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Northern Italy: the Alps, Dolomites & Lombardy 2021
YOUR O.A.T. ADVENTURE TRAVEL PLANNING GUIDE® Northern Italy: The Alps, Dolomites & Lombardy 2021 Small Groups: 8-16 travelers—guaranteed! (average of 13) Overseas Adventure Travel ® The Leader in Personalized Small Group Adventures on the Road Less Traveled 1 Dear Traveler, At last, the world is opening up again for curious travel lovers like you and me. And the O.A.T. Northern Italy: The Alps, Dolomites & Lombardy itinerary you’ve expressed interest in will be a wonderful way to resume the discoveries that bring us so much joy. You might soon be enjoying standout moments like these: In my mind, nothing is more idyllic than the mountainous landscapes and rural villages of Alpine Europe. To immerse myself in their pastoral traditions and everyday life, I love to explore rural communities like Teglio, a small village nestled in the Valtellina Valley. You’ll see what I mean when you experience A Day in the Life of a small, family-run farm here where you’ll have the opportunity to meet the owner, walk the grounds, lend a hand with the daily farm chores, and share a traditional meal with your hosts in the farmhouse. You’ll also get a taste for some of the other crafts in the Valley when you visit a locally-owned goat cheese producer and a water-powered mill. But the most moving stories of all were the ones I heard directly from the local people I met. You’ll meet them, too, and hear their personal experiences during a conversation with two political refugeees at a local café in Milan to discuss the deeply divisive issue of immigration in Italy. -
Films at US. Boxoffice Eo Peripherals with Computers
74 )tA8lETr( Tues., Jan. 8, 1991 'Curious' Top Foreign Language Boxoffice Hit In Variety Survey By LAWRENCE COHN piling boxoffice figures reported by breakthrough film that the Supreme tional audience. Films such as "I Am Curious NEW YORK - From "La Dolce theaters in over 20 key U.S. cities. Court ruled could be shown public• Ticket price inflation (a quad• (Yellow)," the Danish sex comedy Vita" to "Cinema Paradiso," fbr- For foreign language and other ly in U.S. theaters. rupling over the three-decade time- hit "Without A Stitch " and the eign language films have played a specialized art-house films, this ur• Soon after U.S. softcore and then span) is not taken into account in ground-breaking Isabel Sarli smash small but significant part in U.S. ban sample captures from 40% to hardcore porn films replaced for• compiling this list, which states es• "Fuego" made all earnings in sub• exhibition over the last three de- 75% of the total grow. eign films at the nation's "art the• timated bo. grosses. Thus, Felli- titled version. "Stitch" even played cadea. The composite chart listing 60 of aters, " bringing both the X rating ni's "La Dolce Vita" performance at U.S. driveins with subtitles. The accompanying chart, listing the biggest foreign hits has been ex• and notion of "art picture" into dis• in 1960 would be comparable to a "A Man And A Woman," "El- the greatest successes among panded beyond the comprehensive repute. $70 million grossing mainstream vira Madigan" and "La Cage Aux foreign-film imports, is based on a 1968-90 sample back to 1960, using Federico Fellini and the late Vit- release today. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
88Th Annual Academy Awards® Oscar® Nominations Fact
88TH ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: The Big Short (Paramount Pictures) [Produced by Brad Pitt, Dede Gardner and Jeremy Kleiner.] - This is the sixth nomination and the third in this category for Brad Pitt, who won for 12 Years a Slave (2013). His other Best Picture nomination was for Moneyball (2011). He received Acting nominations for his supporting role in 12 Monkeys (1995) and his leading roles in The Curious Case of Benjamin Button (2008) and Moneyball. This is the fourth nomination for Dede Gardner, who won for 12 Years a Slave (2013). Her other Best Picture nominations were for The Tree of Life (2011) and Selma (2014). This is the third nomination for Jeremy Kleiner, who won for 12 Years a Slave (2013) and was nominated last year for Selma. Bridge of Spies (Walt Disney and 20th Century Fox) [Produced by Steven Spielberg, Marc Platt and Kristie Macosko Krieger.] - This is the ninth nomination in this category for Steven Spielberg, who won the award in 1993 for Schindler's List. His other Best Picture nominations were for E.T. The Extra-Terrestrial (1982), The Color Purple (1985), Saving Private Ryan (1998), Munich (2005), Letters from Iwo Jima (2006), War Horse (2011) and Lincoln (2012). He has seven Directing nominations, for Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), E.T. The Extra-Terrestrial, Schindler's List, Saving Private Ryan, Munich and Lincoln. He won Oscars for Schindler's List and Saving Private Ryan. He also received the Irving G. -
La Judéité Dans L'œuvre De Romain Gary. De L'ambiguïté À La
