Andy Harris Production Designer
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Shirley Henderson
www.hamiltonhodell.co.uk Shirley Henderson Talent Representation Telephone Madeleine Dewhirst & Sian Smyth +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Film Title Role Director Production Company THE TROUBLE WITH JESSICA Sarah Matt Winn Sarah Sullick THE SANDS OF VENUS Rachel Tony Grisoni Potboiler Films GREED Margaret Michael Winterbottom Revolution Films STAR WARS: EPISODE IX Babu Frik J.J. Abrams Lucasfilm/Walt Disney Pictures STAN AND OLLIE Lucille Hardy Jon S. Baird BBC/Fable Pictures Nominated for the Best Actress (Film) Award, BAFTA Scotland Awards, 2019 T2: TRAINSPOTTING Gail Danny Boyle TriStar Pictures/Film4 OKJA Jennifer Bong Joon-ho Plan B Entertainment NEVER STEADY, NEVER STILL Judy Findlay Kathleen Hepburn Experimental Forest Films LOVE SONG: WOLF ALICE Joe's Mum Michael Winterbottom Lorton Entertainment Universal Pictures/Working Title BRIDGET JONES'S BABY Jude Sharon Maguire Films URBAN HYMN Kate Linton Michael Caton-Jones Eclipse Films Archimede/Recorded Picture THE TALE OF TALES Imma Matteo Garrone Company THE CARAVAN Elaine Simon Powell Uprising Features SET FIRE TO THE STARS Shirley Andy Goddard Mad As Birds/Masnomis FILTH Nominated for the Best Supporting Actress Award, British Independent Film Bunty Jon S. Baird Steel Mill Pictures Awards, 2013 THE LOOK OF LOVE Rusty Humphries Michael Winterbottom Pink Pussycat Films THÉRÈSE Suzanne Charlie Stratton Liddell Entertainment ANNA KARENINA Wife (Opera House) Joe Wright Working Title Films EVERYDAY -
The Acid House a Film by Paul Mcguigan
100% PURE UNCUT IRVINE WELSH The Acid House a film by Paul McGuigan a Zeitgeist Films release The Acid House a film by Paul McGuigan based on the short stories from “The Acid House” by Irvine Welsh Starring Ewen Bremner Kevin McKidd Maurice Roëves Martin Clunes Jemma Redgrave Introducing Stephen McCole Michelle Gomez Arlene Cockburn Gary McCormack Directed by Paul McGuigan Screenplay by Irvine Welsh Director of Photography Alasdair Walker Editor Andrew Hulme Costume Designers Pam Tait & Lynn Aitken Production Designers Richard Bridgland & Mike Gunn Associate Producer Carolynne Sinclair Kidd Produced by David Muir & Alex Usborne FilmFour presents a Picture Palace North / Umbrella Production produced in association with the Scottish Arts Council National Lottery Fund, the Glasgow Film Fund and the Yorkshire Media Production Agency UK • 1999 • 112 mins • Color • 35mm In English with English subtitles Dolby Surround Sound a Zeitgeist Films release The Acid House a film by Paul McGuigan Paul McGuigan’s THE ACID HOUSE is a surreal triptych adapted by Trainspotting author Irvine Welsh from his collection of short stories. Combining a vicious sense of humor with hard- talking drama, the film reaches into the hearts and minds of the chemical generation, casting a dark and unholy light into the hidden corners of the human psyche. Part One The Granton Star Cause The first film of the trilogy is a black comedy of revenge, soccer and religion that come together in one explosive story. Boab Coyle (STEPHEN McCOLE) thinks he has it all, a ‘tidy’ bird, a job, a cushy number living at home with his parents and a place on the kick-about soccer team the Granton Star. -
Remediating the Eighties: Nostalgia and Retro in British Screen Fiction from 2005 to 2011
