DOCSLIB.ORG

Doctor Who Logo After the Bank and Take Charge of Auctions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Doctor Who Logo After the Bank and Take Charge of Auctions Shuffle the AGES 8+ Game board spaces and corresponding U.N.I.T Each player starts cards and place face down here. Title Deed cards feature Places from Across DO YOU LIKE TO PLAY FAST? the Universe. All property values are the the game with: same as in the original game. SPEED PLAY RULES SETWHAT’S DIFFERENT? IT UP! RULES for a SHORT GAME (60-90 minutes) END OF GAME: The game ends when one player goes 2 x There are four changed rules for this first Short Game. bankrupt. The remaining players add up their: (1) Dollars on THE BANKER 1. During PREPARATION, the Banker shuffles then deals hand; (2) properties owned, at the value printed on the Choose a player to be the Banker who will look © 1935, 2012 HASBRO three Title Deed cards to each player. These are Free. board; (3) any mortgaged properties owned, at one-half the 2012. Licensed by BBC WW Ltd. © BBC Doctor Who logo after the Bank and take charge of auctions. Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. © 1935, 2012 HASBRO No payment to the Bank is required. value printed on the board; (4) Houses, counted at the purchase value; (5) Hotels, counted at purchase value THE FIRST DOCTOR’S TARDIS, THE It is important that the Banker keeps their personal 2. You need only three Houses (instead of four) on including the amount for the three Houses turned in. C The Fast-Dealing Property Trading Game C FIFTH DOCTOR’S TARDIS, THE funds and properties separate from the Bank’s. The most powerful player wins! Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. each property of a complete color group before you TENTH DOCTOR’S TARDIS and THE 4 x Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. may buy a Hotel. Hotel rent remains the same. The ELEVENTH DOCTOR’S TARDIS © 1935, 2012 HASBRO © 1935, 2012 HASBRO © 1935, 2012 HASBRO © 1935, 2012 HASBRO turn-in value is still one-half of the purchase value, which replace the traditional railroad spaces. Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. in this game is one House less than in the regular game. PLAY IT RIGHT! Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. Many players like to devise their own ‘house’ MONOPOLY 50 3. If you land in Jail you must exit on your next turn by rules. This is fine, but such rules often make the game last 1 x 50 longer. In the official rules players may never loan each © 1935, 2012 HASBRO (1) using a “Get Out of Jail Free” card if you have (or can Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. buy) one; (2) rolling doubles; or (3) paying $50. Unlike other money or trade ‘promises’ not to charge rent in the the standard rules, you may try to roll doubles and, future, etc. All tax and penalty fees are payable to the Bank and should not be stored under the Free Parking ® 20 failing to do so, pay the $50 on the same turn. Original MONOPOLY Game Rules 20 1 x space or anywhere else! Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. plus Special Rules © 1935, 2012 HASBRO for this Edition. Shuffle theGALLIFREY cards and 10 place face down here. 2 x 1010 10 THE BANK © 1935, 2012 HASBRO Set forth on your quest to own it all, but first you will need to Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. ◆ Holds all money and Title Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. © 1935, 2012 HASBRO know the basic game rules along with custom DOCTOR WHO We will be happy to hear your questions or comments about this game. Deeds not owned by players. Write to: USAOPOLY Customer Service CONTENTS 50TH ANNIVERSARY COLLECTOR’S EDITION rules. ◆ Pays salaries and bonuses to players. 5 5607 Palmer Way, Carlsbad, CA 92010 5 1 x Tel: 1-888-876-7659 (toll free) If you’ve never played the original MONOPOLY game, refer to ◆ Collects taxes and fines from players. Choose from six Collectible tokens Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. Email: [email protected] the original rules beginning on the next page. Then turn back to © 1935, 2012 HASBRO Gameboard, 6 tokens, ◆ designed with the Doctor Who Fan in mind. Sells and auctions properties. Which will you be? The Seventh Doctor’s USAOPOLY is a trademark of USAopoly, Inc. HASBRO and its logo, the MONOPOLY name and logo, the distinctive design of the game 28 Title Deed cards, the Set It Up! section to learn about the extra features of the board, the four corner squares, the MR. MONOPOLY name and character, as well as each of the distinctive elements of the board and 16 U.N.I.T Cards, ◆ Sells Houses and Hotels. Umbrella, The Second Doctor’s 1 playing pieces are trademarks of Hasbro for its property trading game and game equipment. © 1935, 2012 Hasbro. All rights reserved. DOCTOR WHO 50TH ANNIVERSARY COLLECTOR’S EDITION. 