else is playing with her on that album. --It doesn't say. It's very plain. On the inside are all the words. And on the back it has all die titles of the songs. .... ; . .. the front has Blue Joni Mitchell and you open it up .,.'!. and there are her words. Oh wait a minute... down here t I see something... Stephen Stills bass guitar on "Carey",| James Taylor on " California", and "All I Want", "A Case ! Of You". Sneaky pete, pedal steel guitar. ! - Yeah, he's from the Flying Burritfc Brothers. « --Uhh.. engineer.. Henry Lewey. Lewey? \ -Lewey, yeah. f (long pause) '. -How long have you had it? ••• t. --Just this afternoon. , . jj -How many times have you heard it? :- | --Once. I'm on my second now. -
COLIN LINDEN from Canada to Nashville
The Phenomenal RUTHIE FOSTER HADDEN SAYERS Breaking Free ANSON FUNDERBURGH Is Back COLIN LINDEN From Canada To Nashville NUMBER ONE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © SCOTT ALLEN / VIVIDPIX 4 BLUE NOTES NUMBER ONE From The Publisher 5 RIFFS & GROOVES 6 RUTHIE FOSTER From The Editor-In-Chief Timeless Voice by Tim Parsons 20 DELTA JOURNEYS “Rock Stars” 11 HADDEN SAYERS 22 AROUND THE WORLD Back To The Blues “Good Night, Ann Rabson” by Phil Reser 24 Q&A 14 The Many Facets Of with Michael Hill ANSON FUNDERBURGH by Grant Britt 27 BLUES ALIVE! Damon Fowler 17 COLIN LINDEN Ronnie Earl Guitar Master 30 REVIEWS by Larry Nager New Releases and Box Sets 70 LEGACIES 72 DOWN THE ROAD A S P A L S R A G I A © Y H P A R G O T O H P PHONE TOLL-FREE 866-702-7778 EMAIL [email protected] WEB bluesmusicmagazine.com GuitarDMasterEEP ROOTS COLIN LINDEN’S Journey from Howlin’ Wolf to Hollywood by Larry Nager WHO YOU THINK sideman deluxe flying under the radar for pre-war blues to his eerie recreation Colin Linden is depends on which side in his trademark black hat and shades. of Skip James’ “Hard Time Killing Floor.” of the border you call home. In his native Specializing in the bluesier side of He toured arenas with the O Brother Canada, he’s long been known as one Americana, he can be heard on spinoff tour Down From The Mountain of the world’s premier blues and roots wide-ranging, high profile projects and put in a year backing Country Music guitarists and producers, lending his including the O Brother Where Art Thou? Hall of Famer Emmylou Harris. -
Requiem for Thomas Wood B.3/10/65 D.6/27/19 “Sometimes I Feel
Requiem for Thomas Wood b.3/10/65 d.6/27/19 “Sometimes I feel, sometimes I feel Like I been tied to the whipping post Tied to the whipping post, tied to the whipping post Good Lord, I feel like I’m dyin’” Allman Brothers Band. Whipping Post The last time I saw Tom Wood alive the scene played out this way. I was heading down Bishop Street when I spotted Tom on the side of the road across from the MWRTA’s headquarters. I’m thinking maybe he was lookin’ for a lift to cover the last 700 yards from the Turning Point to the mother ship. First I groaned, then hesitated, yes hesitated before pulling over to the side of the road and rolling the passenger side window. “Tom, hey Tom, do you want a ride, are you OK?” Tom’s eyes are cloudy and unfocused, they appear to be spinning in his head. “You may need to go to the hospital. Come on, let’s go see your caseworker.” No way, Tom dismisses me. His eyes focus for a moment. “I’m OK. I’ll walk.” As I pull away, the twin throbbing guitars of Duane Allman and Dickey Betts accompanied by the futile existential wail of sorrow by Gregg Allman starts playing between my ears. The Live at the Fillmore version. It’ll be a while before it recedes. I learn, when Tom is lying in a hospital bed with the electrical activity in his brain reduced to a mere flicker, that Tom was a heavy metal aficionado. -
Macon Layout.Indd
