Postgraduate Guide 2017
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Event Planner Guide 2020 Contents
EVENT PLANNER GUIDE 2020 CONTENTS WELCOME TEAM BUILDING 17 TRANSPORT 46 TO LONDON 4 – Getting around London 48 – How we can help 5 SECTOR INSIGHTS 19 – Elizabeth Line 50 – London at a glance 6 – Tech London 20 – Tube map 54 – Financial London 21 – Creative London 22 DISCOVER – Medical London 23 YOUR LONDON 8 – Urban London 24 – New London 9 – Luxury London 10 – Royal London 11 PARTNER INDEX 26 – Sustainable London 12 – Cultural London 14 THE TOWER ROOM 44 – Leafy Greater London 15 – Value London 16 Opening its doors after an impressive renovation... This urban sanctuary, situated in the heart of Mayfair, offers 307 contemporary rooms and suites, luxurious amenities and exquisite drinking and dining options overseen by Michelin-starred chef, Jason Atherton. Four flexible meeting spaces, including a Ballroom with capacity up to 700, offer a stunning setting for any event, from intimate meetings to banquet-style 2 Event Planner Guide 2020 3 thebiltmoremayfair.com parties and weddings. WELCOME TO LONDON Thanks for taking the time to consider London for your next event. Whether you’re looking for a new high-tech So why not bring your delegates to the capital space or a historic building with more than and let them enjoy all that we have to offer. How we can help Stay connected Register for updates As London’s official convention conventionbureau.london conventionbureau.london/register: 2,000 years of history, we’re delighted to bureau, we’re here to help you conventionbureau@ find out what’s happening in introduce you to the best hotels and venues, Please use this Event Planner Guide as a create a world-class experience for londonandpartners.com London with our monthly event as well as the DMCs who can help you achieve practical index and inspiration – and contact your delegates. -
Blake Morrison in the Contemporary Theatrical Scene
58 BLAKE MORRISON IN THE CONTEMPORARY THEATRICAL SCENE Valter Henrique de Castro Fritsch Universidade Federal do Rio Grande ABSTRACT: This article discusses issues related to the various aesthetics that compose contemporary British dramaturgy. I point to features that divide the way theatre is viewed today in at least two aesthetic strands - one allied with more traditional patterns of writing for the theatre that derives from the Aristotelian model, and another that aims to cause a break with dramatic action, characters and all that constitutes the most classic view of dramatic text. This article also aims to place the poet and playwright Blake Morrison in the panorama of contemporary British theatre and show how the author fits into the many varying aspects of contemporary dramaturgy. KEYWORDS: Contemporary British Theatre; Blake Morrison; Imagery Studies; Contemporary Dramaturgy RESUMO: O presente artigo discute questões relacionadas às diferentes estéticas que compõe a dramaturgia contemporânea britânica. Aponto características que dividem a forma como o teatro é encarado hoje em pelo menos duas vertentes estéticas – uma aliada a padrões mais tradicionais da escrita para o teatro que deriva do modelo Aristotélico e outra que visa causar uma ruptura com a ação dramática, personagens e tudo que constitui a visão mais clássica de texto dramático. Ainda é do interesse deste artigo localizar o poeta e dramaturgo Blake Morrison no panorama do teatro britânico contemporâneo e de que forma o autor se enquadra em vertentes tão distintas da dramaturgia contemporânea. PALAVRAS-CHAVE: Teatro Britânico Contemporâneo; Blake Morrison; Estudos do Imaginário; Dramaturgia Contemporânea I can take any empty space and call it a bare stage. -
Buses from North Greenwich Bus Station
Buses from North Greenwich bus station Route finder Day buses including 24-hour services Stratford 108 188 Bus Station Bus route Towards Bus stops Russell Square 108 Lewisham B for British Museum Stratford High Street Stratford D Carpenters Road HOLBORN STRATFORD 129 Greenwich C Holborn Bow River Thames 132 Bexleyheath C Bromley High Street 161 Chislehurst A Aldwych 188 Russell Square C for Covent Garden Bromley-by-Bow and London Transport Museum 422 Bexleyheath B River Thames Coventry Cross Estate The O2 472 Thamesmead A Thames Path North CUTTER LANE Greenwich 486 Bexleyheath B Waterloo Bridge Blackwall Tunnel Pier Emirates East india Dock Road for IMAX Cinema, London Eye Penrose Way Royal Docks and Southbank Centre BLACKWALL TUNNEL Peninsula Waterloo Square Pier Walk E North Mitre Passage Greenwich St George’s Circus D B for Imperial War Museum U River Thames M S I S L T C L A E T B A N I Elephant & Castle F ON N Y 472 I U A W M Y E E Thamesmead LL A Bricklayers Arms W A S Emirates Air Line G H T Town Centre A D N B P Tunnel Y U A P E U R Emirates DM A A S E R W K Avenue K S S Greenwich Tower Bridge Road S T A ID Thamesmead I Y E D Peninsula Crossway Druid Street E THAMESMEAD Bermondsey Thamesmead Millennium Way Boiler House Canada Water Boord Street Thamesmead Millennium Greenwich Peninsula Bentham Road Surrey Quays Shopping Centre John Harris Way Village Odeon Cinema Millennium Primary School Sainsbury’s at Central Way Surrey Quays Blackwall Lane Greenwich Peninsula Greenwich Deptford Evelyn Street 129 Cutty Sark WOOLWICH Woolwich -
