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Januar Februar
brezpla~ni izvod po{tnina pla~ana pri po{ti 1106 ljubljana kinote~nik 2011 2012 januar-februar Rainer Werner Fassbinder retrospektiva ostanite {e naprej z nami Televizijskim ogledom in uvidom sledi {e ob{irnej{a, po skoraj dvajsetletnem "Televizija! Vzgojiteljica, mati, ljubica." doma~em zamolku toliko glasnej{a retrospektiva nem{kega scenarista, dramatika, Homer Simpson igralca, producenta in re`iserja Rainerja Wernerja Fassbinderja, ki bo prinesla "Za film bi rad pomenil to, kar Shakespeare pomeni za gledali{~e, Marx za {tirideset projekcij dvajsetih filmov plus – kot je pri ve~jih retrospektivah spet v politiko in Freud za psihologijo: nekdo, za komer ni~ ne ostane isto." navadi – zajeten kinote~ni katalog, posve~en avtorju. Kdor je Fassbinderja `e Rainer Werner Fassbinder gledal, ga bo pri{el pogledat spet (retrospektiva, mimogrede, prina{a kup , letnik XII, {tevilka 5–6, januar-februar 2012 naslovov, ki v Sloveniji {e nikoli niso bili predvajani na velikem platnu). Kdor Kaj imata skupnega televizija in Rainer Werner Fassbinder razen tega, da je prva Fassbinderja {e ni gledal, pa ima v Kinoteki rezerviran abonma ne samo pri radikalno posegla v tok navad in obna{anja 20. stoletja, drugi pa ni~ manj predmetu filma, pa~ pa tudi na podro~ju ob~utljivih to~k evropske zgodovine radikalno v tok filmske zgodovine istega stoletja? Poleg dejstva, da je Fassbinder dvajsetega stoletja, brezkompromisnega politi~nega udejstvovanja, eti~nega pribli`no tretjino svojega enormnega opusa posnel prav za televizijo, ju tokrat anga`maja in njemu pripadajo~ega dogodka ljubezni. dru`i tudi skupen nastop v januarsko-februarskem programu Kinoteke. Retrospektiva se bo iz januarja prelila v februar, ta pa se sklepa z mnogo manj ali Tega na samem pragu novega leta odpiramo z ob{irno, tematsko retrospektivo, prav ni~ "kanoni~no", a zato ni~ manj "pou~no" retrospektivo, ki bo predstavila ki smo jo poimenovali Ekrani na platnu in v sklopu katere raziskujemo, na kak{ne pet filmov Reze Mirkarimija, mlaj{ega cineasta iranskega rodu. -
Master Class with George R.R. Martin: Selected Filmography 1 The
Master Class with George R.R. Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the master class Game of Thrones (2011-2013). 2 seasons, 20 episodes. Creators: David Benioff and D.B. Weiss, U.S.A. Airs on HBO. Production Co.: HBO / Television 360 / Grok! Studio / Generator Entertainment / Bighead Littlehead / Embassy Films. The Twilight Zone (1959-1964). 5 seasons, 156 episodes. Creator: Rod Sterling, U.S.A. Originally aired on CBS. Production Co.: Cayuga Productions / CBS. Captain Video and His Video Rangers (1949-1955). 7 seasons, number of episodes unknown. Creator: James Caddiga, U.S.A. Originally aired on DuMont Television Network. Production Co.: DuMont Television Network. Rocky Jones, Space Ranger (1954). 2 seasons, 39 episodes. Creator: Roland D. Reed, U.S.A. Originally aired on DuMont Television Network. Production Co.: Roland Reed Productions / Space Ranger Enterprises. Tom Corbett, Space Cadet (1950-1955). 4 seasons, number of episodes unknown. Creator: unknown, U.S.A. Originally aired on CBS (1950), ABC (1951-1952), DuMont Television Network (1953-1954), and NBC (1954-1955). -
'I Have Enormous Sadness In
THETIMESThursdayDecember102009 THETIMESThursdayDecember102009 arts times2 615 MAIN IMAGE: CHRIS HARRIS FOR THE TIMES plots,castles,gettingbanished,butafterPe- ter I played Electra. It felt right to act it. It wasn’t like I was acting out my grief but I certainly felt it expunged. Up to that point The odd couple — acting had been a facility,after it,it became a reality. With a part like that you’re com- municating the private sorrows of an audi- ence. I am very interested in playing a psy- chologist next, to be the recipient of some- and the other guy oneelse’sstoriesratherthantheteller.” What about Lady Macbeth: she hasn’t Rachel Campbell- doneheryet?“Ijustmight,”shesaysquizzi- cally. “Alan Rickman asked me recently, Johnston goes to a ‘Whatever happened to us doing the Mac- beths?’” What? Those two as Mr and Mrs party thrown by M?Bestillourbeating. As for the insane Harry Potter slip- three artists with stream, she is almost dismissive. “Harry Melling, the young man who plays my son little in common he’ll be going up ladders again. My mum Fiona Shaw, left, near to in Mother Courage, plays my son in Potter visits him every day” — she smiles — home base on Primrose (they are Petunia and Dudley Dursley re- “apart from her days off in France.” She Hill; as Harry Potter’s spectively), and we’re the poor relations. Visual Art notes my stricken expression. “As a family Aunt Petunia (with We never do any magic, we have it done to wehaveratheraperfunctoryattitudetoill- Harry Melling and us. The odd thing is leaving the set and to Sargent, Sickert, ness. -
