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Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver -
International & Festivals
COMPANY CV – INTERNATIONAL & FESTIVALS INTERNATIONAL CAMPAIGNS / JUNKETS / TOURS (selected) Below we list the key elements of the international campaigns we have handled, but our work often also involves working closely with the local distributors and the film-makers and their representatives to ensure that all publicity opportunities are maximised. We have set up face-to-face and telephone interviews for actors and film-makers, working around their schedules to ensure that the key territories in particular are given as much access as possible, highlighting syndication opportunities, supplying information on special photography, incorporating international press into UK schedules that we are running, and looking at creative ways of scheduling press. THE AFTERMATH / James Kent / Fox Searchlight • International campaign support COLETTE / Wash Westmoreland / HanWay Films • International campaign BEAUTIFUL BOY / Felix van Groeningen / FilmNation • International campaign THE FAVOURITE / Yorgos Lanthimos / Fox Searchlight • International campaign support SUSPIRIA / Luca Guadagnino / Amazon Studios • International campaign LIFE ITSELF / Dan Fogelman / FilmNation • International campaign DISOBEDIENCE / Sebastián Lelio / FilmNation • International campaign THE CHILDREN ACT / Richard Eyre / FilmNation • International campaign DON’T WORRY, HE WON’T GET FAR ON FOOT / Gus Van Sant / Amazon Studios & FilmNation • International campaign ISLE OF DOGS / Wes Anderson / Fox Searchlight • International campaign THREE BILLBOARDS OUTSIDE EBBING, MISSOURI / -
Film Library 1 of 58
2018-08-03 FNMM Library File.xlsx "Wallingford Neighbors for Peace and Justice"Film Library 1 of 58 IMPORTANT NOTICE: DVDs are available to borrow for PERSONAL VIEWING ONLY. Obtaining PUBLIC SCREENING RIGHTS are the responsibility of the borrower. DVDs are loaned for one month unless other arrangements are made. DVDs are loaned at no charge; however, DONATIONS are very much appreciated and allow us to maintain the DVD library. To borrow a DVD, come to our movie night in Wallingford (Seattle) or contact us at [email protected]. Title Format Year Length Director-Producer Keywords Comments (Dis)Honesty: The Truth About Lies DVD 2015 89 min Yael Melamede Society; Behavior 10 Questions for the Dalai Lama DVD 2006 Rick Ray Films The 11th Hour DVD 2007 92 min Leila Conner's Environment, Global Petersen & Nadia Warming Conner's 15 Years of War Against the Iraqi People DVD 2006 67 min Bert Sacks Compilation on Sanctions and war against Iraq The 1919 Seattle General Strike (Excerpt from ‘Witness to DVD/MP4 2000? 4 min Lucy Ostrander Labor, Organizing Revolution’) 1984 (1956 version) 1956 Michael Anderson 1984 (1984 version) 1984 113 min Michael Radford 2012 Time for Change (Ironweed) DVD 2010 85 min Joao Amorism, Daniel Culture, Pinchbeck Collaboration 3-1/2 Minutes 10 Bullets DVD 2015 98 min Marc Silver Racism; Guns; Violence The 3rd Trustee DVD 2007 96 min Michael Harris Native Alaska, oil Narrated by Billy spills, Exxon Valdez Frank, Jr. 5 Broken Cameras DVD 2011 90 min Mead Burnat, Guy Palestine Davidi 8 Things to Ask Your Representatives -
Textual Spectacle: the Transmedial Storyworld of Coldplay's Mylo Xyloto
The Concept Album as Visual-Sonic- Textual Spectacle: The Transmedial Storyworld of Coldplay’s Mylo Xyloto Lori Burns University of Ottawa [email protected] Abstract This paper studies the elaboration of the concept album by means of multimodal promotional strategies that include the concert tour, music videos, books, as well as other digital and print materials. Adopting the perspective that the meaning of a concept album emerges in and through a potentially complex network of materials, we can receive and understand concept album storytelling to operate according to multimedial, intermedial