21, 2017 Hosted by Harney & Sons Tea + Onward
HARNEY & SONS TEA IN LONDON A Tea Lover’s Adventure in the United Kingdom September 15 — 21, 2017 Hosted by Harney & Sons Tea + Onward Travel harney & sons tea in london 2017 Join the Harney family for a one of a kind tea-centered tour of greater London. Harney & Sons Tea is served at some of the most important tea drinking destinations in the British capital, including the famous Dorchester Hotel and the Historic Royal Palaces. Speaking about Imagine yourself… Britain, George Orwell once said, “Tea is one of the mainstays of the civilization of this country!” Enjoying champagne high tea at the legendary And Orwell was right: nobody drinks tea like the Brits! They average at least Dorchester Hotel three cups per day, encouraged by a wonderful tea drinking culture that has flourished there since the national beverage was made fashionable by King Charles in the 17th century. Today tea is a part of local custom, vernacular, way of life and pop culture at every level of society. Touring a selection of In London, take a day-long Tea Infusiast Masterclass at the UK Tea Academy, Royal gardens enjoy a historic walking tour including visits to Royal residences, and enjoy the traditional British tea service everywhere from the posh Dorchester Hotel to below the copper hull of The Cutty Sark. We’ll trace the history of tea and the tea industry from China to India to the British table. It’s difficult to Learning from one of the seek out tea history in the UK without taking some time to explore another world’s most celebrated quintessentially British pursuit of pleasure: the garden. -
The Cutty Sark
P a g e | 1 THE CUTTY SARK The “Cutty Sark” was a British clipper ship, aptly named of course as a [clipper for its speed1], which was built in 1869 on the [river Clyde in Scotland2] by the Jock Willis Shipping Corporation.3 It was primarily used to transport tea from China to Great Britain, as well to a lesser extent later in its life, wool from Australia;4 however, with the advent of the steam engines and the creation also of the Suez Canal in 1869, its days of operation as a sailing vessel were numbered, as the steam ships were now prevailing as technologically advanced cargo carriers through the shorter route by the Suez Canal to China. In fact, within a few years of its operation, as its delegation in the tea industry was declining, it was assigned primarily the duty of transporting wool from Australia to England, but this activity was thwarted again by the steam ships, as they were enabled by their technologies to travel faster to Australia. Eventually, the “Cutty Sark” in 1895 was sold to a Portuguese company called “Ferreira and Co.”, where it continued to operate as a cargo ship until 1922, when it was purchased on that year by the retired sea captain Wilfred Dowman, who used it as a training ship in the town of Falmouth in Cornwall. After his death, the ship was conferred as a gesture of good will to the “Thames Nautical Training College” in Greenhithe in 1938, where it became an 1 “Clipper – Wikipedia, the free encyclopaedia” – http://en.wikipedia.org/wiki/Clipper, 2013: p.1. -
RDP SPEC GUIDE 09.Pdf
Flora London Marathon 2009 Pace Chart Mile Elite Wheel Wheel Elite 3:30 4:30 5:00 6:00 Women chair chair Men/ Pace Pace Pace Pace Spectator Men Women Mass Start 09:00 09:20 09:20 09:45 09:45 09:45 09:45 09:45 1 09:05 09:23 09:24 09:49 09:53 09:55 09:56 09:58 Guide 2 09:10 09:27 09:28 09:54 10:01 10:05 10:07 10:12 Flora London Marathon spectators are a crowd on the move! Most people like to try 3 09:15 09:31 09:32 09:59 10:09 10:15 10:19 10:26 and see runners at more than one location on the route and it’s great to soak up the 4 09:21 09:34 09:36 10:04 10:17 10:26 10:30 10:40 atmosphere, take in some of the landmarks, and perhaps pick up refreshments on 5 09:26 09:38 09:41 10:09 10:25 10:36 10:42 10:53 the way too. Here are some tips on getting around London to make your day safer 6 09:31 09:42 09:45 10:13 10:33 10:46 10:53 11:07 and more enjoyable. 7 09:36 09:45 09:49 10:18 10:41 10:57 11:05 11:21 8 09:42 09:49 09:53 10:23 10:49 11:07 11:16 11:35 here are hundreds of thousands of people lining On the opposite page is a specially formulated pace guide to 9 09:47 09:53 09:57 10:28 10:57 11:17 11:28 11:48 the route of the Flora London Marathon every year, help you follow the top flight action in the elite races. -
Andrew Motion's "Love in a Life"