2015 United Solo Festival Guide
GREETINGS FROM UNITED SOLO Dear Friends, Welcome to the world of theatre; where a diverse body of artists brings innovative interpretations of the shared currency of human life! Entering its sixth year, United Solo has come to represent a unique landmark on the New York City theatrical map by offering a selection of one hundred fifty productions from six continents, staged over the course of ten weeks. We unite renowned artists and emerging talents, curate collections of scripts at Indie Theater Now, present an international showcase overseas, fundraise for the Actors Fund, and feature companies returning by popular demand in our special Encore category. United Solo thrives as the world’s largest solo theatre festival thanks to the commitment of a global family of patrons, artists, business associates, and supporters. I am deeply grateful to them for making it possible again this year! This Festival guide is an open invitation to a world of exciting stories. Enjoy this world through United Solo. Stay united! Omar Sangare, Ph.D. Artistic Director UNITED SOLO unitedsolo.org THE WORLD’S LARGEST SOLO THEATRE FESTIVAL (3) 2015 FACTS & FIGURES UNITED SOLO TEAM the world’s largest solo theatre festival OMAR SANGARE MICHAEL MILLER Artistic Director Literary Advisor 150 productions from 6 continents [email protected] [email protected] September 17 – November 22, 2015 ILYA KHODOSH MARCIN LIPINSKI PERFORMANCES AT TICKETS THROUGH Associate Artistic Director General Manager [email protected] [email protected] JULIA KWINTO TERRY TAMM 410 WEST 42nd STREET www.telecharge.com Creative Director Dramaturg [email protected] NEW YORK CITY 212-239-6200 [email protected] SPECIAL THANKS TO ANDREA DUQUETTE DIANE R. -
Events, Exhibitions & Treasures from the Collection
July —September, 2019 Quarterly Events, Exhibitions & Treasures from the Collection Features 4 Note from the Librarian The Manchester Literary and Philosophical Society 5 Library News Autumn 2019 Programme Highlights Quarterly 6 Member’s Research July—September, 2019 Nicola Higgins Nicola Kane 7 Exhibition Thursday 3rd October 2019 - RNCM Making the News: Delivering the future: Greater Manchester’s Transport Strategy Reading between the lines Since the industrial revolution and the world’s first passenger railway services, transport has from Peterloo to Meskel Square played a critical role in shaping Greater Manchester and the lives of people living in the conurba- tion. Over the coming decades Greater Manchester’s transport system will face huge challenges, 8 Event Listings such as how to cater for a growth in travel as the city’s population increases to around three mil- lion people. Nicola Kane’s lecture will provide an introduction to TfGM’s ambitious plans. 10 Library Treasures Professor Daniel M Davis Alex Boswell Thursday 10th October 2019 - RNCM The Beautiful Cure 12 Member’s Article Daniel M Davis’ research, using super-resolution microscopy to I remember, I remember study immune cell biology, was listed in Discover magazine as one of Alan Shelston the top 100 breakthroughs of the year. He is the author of the high- ly acclaimed book, ‘The Beautiful Cure’. This talk will present a revelato- ry new understanding of the human body and what it takes to be healthy. 14 Dining at The Portico Library Joe Fenn Image: The University of Manchester Derek Blyth Tuesday 15th October 2019 - RNCM 15 Volunteer Story Ellie Holly No Regrets - The Life and Music of Edith Piaf In a century known for its record keeping and attention to detail, Edith Piaf’s life can read like a fairy tale. -
Navigating the Videogame