1 BBC, DOCTOR WHO (word marks, logos and devices), TARDIS, DALEKS, CYBERMAN and K-9 (word marks and devices) are trademarks of 16 Gallifrey Cards, Recorder, The Fifth Doctor’s Celery, The © 1935, 2012 HASBRO ◆ Loans money to players who mortgage their property. 1 the British Broadcasting Corporation and are used under licence. BBC logo © BBC 1996. Doctor Who logo © BBC 2012. Dalek image © BBC/ 1 pack of MONOPOLY Eleventh Doctor’s Bow, The Sonic 111 © 1935, 2012 HASBRO Terry Nation 1963. Cyberman image © BBC/Kit Pedler/Gerry Davis 1966. -9 image © BBC/Bob Baker/Dave Martin 1977. Created by Winning 11 1 money, 32 houses, If you are already an The Bank can never ‘go broke’. If the Bank runs out of Screwdriver or The Fourth Doctor’s © 1935, 2012 HASBRO 1 Moves UK Ltd. Manufactured and distributed by USAOPOLY, Inc. 5607 Palmer Way, Carlsbad, CA 92010. MADE IN USA. DICE MADE IN 12 hotels, 2 dice experienced MONOPOLY Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. DoctorDoctor Who Who logo logo © BBC© BBC 2012. 2012. Licensed Licensed by BBC by BBCWW Ltd.WW Ltd. Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. © 1935, 2012 HASBRO Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. CHINA. Colors and parts may vary from those pictured. money, the Banker may issue as much as needed by Scarf? Place your token on the GO space. 5 x dealer and want a faster game, writing on ordinary paper. © 1935, 2012 HASBRO try the rules on the back page! Shuffle the AGES 8+ Game board spaces and corresponding U.N.I.T Each player starts cards and place face down here. Title Deed cards feature Places from Across DO YOU LIKE TO PLAY FAST? the Universe. All property values are the the game with: same as in the original game. SPEED PLAY RULES SETWHAT’S DIFFERENT? IT UP! RULES for a SHORT GAME (60-90 minutes) END OF GAME: The game ends when one player goes 2 x There are four changed rules for this first Short Game. bankrupt. The remaining players add up their: (1) Dollars on THE BANKER 1. During PREPARATION, the Banker shuffles then deals hand; (2) properties owned, at the value printed on the Choose a player to be the Banker who will look © 1935, 2012 HASBRO three Title Deed cards to each player. These are Free. board; (3) any mortgaged properties owned, at one-half the 2012. Licensed by BBC WW Ltd. © BBC Doctor Who logo after the Bank and take charge of auctions. Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. © 1935, 2012 HASBRO No payment to the Bank is required. value printed on the board; (4) Houses, counted at the purchase value; (5) Hotels, counted at purchase value THE FIRST DOCTOR’S TARDIS, THE It is important that the Banker keeps their personal 2. You need only three Houses (instead of four) on including the amount for the three Houses turned in. C The Fast-Dealing Property Trading Game C FIFTH DOCTOR’S TARDIS, THE funds and properties separate from the Bank’s. The most powerful player wins! Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. each property of a complete color group before you TENTH DOCTOR’S TARDIS and THE 4 x Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. may buy a Hotel. Hotel rent remains the same. The ELEVENTH DOCTOR’S TARDIS © 1935, 2012 HASBRO © 1935, 2012 HASBRO © 1935, 2012 HASBRO ASBRO 5, 2012 H © 193 turn-in value is still one-half of the purchase value, which replace the traditional railroad spaces. Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. in this game is one House less than in the regular game. PLAY IT RIGHT! Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. Many players like to devise their own ‘house’ MONOPOLY 50 3. If you land in Jail you must exit on your next turn by rules. This is fine, but such rules often make the game last 1 x 50 longer. In the official rules players may never loan each © 1935, 2012 HASBRO (1) using a “Get Out of Jail Free” card if you have (or can Doctor Who logo © BBC 2012. Licensed by BBC WW Ltd. buy) one; (2) rolling doubles; or (3) paying $50. Unlike other money or trade ‘promises’ not to charge rent in the the standard rules, you may try to roll doubles and, future, etc.