and transmedial contexts. This study examines the transmedial storyworld of Coldplay’s Mylo Xyloto concept spectacle as it is developed in and through the material content of the original album, the Coldplay: Live 2012 (Coldplay 2012c) concert film, as well as the paraphonographic materials that extend Mylo Xyloto into a variety of media. KEYWORDS: Concept album, spectacle, multimodality, intermediality, transmediality Introduction In the context of the new millennial industry of popular music, artists from a variety of genres rely heavily upon current technologies and social media platforms to develop elaborate promotional strategies, thus expanding the idea of the concept album to the concert tour, music videos, books, and a range of supplementary materials. With such an approach, the concept album can be seen to extend across multiple media formats in supplementary materials and live IASPM@Journal vol.6 no.2 (2016) Journal of the International Association for the Study of Popular Music ISSN 2079-3871 | DOI 10.5429/2079-3871(2016)v6i2.6en | www.iaspmjournal.net 92 Lori Burns performances. -
CTK 07 Julio 2012 \(Programaci\363N\).Xls
CINEMATK Octubre 2012 (Programación) DÍA FECHA HORA TÍTULO ORIGINAL TÍTULO TRADUCIDO DIRECTOR AÑO GÉNERO CALIF. DOMINGO 01/07/2012 08:00 Uccellacci e uccellini Pajaritos y pajarracos Pier Paolo Pasolini 1966 Comedia TP DOMINGO 01/07/2012 09:26 La perdición de los hombres La perdición de los hombres Arturo Ripstein 2000 Comedia NR 13 DOMINGO 01/07/2012 11:10 Notre musique Nuestra música Jean-Luc Godard 2004 Drama NR 13 DOMINGO 01/07/2012 12:30 Conviction (Betty Anne Waters) Betty Anne Waters (Conviction) Tony Goldwyn 2010 Drama NR 7 DOMINGO 01/07/2012 14:20 The Theory of Flight Extraña petición Paul Greengrass 1999 Drama NR 13 DOMINGO 01/07/2012 16:00 Die Fälscher (The Counterfeiters) Los falsificadores Stefan Ruzowitzky 2007 Drama NR 13 DOMINGO 01/07/2012 17:36 Incompreso El incomprendido Luigi Comencini 1966 Drama NR 13 DOMINGO 01/07/2012 19:20 Hollywood's Best Film Directors Best Film Directors: Atom Egoyan David Freydt 2010 Cine NR 7 DOMINGO 01/07/2012 19:50 Lucía y el sexo Lucía y el sexo Julio Medem 2001 Drama NR 18 DOMINGO 01/07/2012 22:00 Love and death La última noche de Boris Grushenko Woody Allen 1975 Comedia NR 13 DOMINGO 01/07/2012 23:25 Amores perros Amores perros Alejandro González Iñárritu 2000 Suspense NR 18 LUNES 02/07/2012 01:55 Ben X Ben X Nic Balthazar 2007 Drama NR 13 LUNES 02/07/2012 08:00 Mabei shang de fating El último viaje del juez Feng Liu Jie 2006 Drama TP LUNES 02/07/2012 09:45 Vengo Vengo Tony Gatlif 2000 Drama NR 13 LUNES 02/07/2012 11:15 Audrey the Trainwreck Audrey the Trainwreck Frank V. -
PAPUSZA Press Kit.Pdf
ABOUT PAPUSZA Papusza is based on the true story of the Roma poet Papusza and the Polish poet Jerzy Ficowski, who discovered her great talent. Papusza was the first and only Roma woman who put her poems into writing and even published them. By doing so, she confronted the traditional female’s role in her community and as a result, she and her family were banished. It is a story of a gifted woman who wants to preserve her culture with words and has to pay a painful price for that decision. When a person is young, In heart and hope, The world opens easily With any kind of key. (Papusza) LOGLINE True story of Papusza - the first Roma woman who put her poems into writing and published them, and therefore confronted the traditional female image in the gypsy community. SYNOPSIS True story of Papusza - the first Roma woman who put her poems into writing and published them, and therefore confronted the traditional female image in the gypsy community. The film follows Papusza’s life from birth to old age: arranged marriage as a small girl, her life in a gypsy tabor before, during and after second world war, then forced settlement in communist Poland and urban life in poverty. Her meeting with the Polish poet Jerzy Ficowski, who discovered her great talent for poetry and published her works led to a tragic paradox: a famous poet was living in poverty, rejected by the Roma community, for betraying their secrets. PAPUSZA | Poland 2013 | Written & Directed Joanna Kos-Krauze & Krzysztof Krauze 2 WHAT MAKES PAPUSZA SPECIAL? ORIGINAL ROMA LANGUAGE The ensemble of actors includes mostly non-professionals from Roma families. -
