Andy Harris Production Designer
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Missions and Film Jamie S
Missions and Film Jamie S. Scott e are all familiar with the phenomenon of the “Jesus” city children like the film’s abused New York newsboy, Little Wfilm, but various kinds of movies—some adapted from Joe. In Susan Rocks the Boat (1916; dir. Paul Powell) a society girl literature or life, some original in conception—have portrayed a discovers meaning in life after founding the Joan of Arc Mission, variety of Christian missions and missionaries. If “Jesus” films while a disgraced seminarian finds redemption serving in an give us different readings of the kerygmatic paradox of divine urban mission in The Waifs (1916; dir. Scott Sidney). New York’s incarnation, pictures about missions and missionaries explore the East Side mission anchors tales of betrayal and fidelity inTo Him entirely human question: Who is or is not the model Christian? That Hath (1918; dir. Oscar Apfel), and bankrolling a mission Silent movies featured various forms of evangelism, usually rekindles a wealthy couple’s weary marriage in Playthings of Pas- Protestant. The trope of evangelism continued in big-screen and sion (1919; dir. Wallace Worsley). Luckless lovers from different later made-for-television “talkies,” social strata find a fresh start together including musicals. Biographical at the End of the Trail mission in pictures and documentaries have Virtuous Sinners (1919; dir. Emmett depicted evangelists in feature films J. Flynn), and a Salvation Army mis- and television productions, and sion worker in New York’s Bowery recent years have seen the burgeon- district reconciles with the son of the ing of Christian cinema as a distinct wealthy businessman who stole her genre. -
Original Athletes in 1924 Film
29 June 2012 BFI UNCOVERS “CHARIOTS OF FIRE” ORIGINAL ATHLETES IN 1924 FILM Harold Abrahams in the lead in Running – A Sport That Creates Both Bodily and Mental Health (1924). Photo credit: courtesy of BFI National Archive A routine search for footage in the BFI National Archive has uncovered an all-but-forgotten film Running - A Sport That Creates Both Bodily and Mental Health (1924) featuring two of Britain’s most famous Olympic athletes, Harold Abrahams and Eric Liddell, made legendary by their portrayal in Hugh Hudson’s Oscar-winning film Chariots of Fire. With Olympic fever sweeping the nation and a July nationwide re-release for Chariots of Fire along with the release of new film Fast Girls this is a timely reminder of Britain’s great Olympic heritage and a chance to see two of Britain’s greatest Olympic running heroes. This rarely-seen documentary footage will feature in a 4 minute extract on the BFI’s YouTube channel today. www.YouTube.com/BFIFilms The film’s full title is Running - A Sport That Creates Both Bodily and Mental Health (1924): Juvenile Races at a Country Sports Meeting, and scenes from the 1924 Olympics with W.M.Cotterell, Harold Abrahams, E.H. Liddell, D.G. Lowe, H.B.Stallard, G.M.Butler and D.McLeod Wright. 19 minutes approx @ 16 fps dir. John Betts Bryony Dixon, curator, Silent Film, BFI National Archive said: “How incredibly timely to come across the real Harold Abrahams and Eric Liddell in this beautiful quality footage with less than a month to go before the 2012 Olympics.” The film has been in the BFI National Archive collections since 1938 and was viewed by producer David Puttnam and scriptwriter Colin Welland when they were researching the Chariots of Fire story 40 years later. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Scottish Film Locations – Background Information