From above, from below: navigating the videogame A thesis presented by Daniel Golding 228306 to The School of Culture and Communication in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) in the field of Cultural Studies in the School of Culture and Communication The University of Melbourne Supervisor: Dr. Fran Martin October 2008 ABSTRACT The study of videogames is still evolving. While many theorists have accurately described aspects of the medium, this thesis seeks to move the study of videogames away from previously formal approaches and towards a holistic method of engagement with the experience of playing videogames. Therefore, I propose that videogames are best conceptualised as navigable, spatial texts. This approach, based on Michel de Certeau’s concept of strategies and tactics, illuminates both the textual structure of videogames and the immediate experience of playing them. I also regard videogame space as paramount. My close analysis of Portal (Valve Corporation, 2007) demonstrates that a designer can choose to communicate rules and fiction, and attempt to influence the behaviour of players through strategies of space. Therefore, I aim to plot the relationship between designer and player through the power structures of the videogame, as conceived through this new lens. ii TABLE OF CONTENTS ABSTRACT ii ACKNOWLEDGEMENTS iv CHAPTER ONE: Introduction 1 AN EVOLVING FIELD 2 LUDOLOGY AND NARRATOLOGY 3 DEFINITIONS, AND THE NAVIGABLE TEXT 6 PLAYER EXPERIENCE AND VIDEOGAME SPACE 11 MARGINS OF DISCUSSION 13 CHAPTER TWO: The videogame from above: the designer as strategist 18 PSYCHOGEOGRAPHY 18 PORTAL AND THE STRATEGIES OF DESIGN 20 STRUCTURES OF POWER 27 RAILS 29 CHAPTER THREE: The videogame from below: the player as tactician 34 THE PLAYER AS NAVIGATOR 36 THE PLAYER AS SUBJECT 38 THE PLAYER AS BRICOLEUR 40 THE PLAYER AS GUERRILLA 43 CHAPTER FOUR: Conclusion 48 BIBLIOGRAPHY 50 iii ACKNOWLEDGEMENTS I would like to thank my supervisor, Dr. -
La FOX SEARCHLIGHT PICTURES Presenta in Associazione Con La TSG ENTERTAINMENT Un Film Della FREE RANGE RACHEL WEISZ SAM CLAFLIN
La FOX SEARCHLIGHT PICTURES presenta in associazione con la TSG ENTERTAINMENT un film della FREE RANGE RACHEL WEISZ SAM CLAFLIN HOLLIDAY GRANGER IAIN GLEN PIERFRANCESCO FAVINO SIMON RUSSELL BEALE VICKI PEPPERDINE ADATTAMENTO CINEMATOGRAFICO E REGIA .................................................................... ROGER MICHELL TRATTO DAL ROMANZO DI .............................. DAPHNE du MAURIER PRODOTTO DA ...................................................... KEVIN LOADER PRODUTTORE ESECUTIVO ................................. ROGER MICHELL DIRETTORE DELLA FOTOGRAFIA ................... MIKE ELEY, BSC SCENOGRAFIE ....................................................... ALICE NORMINGTON MONTAGGIO ......................................................... KRISTINA HETHERINGTON CO-PRODUTTORE ................................................. ANITA OVERLAND MUSICHE ................................................................. RAEL JONES IDEAZIONE COSTUMI ......................................... DINAH COLLIN CASTING .................................................................. FIONA WEIR Uscita: 5 ottobre 2017 Distribuzione: 20th Century Fox Italia Durata: 106 minuti *** Ufficio stampa 20th Century Fox Giancarlo Sozi : <[email protected]> ; Cristina Partenza: < [email protected]> *** www.20thfox.it; https://www.facebook.com/TwentiethCenturyFoxItaly 1 RACHEL è una storia d’amore cupa, articolata su più livelli narrativi, che segue la vicenda di un giovane inglese deciso a vendicarsi della bellissima e misteriosa cugina, -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Saturday and Sunday Movies
The Goodland Star-News / Friday, May 28, 2004 5 abigail your help, Abby — it’s been an aw- dinner in the bathroom with her. I behavior is inappropriate. Your parents remember leaving me home Co-worker ful burden. — OLD-FASHIONED find his behavior questionable and daughter is old enough to bathe with- alone at that age, but that was 24 van buren IN BOULDER have asked him repeatedly to allow out supervision and should do so. years ago. I feel things are too dan- DEAR OLD-FASHIONED: Talk her some privacy. Nonetheless, he You didn’t mention how physically gerous these days. creates more to the supervisor privately and tell continues to “assist her” in bathing developed she is, but she will soon Is there an age when I can leave •dear abby him or her what you