7 Lamp Board Mod for the Addams Family and Doctor Who to Allow the Use of Colordmd SIGMA Displays
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A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo. -
PINBALL NVRAM GAME LIST This List Was Created to Make It Easier for Customers to Figure out What Type of NVRAM They Need for Each Machine
PINBALL NVRAM GAME LIST This list was created to make it easier for customers to figure out what type of NVRAM they need for each machine. Please consult the product pages at www.pinitech.com for each type of NVRAM for further information on difficulty of installation, any jumper changes necessary on your board(s), a diagram showing location of the RAM being replaced & more. *NOTE: This list is meant as quick reference only. On Williams WPC and Sega/Stern Whitestar games you should check the RAM currently in your machine since either a 6264 or 62256 may have been used from the factory. On Williams System 11 games you should check that the chip at U25 is 24-pin (6116). See additional diagrams & notes at http://www.pinitech.com/products/cat_memory.php for assistance in locating the RAM on your board(s). PLUG-AND-PLAY (NO SOLDERING) Games below already have an IC socket installed on the boards from the factory and are as easy as removing the old RAM and installing the NVRAM (then resetting scores/settings per the manual). • BALLY 6803 → 6116 NVRAM • SEGA/STERN WHITESTAR → 6264 OR 62256 NVRAM (check IC at U212, see website) • DATA EAST → 6264 NVRAM (except Laser War) • CLASSIC BALLY → 5101 NVRAM • CLASSIC STERN → 5101 NVRAM (later Stern MPU-200 games use MPU-200 NVRAM) • ZACCARIA GENERATION 1 → 5101 NVRAM **NOT** PLUG-AND-PLAY (SOLDERING REQUIRED) The games below did not have an IC socket installed on the boards. This means the existing RAM needs to be removed from the board & an IC socket installed. -
Tenth Doctor Tales : 10Th Doctor Audio Originals Pdf, Epub, Ebook
DOCTOR WHO: TENTH DOCTOR TALES : 10TH DOCTOR AUDIO ORIGINALS PDF, EPUB, EBOOK Peter Anghelides | 1 pages | 01 Nov 2016 | BBC Audio, A Division Of Random House | 9781785293856 | English | London, United Kingdom Doctor Who: Tenth Doctor Tales : 10th Doctor Audio Originals PDF Book Who can he trust in the dark? She's very sassy and smart mouth. The video game instructions and box are included. The stories were well done, nuanced, and enjoyable to hear. Learn More - opens in a new window or tab. Certainly some are better than others. Pest Control. Add to Watchlist. I love Sugar. Also quite happy with Catherine Tate's readings. David Tennant, Catherine Tate and Michelle Ryan read this exclusive collection of original audio adventures. Doctor Who - Short Trips. David Tennant, Catherine Tate and Michelle Ryan read this exclusive collection of original audio adventures. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount includes applicable customs duties, taxes, brokerage and other fees. The Doctor arrives on the uninhabited planetoid Quish, famous for having the biggest natural amphitheatre in the galaxy. I appreciated the special effects and added sounds that helped to ground the listener in the audio. Starring Kieran Hodgson Anna Hope. Churchill Victorious. Dan Abnett Goodreads Author ,. Not just in terms of pitch, but in the vocal mannerisms, too… Big Finish really did find the perfect voice for this set of stories. Nov 02, Johanna rated it it was amazing. Starring Trevor Baxter Christopher Benjamin. Wednesday 4 November November sees the release of a range of brand-new audio adventures from Big Finish. -
The Doctor Who Mini-Playfield Rich Fazio 2009-01-05 Update V1.2