REMEDIATING THE EIGHTIES: NOSTALGIA AND RETRO IN BRITISH SCREEN FICTION FROM 2005 TO 2011 Thesis submitted by Caitlin Shaw In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2015 2 3 ABSTRACT This doctoral thesis studies a cycle of British film and television fictions produced in the years 2005-2011 and set retrospectively in the 1980s. In its identification and in-depth textual and contextual analysis of what it terms the ‘Eighties Cycle’, it offers a significant contribution to British film and television scholarship. It examines eighties- set productions as members of a sub-genre of British recent-past period dramas begging unique consideration outside of comparisons to British ‘heritage’ dramas, to contemporary social dramas or to actual history. It shows that incentives for depicting the eighties are wide-ranging; consequently, it situates productions within their cultural and industrial contexts, exploring how these dictate which eighties codes are cited and how they are textually used. The Introduction delineates the Eighties Cycle, establishes the project’s academic and historical basis and outlines its approach. Chapter 1 situates the work within the academic fields that inform it, briefly surveying histories and socio-cultural studies before examining and assessing existing scholarship on Eighties Cycle productions alongside critical literature on 1980s, 90s and contemporary British film and television; nostalgia and retro; modern media, history and memory; British and American period screen fiction; and transmedia storytelling. Chapter 2 considers how a selection of productions employing ‘the eighties’ as a visual and audio style invoke and assign meaning to commonly recognised aesthetic codes according to their targeted audiences and/or intended messages. -
Kat Gollock the Filth, and the Fury Mark Pawson Comic & Zine
cross currents in culture variant number 43 spring 2012 free Kat Gollock The Filth, and the Fury Mark Pawson Comic & Zine Reviews Jorge Ribalta Towards a New Documentalism Emma Louise Briant If... On Martial Values and Britishness Tom Coles “Organise your mourning” Ellen Feiss Santiago Sierra... Ethics and the political efficacy of citationTom Jennings The Poverty of Imagination Rosemary Meade “Our country’s calling card”Joanne Laws Generation Bailout Friendofzanetti The Housing Monster 2 | variant 43 | spring 2012 Variant 43 Spring 2012 Variant engages in the Editorial Group contents examination and critique of The Filth, and the Fury editor/ administration: society and culture, drawing Leigh French Kat Gollock from knowledge across the 3 arts, social sciences and co-editors: humanities, as an approach to Gordon Asher Comic & Zine Reviews creative cultural practice and John Beagles as something distinct from Lisa Bradley Mark Pawson 7 promotional culture. Neil Gray It is an engagement of Gesa Helms practice which seeks to publicly Daniel Jewesbury Towards a New Documentalism participate in and understand Owen Logan Jorge Ribalta 10 culture ‘in the round’. That is, Advisory Group in the many and various ways Monika Vykoukal culture exemplifies, illuminates Simon Yuill If.... and engages with larger societal Kirsten Forkert On Martial Values and Britishness processes. 12 We contend it is constructive Design Kevin Hobbs Emma Louise Briant and essential to place articles which address the multiple ISSN: 09548815 facets of culture alongside ‘Organise your mourning’ Printers articles on issues that inform Spectator Newspapers, Bangor, Tom Coles or have consequences for 19 Co. Down, N. Ireland BT20 4AF the very production and subject of knowledge and its Contribute Ethics and the political efficacy of communication. -
The Comedy Unit, and a BBC Scotland Television Series, River City (BBC, 2002-Date)
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Creative Industries Policy and Practice: A Study of BBC Scotland and Scottish Screen Lynne Alison Hibberd BA (Hons), MPhil Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow Faculty of Arts and Humanities Centre for Cultural Policy Research Department of Theatre Film and Television Studies December 2008 © Lynne Alison Hibberd 2008 2 Abstract This thesis examines creative industries policy in film and television in Scotland. It explores the impact that different approaches to creative industries policy have on creative practice in two media industries, BBC Scotland and Scottish Screen, and reflects on how each of these bodies articulates its role as a „national‟ institution. BBC