Scottish film locations – background information ‘Landscape as Inspiration: Scottish Locations in Literary Work and Film’ To view the full project visit the Scran website at www.scran.ac.uk and search for 0919 in project. "Chariots Of Fire" 1 Looking over the West Sands, St. Andrews, Fife, as featured in the film "Chariots Of Fire" (1981). It is on the beach pictured here that the British Olympic Running team are seen training in preparation for the 1924 Olympics in Paris. It is an example where the Scottish landscape is used to realise a place that is elsewhere- the scene is actually meant to be Broadstairs in Kent. "Chariots Of Fire" is the true story of two British track athletes competing in the 1924 Olympic Games. Eric Liddell is a devout Scottish missionary who runs for God whilst Harold Abrahams is a Jewish student who runs for fame and to escape prejudice for his religious beliefs. Extensive use of Scottish locations were used in the making of the film. The 1981 film, "Chariots of Fire" was directed by Hugh Hudson. It starred Ben Cross as Harold Abrahams and Ian Charleson as Eric Liddell. It was a critical and box office. The opening and closing scenes of the runners on the beach at St. Andrews have become an iconic movie moment, helped by the triumphal background music by Vangelis. ©Neil Sinclair "Gregory's Girl" Looking over a football pitch to Abronhill High School, Cumbernauld, North Lanarkshire, as featured in the film, "Gregory's Girl" (1981). This film tells the story of gangling schoolboy, Gregory, who is just beginning to find out about girls. -
Shirley Henderson
www.hamiltonhodell.co.uk Shirley Henderson Talent Representation Telephone Madeleine Dewhirst & Sian Smyth +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Film Title Role Director Production Company THE TROUBLE WITH JESSICA Sarah Matt Winn Sarah Sullick THE SANDS OF VENUS Rachel Tony Grisoni Potboiler Films GREED Margaret Michael Winterbottom Revolution Films STAR WARS: EPISODE IX Babu Frik J.J. Abrams Lucasfilm/Walt Disney Pictures STAN AND OLLIE Lucille Hardy Jon S. Baird BBC/Fable Pictures Nominated for the Best Actress (Film) Award, BAFTA Scotland Awards, 2019 T2: TRAINSPOTTING Gail Danny Boyle TriStar Pictures/Film4 OKJA Jennifer Bong Joon-ho Plan B Entertainment NEVER STEADY, NEVER STILL Judy Findlay Kathleen Hepburn Experimental Forest Films LOVE SONG: WOLF ALICE Joe's Mum Michael Winterbottom Lorton Entertainment Universal Pictures/Working Title BRIDGET JONES'S BABY Jude Sharon Maguire Films URBAN HYMN Kate Linton Michael Caton-Jones Eclipse Films Archimede/Recorded Picture THE TALE OF TALES Imma Matteo Garrone Company THE CARAVAN Elaine Simon Powell Uprising Features SET FIRE TO THE STARS Shirley Andy Goddard Mad As Birds/Masnomis FILTH Nominated for the Best Supporting Actress Award, British Independent Film Bunty Jon S. Baird Steel Mill Pictures Awards, 2013 THE LOOK OF LOVE Rusty Humphries Michael Winterbottom Pink Pussycat Films THÉRÈSE Suzanne Charlie Stratton Liddell Entertainment ANNA KARENINA Wife (Opera House) Joe Wright Working Title Films EVERYDAY -
The Acid House a Film by Paul Mcguigan
100% PURE UNCUT IRVINE WELSH The Acid House a film by Paul McGuigan a Zeitgeist Films release The Acid House a film by Paul McGuigan based on the short stories from “The Acid House” by Irvine Welsh Starring Ewen Bremner Kevin McKidd Maurice Roëves Martin Clunes Jemma Redgrave Introducing Stephen McCole Michelle Gomez Arlene Cockburn Gary McCormack Directed by Paul McGuigan Screenplay by Irvine Welsh Director of Photography Alasdair Walker Editor Andrew Hulme Costume Designers Pam Tait & Lynn Aitken Production Designers Richard Bridgland & Mike Gunn Associate Producer Carolynne Sinclair Kidd Produced by David Muir & Alex Usborne FilmFour presents a Picture Palace North / Umbrella Production produced in association with the Scottish Arts Council National Lottery Fund, the Glasgow Film Fund and the Yorkshire Media Production Agency UK • 1999 • 112 