Katalóg Catalogue 2018
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PRODUCTION NOTES for Additional Publicity Materials and Artwork, Please Visit
PRODUCTION NOTES For additional publicity materials and artwork, please visit: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity Run Time: 158 minutes U.S. Release Date: March 22, 2019 (In Theaters and On Demand) For more information, please contact: Liz Berger Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3092 E: [email protected] DRAGGED ACROSS CONCRETE SUMMIT ENTERTAINMENT Publicity Materials: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Hashtag: #DraggedAcrossConcrete Genre: Action Thriller Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity U.S. Release Date: March 22, 2019 (In Theaters and On Demand) Run Time: 158 minutes Cast: Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Jennifer Carpenter, Laurie Holden, Fred Melamed, with Thomas Kretschmann, and Don Johnson Written and Directed by: S. Craig Zahler Produced by: Keith Kjarval, p.g.a., Dallas Sonnier, p.g.a., Jack Heller, Tyler Jackson, Sefton Fincham SYNOPSIS: DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. With little money and no options, the embittered policemen descend into the criminal underworld and find more than they wanted waiting in the shadows. Summit Entertainment presents, a Unified Pictures production, a Cinestate production, in association with Look to the Sky Films and The Fyzz Facility, in association with Realmbuilder Productions. Synopsis DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. -
Texas A&M University V. Washington Soap Company
This Opinion is Not a Precedent of the TTAB Mailed: July 12, 2018 UNITED STATES PATENT AND TRADEMARK OFFICE _____ Trademark Trial and Appeal Board _____ Texas A&M University v. Washington Soap Company _____ Opposition No. 91223136 _____ John C. Cain of Fleckman & McGlynn, PLLC, for Texas A&M University. Washington Soap Company, pro se. _____ Before Wellington, Adlin, and Larkin, Administrative Trademark Judges. Opinion by Larkin, Administrative Trademark Judge: Washington Soap Company (“Applicant”), appearing pro se, seeks registration on the Principal Register of the mark 12TH MAN HANDS in standard characters for “handmade loofah soap bar or puck,” in International Class 3.1 1 Application Serial No. 86445864 was filed on November 5, 2014 under Section 1(a) of the Trademark Act, 15 U.S.C. § 1051(a), on the basis of Applicant’s claim of first use of the mark and first use in commerce at least as early as December 1, 2013. Opposition No. 91223136 Texas A&M University (“Opposer” or “Texas A&M”) has opposed registration on the grounds of priority and likelihood of confusion under Section 2(d) of the Trademark Act, 15 U.S.C. § 1052(d), based on four pleaded registrations of 12TH MAN-formative marks and alleged common law use of 12TH MAN marks, and of dilution by blurring under Section 43(c) of the Trademark Act, 15 U.S.C. § 1125(c). Only Opposer submitted trial evidence and filed a brief. We sustain the opposition based on Opposer’s likelihood of confusion claim. I. Evidentiary Record The record consists of: 1. -
Summer 2017 Czech Film Center
Summer 2017 Czech Film Center The Czech Film Center (CFC) was established in 2002 to represent, market and promote Czech cinema and film industry and to increase the awareness of Czech film worldwide. As a national partner of international film festivals and co-production platforms, CFC takes active part in selection and presentation of Czech films and projects abroad. Linking Czech cinema with international film industry, Czech Film Center works with a worldwide network of international partners to profile the innovation, diversity and creativity of Czech films, and looks for opportunities for creative exchange between Czech filmmakers and their international counterparts. CFC provides tailor-made consulting, initiates and co-organizes numerous pitching forums and workshops, and prepares specialized publications. As of February 2017, the Czech Film Center operates as a division of the State Cinematography