Scotland is the Scottish branch of the UK‟s largest public service broadcaster, while Scottish Screen exists on a far smaller scale, to serve the screen industries in Scotland. The thesis examines the role of BBC Scotland in sustaining the creative economy and contributing to the cultural life of Scotland. The study of Scottish Screen examines a key early aim of the agency, that of establishing a national film studio. The work investigates the connections between UK and Scottish levels of creative industries policy in light of the debates over the future of public service broadcasting and the Scottish Executive‟s cultural policy framework. The study outlines how ideas of cultural creativity and its economic significance have developed, charts how these ideas have affected policy debate, and explores the extent to which devolution has affected film and television policy. -
Website Contents
Website contents Summary statement .......... p. 2 artists' stories .......... p. 6 community stories .......... p. 26 east end stories .......... p. 40 exhibition .......... p. 56 thanks .......... p. 86 4 Statement Francesca Zappia, curator Within the shadows of this year of ‘Culture’ and Each part of the project intends to develop further Commonwealth Games hosted for the most part in the topics from different points of view. the East End of Glasgow, there has been a growing The exhibition runs between November and disquiet, a deep questioning of the regeneration December 2014 at The Pipe Factory, Glasgow, and project of this once flourishing industrial area, its features artists Aideen Doran, Virginia Hutchison, culture and its inhabitants. Thomas Leyland Collins, Kit Mead, Douglas Mor- Traces of what the East End of Glasgow has been – land, Janie Nicoll, Lyndsey Smith, Susannah Stark, its characters, communities, shops, markets, cine- graphic designer Jen Devonshire, and stories from mas and theatres – remain in the undeniable ener- the community. Its aim is to transmit and react to gy and memories of the East Enders. (personal) stories and events, freeze present reali- ties, and anticipate (sci-fi) scenarios. A history that also remains in libraries and local archives, where there are remnants of the East End It is documented by books and prints, available for as the heart of the city, with its cathedral, necropo- consultation, drawing on literature, poetry, theatre, lis, university and the Green, once the park par ex- social and urban studies, etc. cellence of the second city of the Empire, now si- milarly ‘eclipsed’ by its West End version. -
Tell It to the Bees
TELL IT TO THE BEES ***World Premiere in Special Presentations Category at the 2018 Toronto International Film Festival*** Starring: Anna Paquin, Holliday Grainger, Emun Elliott, Steven Robertson, Lauren Lyle, Gregor Selkirk & Kate Dickie Directed by: Annabel Jankel Written by: Henrietta and Jessica Ashworth Based on the novel by: Fiona Shaw Produced by: Daisy Allsop & Nick Hill, Annabel Jankel, Nik Bower, Laure Vaysse Executive Produced by: Deepak Nayar, Alison Owen, Lizzie Francke, Sunny Vohra, Ross McKenzie Public Screenings: Saturday, September 9th at 1:30PM at Winter Garden Theatre Sunday, September 10th at 1:15PM at Scotiabank 4 Friday, September 14th at 6:30PM at Scotiabank 1 *Ticket required Press & Industry Screenings: Sunday, September 10th at 10:45AM at Scotiabank 4 Monday, September 11th at 11:00AM at Scotiabank 13 *Must be accredited through the festival to attend RT – 105 Minutes Publicity Contacts: Falco Ink. | 212-445-7100 Michelle DiMartino, [email protected] Victoria Vargas, [email protected] Liza Connor, [email protected] Sam Prete, [email protected] International Sales: Film Constellation: Fabien Westerhoff, [email protected], +44 7984 523 163 Edward Parodi, [email protected], +44 7549 992 746 SHORT SYNOPSIS Dr Jean Markham (Anna Paquin) returns to the town she left as a teenager to take over her late father’s medical practice. When a school-yard scuffle lands Charlie (Gregor Selkirk) in her surgery, she invites him to visit the hives in her garden and tell his secrets to the bees, as she once did. The new friendship between the boy and the bee keeper brings his mother Lydia (Holliday Grainger) into Jean’s world. -