The Doctor Who Mini-Playfield Rich Fazio 2009-01-05 Update V1.2 Table of Contents Disclaimer iv Using this document iv Before Starting iv 1. Introduction 1 2. The MPF before work begins 2 3. Disassembly 3 3.1 Before the power is disconnected! 3 3.2 Get Ready 3 3.3 Remove the Outer MPF Cover Assembly 3 3.4 Remove Mini-Playfield from main Playfield 4 3.4.1 Remove the Door Release Bracket 4 3.4.2 Disconnect bundle of connectors to the MPF 5 3.4.3 Remove MPF retaining screws 6 3.4.4 Lift out the MPF with care 6 3.5 About the Mini-Playfield 7 3.5.1 MPF Cover Assembly 8 3.5.2 Removing MPF Three Door Assembly 9 3.5.3 Removing the MPF Main Support Bracket 9 3.5.4 Disassembly of the MPF Main Support Bracket 11 3.5.4.1 Remove Cam Assembly 11 3.5.4.2 Remove Motor Bracket 12 3.5.4.3 Motor Gearbox 13 3.5.4.4 Exterior / Interior Bracket Disassembly 13 3.5.5 Gaining access to the Five Opto Targets 14 3.5.6 Disassembly of the Three Door Assembly 16 3.6 MPF Miscellany 16 3.7 Disassembly Conclusion 16 4. Assembly of the Mini-Playfield 17 4.1 Get sub-assemblies ready for integration into MPF 17 4.1.1 Main Bracket Assembly 17 4.1.2 Align Cam Assembly on Gearbox Arbor 18 4.1.3 Assembling the Five Target Optos 19 4.2 Integrating the MFP sub-assemblies onto the MPF 20 4.2.1 Attach the opto bank 20 4.2.2 Attach the Main Support Bracket w/motor 21 4.2.3 Attach the Three Door Drop Target 21 4.2.4 Checkpoint 22 5. -
Doctor Who: Trial of a Time Lord
Accused of ‘crimes against the involate laws of evolution’, the Doctor is on trial for his life. The sinister prosecutor, the Valeyard, presents the High Council of Time Lords with the second piece of evidence against the Doctor: a dramatic adventure on the planet Thoros-Beta which led to the renegade Time Lord’s summons to the court of Enquiry. But as the Doctor watches the scenes on the Matrix he is puzzled by what he sees – his behaviour is not as he remembers. Only one thing is certain: on the evidence of the Matrix the Doctor is surely guilty as charged . Distributed by USA: LYLE STUART INC, 120 Enterprise Ave, Secaucus, New Jersey 07094 CANADA: CANCOAST BOOKS, 90 Signet Drive, Unit 3, Weston, Ontario M9L 1T5 NEW ZEALAND: MACDONALD PUBLISHERS (NZ) LTD, 42 View Road, Glenfield, AUCKLAND, New Zealand SOUTH AFRICA: CENTURY HUTCHINSON SOUTH AFRICA (PTY) LTD. PO Box 337, Bergvie, 2012 South Africa ISBN 0-426-20335-6 UK: £1.99 *USA: $3.95 CANADA: $4.95 NZ: $8.99 ,-7IA4C6-caddfd- *AUSTRALIA: $5.95 *RECOMMENDED RETAIL PRICE Science Fiction/TV Tie-in DOCTOR WHO MINDWARP Based on the BBC television series by Philip Martin by arrangement with BBC Books, a division of BBC Enterprises Ltd PHILIP MARTIN Number 139 in the Target Doctor Who Library A TARGET BOOK published by The Paperback Division of W. H. Allen & Co. PLC A Target Book Published in 1989 by the Paperback Division of W. H. Allen & Co. PLC Sekforde House, 175/9 St John Street London, EC1V 4LL Novelisation copyright © Philip Martin, 1989 Original script copyright © Philip Martin, 1985 -
Diary of the Doctor Who Role-Playing Games, Issue
COVERING ALL DOCTOR WHO RPGS The fanzine devoted to Doctor Who Gaming „PIRATES OF THE SKY‰ ADVENTURE MODULE ISSUE # 18 „ALL FOR ONE„ ADVENTURE MODULE - A LOOK AT CAMPAIGNS-PART TWO „GLITZ AND DIBBERÊS RUNAWAY BOMB‰ ADVENTURE MODULE GLITZ AND DIBBER STATS - LANCHE - „THE RECON MISSION‰ ADVENTURE MODULE and MORE... STER CALLING CHARACTER STATS 1 EDITOR’S NOTES CONTENTS Welcome to the 18th issue of our fanzine. We hope that if you enjoy Doctor Who role‐playing that you EDITOR’S NOTES 2 find something of worth in our little offering. We’ve had REVIEW: Character Building Eleven Doctors Set 3 a great group of writers step up and contribute to our New Cover Designs Revealed 4 ‘zine and I really want to thank them all for their efforts Doctor Who Card Game from Cubicle 7 4 and contributions. They make DDWRPG great! Cubicle 7 CEO to Be GenCon Guest of Honor 5 It’s tough for our staff to get out this fanzine each BTD Doctor Who Miniatures Running Out 5 month or so (giving you 54 pages of content with every EVENT REPORT: Concinnity XII Convention 6 issue) between their regular work and their other ama‐ DWAiTS at Concinnity XII 7 teur and professional writing responsibilities. If you are MODULE: “Pirates of the Sky” 8 looking for gaming content devoted to Doctor Who, we The Doctor Who Games List 16 think we are one of the best resources available. We Doctor Who Playing Cards 18 support Cubicle 7’s Doctor Who‐Adventures in Time and Fan Made Playing Cards 18 Space game, which is currently in print. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC. -
Doctor Who: the Ambassadors of Death
Seven months after it left Mars there has still been no radio communication with the Probe Seven spacecraft or the astronauts inside it. Back on Earth concern is mounting and eventually a recovery capsule is sent up to rescue the astronauts. But when the capsule returns to Earth it is found to be empty. As the Doctor and Liz investigate, they discover that the interior of the capsule is highly radioactive: if anyone was inside they would now surely be dead. Have the astronauts indeed returned to Earth? And if not, who are the sinister space-suited figures who stalk the countryside and whose very touch means instant death?... Distributed by USA: LYLE STUART INC, 120 Enterprise Ave, Secaucus, New Jersey 07094 CANADA: CANCOAST BOOKS, 90 Signet Drive, Unit 3, Weston, Ontario M9L 1T5 NEW ZEALAND: MACDONALD PUBLISHERS (NZ) LTD, 42 View Road, Glenfield, AUCKLAND, New Zealand SOUTH AFRICA: CENTURY HUTCHINSON SOUTH AFRICA (PTY) LTD. PO Box 337, Bergvie, 2012 South Africa ISBN 0-426-20305-4 UK: £1.95 USA: $3.50 CANADA: $4.95 ,-7IA4C6-cadafg— NZ: $8.99 Science Fiction/TV Tie-in DOCTOR WHO THE AMBASSADORS OF DEATH Based on the BBC television serial by David Whitaker by arrangement with the British Broadcasting Corporation TERRANCE DICKS Number 121 in the Doctor Who Library published by the Paperback Division of W. H. Allen & Co. PLC A Target Book Published in 1987 by the Paperback Division of W. H. Allen & Co. Ltd. 44 Hill Street, London W1X 8LB First published in Great Britain by W. H. Allen & Co. -
Using Digital Humanities Tools to Investigate Shipping Claims in the Third Doctor Era of Doctor Who
The UNIT “Dating” Crisis: Using Digital Humanities tools to investigate shipping claims in the Third Doctor era of Doctor Who by Mara Katz Submitted to the Undergraduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Bachelor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Mara Katz It was defended on April 8, 2014 and approved by Dr. David J. Birnbaum, Professor, Department of Slavic Languages and Literatures Dr. Na-Rae Han, Lecturer, Department of Lingustics Dr. Lori Levin, Associate Research Professor, Carnegie Mellon University Language Technologies Institute Dr. David R. Mortensen, Assistant Professor, Department of Linguistics ii The UNIT “Dating” Crisis: Using Digital Humanities tools to investigate shipping claims in the Third Doctor era of Doctor Who Mara Katz University of Pittsburgh, 2014 Copyright © by Mara Katz 2014 iii Participants in a conversation commonly use terms of address to index interpersonal status and solidarity among interlocutors. Such terms are crucial in fiction, film, and television scripts in guiding audiences in their construction of the relationships among characters. In this thesis, I examine the use of terms of address in episodes of the BBC television drama Doctor Who from the first half of the 1970s. In particular, I look at the role those terms play in fans’ practice of shipping characters. “Shipping,” or theorizing the existence of subtextual romantic relationships between “pairings” of characters, is a common fan practice. I conclude that the shipping choices fans make do not appear to correlate with the use of terms of address between characters. -