Fund Czech Republic. Markéta Šantrochová Barbora Ligasová Martin Černý Head of Czech Film Center Festival Relations-Feature Films Festival Relations-Documentary e-mail: [email protected] e-mail: [email protected] & Short Films tel.:+420 724 329 948 tel.: +420 778 487 863 e-mail: [email protected] tel.: +420 778 487 864 Rita Henzelyová Hedvika Petrželková Project Manager Editor & External Communication e-mail: [email protected] e-mail: [email protected] tel.: +420 724 329 949 tel.: +420 770 127 726 Bohdan Sláma / In his new film, Ice Mother, Bohdan Sláma, revisits the theme of family, Barefoot / this time with a little more humor Oscar-winning and hope. director Jan Svěrák (Kolya) is finishing up his latest feature, 4 titled Barefoot. 10 Czech Film Springboard / 14 The second edition of the industry initiative organized by Czech Film Center and Finále Plzeň. -
1975 World Men List
1975 WORLD MEN LIST Developed by Pino Mappa with assistance of: Richard Hymans, Børre Lilloe, Gabriele Manfredini 100 YARDS Clifford Outlin USA 17 Oct 53 173/72 A 9.33 0.0 1 s3 NCAA Provo 06 Jun Hasley Crawford TRI 16 Aug 50 190/87 A 9.35 -1.2 1 NCAA Provo 06 Jun Don Quarrie JAM 25 Feb 51 175/70 9.37 2.0 1 WCR Fresno 10 May Houston McTear USA 12 Feb 57 170/74 9.39 1.4 1 Atlanta 07 Jun Clifford Outlin (2) A 9.35 -1.2 2 NCAA Provo 06 Jun Ralph Smith USA 28 Dec 53 188/72 9.42 1 NAIA Arkadelphia 22 May Reggie Jones USA 30 Dec 53 189/86 A 9.43 0.0 1 s2 NCAA Provo 06 Jun Ed Preston USA 12 Dec 55 186/80 A 9.44 1.2 1 h1 NCAA Provo 05 Jun Reggie Jones (2) A 9.44 -1.2 3 NCAA Provo 06 Jun Hasley Crawford (2) A 9.47 0.0 2 s3 NCAA Provo 06 Jun (10) Ed Preston (2) A 9.48 -1.2 4 NCAA Provo 06 Jun Clancy Edwards USA 09 Aug 55 175/78 9.50 2.0 2 WCR Fresno 10 May Clifford Outlin (3) A 9.50 0.2 1 h4 NCAA Provo 05 Jun Ed Preston (3) A 9.50 -0.9 1 s1 NCAA Provo 06 Jun (17 performances by 8 performers) Charlie Wells USA 10 Aug 53 168/70 A 9.52 0.0 2 s2 NCAA Provo 06 Jun Bill Collins USA 20 Nov 50 183/67 A 9.53 0.0 3 s2 NCAA Provo 06 Jun (10) Mike Farmer USA 19 Sep 56 183/73 9.54 1 h1 WCR Fresno 10 May Larry Brown USA 23 Mar 51 180/82 A 9.55 1 WAC Salt Lake City 10 May Cliff Wiley USA 21 May 55 173/61 A 9.55 0.0 1 s3 NCAA Provo 06 Jun Steven D. -
SMALL CRIMES DIAS News from PLANET MARS ALL of a SUDDEN
2016 IN CannES NEW ANNOUNCEMENTS UPCOMING ALSO AVAILABLE CONTACT IN CANNES NEW Slack BAY SMALL CRIMES CALL ME BY YOUR NAME NEWS FROM NEW OFFICE by Bruno Dumont by E.L. Katz by Luca Guadagnino planet mars th Official Selection – In Competition In Pre Production In Pre Production by Dominik Moll 84 RUE D’ANTIBES, 4 FLOOR 06400 CANNES - FRANCE THE SALESMAN DIAS NEW MR. STEIN GOES ONLINE ALL OF A SUDDEN EMILIE GEORGES (May 10th - 22nd) by Asghar Farhadi by Jonathan English by Stephane Robelin by Asli Özge Official Selection – In Competition In Pre Production In Pre Production [email protected] / +33 6 62 08 83 43 TANJA MEISSNER (May 11th - 22nd) GIRL ASLEEP THE MIDWIFE [email protected] / +33 6 22 92 48 31 by Martin Provost by Rosemary Myers AN ArtsCOPE FILM NICHolas Kaiser (May 10th - 22nd) In Production [email protected] / +33 6 43 44 48 99 BERLIN SYNDROME MatHIEU DelaUNAY (May 10th - 22nd) by Cate Shortland [email protected] / + 33 6 87 88 45 26 In Post Production Sata CissokHO (May 10th - 22nd) [email protected] / +33 6 17 70 35 82 THE DARKNESS design: www.clade.fr / Graphic non contractual Credits by Daniel Castro Zimbrón Naima ABED (May 12th - 20th) OFFICE IN PARIS MEMENTO FILMS INTERNATIONAL In Post Production [email protected] / +44 7731 611 461 9 Cité Paradis – 75010 Paris – France Tel: +33 1 53 34 90 20 | Fax: +33 1 42 47 11 24 [email protected] [email protected] Proudly sponsored by www.memento-films.com | Follow us on Facebook NEW OFFICE IN CANNES 84 RUE D’ANTIBES, 4th FLOOR -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
25 Let Institutu Tvůrčí Fotografie Fpf Slezské Univerzity V Opavě 25 Years
25 let Institutu tvůrčí fotografie FPF Slezské univerzity v Opavě 25 Years of the Institute of Creative photography, Silesian university in Opava → 25 LET INSTITUTU TVŮRČÍ FOTOGRAFIE FPF SLEZSKÉ UNIVERZITY V OPAVĚ → 25 YEARS OF THE INSTITUTE OF CREATIVE PHOTOGRAPHY, SILESIAN UNIVERSITY IN OPAVA → –24 5 Dvacet pět let je nádherný věk. Je to věk, kdy si mladí lidé již začínají uvědomovat většinu úskalí reálného života s tím, jak na ně začne dopadat tíha jejich touhy „osvobodit se“ z rodinných pout. Toto narážení na překážky ale zpravidla vnímají méně bolestně, protože nechávají naplno působit svou touhu po objevování krás života, snaží se nepromarnit své volné chvíle a hledají nové výzvy, jež jim tento reálný život nabízí. Když je lidem dvacet pět, ti starší a zkušenější jsou zpravidla ochotni tolerovat jim nesprávná životní rozhodnutí, omlouvat tyto chyby nedostatkem životních zkušeností a dívat se na jejich vášnivé prožívání života s jistou dávkou shovívavosti. Vzhledem k tomu, že Institut tvůrčí fotografie FPF Slezské univerzity v Opavě v letošním roce dospěl do tohoto nádherného věku, chtěl bych mu jménem svým i jménem vedení Slezské univer- zity v Opavě popřát, aby pro něj uvědomování si úskalí, která mu do cesty staví realita, bylo co možná nejméně bolestivé a aby i nadále u pedagogů a studentů ITF převažovala především touha po objevování a zachycování jak krás, tak strastí života. Věřím také, že při hledání nových výzev a nových cest, po nichž se může tvůrčí fotografie v budoucnu vydat, budete i nadále stejně úspěšní jako v předchozích letech a že rozhodnutí, která v této oblasti učiníte, budete moci zařadit pouze do škatulky s nápisem „Správná“. -
I Vincitori I Campionati Europei Indoor
0685-0862_CAP08a_Manifestazioni Internazionali_1 - 2009 11/07/16 11:41 Pagina 824 ANNUARIO 2016 I campionati Europei indoor Le sedi GIOCHI EUROPEI 6. 1975 Katowice (pol) 16. 1985 Atene (gre) 26. 2000 Gand (bel) 1. 1966 Dortmund (frg) 8/9 marzo, Rondo, 160m 2/3 marzo, 25/27 febbraio, 27 marzo, Westfallenhalle, 160m 7. 1976 Monaco B. (frg) Peace and Friendship Stadium, 200m Flanders Indoor Hall, 200m 2. 1967 Praga (tch) 21/22 febbraio, Olympiahalle, 179m 17. 1986 Madrid (spa) 27. 2002 Vienna (aut) 11/12 marzo, Sportovní Hala Pkojf, 160m 8. 1977 San Sebastian (spa) 22/23 febbraio, Palacio de los Deportes, 164m 1/3 marzo, Ferry-Dusika-Halle, 200m 3. 1968 Madrid (spa) 12/13 marzo, Anoeta, 200m 18. 1987 Liévin (fra) 28. 2005 Madrid (spa) 9/10 marzo, 9. 1978 Milano (ita) 21/22 febbraio, Palais des Sports, 200m 4/6 marzo, Palacio de los Deportes, 200m 19. 1988 (ung) Palacio de los Deportes, 182m 11/12 marzo, Palazzo dello Sport, 200m Budapest 29. 2007 Birmingham (gbr) 5/6 marzo, Sportscárnok, 200m 4. 1969 Belgrado (jug) 10. 1979 Vienna (aut) 2/4 marzo, National Indoor Arena, 200m 20. 1989 (ola) 8/9 marzo, Veletrzna hala, 195m 24/25 febbraio, Den Haag 30. 2009 (ita) 17/18 febbraio, Houtrust, 200m Torino Ferry-Dusika-Halle, 200m 6/8 marzo, Oval, 200 m 21. 1990 Glasgow (gbr) CAMPIONATI EUROPEI 11. 1980 Sindelfingen (frg) 3/4 marzo, Kelvin Hall, 200m 31. 2011 Parigi-Bercy (fra) 1. 1970 (aut) 1/2 marzo, Glaspalast, 200m Vienna 22. 1992 Genova (ita) 4/6 marzo, 12. -
Press Kit the CAPTAIN Film by Robert
Press kit THE CAPTAIN DER HAUPTMANN – Original title Written and directed by Robert Schwentke Produced by Filmgalerie 451 Saarbrücker Straße 24, 10405 Berlin Tel. +49 (0) 30 - 33 98 28 00 Fax +49 (0) 30 - 33 98 28 10 [email protected] www.filmgalerie451.de In co-production with Alfama Films and Opus Film THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke World Premiere at Toronto International Film Festival — Special Presentations Screening dates Press & Industry 1 09/07/17 3:00PM Scotiabank 14 (307) DCP 4K (D-Cinema) Public 1 09/09/17 3:15PM TIFF Bell Lightbox DCP 4K (D-Cinema) Cinema 1 (523) Public 2 09/11/17 4:15PM Scotiabank 10 (228) DCP 4K (D-Cinema) Press & Industry 2 09/13/17 11:30AM Scotiabank 8 (183) DCP 4K (D-Cinema) Public 3 09/16/17 3:30PM Scotiabank 14 (307) DCP 4K (D-Cinema) Press contact in Toronto Sunshine Sachs: Josh Haroutunian / [email protected] o: 323.822.9300 / c: 434.284.2076 Press photos Press photos you will get on our website (press) with the password: willkommen www.filmgalerie451.de World Sales