Load more

Recommended publications
  • DW10: EP 1 "A Star in Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT
    DOCTOR WHO SERIES 10 EPISODE 1 "A Star In Her Eye" By Steven Moffat SHOOTING SCRIPT 16/06/2016 (SHOOTING BLOCK 1) DW10: EP 1 "A Star In Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT. THE DOCTOR’S OFFICE - DAY 1 - 16.00 1 The quietest opening we’ve ever had. We’re in a reasonably untidy office. Dust and books. Obviously academic. A university lecturer’s office. We hold this stationary shot - there’s a pleasing symmetry. There’s a door on the left of the screen, and a slightly open one on the right - like the two doors on a weather clock. Through the slightly open door we can see another, smaller room. In between the doors, there’s a desk, facing across the screen. Two empty chairs. The one in front of the closed door, is a simple, wooden chair. Facing it across the desk is an elegant swivel chair. Distantly, a bell chiming. We hear the chatter of distant voices - young people, chatting and laughing. Under that, the drone of traffic. Ordinary and still, for as long as we dare. Then: Squeak! Squeak! Squeak! It’s like the squeaking wheel on a supermarket trolley - and it’s getting closer. Now the closed door opens, revealing: Nardole. Much as we last saw him in The Husbands Of River Song. He steps into the room (always a squeak on his left leg) revealing: In the doorway, Bill. Young, female, cheeky as hell. Nardole stands clear of the door, gestures towards the wooden chair.
    [Show full text]
  • Doctor Who 4 Ep.18.GOLD.SCW
    DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated.
    [Show full text]
  • “My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
    “My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4.
    [Show full text]
  • A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
    University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr.
    [Show full text]
  • Blink by Steven Moffat EXT
    Blink by Steven Moffat EXT. WESTER DRUMLINS HOUSE - NIGHT Big forbidding gates. Wrought iron, the works. A big modern padlock on. Through the gates, an old house. Ancient, crumbling, overgrown. Once beautiful - still beautiful in decay. Panning along: on the gates - DANGER, KEEP OUT, UNSAFE STRUCTURE -- The gates are shaking, like someone is climbing them -- -- and then a figure drops into a view on the other side. Straightens up into a close-up. SALLY SPARROW. Early twenties, very pretty, just a bit mad, just a bit dangerous. She's staring at the house, eyes shining. Big naughty grin. SALLY Sexy! And she starts marching up the long gravel drive ... CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY - NIGHT The big grand house in darkness, huge sweeping staircase, shuttered window, debris everywhere -- One set of shutters buckles from an impact from the inside, splinters. SALLY SPARROW, kicking her away in -- CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY/ROOMS - NIGHT SALLY, clutching a camera. Walks from one room to another. Takes a photograph. Her face: fascinated, loving this creepy old place. Takes another photograph. CUT TO: INT. WESTER DRUMLINS HOUSE. CONSERVATORY ROOM - NIGHT In the conservatory now - the windows looking out on a darkened garden. And a patch of rotting wallpaper catches SALLY'S eye -- 2. High on the wall, just below the picture rail, a corner of wallpaper is peeling away, drooping mournfully down from the wall -- -- revealing writing on the plaster behind. Just two letters we can see - BE - the beginning of a word -- She reaches up on tiptoes and pulls at the hanging frond of wallpaper.
    [Show full text]
  • Dr Who Pdf.Pdf
    DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e.
    [Show full text]
  • Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
    Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled.
    [Show full text]
  • Five Goes Mad in Stockbridge Fifth Doctor Peter Davison Chats About the New Season
    ISSUE #8 OCTOBER 2009 FREE! NOT FOR RESALE JUDGE DREDD Writer David Bishop on taking another shot at ‘Old Stony Face’ DOCTOR WHO Scribe George Mann on Romana’s latest jaunt FIVE GOES MAD IN STOCKBRIDGE FIFTH DOCTOR PETER DAVISON CHATS ABOUT THE NEW SEASON PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Hello. More Vortex! Can you believe it? Of course studio session to make sure everyone is happy and that you can, you’re reading this. Now, if I sound a bit everything is running on time. And he has to do all those hyper here, it’s because there’s an incredibly busy time CD Extras interviews. coming up for Big Finish in October. We’ve already started recording the next season of Eighth Doctor What will I be doing? Well, I shall be writing a grand adventures, but on top of that there are more Lost finale for the Eighth Doctor season, doing the sound Stories to come, along with the Sixth Doctor and Jamie design for our three Sherlock Holmes releases, and adventures, the return of Tegan, Holmes and the Ripper writing a brand new audio series for Big Finish, which and more Companion Chronicles than you can shake may or may not get made one day! More news on that a perigosto stick at! So we’ll be in the studio for pretty story later, as they say… much the whole month. I say ‘we’… I actually mean ‘David Richardson’. He’s our man on the spot, at every Nick Briggs – executive producer SNEAK PREVIEWS AND WHISPERS Love Songs for the Shy and Cynical Bernice Summerfield A short story collection by Robert Shearman Secret Histories Rob Shearman is probably best known as a writer for Doctor This year’s Bernice Summerfield book is a short Who, reintroducing the Daleks for its BAFTA winning first stories collection, Secret Histories, a series of series, in an episode nominated for a Hugo Award.