The Circulation of European Films Outside Europe Key Figures 2017 European Audiovisual Observatory (Council of Europe), Strasbourg, 2019
The circulation of European films outside Europe Key figures 2017 The circulation of European films outside Europe Key figures 2017 European Audiovisual Observatory (Council of Europe), Strasbourg, 2019 Director of publication Susanne Nikoltchev, Executive Director Editorial supervision Gilles Fontaine, Head of the Department for Market Information Authors Martin Kanzler, Film Analyst, Department for Market Information, [email protected] Patrizia Simone, Film Analyst, Department for Market Information, [email protected] European Audiovisual Observatory Proofreading Anthony A. Mills Press and Public Relations Alison Hindhaugh, [email protected] European Audiovisual Observatory Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax. : +33 (0)3 90 21 60 19 [email protected] http://www.obs.coe.int Cover layout – ALTRAN, Neuilly-sur-Seine, France Please quote this publication as Kanzler M., Simone P., The circulation of European films outside Europe - Key figures 2017, European Audiovisual Observatory, Strasbourg, 2019 © European Audiovisual Observatory (Council of Europe), Strasbourg, February 2019 Acknowledgements The Audiovisual Observatory would like to thank the EFARN network and all of our contacts in organisations across Europe who regularly provide us with the necessary data to keep our LUMIERE database up-to-date. This report was prepared with the support of the Creative Europe programme of the European Union. The European Commission support for the production of this publication does not constitute an endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. -
Relación De Las Películas Que Componen La Videoteca
Alejandro Amenábar, director 40-Patrimonio Nacional [1981] 15- Tesis [1996] 41-Nacional-III [1982] 16- Abre los ojos [1997] 42-La vaquilla [1985] 17- Los otros [2001] 18- Mar adentro [2004] Carlos Saura, director 43-La caza [1965] Pedro Almodóvar, director 44-Cría cuervos... [1976] 19-Pepi, Luci, Bom y otras chicas del montón 45-Deprisa, deprisa [1981] [1980] 46-El 7º día [2004] 20 -¡Qué he hecho yo para merecer esto! [1984] 21-Mujeres al borde de un ataque de nervios Actors : Javier Bardem VIDEOTECA ANTONIO ISASI. 1988] 47-Antes que anochezca [Julian Schnabel, dir. 2000] BIBLIOTECA PÚBLICA VICENT SERRA ORVAY. 22-La flor de mi secreto [1995] Carne trémula [Pedro Almodóvar, dir. 1997] SANT JORDI. 23-Carne trémula [1997] 48-El detective y la muerte [Gonzalo Suárez, dir. 1997] 24-Todo sobre mi madre [1999] 49-Días contados [Imanol Uribe, dir. 1994] 25-Hable con ella [2002] 50-Las edades de Lulú [Bigas Luna, dir. 1990] CINEMA ESPANYOL 26-La mala educación [2004] 51-Entre las piernas [Manuel Gómez Pereira, dir. 1999] 27-Volver [2006] 52-Éxtasis [Mariano Barroso, dir. 1996] Cinema d’autor 53-Los fantasmas de Goya [Milos Forman, dir. 2006] Antonio Isasi-Isasmendi (dir.) Icíar Bollaín, directora 54-Huevos de oro [Bigas Luna, dir. 1993] 1-La mentira tiene cabellos rojos (1960) 28-Hola, ¿estás sola? [1995] 55-Huidos [Félix Sancho Gracia, dir. 1992] 2-Tierra de todos (1961) 29-Te doy mis ojos [2003] 56-Jamón Jamón [Bigas Luna, dir. 1992] 3-Vamos a contar mentiras (1961) 57-Los lobos de Washington [Mariano Barroso, 4-La máscara de Scaramouche (1963) Luis Buñuel, director dir.1999] 5-Estambul (1965) 30-Los olvidados [1950] 58-Los lunes al sol [Fernando León de Aranoa, dir. -
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience.