Doctor Who & Sherlock
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DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based On
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation 1. Events cast shadows before them, but the huger shadows creep over us unseen. When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before. The Doctor did, however - vaguely. While the Doctor paced back and forth in the TARDIS cloister room trying to make some sense of the tangle of troublesome thoughts that had followed him from Traken, in a completely different sector of the Universe, in a place called Earth, one such small foreshadowing was already beginning to unfold. It was a simple thing. A policeman leaned his bicycle against a police box, took a key from the breast pocket of his uniform jacket and unlocked the little telephone door to make a phone call. Police Constable Donald Seagrave was in a jovial mood. The sun was shining, the bicycle was performing perfectly since its overhaul last Saturday afternoon, and now that the water-main flooding in Burney Street was repaired he was on his way home for tea, if that was all right with the Super. It seemed to be a bad line. Seagrave could hear his Superintendent at the far end saying, 'Speak up . Who's that . .?', but there was this whirring noise, and then a sort of chuffing and groaning . The baffled constable looked into the telephone, and then banged it on his helmet to try to improve the connection. -
Doctor Who Sonic Screwdriver Universal Remote Control AVAILABLE in AUSTRALIA
BBC Worldwide Press Office BBC Worldwide Australia Level 5, 6 Eden Park Drive, Macquarie Park NSW 2113 …THE TIME LORD’S TECHNOLOGY FINALLY UNDER HUMAN CONTROL… Doctor Who Sonic Screwdriver Universal Remote Control AVAILABLE IN AUSTRALIA Thursday August 30, 2012 The Doctor Who Sonic Screwdriver Universal Remote Control - recently unveiled by The Wand Company and BBC Worldwide as the must-have accessory for Doctor Who fans - will be available for purchase from August 31 here in Australia prior to the return of Doctor Who on ABC1. Ever since Patrick Troughton, the Second Doctor, first produced it from his jacket, the sonic screwdriver has been the Doctor’s most trusted tool. Now, for the first time, Australian Doctor Who fans will have the opportunity to bring the Time Lord’s extremely cool and iconic gadget into their own homes. A high quality metal replica of the Mark VII Sonic Screwdriver currently used by the Eleventh Doctor, Matt Smith, the new Sonic Screwdriver Universal Remote Control is a gesture-based universal remote control that utilises infrared (IR) technology to manipulate almost all earth-based home entertainment systems - from TVs and iPod docks to DVD/Blu-ray players and beyond. With a green flashing tip and an impressive four operational modes – including a practice mode – and three memory banks, a total of 39 commands can be stored in the Sonic Screwdriver Universal Remote Control, giving aspiring Time Lord’s the option of operating multiple home entertainment devices with different flicks of the wrist. Control is straightforward – even for humans. The Sonic Screwdriver Universal Remote Control works through a series of 13 short gestures, such as rotating, flicking or tapping, and a guided set-up procedure uses spoken prompts to match gestures to commands learned from existing remote controls. -
Milk to Create Vfx for New Doctor Who Series
MILK TO CREATE VFX FOR NEW DOCTOR WHO SERIES London, 3rd December 2013: VFX house Milk Visual Effects – the company behind the visual effects created for the BBC’s Doctor Who 50th Anniversary special episode: Day of the Doctor - has been commissioned by the BBC to create the visual effects for the forthcoming eighth series of Doctor Who, starring new Doctor Peter Capaldi. The new series will be broadcast in 2014. Milk is currently working with the BBC to create the VFX for the much anticipated one-hour Doctor Who Christmas Special: The Time of the Doctor - in which Matt Smith’s Doctor will regenerate into Peter Capaldi’s incoming Thirteenth Doctor - due to air on BBC One on Christmas Day. Doctor Who series eight will start shooting in January 2014. The news comes hot on the heels of the BBC’s landmark Doctor Who 50th anniversary special: The Day of The Doctor - for which Milk created the jaw-dropping VFX work in stereoscopic 3D. Broadcast on BBC One and around the world on Saturday 23rd November the special episode set a Guinness World Record as the largest simulcast of a TV drama in history. The team at Milk (previously as The Mill’s TV department prior to Milk’s launch in June 2013) has been creating the visual effects for Doctor Who since its regeneration in 2005. During this time they have scooped a raft of awards including a BAFTA, a VES (Visual Effects Society) Award and an RTS Award for their VFX work. Will Cohen, Milk’s CEO said: “Many of us on the team have been privileged to enjoy a 10 year love affair with Doctor Who, so to be able to carry on collaborating with the BBC Wales team on telling these incredible stories fills us with joy and provides us with an opportunity as VFX artists to help push the boundaries of what can be done visually on television.” Cohen added: ”A new series with a newly regenerated Doctor is in many ways like starting working on the show all over again. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Doctor Who 4 Ep 17.GREENS
Doctor Who 4 Episode 17 By Russell T Davies Shooting Script GREENS 18th April 2009 Prep starts: 23rd Feb Shooting starts: 30th March Tale Writer's The Doctor Who 4 Episode 17 SHOOTING SCRIPT 20/03/09 page 1 1 FX SHOT - PLANET EARTH 1 FX: THE EARTH, suspended in space, in all its beauty. Over this, the NARRATOR. An old, wise man. NARRATOR It is said that in the final days of Planet Earth, everyone had bad dreams. MIX TO: 2 EXT. SHOPPING STREET - NIGHT 1 2 CAMERA craning down a huge, outdoor CHRISTMAS TREE... NARRATOR To the west of the north of that world, the Human Race did gather, in celebration of a pagan rite, to banish the cold and the dark. ...craning down to find a SALVATION ARMY BRASS BAND. God Rest Ye Merry Gentlemen; the most mournful of carols. Moving round to find a few ONLOOKERS Tale(SHOPPERS in b/g). People, just dotted about, pausing. A woman & gran. Three teenagers. A family, mum, dad and little daughter... NARRATOR (CONT'D) Each and every one of those people had dreamt of the terrible things to come. But they forgot, because they must; they forgot their nightmares, of fire and war and insanity. Writer's They forgot... ...then finding WILFRED MOTT. NARRATOR (CONT'D) TheExcept for one. Wilf's troubled, uneasy, and on his CLOSE UP - INTERCUT, fast, violent - CU of a FACE, bleached, against black - manic laughter - a familiar face, it's - Wilf blinks. Shakes it off. Turns away... CUT TO WIDER. Wilf wandering along. Lost in thought. -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
Doctorwhotimeofthedaleks.Pdf
1 COMPONENTS TIME OF THE DALEKS EARTH AND THE WEB OF TIME BOARD TARDIS DIE The TARDIS die is used Somewhere, sometime, the Cloister Bell echoed throughout The Earth and Web of Time board combines the Earth GAME OVERVIEW when traveling through the heart of the TARDIS. location and the Web of Time track. In Doctor Who: Time of the Daleks, Davros has time and space. The Doctor started to feel a twinge, slowly turning into infiltrated the Matrix on Gallifrey, mapping out the • Earth is a location that has three Time Zones. a searing pain. Daleks. The Doctor could see them in his • The Web of Time is used to monitor progress in the Doctor’s timeline and devising the best way to wipe TIME ANOMALY CARDS memories but they were never there, that never happened. him from history. game, as the Doctors and Dalek progress towards Why is Davros in the matrix? Why is he on Gallifrey? Gallifrey. Any time a game effect tells you to move Time Anomalies are massive events that happen as the Players take on the role of the Doctor, travelling a TARDIS or the Dalek Ship, it well tell you to game progresses. Each Time Anomaly card presents a “Doctor!” Clara screamed as she saw the Doctor vanish into throughout time and space, finding new Companions move it forward towards Gallifrey or backwards unique problem to solve. thin air and reappear seconds later. and having adventures to repair the web of time. toward Skaro. “I don’t want to alarm you Clara, but I may be ending.” The Players do this by overcoming challenges. -
Doctor Who: the New Series: the Diary of River Song Pdf, Epub, Ebook
DOCTOR WHO: THE NEW SERIES: THE DIARY OF RIVER SONG PDF, EPUB, EBOOK Jenny T. Colgan, Justin Richards, James Goss, Matt Fitton, Ken Bentley, Howard Carter, Steve Foxton, Tom Webster, Alex Kingston, Paul McGann | none | 31 Mar 2016 | Big Finish Productions Ltd | 9781781789421 | English | Maidenhead, United Kingdom Doctor Who: The New Series: The Diary of River Song PDF Book Disc 2. Disc 1. Later, the Doctor returned the diary to River, telling her that all the writing had returned, but he hadn't peeked; foreknowledge is dangerous. They did I nice job with this temporally paradoxical mash-up. I think I'm addicted. The story is perfectly interesting, to begin with, but feels very disappointing by the end. This particular boxset takes place some time after her last on-screen adventure She's River, it's timey-wimey, who knows! River meeting earlier incarnations of her husband has almost become a running joke by this point. River is very sick and is being attended to by her husband. View all Our Sites. Has image. It is well worth listening to if you like River Song in any capacity plus 8 shows up in one of the adventures. Definitely one of the best things Big Finish did all year. Ghosts by Jonathan Morris is the final story in the set, bringing the Tenth Doctor and River Song together for one last time on the spooky planet of Demonese 2. Exactly this River I wanted to get to know better, space parties, ancient tombs, feminism, and cosmic freemasonry. That was so good. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Face the Raven
The Black Archive #20 FACE THE RAVEN By Sarah Groenewegen Published June 2018 by Obverse Books Cover Design © Cody Schell Text © Sarah Groenewegen, 2018 Range Editors: Paul Simpson, Philip Purser-Hallard Editor: Kara Dennison Sarah would like to thank: Simon Belcher for his research into where the trap street might be in London, Simon Guerrier for his advice, Kara for her editorial skills, Philip for his patience, Steven Moffat for his vision of Doctor Who, and Sarah Dollard for talking to me about her amazing story. Sarah Groenewegen has asserted her right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. CONTENTS Overview Synopsis Introduction Chapter 1: The Impossible Girl Chapter 2: Repercussions Chapter 3: London Chapter 4: Death and the Raven Bibliography Biography INTRODUCTION ‘[Desire] is the drive towards satisfying something which is ultimately unsatisfiable.’ [Patrick Fuery]1. Face the Raven is the first of three stories – continuing with Heaven Sent and Hell Bent (all 2015) – which begin with the Doctor and Clara joyously sharing a wild adventure, then chart a tragic miscalculation by Clara that leads to her death, and the capture of the Doctor by the Time Lords. -