mins • Color • 35mm In English with English subtitles Dolby Surround Sound a Zeitgeist Films release The Acid House a film by Paul McGuigan Paul McGuigan’s THE ACID HOUSE is a surreal triptych adapted by Trainspotting author Irvine Welsh from his collection of short stories. Combining a vicious sense of humor with hard- talking drama, the film reaches into the hearts and minds of the chemical generation, casting a dark and unholy light into the hidden corners of the human psyche. Part One The Granton Star Cause The first film of the trilogy is a black comedy of revenge, soccer and religion that come together in one explosive story. Boab Coyle (STEPHEN McCOLE) thinks he has it all, a ‘tidy’ bird, a job, a cushy number living at home with his parents and a place on the kick-about soccer team the Granton Star. -
British Heritage Films in the 1980S and 1990S
ZNUV 2019;65(2);5-15 5 Andrzej Weseliński Akademia Finansów i Biznesu Vistula – Warszawa BRITISH HERITAGE FILMS IN THE 1980S AND 1990S Summary The paper explores British heritage films produced over the last two decades of the 20th century in the context of profound cultural and social changes. The international success of heritage films sparked off lively debates about what the term „heritage” stands for. The first part of the paper pro- vides a brief account of the fundamental issues and concepts of the British heritage cinema. The latter part traces the growth and development of the „quality” heritage film which in the l990s evolved into a marketable commodity that can be sold to international audiences. Key words: heritage film, costume drama, heritage culture, literary adaptations, Orlando, Car- rington, Shakespeare in Love. The emergence of lavishly produced „quality” films, variously called costume dramas and heritage films, made in Britain and France in the last decades of the twentieth cen- tury has attracted much critical attention. Those films were usually based on „popular clas- sics” (Jane Austen, E.M. Forster, Shakespeare, Hugo, Zola), although original scripts based broadly on historical facts can also be found in the mix. The best known of the early heritage films are productions by the Merchant Ivory team, that is, director James Ivory, producer Ismail Merchant, and screenwriter Ruth Prawer Jhabvala, which include three adaptations of E. M. Forster’s novels: A Room with a View (1985), Maurice (1987), and Howards End (1992), but many film scholars claim that Hugh Hudson’s Chariots of Fire (1981) set this profitable new trend in British and European cinema. -
Sir John Gielgud ( Gielgud Sir John
here is a scene in to play it well over fi ve hundred was as legendary as his proclivity ) Chariots of Fire times. It exists on disc so that one for verbal gaffes – and he remem- (Hugh Hudson, can hear the mastery of the verse, bers turning down the Hollywood 1981) in which with Gielgud giving the meaning offer to play Romeo to Norma Lindsay Ander- and the poetry both full weight. Shearer’s Juliet. After a couple of Tson and John Gielgud stand at He couldn’t play some roles, false starts in the ‘20s, he starred in an upper-storey window of their notably that of Othello, which Victor Saville’s affectionate version Oxford college making supercili- calls for a physicality that was of The Good Companions (1933) ous comments on athletes engaged simply not part of his equipment. and Hitchcock’s The Secret Agent in a ritual race around the quad- Indeed, after his fi rst appearance (1935), on the latter of which he rangle below. It is a good moment as Romeo, critic Ivor Brown remembers Peter Lorre’s habit of to fi x John Gielgud in the mind described him as having ‘the most disappearing to the studio roof to now that, at well over ninety-six, meaningless legs imaginable’. But indulge his morphine habit. he has died. He was for many he did establish himself, as the But he is not really very inter- people pre-eminently a man of critic Kenneth Tynan once wrote, esting in these fi lms. As a leading the theatre; not just an actor who as the best living actor ‘from the man, he is too stiff, lacking the had been around for a long time, neck up’. -