have told me. by adding bath oil to the water, etc. be a young woman. Your husband’s them home alone and know that all work for others Say nothing to Ginger, because that’s Neither my husband nor my daugh- method of “lulling” her to sleep is is OK? — CAUTIOUS MOM IN DEAR ABBY: I work in a large, breaks, sometimes even paying her the supervisor’s job — and it will ter thinks anything is wrong with this also too stimulating for both of them. KANSAS open office with five other people. bills and answering personal corre- only cause resentment if you do. behavior — so what can I do? Discuss this with your daughter’s DEAR CAUTIOUS MOM: I’m We all collaborate on the same spondence on company time. -
Tribeca Film in Partnership with American Express Presents with Film 4, UK Film Council, Scottish Screen and Wild Bunch a Bluel
Tribeca Film in Partnership with American Express presents with Film 4, UK Film Council, Scottish Screen and Wild Bunch a blueLight, Fidelite Films, Studio Urania production NEDS Winner – Best Film, Evening Standard British Film Awards Winner – Golden Shell for Best Film, San Sebastian Film Festival Winner – Silver Shell for Best Actor, Conor McCarron San Sebastian Film Festival Winner- Young British Performer of the Year, Conor McCarron London Film Critics’ Circle Awards US Premiere Tribeca Film Festival 2011 Available on VOD Nationwide: April 20-June 23, 2011 May 13, 2011- Los Angeles June 17, 2011 – Miami Available August 23 on DVD PRESS CONTACTS Distributor: Publicity: ID PR Tammie Rosen Dani Weinstein Tribeca Film Sara Serlen 212-941-2003 Sheri Goldberg [email protected] 212-334-0333 375 Greenwich Street [email protected] New York, NY 10013 150 West 30th Street, 19th Floor New York, NY 10001 1 SYNOPSIS “If you want a NED, I‟ll give you a fucking NED!” Directed by the acclaimed actor/director Peter Mullan (MY NAME IS JOE, THE MAGDALENE SISTERS) NEDS, so called Non-Educated Delinquents, takes place in the gritty, savage and often violent world of 1970‟s Glasgow. On the brink of adolescence, young John McGill is a bright and sensitive boy, eager to learn and full of promise. But, the cards are stacked against him. Most of the adults in his life fail him in one way or another. His father is a drunken violent bully and his teachers – punishing John for the „sins‟ of his older brother, Benny – are down on him from the start. -
Director Terry Kinney Reconceives Indie Rock Band Other Lives
Director Terry Kinney reconceives indie rock band Other Lives’ performance as a unique theatrical event— Reconfiguration: An Evening with Other Lives, Oct 9 & 10 at BAM Reconfiguration: An Evening with Other Lives Mix Tape Productions Conceived by Rebecca Habel and Terry Kinney Directed by Terry Kinney Set design by Frank McCullough Lighting design by Ben Stanton Projection design by Daniel Brodie Sound design by Drew Levy Original drawings by Matt Huynh Bloomberg Philanthropies is the Season Sponsor BAM Howard Gilman Opera House (30 Lafayette Ave) Oct 9 & 10 at 7:30pm Tickets start at $25 August 28, 2015/Brooklyn, NY—True to its title, Reconfiguration: An Evening with Other Lives reconceives the acclaimed rock band’s live show as an immersive theatrical experience helmed by Steppenwolf Theatre Company co-founder Terry Kinney in this world premiere collaborative work. Other Lives’ Jesse Tabish, Jonathon Mooney, Josh Onstott, Daniel Hart, and Danny Reisch will perform songs from their most recent album, Rituals, along with previous releases, while Kinney crafts an engrossing audio-visual narrative inspired by the band’s cinematic music. Reconfiguration features set design by Frank McCullough (Associate Scenic Designer: An American in Paris, Hedwig and the Angry Inch), lighting design by Ben Stanton (Fun Home, Sufjan Stevens), projection design by Daniel Brodie (Disney’s Aladdin, Bonnaroo festival), sound design by Drew Levy (Honeymoon in Vegas), and original drawings by Matt Huynh. Presented in a thematic, three-act structure, the production features scenic elements, animated illustrations, video, and multiple-surface projections. Director Terry Kinney said, "Other Lives is the flagship concert for our company for so many reasons—we wanted to work with a band that should be, but perhaps isn't, a household name yet. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.