Doctor Who Timeline
DOCTOR WHO! TIMELINE ! (1963 – 2013)! BY MIKE WICKHAM! HISTORY OF DOCTOR WHO! DOCTOR WHO WAS FIRST SEEN ON SATURDAY 23RD NOVEMBER 1963. DURING WHICH THE TIME LORDS, GALLIFREY (THE DOCTORS HOME WORLD) AND THE DOCTORS ENEMIES (DALEKS, CYBERMEN, THE MASTER etc.) WERE INTRODUCED FOR THE FIRST TIME.! THE POWER OF THE TIME LORDS (A.K.A – REGENERATION) WAS INTRODUCED IN 1966, BY HARTNELLS DOCTOR WHEN HE CHANGED INTO PARTICK TROUGHTON (THE SECOND DOCTOR). THE POWER OF REGENERATION CONTINUED ALL THE WAY THROUGH TO MATT SMITH’S DOCTOR (THE ELEVENTH DOCTOR) REGENERATING INTO PETER CAPALDI’S DOCTOR (THE TWELFTH DOCTOR).! ROLE OF GRAPHIC DESIGN! • SPECIALLY DESIGNED GRAPHICS SEQUENCE USED FOR THE OPENING TITLES AND CREDITS! • THE TITLES BEGAN IN BLACK AND WHITE CHANGING TO COLOUR IN 1970! • GRAPHIC DESIGNERS WERE IMPORTANT TO MAKE THE SHOW INSTANTLY RECOGNIZABLE ANYWHERE! • DESIGNS ARE CREATED USING LASTEST TECHNOLOGY AVAILABLE AT THE TIME! 20TH CENTURY GRAPHIC DESIGNERS! BERNARD LODGE – 1966 - SEASON 4 (THE TENTH PLANET)! “HOWL ROUND” – HE DESIGNED THE FIRST 4 SERIES LOGOS & DESIGNED ENGINERED 5 TITLE SERIES SEQUENCE! SID SUTTON – 1981 – 1986 (THE LEISURE HIVE & THE TRIAL OF A TIME LORD)! ALSO DESIGNED THE COVERS FOR THE VIDEO BBC DOCTOR WHO! “THE SEEDS OF DEATH” & “DAY OF THE DALEKS”! OLIVER ELMES – 1987 – 1989! DESIGNED THE LOGO & TITLE SEQUENCE “TIME AND THE RANI” UNTIL “SURVIVAL”! SEVENTH DOCTOR WHO LOGO! 21ST CENTURY GRAPHIC DESIGNERS JENNY BOWERS – 2005 – SERIES 1! STARTED WITH THE EPISODE “ROSE” AND FINISHED WITH “THE PARTING OF THE WAYS”, WHICH WAS HOW LONG CHRISTOPHER ECCLESTON PLAYED THE DOCTOR.! CHRISTINA TOM – 2007 – 2013 – SERIES 3 – SERIES 7! CYFLE TRAINEE FROM “HUMAN NATURE” UP TO “THE FAMILY OF BLOOD”. -
Diary of the Doctor Who Role-Playing Games, Issue
HISTORICAL ISSUE The fanzine devoted to Doctor Who Gaming „COWPENS‰ ADVENTURE MODULE - „THE „THE COLD RUSH‰ ADVENTURE MODULE - ISSUE # 9 BUILDING A BETTER MAP - FOOD FOR „A NIGHT TO REMEMBER„ ADVENTURE MODULE FIRST TIME DOCTOR WHO ROLE-PLAYING LIGHTNING BUG‰ ADVENTURE MODULE „IN THE AFTER GLOW‰ ADVENTURE MODULE and MORE... GAMING - HISTORICAL ADVENTURES 1 EDITOR’S NOTES CONTENTS Welcome to this month’s issue of DDWRPG. This is our “Historical Issue” focusing on playing games that EDITOR’S NOTES 2 have an element of real history in them—whether a full REVIEW: Eleventh Doctor Sonic Screwdriver 3 historical or a pseudo historical that also has some sci‐fi Cubicle 7 Product Update 3 elements in it. DWAiTS Forum Updated 4 To fit this theme were are presenting to you, not TARDIS Lands at Graduation 4 our usual two, but a full five different modules featuring Food at Role‐Playing Gatherings 5 historical adventures that can be played. To show how MODULE: “The Cold Rush” 10 broad the idea of a “historical” can be, we present two Historical Not Just Pseudo‐Historical Adventures 11 pure historical adventures, two pseudo historical (that MODULE: “Cowpens” 12 feature alien involvement), and one historical adventure MODULE: “The Lightning Bug” 16 that takes place in another sci‐fi universe (as we present Better Building Maps Build Better Games 21 a crossover adventure into the universe of Firefly)! Arti‐ Neg/Dip Critical Failures 24 cles on cosplay and fake historical photography round out REVIEW: Doctor Who Insider 25 our features, as well as documenting the first‐time gam‐ MODULE: “A Night To Remember” 26 ing experience for some of the new players in the A Dilemma of Titanic Proportions 33 DDWRPG team’s own campaign.