Remediating the Eighties: Nostalgia and Retro in British Screen Fiction from 2005 to 2011
REMEDIATING THE EIGHTIES: NOSTALGIA AND RETRO IN BRITISH SCREEN FICTION FROM 2005 TO 2011 Thesis submitted by Caitlin Shaw In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2015 2 3 ABSTRACT This doctoral thesis studies a cycle of British film and television fictions produced in the years 2005-2011 and set retrospectively in the 1980s. In its identification and in-depth textual and contextual analysis of what it terms the ‘Eighties Cycle’, it offers a significant contribution to British film and television scholarship. It examines eighties- set productions as members of a sub-genre of British recent-past period dramas begging unique consideration outside of comparisons to British ‘heritage’ dramas, to contemporary social dramas or to actual history. It shows that incentives for depicting the eighties are wide-ranging; consequently, it situates productions within their cultural and industrial contexts, exploring how these dictate which eighties codes are cited and how they are textually used. The Introduction delineates the Eighties Cycle, establishes the project’s academic and historical basis and outlines its approach. Chapter 1 situates the work within the academic fields that inform it, briefly surveying histories and socio-cultural studies before examining and assessing existing scholarship on Eighties Cycle productions alongside critical literature on 1980s, 90s and contemporary British film and television; nostalgia and retro; modern media, history and memory; British and American period screen fiction; and transmedia storytelling. Chapter 2 considers how a selection of productions employing ‘the eighties’ as a visual and audio style invoke and assign meaning to commonly recognised aesthetic codes according to their targeted audiences and/or intended messages. -
Designing an Empire
DESIGNING AN EMPIRE The John Mollo Archive New Bond Street, London | 11 December 2018 Designing An Empire The John Mollo Archive New Bond Street, London | Tuesday 11 December 2018 at 4pm VIEWING ENQUIRIES REGISTRATION PHYSICAL CONDITION OF Saturday 8 December Katherine Schofield IMPORTANT NOTICE LOTS IN THIS AUCTION 10am to 4pm +44 (0) 20 7393 3871 Please note that all customers, Sunday 9 December [email protected] irrespective of any previous PLEASE NOTE THAT THERE IS 10am to 4pm activity with Bonhams, are NO REFERENCE IN THIS Monday 10 December Claire Tole-Moir required to complete the Bidder CATALOGUE TO THE PHYSICAL 9am to 4.30pm +44 (0) 20 7393 3984 Registration Form in advance of CONDITION OF ANY LOT. Tuesday 11 December [email protected] the sale. The form can be found INTENDING BIDDERS MUST 9am to 10am at the back of every catalogue SATISFY THEMSELVES AS TO Lot Image Enquiries and on our website at www. THE CONDITION OF ANY LOT HIGHLIGHTS [email protected] bonhams.com and should be AS SPECIFIED IN CLAUSE 14 Los Angeles returned by email or post to the OF THE NOTICE TO BIDDERS 2 - 4 November Special Thanks specialist department or to the CONTAINED AT THE END OF Jez Hill bids department at bids@ THIS CATALOGUE. New York starwarshelmets.com bonhams.com 16 - 20 November As a courtesy to intending To bid live online and / or leave bidders, Bonhams will provide a Knightsbridge internet bids please go to written Indication of the physical 25 - 28 November www.bonhams.com/ condition of lots in this sale if a auctions/25245 request is received up to 24 SALE NUMBER and click on the Register to bid hours before the auction starts. -