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1993 "Such Closets to Search": Andrew Motion's "Love in a Life" Lisa Marie Haarlander College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Haarlander, Lisa Marie, ""Such Closets to Search": Andrew Motion's "Love in a Life"" (1993). Dissertations, Theses, and Masters Projects. Paper 1539625825. https://dx.doi.org/doi:10.21220/s2-8sd0-2t31 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “SUCH CLOSETS TO SEARCH”: ANDREW MOTION’S LOVE IN A LIFE A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Lisa Haarlander 1993 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Lj/sa Marie Haarlander Approved, July 1993 Henry Hart, Chair Willis, Jr. Thomas Heacox For those without whose enduring faith this may not have been ACKNOWLEDGEMENTS The writer wishes to express her thanks to Professor Henry Hart for his encouragement and guidance in this venture. The author is also indebted to Professor J. H. Willis, Jr. and Professor Thomas Heacox for their thoughtful readings of both the thesis and the poems, and for their insightful comments. -
Cutty Sark Gardens Regeneration New ACO Qmax Q-Slot System Provides Discreet, Seamless Drainage Across This Versatile Public Space
ACO Water Management ACO play instrumental role in Cutty Sark Gardens Regeneration New ACO Qmax Q-Slot system provides discreet, seamless drainage across this versatile public space. Project: Cutty Sark Gardens, Greenwich, London. Objective: Provide effective, discrete drainage in The Cutty Sark Gardens, situated in historic Greenwich, were redeveloped to keeping with the traditional design of provide a versatile public space which can be used for special events and also this historic public area. accommodate the large numbers of visitors to the Cutty Sark ship. The Cutty Solution: Sark itself, based in a dry dock at the centre of the gardens, is the only surviving ACO Qmax with Q-Slot edge rails and tea clipper in the world and has undergone extensive restoration work following ACO MultiDrain MD channel drainage its damage by fire in 2007. Work on this historic vessel was completed in April system. 2012 when it was officially re-opened by Her Majesty The Queen and His Royal Results: Highness, The Duke of Edinburgh. This project was the first to use ACO Qmax Q-Slot System, which provided Cutty Sark Gardens is a landscaped area the day when there are less people in the area. a virtually invisible drainage solution overlooking the river Thames. An impressive When required, the water can be removed from for this visually sensitive site. The ACO ‘tidal square’ forms part of the gardens and links the square to form a greater paved area to MultiDrain MD drainage system used them with their maritime setting. This provides a accommodate increased pedestrian traffic or to in other areas provided a pleasing, wet floor pool where children can play and makes host a special event. -
"Keeping Things Shipshape", Conservation Management on HMS
‘Keeping Things Shipshape’ Conservation Management on HMS Belfast MA Museum Studies 2013 Amy Foulds Abstract Amy Foulds Word Count: 12, 770 ‘Keeping Things Shipshape’: Conservation Management on HMS Belfast This study aims to highlight the difficulties of conserving historic ships when they are required to function as an accessible museum as well as officially being an accessioned museum object, and how these difficulties can be successfully managed. By framing the assessment of HMS Belfast’s conservation management plan in the wider debate surrounding large object conservation and the levels of restoration rather than preservation that have been considered acceptable in the past, the key shift in attitude to a more ethical, museum-focused approach can be better appreciated. Through interviews with staff and volunteers directly involved in the conservation process, an idea of how the ship’s Conservation Policy was created and how it can be implemented to ensure the preservation of the ship’s original fabric and key historic significance can be gained. Once the contents of the policy and how they affect conservation planning in theory are understood, the impact of providing access and interpretation to visitors, limited resources and external environmental factors is considered, along with the various techniques employed in managing them utilising policy frameworks to ensure minimum destruction of historical evidence. Through contact with other museum ships, benchmarks to assess success can be established, with favourable comparisons being drawn internationally. Finally, there are suggestions for improvements and opportunities for the future, both for HMS Belfast and other historic vessels. ! ! ! ! ! ! ! ! "#$%&'()*+),)%-.! ! Firstly I would like to show my appreciation to my Dissertation Supervisor, Dieter Hopkin, and the Museum Studies Department at the University of Leicester for all of their advice and guidance during the completion of this project. -
When Did You Last See Your Father?
WHEN DID YOU LAST SEE YOUR FATHER? Directed by Anand Tucker Starring Colin Firth Jim Broadbent Juliet Stevenson Official Selection 2007 Toronto International Film Festival East Coast Publicity West Coast Publicity Distributor IHOP Block Korenbrot Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax Visit the website at: www.whendidyoulastseeyourfathermovie.com Short Synopsis When Did You Last See Your Father? is an unflinching exploration of a father/son relationship, as Blake Morrison deals with his father Arthur’s terminal illness and imminent death. Blake’s memories of everything funny, embarrassing and upsetting about his childhood and teens are interspersed with tender and heart- rending scenes in the present, as he struggles to come to terms with his father, and their history of conflict, and learns to accept that one’s parents are not always accountable to their children. Directed by Anand Tucker (Hilary and Jackie), from a screenplay by David Nicholls, adapted from Blake Morrison’s novel of the same name, the film stars Colin Firth, Jim Broadbent, Juliet Stevenson, Gina McKee, Claire Skinner, and Matthew Beard. Long Synopsis Arthur Morrison (Jim Broadbent), and his wife Kim (Juliet Stevenson), are doctors in the same medical practice in the heart of the Yorkshire Dales, England. They have two children, Gillian (Claire Skinner), and her older brother Blake (Colin Firth)Blake is a forty - year-old established author, married with two children and confronted with the fact that his father is terminally ill. -
1. Philip Larkin
Notes References to material held in the Philip Larkin Archive lodged in the Brynmor Jones Library, University of Hull (BJL), are given as file numbers preceded by 'DPL'. 1. PHILIP LARKIN 1. Harry Chambers, 'Meeting Philip Larkin', in Larkin at Sixty, ed. Anthony Thwaite (London: Faber and Faber, 1982) p. 62. 2. John Haffenden, Viewpoints: Poets in Conversation (London, Faber and Faber, 1981) p. 127. 3. Christopher Ricks, Beckett's Dying Words (Oxford: Oxford University Press, 1993). 4. D. J. Enright, 'Down Cemetery Road: the Poetry of Philip Larkin', in Conspirators and Poets (London: Chatto & Windus, 1966) p. 142. 5. Hugo Roeffaers, 'Schriven tegen de Verbeelding', Streven, vol. 47 (December 1979) pp. 209-22. 6. Andrew Motion, Philip Larkin: A Writer's Life (London: Faber and Faber, 1993). 7. Philip Larkin, Required Writing (London: Faber and Faber, 1983) p. 48. 8. See Selected Letters of Philip Larkin 1940-1985, ed. Anthony Thwaite (London: Faber and Faber, 1992) pp. 648-9. 9. DPL 2 (in BJL). 10. DPL 5 (in BJL). 11. Kingsley Amis, Memoirs (London: Hutchinson, 1991) p. 52. 12. Philip Larkin, Introduction to Jill (London: The Fortune Press, 1946; rev. edn. Faber and Faber, 1975) p. 12. 13. Donald Davie, Thomas Hardy and British Poetry (London: Routledge & Kegan Paul, 1973) p. 64. 14. Required Writing, p. 297. 15. Blake Morrison, 'In the grip of darkness', The Times Literary Supplement, 14-20 October 1988, p. 1152. 16. Lisa Jardine, 'Saxon violence', Guardian, 8 December 1992. 17. Bryan Appleyard, 'The dreary laureate of our provincialism', Independent, 18 March 1993. 18. Ian Hamilton, 'Self's the man', The Times Literary Supplement, 2 April 1993, p. -
Sandwich Guildhall Project News
MAY 2017 A NEW VISION FOR SANDWICH GUILDHALL PROJECT SANDWICH GUILDHALL PROJECT NEWS Welcome to the second edition of the Guildhall Project Newsletter! In this edition: • Newly refurbished Guildhall Museum opens • How can I get involved? • KCC update • Board Member Focus GUILDHALL MUSEUM The newly refurbished Guildhall Museum opened to the public on Saturday 6th May 2017. With the support of the Heritage Lottery Fund the interior has been completely reconfigured, with new display cases, reception area and audio visual equipment installed. Some of the former fixtures and fittings have found a new home at the White Mill Rural Heritage Centre. The museum team have worked hard to select a wide range of artefacts to illustrate the rich and varied history of Sandwich, many of which have never been seen by the public before. Volunteer stewards have been trained and are now ready to give a first class welcome to local residents, national and international visitors. Now that the museum has reopened, Linda is now going to The project was undertaken by a combination of national concentrate on work within the Guildhall Archives, bringing it museum experts and local tradesmen. Museum design was up to modern standards, completing cataloguing and arranging carried out by Daniel Sutton of Design Map, who designed the for the return of many items to the collection currently held Cutty Sark museum. The museum refurbishment was undertaken outside Sandwich, for example copies of the extensive medieval by Benchworks who have worked at the Barbican, the V&A and year books and the other documents discovered in the bound the Science Museum.