Document generated on 09/28/2021 12:15 p.m. Études littéraires La Judéité dans l’œuvre de Romain Gary. De l’ambiguïté à la transparence symbolique Joseph Sungolowsky Colette : le luxe et l’écriture Article abstract Volume 26, Number 1, été 1993 As an author of post-World War II literature, Romain Gary denounces all forms of extremism and racism in his novel. While the subjetcs of his novels are not URI: https://id.erudit.org/iderudit/501035ar jewish, he remains deeply affected by the Holocauts and represent, therefore, DOI: https://doi.org/10.7202/501035ar Jewish characters who recall the persecutions exerted against the Jews throughout the ages. Such concerns lead him to consider his own Jewishness as See table of contents well as the Jewish condition in general ; one may even notice in his work a tendency towards a symbolism owing to Jewish inspiration. Publisher(s) Département des littératures de l'Université Laval ISSN 0014-214X (print) 1708-9069 (digital) Explore this journal Cite this article Sungolowsky, J. (1993). La Judéité dans l’œuvre de Romain Gary. De l’ambiguïté à la transparence symbolique. Études littéraires, 26(1), 111–127. https://doi.org/10.7202/501035ar Tous droits réservés © Département des littératures de l'Université Laval, 1993 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
The Image of the Jew and Israel in Contemporary Media Considering a Displaced Homemaker's Act
community resources where obstacles are put displaced homemakers. Currently, the U.S. in the way of client goal realization. Senate and House of Representatives are both The Image of the Jew and Israel in Contemporary Media considering a Displaced Homemaker's Act. In 8. Follow Up and Evaluation Services Julius Schatz The program should have provisions for on the near future, we are likely to see significant Director, Commission on Jewish Life and Culture, going contact with clients after job placement activity in both the public and private sectors American Jewish Congress; Chairman, Task Force on Media, or closure. Some women may experience job in the development of programs serving this National Jewish Community Relations Advisory Council, New York adjustment problems in relation to employer specific client group. It is important that the Jewish Vocational expectations or unanticipated circumstances in The medium . is the most powerful communicator, influencer, impacter—salesman and Services become part of the mainstream their work life. Routine follow-up of all cases propaganda and information dispenser. on a prescribed interval is mandatory. When efforts to serve the displaced homemaker. We necessary, clients should be permitted re- have the natural constituencies and client We hope that this brief article will attempt planes, from the gas jets to the laser beam; access to any part of the program. groups who will require this service. Our skills to probe for answers to a number of important from coal-burning to atomic energy, we must All of us involved in social service delivery and long experience in the areas of counseling, questions. -
View Travel Planning Guide
YOUR O.A.T. ADVENTURE TRAVEL PLANNING GUIDE® Tuscany & Umbria: Rustic Beauty in the Italian Heartland 2021 Small Groups: 8-16 travelers—guaranteed! (average of 13) Overseas Adventure Travel ® The Leader in Personalized Small Group Adventures on the Road Less Traveled 1 Dear Traveler, At last, the world is opening up again for curious travel lovers like you and me. And the O.A.T. Tuscany & Umbria itinerary you’ve expressed interest in will be a wonderful way to resume the discoveries that bring us so much joy. You might soon be enjoying standout moments like these: I love to eat in Italy (who doesn’t?) and Tuscany is truly a gastronomic playground, brimming with some of the nation’s most iconic dishes. You’ll see what I mean when you spend A Day in the Life in the Chianti Valley on a family-owned goat farm where you’ll have a chance to meet the goats, learn about organic farming practices during a stroll through the fruit and vegetable gardens, and discover the secrets of cheese-making firsthand before sitting down with your hosts for a farm-fresh lunch. While I adore so many of the Italian traditions that I’ve encountered, I was saddened to learn about a darker side of this country’s heritage and the consequences of the machismo culture: femminicidio , or violence against women. When you visit La Città delle Donne—an organization that provides vital services for victims of domestic abuse, you’ll meet some of the volunteers who work closely with the survivors. -
The Perception of the Shoah in France After 1945 in Sixty Years the Perception of the Shoah Has Evolved Considerably in France
The Perception of the Shoah in France after 1945 In sixty years the perception of the Shoah has evolved considerably in France. Absent at first from the mental universe of the French, then for a long time marginal, in recent years this perception has become clearer, more central and almost inescapable. Indeed not a day passes without a new publication on this theme, without the placing of a commemorative plaque on a school, or the projection of a new film on this subject. And, as the historian Saul Friedlander stressed in the 1980s, interest and emotion concerning the Shoah, far from waning, have tended to become stronger with time. One also observes this phenomenon in North America, in several other European countries and obviously in Israel, but it is France which concerns us today. To understand how such a radical change of perspective took place over a period of more than sixty years, we will first try to show the principal stages of the perception of the Shoah in France since 1945. We will then examine several principal vectors of this change, notably education, legal trials and artistic creation. Finally, we will stress the involvement of the Jews of France in this evolution. I. The perception: three principal stages from 1945-2008 A. 1945-46 The Shock The first, quite short, phase corresponds primarily to the shock in France immediately after the war at the discovery of the genocide of the Jews. In point of fact, one should speak more of the discovery of the crimes of the Nazis than of the genocide of the Jews. -
Air Force to Court-Martial a General for the First Time
GAMES: Outriders is too good to play online only Page 26 ACADEMY MLB: Joey Gallo can do AWARDS more than slug Page 48 Previews, profiles and MUSIC: Pearl Jam guitarist predictions on 30 years of ‘Ten’ Page 28 Pages 15-20; 29 stripes.com Volume 80 Edition 5 ©SS 2021 FRIDAY,APRIL 23, 2021 $1.00 Air Force to court-martial a general for the first time BY CHAD GARLAND Stars and Stripes Former Air Force Research Laboratory commander Maj. Gen. William Cooley will face a court- martial on sexual assault charges, making him the first general offi- cer to be prosecuted by the ser- vice. Cooley is accused of making un- wanted sexual advances by kiss- ing and touching a civilian woman during an off-du- ty incident in Al- buquerque, N.M., in August 2018. The wom- an is not a ser- vice member or Cooley Defense Depart- ment employee. Gen. Arnold W. Bunch Jr., head of the Air Force Materiel Com- BRITTAINY NEWMAN/AP mand, referred one charge A New York City police officer watches as protesters march down Flatbush Avenue in Brooklyn on Tuesday. Following the guilty verdict against against Cooley under the Uniform former Minneapolis police officer Derek Chauvin in the death of George Floyd, the White House is pushing for changes to U.S. policing laws. Code of Military Justice, includ- ing three specifications of sexual assault under Article 120, the com- mand said in a statement Wednes- day. “I can assure you this was not a Reform at the forefront decision made lightly, but I be- lieve it was the right decision,” Bunch said in the AFMC state- ment. -
Blow-Up" Author(S): Seymour Chatman Source: Poetics Today, Vol
Porter Institute for Poetics and Semiotics The Rhetoric of Difficult Fiction: Cortázar's "Blow-Up" Author(s): Seymour Chatman Source: Poetics Today, Vol. 1, No. 4, Narratology II: The Fictional Text and the Reader (Summer, 1980), pp. 23-66 Published by: Duke University Press Stable URL: http://www.jstor.org/stable/1771886 . Accessed: 05/11/2013 16:44 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Duke University Press and Porter Institute for Poetics and Semiotics are collaborating with JSTOR to digitize, preserve and extend access to Poetics Today. http://www.jstor.org This content downloaded from 206.87.122.163 on Tue, 5 Nov 2013 16:44:35 PM All use subject to JSTOR Terms and Conditions THE RHETORIC OF DIFFICULT FICTION Cortaizar's"Blow-Up" SEYMOUR CHATMAN Rhetoric,Berkeley "... I who am dead." Thus the narrator of Julio Cortaizar's "Blow-Up," but adds, immediately,"and I'm alive, I'm not tryingto fool anybody."How we understandthe bizarrecontradictions of modernfiction is, I argue,a rhetorical question. Since the world invoked by a fictionis not real, what are we (per)suaded to do? We can do nothingin thatworld, but we can do something withit, namely,accept or reject it. -
“EVERYTHING HAS BEEN FIGURED out EXCEPT HOW to LIVE.” —Jean-Paul Sartre
FALL 2011 * PROF. ERIC G.E. ZUELOW * Marcil 216 * M/W @ 11-12:20 * 3-Credits Office: Marcil 204 * Ph. 207-602-2310 * Email:[email protected] * Office Hours: T/Th 11-11:30, W 1-2 HISTORY 360: EUROPE IN THE 20TH CENTURY POSTWAR “EVERYTHING HAS BEEN FIGURED OUT EXCEPT HOW TO LIVE.” —Jean-Paul Sartre AFTER WORLD WAR II, EUROPE WAS A RUIN . the challenge was to piece it back together. But how? Communists and democrats felt that they had the answers, but their answers often spawned little more than disillusion, protest, and unrest. Even as much of Europe managed to bounce back from war within only a few years, anxiety was often the principle result. Conflicting national identities, the development of youth culture, and a belief among many that Europe would either sink or swim as a single political and economic unit all shaped the postwar experience. This class will explore the story of European history from the end of World War II to the “War on Terror.” Topics will include (among others) the division of Europe into East and West, the rise of the European Union, the development of separatist nationalisms, and the astonishing proliferation of youth culture that both reflected and defined what took place on the political and economic stage. The class will include a combination of readings, lectures, and films. Students will be expected to participate actively in class discussion and activities, complete a series of short quizzes/papers, and ultimately write a substantial research paper. 2 REQUIRED TEXTS 1) Tom Buchanan, Europe’s Troubled Peace, 1945-2000 (London and New York: Blackwell Publishing, 2006).