Doctor Who, Steampunk, and the Victorian Christmas Mcmurtry, LG
Doctor Who, Steampunk, and the Victorian Christmas McMurtry, LG Title Doctor Who, Steampunk, and the Victorian Christmas Authors McMurtry, LG Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/44368/ Published Date 2013 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Leslie McMurtry Swansea University Doctor Who, Steampunk, and the Victorian Christmas “It’s everywhere these days, isn’t it? Anime, Doctor Who, novel after novel involving clockwork and airships.” --Catherynne M. Valente1 Introduction It seems nearly every article or essay on Neo-Victorianism must, by tradition, begin with a defence of the discipline and an explanation of what is currently encompassed by the term— or, more likely, what is not. Since at least 2008 and the launch of the interdisciplinary journal Neo-Victorian Studies, scholars have been grappling with a catch-all definition for the term. Though it is appropriate that Mark Llewellyn should note in his 2008 “What Is Neo-Victorian Studies?” that “in bookstores and TV guides all around us what we see is the ‘nostalgic tug’ that the (quasi-) Victorian exerts on the mainstream,” Imelda Whelehan is right to suggest that the novel is the supreme and legitimizing source2. -
Ascension of the Cybermen
DOCTOR WHO SERIES 12 EPISODE NINE ASCENSION OF THE CYBERMEN PROGRAMME NUMBER: DRAA752W/01 10:00:00 BBC WORLDWIDE STING 10:00:05 EXT. SPACE 10:00:05 Music in ‘M1 That Which is Dead Can Live Again’ Deep space. Hold on it. Stars, distant planets. But mostly, nothingness. A lone male voice on the soundtrack. ASHAD (V.O.) The Cybermen were defeated. (Beat) The victors of a billion battles, broken. An empire of might and terror, fallen. And as we move through space, we see a small distant object. It is gradually moving closer. As it gets closer we realise it is: A Cyberhead floating through space. Disembodied. Smashed up, burned out. It floats slowly closer to us. Slowly. ASHAD Their weaknesses exploited. Their armies outfought. Their conquests surrendered. And now we're closer on the head. Now it's almost looking at us. ASHAD (CONT'D) Every Empire has its time. And every Empire falls. And now we're closing further in on the detail of the Cyber head -- we can see the detail and precision of its work. The thing of beauty, that has been burned out. And we close in even further on the face -- and now slowly closing in on the eyes. Those haunting eyes. Grilles -- and behind them, we see fire -- ASHAD (CONT'D) But that which is dead, can live again. (Beat) In the hands of a believer. And we go through the eyes of the Cyberhead -- and the shape of the eye becomes – 10:00:44 Music out ‘M1 That Which is Dead Can Live Again’ CUT TO: 10:00:44 OPENING TITLES 10:00:44 Music in ‘M2 Opening Titles’ 10:00:51 Caption 'Jodie Whittaker' 10:00:53 Caption 'Bradley Walsh' 10:00:55 Caption ‘Tosin Cole 10:00:56 Caption ‘Mandip Gill’ 10:00:58 Caption 'BBC Doctor Who' 10:01:06 Caption 'Series Producer Nikki Wilson’ 10:01:09 Caption 'Director Jamie Magnus Stone’ 10:01:14 Caption ‘Ascension of the Cybermen, Written by Chris Chibnall’ 10:01:17 Music out ‘M2 Opening Titles’ CUT TO: 10:01:17 EXT.