Macon Gray/Old Clinton Milledgeville Eatonton Madison Watkinsville Athens -Where Soul Lives With our central location, breathtaking architecture, and rich musical heritage, Macon is a city with historic soul. You can feel our soul through our attractions,Maco, food, festivals, and culture. No matter where Ge you go, you’re exposed gi to Macon’s story which can be experienced in our historic homes showcasing our southern charm, our world- renowned museums, and our one-of-a-kind restaurants. Visit Macon and let us share a little bit of soul with you. 8:00 am- Breakfast at H&H Restaurant A meeting place for civil rights activists which was opened in 1959 by Inez Hill and Louise Hudson, also known as Mama Hill and Mama Lou- ise. The restaurant was a popular eatery during the early days of The Allman Brothers Band and other music groups from Macon such as The Marshall Tucker Band and Wet Willie. H&H is known for its delicious soul food. 9:30 am- Downtown Macon Visitors Center Enjoy this state-of-the-art visitors center, view colorful exhibits along an informative time-line, browse gifts in the souvenir shop and watch the exciting 11-minute video. With clean restrooms for all, stop by for a perfect introduction to Macon. 10:00 am- Tubman Museum Take a soulful journey through time, From Africa to America at the Tubman African American Museum, the largest facility in the Southeast devoted solely to African American art, history and culture. See colorful exhibits on Harriet Tubman, African American Inventors, Georgia artists, and the incredible slave to freedom story of William & Ellen Craft. -
Formal Education Academic and Professional Positions Held
SONIA KHATCHADOURIAN CURRICULUM VITAE Formal Education Degree: Master of Arts, University of Hawaii-Manoa, Honolulu, HI, December 1987 Area: Creative Writing Thesis: What They Were Desperate For, collection of short fiction Degree: Bachelor of Arts, University of Wisconsin-Milwaukee, August 1984 Majors: Philosophy; English: Creative Writing concentration Academic and Professional Positions Held Senior Lecturer: English Department, University of Wisconsin-Milwaukee, August, 2002-present (with 50% Indefinite Status appointment granted January 2012) (Senior Lecturer Status granted in 2002) Lecturer: Lubar School of Business, University of Wisconsin-Milwaukee, August 2014-March 2015 Lecturer: English Department, University of Wisconsin-Milwaukee, September 1988-May 2002 Lecturer: Department of Learning Skills and Educational Opportunity/ Academic Opportunity Center, College of Allied Health-Health Care Opportunities Summer Program, Bridge Program, Upward Bound Program, University of Wisconsin-Milwaukee, August, 1988-August-1994 Visiting Lecturer: Institut fur Anglistik und Amerikanistik, Justus Liebig Universitat, Giessen, Germany, September 1994-August 1996 Lecturer: Milwaukee Institute of Arts and Design, August-December, 1996 Visiting Lecturer: Indiana University-Bloomington/Midwest Universities Consortium for International Activities at Institut Teknologi Mara, Shah Alam, Malaysia, January-June 1991 Lecturer: English Department, Marquette University, Milwaukee, WI, January 1989-December 1991 1 Copyeditor: Department of Religion, Buddhist-Christian Studies scholarly journal, University of Hawaii-Manoa, Honolulu, HI. January-May 1988 Professional Tutor: Learning Center, Chaminade University of Honolulu, Honolulu, HI, January-May 1988 Graduate Teaching Assistant: English Department, University of Hawaii-Manoa, August 1984-December 1987 Freelance Writer: August 1988-Present Awards, Research Grants, Honors, Certificates UWM Certificate in Online and Blended Teaching: April 2013 Learning Technology Center Open Education Resource Grant: Fall 2013. -
Artist of the Year
THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come. -
The Allman Brothers Band (From the 1969 Album the ALLMAN BROTHERS BAND) Words and Music by Gregg Allman Arranged by Tubescream8
WHIPPING POST As recorded by The Allman Brothers Band (From the 1969 Album THE ALLMAN BROTHERS BAND) Words and Music by Gregg Allman Arranged by tubescream8 A Bm C D E Esus4 E A7 D7 C5 D5 xx x 5 fr. xx x 7 fr. xx x 8 fr. x x 5 fr. x ` x 6 fr. x x 7 fr. x x 7 fr. 5 fr. x x 5 fr. x xxx 3 fr. x xxx 5 fr. A Intro (bass) PR = 195 1 g I 118 118 c V V V V V V V V V V V V V V V V V V V V Gtr I T A B 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 P H P H P P H P H P P H P H P c V V 3 g k V V V k V V V k V V V V V V V k V V V 11 V V V V V V V V 6 V V V V V I 8 k V k V k V u 8 V k V Gtrs II, III 10 8 T 10 8 10 10 8 10 10 8 10 10 10 8 10 10 8 10 7 5 A 7 5 7 7 5 7 7 5 7 7 7 5 7 7 5 7 B g I 118 c 86 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V Gtr I T A B 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 P H P H P P H P H P P H P H P P H P H P P H P H P 1971 Unichappell Music Inc. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
CHUCK LEAVELL the Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS for DOWNLOAD the Wildroots Are Back!