Born Into Brothels
Presents FINDING ALTAMIRA A Morena Films, El Maestro De Altamira, and Mare Nostrum Productions Production A Film by Hugh Hudson Theatrical Release Date: September 16, 2016 Running Time: 93 minutes Rating: Not Yet Rated Facebook: www.facebook.com/samuelgoldwynfilms To Download Materials: https://www.dropbox.com/sh/1fu5b947cxip0l1/AAC7ueo44Q7UaJkwpKmsliW2a?dl=0 Publicity/Press Contact: PRODIGY PR 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] CAST AND CREW Marcelino Sanz de Sautuola ANTONIO BANDERAS Conchita GOLSHIFTEH FARAHANI María ALLEGRA ALLEN Paul Ratier PIERRE NINEY Émile Cartailhac CLÉMENT SIBONY Monseñor RUPERT EVERETT Pasi TÁBATA CEREZO Abbé Breuil TRISTÁN ULLOA María (adult) IRENE ESCOLAR De los Ríos HENRY GOODMAN Vilanova NICHOLAS FARRELL Director HUGH HUDSON Writers OLIVIA HETREED JOSÉ LUIS LÓPEZ LINARES Producers LUCRECIA BOTÍN ALVARO LONGORIA ANDY PATERSON Executive Producers LUCRECIA BOTÍN ANA BOTÍN ANDRÓNICO LUKSIC LAURA BICKFORD JOSÉ LUIS LÓPEZ LINARES PILAR BENITO Co-Producers ALEXANDRA LEBRET AXEL KUSCHEVATZKY Associate Producers GONZALO BOTÍN EMILIO BOTÍN IGNACIO SALAZAR-SIMPSON NICOLÁS LUCA DE TENA SAINZ CRISTÓBAL GARCÍA Music MARK KNOPFLER EVELYN GLENNIE Director of Photography JOSÉ LUIS ALCAINE Editor PIA DI CIAULA Line Producer CRISTINA ZUMÁRRAGA Production Designer BENJAMÍN FERNÁNDEZ Sound DANIEL FONTRODONA GABRIEL GUTIÉRREZ STEFAN HENRIX Costume Designer CONSOLATA BOYLE Make-up and Hair Designer JENNY SHIRCORE “Finding Altamira” press kit, p. 2 of 10 SYNOPSIS In 1879, Spanish archaeologist Marcelino (Antonio Banderas) and his daughter Maria (Allegra Allen) discover seemingly impossible paintings of galloping bison adorning the walls of a hidden cave. The cave of Altamira brings the world together in amazement, drawing people of all types to see the paintings in person. -
Kat Gollock the Filth, and the Fury Mark Pawson Comic & Zine
cross currents in culture variant number 43 spring 2012 free Kat Gollock The Filth, and the Fury Mark Pawson Comic & Zine Reviews Jorge Ribalta Towards a New Documentalism Emma Louise Briant If... On Martial Values and Britishness Tom Coles “Organise your mourning” Ellen Feiss Santiago Sierra... Ethics and the political efficacy of citationTom Jennings The Poverty of Imagination Rosemary Meade “Our country’s calling card”Joanne Laws Generation Bailout Friendofzanetti The Housing Monster 2 | variant 43 | spring 2012 Variant 43 Spring 2012 Variant engages in the Editorial Group contents examination and critique of The Filth, and the Fury editor/ administration: society and culture, drawing Leigh French Kat Gollock from knowledge across the 3 arts, social sciences and co-editors: humanities, as an approach to Gordon Asher Comic & Zine Reviews creative cultural practice and John Beagles as something distinct from Lisa Bradley Mark Pawson 7 promotional culture. Neil Gray It is an engagement of Gesa Helms practice which seeks to publicly Daniel Jewesbury Towards a New Documentalism participate in and understand Owen Logan Jorge Ribalta 10 culture ‘in the round’. That is, Advisory Group in the many and various ways Monika Vykoukal culture exemplifies, illuminates Simon Yuill If.... and engages with larger societal Kirsten Forkert On Martial Values and Britishness processes. 12 We contend it is constructive Design Kevin Hobbs Emma Louise Briant and essential to place articles which address the multiple ISSN: 09548815 facets of culture alongside ‘Organise your mourning’ Printers articles on issues that inform Spectator Newspapers, Bangor, Tom Coles or have consequences for 19 Co. Down, N. Ireland BT20 4AF the very production and subject of knowledge and its Contribute Ethics and the political efficacy of communication.