Scottish Film Culture
Murray, Jonathan (2006) Local Heroics: Scottish cinema in the 1990s. PhD thesis http://theses.gla.ac.uk/6666/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Local Heroics: Scottish cinema in the 1990s Jonathan Murray A thesis submitted for examination for the degree of Doctor of Philosophy Departments of Scottish History and Theatre, Film & Television Studies April 2006 © Jonathan Murray 2006 For my belovedfather, James Patrick (Jim) Murray (1946 - 2003) My friend andfirst teacher 2 Abstract This thesis surveys Scottish cinema during the 1990s. It takes as its starting point the fact that this period witnes~ed easily the highest and most consistent levels of indigenous feature film production In the history of Scottish film culture. By the end of the 1990s, many observers proposed that it was for the first time possible to talk about the existence ofa 'Scottish cinema' and/or a 'Scottish film industry', where before only occasional Scottish films and/or Scottish filmmakers could be discerned. This thesis argues that the most important precipitant of Scottish cinema's unprecedented 1990s industrial expansion involved local filmmakers' pre-meditated, industrially aspirant adaptation of American cinematic precedents and working practices. -
Andy Harris Production Designer
Andy Harris Production Designer Agents Film & TV Sue Greenleaves, Vanessa Jones & Cara McKenzie Assistants Wendy Watts & Eliza Burrows-McGill Commercials Rachael Taylor TELEVISION DATE PRODUCTION (ROLE) COMPANY PROJECT DETAILS 2016 THE LOCH ITV Dir: Brian Kelly Prod: Alan J. Wands 2014 STONEMOUTH BBC Dir: Charles Martin Prod: Alan J. Wands 2014 SCOTLAND IN A DAY The Comedy Unit / Channel 4 Television film Dir: Iain Davidson Prod: Fiona White 2013 KATIE MORAG BBC Scotland Dir: Don Coutts Margaret Matheson 2012 DEAD HOUR BBC Scotland Dir: David Kane Prod: Alan J. Wands 2010 THE FIELD OF BLOOD BBC Scotland Dir: David Kane Prod: Alan J. Wands 2010 THIS SEPTEMBER Gate TV Dir: Giles Foster Prod: Rikolt Van Gagern 2009 PAINTED WITH WORDS BBC Scotland Dir: Andrew Hutton Prod: Alan Yentob 2008 HOPE SPRINGS Shed Productions / BBC Dirs: Ian Barnes, Dermot Boyd, Sheree Folkson & Brian Kelly Prods: Spencer Campbell & Brian Park INDEPENDENT TALENT GROUP LTD 40 WHITFIELD STREET LONDON W1T 2RH TEL: +44 (0)20 7636 6565 FAX: +44 (0)20 7323 0101 REGISTERED IN ENGLAND NUMBER 4338525 EMPLOYMENT AGENCY, REGISTERED OFFICE 40 WHITFIELD STREET LONDON W1T 2RH 2007 REBUS Scottish Media Group / ITV Season 4 Dirs: Roger Gartland, Martyn Friend & Morag Fullarton Prod: Alan J. Wands Scottish BAFTA - Best Drama 2006 REBUS Scottish Media Group / ITV Seasons 2 & 3 Dirs: Matthew Evans & Roger Gartland Prod: Alan J. Wands 2005 THE STRANGE CASE OF SHERLOCK HOLMES BBC Dir: Cilla Ware & ARTHUR CONAN DOYLE Prod: Richard Downes 2004 THE HOUSE THAT GOD BUILT BBC Scotland Drama Documentary Dir: Tim Niel Prod: Tim Niel 2004 GUNPOWDER, TREASON, AND PLOT Raging Star Films / Box TV / BBC Northern Dir: Gillies MacKinnon Ireland (2x90 minute features) Prods: Gub Neal & Alan J. -
John De Borman AFC BSC Director of Photography