CHUCK LEAVELL The Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS FOR DOWNLOAD The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. It’s one of those discs that can really lift the darkness. If, by chance you’re feeling down, you won’t be after this record is done with you. …Stunning.” - ROCK DOCTOR (John Kereiff) “With a guest list that’s mind boggling, you couldn’t get a better set if Paul Shaffer rounded up his SNL/Letterman pals and enlisted them to have a party. This set makes every hour after hours and the party never ends. Simply smoking.” - Midwest Record (Chris Spector) “With excellent songwriting, stellar performances, and wide-ranging styles, it is an album easily recommended for everyone.” - Blues Blast Magazine (Anita Schlank) Get your copy today! WildRootsRecords.com The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. -
Capital Blues Messenger Capital Blues Messenger
CapitalCapital BluesBlues MessengerMessenger Celebrating the Blues in the District of Columbia, Maryland and Virginia February 2011 Volume 5 Issue 2 2011 IBC Memphis Results January DCBS- Promoted Blues Events Valentine’s Day And Black History Month Plus More Blues News Inside Photo: www.memphisinternationals.org THE DC BLUES SOCIETY Become a DCBS member! Inside This Issue P.O. BOX 77315 Members are key to the livelihood of the January Blues Events 3 WASHINGTON, DC DCBS. Member‘s dues play an important IBC Results, April 17 Fundraiser 4 part in helping DCBS fulfill its mission to McLean MLK Event, Black History 5 20013-7315 promote the Blues and the musicians who Month, 2011 Blues Music Awards keep the music alive, exciting and accessi- www.dcblues.org ble. Members receive discounts on advance North Atlantic Blues Festival 6 Valentine’s Day Blues, WPFW The DC Blues Society is a non-profit 501(c)(3) sale tickets to DCBS events, DCBS merchan- 7 Membership Drive organization dedicated to keeping the Blues alive dise and from area merchants and clubs through outreach and education. The DC Blues when you present your DCBS membership CD Reviews 8 Society is a proud affiliate of the Blues Foundation. card (see p 11). Members also receive the Blues Calendar 9 monthly Capital Blues Messenger (CBM) Salute to Veteran Patients, Pinetop 10 The Capital Blues Messenger is published monthly newsletter and those with e-mail access get Perkins Youth Workshops, RIP (unless otherwise noted) and sent by e-mail or U.S. the CBM via e-mail plus additional e-mail DCBS Discounts,, Photo Contest, mail to members. -
Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] Das klassische Bestseller-Album "Brothers And Sisters" der Allman Brothers Band erscheint am 5. Juli 2013 remastert auf CD und Vinyl By the time they released their fifth album Brothers And Sisters in August 1973, the Allman Brothers Band had experienced dizzying highs and soul-crushing lows. The group had spent its first two years developing its formidable collective chemistry into an unprecedented stylistic fusion that established it as the era’s most influential American rock act. But just as the band had achieved a hard-won commercial breakthrough with 1971’s At Fillmore East, it suffered a devastating loss with the death of Duane Allman, its founder, leader and musical visionary, in a motorcycle crash on October 29, 1971. Following Duane’s traumatic passing, the band regained its bearings and soldiered on, with Duane’s brother, singer/organist Gregg Allman, and guitarist/vocalist Dickey Betts—now the lone axeman in an act famous for its dual-guitar fireworks—assuming more prominent roles in its direction. The musicians marshaled their strengths to make Brothers and Sisters—their first album recorded completely without Duane—a decisive creative rebirth as well as their best-selling release to date. Brothers And Sisters bested the sales of At Fillmore East and Eat A Peach, spending five weeks at #1 and becoming the first Allman Brothers Band release to gain Platinum sales status. Configurations Vinyl - Brothers And Sisters original recording remastered. CD - Brothers And Sisters original recording remastered. -
Songwriter-Music Publisher Agreements and Disagreements, 18 Hastings Comm
Hastings Communications and Entertainment Law Journal Volume 18 | Number 1 Article 3 1-1-1995 Everything That Glitters Is Not Gold: Songwriter- Music Publisher Agreements and Disagreements Don E. Tomlinson Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Don E. Tomlinson, Everything That Glitters Is Not Gold: Songwriter-Music Publisher Agreements and Disagreements, 18 Hastings Comm. & Ent. L.J. 85 (1995). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol18/iss1/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Everything That Glitters Is Not Gold:* Songwriter-Music Publisher Agreements and Disagreements by DON E. TOMLINSON** Table of Contents I. Introduction ............................................ 87 A. The Fundamental Songwriting-Music Publishing Quid Pro Quo ...................................... 88 1. Advances Against Royalties .................... 88 2. Demonstration Recordings ..................... 89 3. Exploitation .................................... 90 4. "H it" Songs ..................................... 90 B. The