Alfama Films www.alfamafilms.com Table of contents – Synopsis short – Synopsis long – Biography Robert Schwentke – Filmography Robert Schwentke – Director’s statement – Interview with director Robert Schwentke about THE CAPTAIN – Film information – Credits – About the Cast – Background information THE CAPTAIN – Willi Herold, a German life — The true story behind THE CAPTAIN – Nazi perpetrator, center-stage — by Olaf Möller 2 THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke Synopsis short In the last, desperate moments of World War II, a young German soldier fighting for survival finds a Nazi captain’s uniform. -
THE 'TWELFTH MAN' in the CYBER STANDS: Exploring Football Fan Discourse and the Construction of Identity on Online Forums
Pippa Carvell 2013 THE 'TWELFTH MAN' IN THE CYBER STANDS: Exploring Football Fan Discourse and the Construction of Identity on Online Forums This thesis is submitted to Cardiff University in fulfilment of the requirements for the Degree of Doctor of Philosophy September 2013 Pippa Carvell School of Journalism, Media and Cultural Studies Cardiff University 1 Pippa Carvell 2013 ACKNOWLEDGEMENTS ________________________________________________________________ Firstly, I would like to thank my supervisor, David Machin, for his continual support, advice and guidance, across the many miles, throughout the whole of this project. The Skype sessions were invaluable and the level of encouragement was incomparable. Likewise, I wish to thank Lucy Bennett for giving up so much of her time to read and provide feedback - I honestly appreciate it so much. I would like to extend my thanks to my admin' buddies at Swansea University for refraining from telling me how awful I looked in the mornings after nights of interrupted 'sleep', and particularly to Jenny, for going through it with me and providing the buckets of tea. To my wonderful Willit, who somehow appreciated that not every day was a walk day. To my brother, Rob, and my boyfriend, Adam, for managing to be both annoying and supportive in equal measure. To my best friends, Amy and Mair, for all the texts, phone calls, and wine. I'll whine less from now on, I promise. And lastly, but - as is ever the case with these things - most importantly, to my wonderful parents, for never questioning me, always supporting me, and encouraging me despite not really having a clue what I was writing about. -
JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history. -
THE TORONTO JAPANESE FILM FESTIVAL 2017 2017年トロント日本映画祭まもなく開催 May 2017 Vol.43 Issue 5 1 April 2017 2017年4月 Vol.43 Issue 4 5% Discount for JCCC Members
THE TORONTO JAPANESE FILM FESTIVAL 2017 2017年トロント日本映画祭まもなく開催 May 2017 Vol.43 Issue 5 1 April 2017 2017年4月 Vol.43 Issue 4 5% discount for JCCC members DAVID IKEDA Sales Representative 416-234-2424 www.ikedasells.com Sutton Group Old Mill Realty Inc., Brokerage For Experienced Professional Real Estate Services Beyond your Expectations Please call for a consultation - no obligation bonni maikawa sales representative www.bonnimaikawa.com 416 966 0300 2 Sutton Group Associatiates Realty Inc., Brokerage 2016 - 17 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 2-7 JCCC Upcoming Events VP, Management Ann Ashley Secretary Sharon Marubashi Finance Chair Chris Hope 8-9 Heritage News VP, NJCC Miki Rushton VP, Marketing/Strategic Planning Karen Kuwahara 9-11 Community News Directors Jonathan Carter Mark Hashimoto Kristin Kobayashi 11-12 Donations Keiichi Kubo Dereck Oikawa Chris Reid 13-16 日本語紙面 Cary Rothbart Ross Saito Nao Seko Peter Wakayama Bob Yamashita Tak Yoshida Calendar of Events Advisors Mackenzie Clugston May William Hatanaka Sid Ikeda Sat 6 JCCC Annual Bazaar Steve Oikawa Thu 11 The 4th Ishizue Awards Connie Sugiyama JCCC Foundation Chair Shari Hosaki PHOTOLAB II Exhibit Opening JCCC Staff Sat 13 JCCC Karaoke Club James Heron Karate Tournament Executive Director Thu 18 JCCC Movie Night [email protected] 416-441-2345 ext.224 "After the Storm" Kathy Tazumi Accounting/General Administration Manager Sat 20 JCCC Karaoke Club [email protected] 416-441-2345 ext.229