John de Borman AFC BSC Director of Photography John de Borman's showreel can be found by visiting http://www.johndeborman.com 2013 The Royal Photographic Society Winner- Lumiere Award for Major Achievement in British Cinematography Awards Montage: Agents Lynda Mamy Assistant Eliza McWilliams [email protected] 020 3214 0999 Credits Film Production Company Notes PIXIE Fragile Films Dir: Barnaby Thompson With Olivia Cooke, Alec Baldwin, Ben Prods: James Clayton & Hardy and Colm Meaney Barnaby Thompson 2020 SLAUGHTERHOUSE RULEZ Catalyst Global Dir: Crispian Mills With Asa Butterfield, Michael Sheen Media Prod: Charlotte Walls and Simon Pegg 2017 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes IF I STAY DiNovi Pictures/MGM Dir. R.J. Cutler with Chloë Grace Moretz, Jamie Prod: Denise Di Novi, Alison Blackley Greenspan 2014 HALF OF A YELLOW SUN BFI Dir: Biyi Bandele with Thandie Newton, Chiwetel Ejiofor Prod: Andrea Calderwood 2012 QUARTET Headline Pictures Dir: Dustin Hoffman with Maggie Smith, Billy Connolly, Prod: Finola Dwyer, Stewart Sheridan Smith, Tom Courtenay, Mackinnon Michael Gambon, Pauline Collins 2012 THE ENGAGEMENT First Foot Films Dir: John Duigan 2011 Prod: John Duigan, Peter La Terriere MADE IN DAGENHAM Audley Films Dir: Nigel Cole with Sally Hawkins, Andrea Prod: Elizabeth Karlsen, Riseborough, Bob Hoskins, Miranda Stephen Woolley Richardson 2010 Dinard Film Festival 2010 Winner - Grand Jury Prize Winner- -
Orla O'connor Casting Director
Orla O'Connor Casting Director Agents Ruth Young Associate Agent Phoebe Trousdell [email protected] +44 (0)20 3214 0800 Assistant Lauren Morgan [email protected] +44 (0)20 3214 0800 Assistant Alex Campbell [email protected] +44 (0)20 3214 0800 Roles Film Production Character Director Company VITELLO Casting Director Dorte Bengtson Zentropa/Sellout Pictures PAN Casting Director Joe Wright Warner Bros Scotland on behalf of Jina Jay IONA Casting Director Scott Graham Bard Entertainments/Verve Pictures WHAT WE DID ON Casting Assiciate Andy Hamilton/Guy Origin Pictures OUR HOLIDAYS Jenkin RUBENESQUE Casting Director Annie Griffin KUDOS for Sky Living United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company MARY'S RIDE Casting Director Thomas Imbach OKOFILM FOXY AND MARINA Casting Director Zack Copping FilmCouncil/Digicult (Short) Production THE RULE OF THUMB Casting Director Gregor Johnstone Digicult (Short) WARHORSE Additional Casting Steven Spielberg Afterworks Ltd for Jina Jay Casting I'LL BE RIGHT HERE Casting Director Gregor Johnstone Digicult/UK Film Council (Short) THE DAISY CHAIN Casting Director Aisling Walsh Subotica Entertainment SUMMER Assistant Casting Kenny Glenaan Sixteen Films Director Television Production Character Director Company RECIPES FOR LOVE AND UK Casting Annie Griffin Pirate Productions/MNET MURDER South Africa SHETLAND VII Casting Director Fiona Walton/Louis ITV Studios -
John De Borman BSC AFC (AKA Jean-Marc De Borman)
CURRICULUM VITAE John de Borman BSC AFC (AKA Jean-Marc de Borman) CINEMATOGRAPHER UK Agent: Linda Mamy @ United Agents +44 7767205398 Bilingual: Fluent French/English Member British Society of Cinematography and AFC Member of Local 600 + 01 Visa President of the BSC 2000-2004 Showreel : johndeborman.com FEATURE FILMS AND TV 2020 BAPTISTE 2 (TV MINI SERIES) Dir: Thomas Napper with Tchecky Karyo 2019 PIXIE Dir: Barnaby Thompson with Alec Baldwin 2018-19 WORLD ON FIRE ( EPIC WW2 TV MINI SERIES) Dir: Thomas Napper for Mammoth Productions 2017 SLAUGHTERHOUSE RULEZ Dir: Crispian Mills with Simon Pegg and Nick Frost 2016-17 WILL (TV MINI SERIES) Dir: Shekhar Kapur, written by Craig Pearce 2016 INDIAN SUMMERS (TV MINI SERIES) with Julie Walters 2016 DONOT DISTURB (TV MOVIE) Dir: Nigel Cole with Katherine Tate 2015 COALITION (TV MOVIE) Mark Gatiss, Bertie Carvel, Mark Dexter WON THE RTS BEST SINGLE DRAMA 2016 2013 AWARDED THE ROYAL SOCIETY OF PHOTOGRAPHY ‘THE LUMIERE AWARD “ FOR MAJOR ACHIEVEMENTS IN BRITISH CINEMA 2013 IF I STAY Dir: RJ Cutler with Chloe Grace Moretz , Jamie Blakley 2012 HALF OF A YELLOW SUN Dir: Biyi Bandele with Chewitel Ideofor, Thandie Newton 2011 QUARTET Dir: Dustin Hoffman With Maggie Smith, Tom Courtenay, Michael Gambon ,Billy Connolly,Pauline Collins 2009 MADE IN DAGENHAM Dir: Nigel Cole with Sally Hawkins ,Bob Hoskins, Miranda Richardson BAFTA NOMINATED OUTSTANDING BRITISH FILM, WON GRAND JURY PRIZE AT DINARD FILM FESTIVAL AND AUDIENCE PRIZE 2009 AN EDUCATION Dir: Lone Scherfig with Peter Sarsgaard, Alfred Molino, Carey