    [Show full text]
  • The Pandorica Opens / the Big Bang Sample
    The Black Archive #44 THE PANDORICA OPENS / THE BIG BANG SAMPLE By Philip Bates Published June 2020 by Obverse Books Cover Design © Cody Schell Text © Philip Bates, 2020 Range Editors: Paul Simpson, Philip Purser-Hallard Philip Bates has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. Also available #32: The Romans by Jacob Edwards #33: Horror of Fang Rock by Matthew Guerrieri #34: Battlefield by Philip Purser-Hallard #35: Timelash by Phil Pascoe #36: Listen by Dewi Small #37: Kerblam! by Naomi Jacobs and Thomas L Rodebaugh #38: The Sound of Drums / Last of the Time Lords by James Mortimer #39: The Silurians by Robert Smith? #40: The Underwater Menace by James Cooray Smith #41: Vengeance on Varos by Jonathan Dennis #42: The Rings of Akhaten by William Shaw #43: The Robots of Death by Fiona Moore This book is dedicated to my family and friends – to everyone whose story I’m part of. CONTENTS Overview Synopsis Introduction 1: Balancing the Epic and the Intimate 2: Myths and Fairytales 3: Anomalies 4: When Time Travel Wouldn’t Help 5: The Trouble with Time 6: Endings and Beginnings
    [Show full text]
  • 7 Lamp Board Mod for the Addams Family and Doctor Who to Allow the Use of Colordmd SIGMA Displays
    7 Lamp Board Mod for The Addams Family and Doctor Who to allow the use of ColorDMD SIGMA Displays This modification will also upgrade the board from incondescent bulbs to LED. 1. Carefully remove the translite from the backbox and then lower the speaker panel to the position shown in picture1 to gain access to the 7 lamp board assembly. NOTE: This process is the same for both The Addams Family and Doctor Who. Picture1 ( The Addams Family 5768-12377-00 board shown ) 2. Disconnect the 8-pin DMD power cable and ribbon cable from DMD and also disconnect the 9-pin lamp power cable from 7 lamp board. NOTE: disconnect 13-pin lamp power cable for Doctor Who 7 lamp board. 3. Remove the four screws holding the 7 lamp board and remove board from the game as shown in picture2. Picture2 ( The Addams Family 5768-12377-00 board shown ) 4. Remove all seven of the lamp holders and all four of the nylon mounting feet as shown in picture3. Picture3 5. Now unsolder the 9-pin header connector from the board (13-pin header connector for Doctor Who). This does require some experience with soldering so be careful not to over heat the board and damage the solder pads, you'll need these later. Now your board should be completely stripped of all hardware except the seven diodes on the other side of the board you'll keep those as well. The board should now look like picture4. Picture4 6. Now you'll need some 26 awg stranded wire cut in 24” lengths, nine wires for The Addams Family or thirteen wires for Doctor Who.
    [Show full text]
  • Doctor Who and the Creation of a Non-Gendered Hero Archetype
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo.
    [Show full text]
  • Shaun the Sheep's Creator
    PRODUCTION NOTES STUDIOCANAL RELEASE DATES: UK – OCTOBER 18th 2019 SOCIAL MEDIA: Facebook - https://www.facebook.com/shaunthesheep Twitter - https://twitter.com/shaunthesheep Instagram - https://www.instagram.com/shaunthesheep/ YouTube - https://www.youtube.com/user/aardmanshaunthesheep For further information please contact STUDIOCANAL: UK ENQUIRIES [email protected] [email protected] 1 Synopsis Strange lights over the quiet town of Mossingham herald the arrival of a mystery visitor from far across the galaxy… For Shaun the Sheep’s second feature-length movie, the follow-up to 2015’s smash hit SHAUN THE SHEEP MOVIE, A SHAUN THE SHEEP MOVIE: FARMAGEDDON takes the world’s favourite woolly hero and plunges him into an hilarious intergalactic adventure he will need to use all of his cheekiness and heart to work his way out of. When a visitor from beyond the stars – an impish and adorable alien called LU-LA – crash-lands near Mossy Bottom Farm, Shaun soon sees an opportunity for alien-powered fun and adventure, and sets off on a mission to shepherd LU-LA back to her home. Her magical alien powers, irrepressible mischief and galactic sized burps soon have the flock enchanted and Shaun takes his new extra-terrestrial friend on a road-trip to Mossingham Forest to find her lost spaceship. Little do the pair know, though, that they are being pursued at every turn by a mysterious alien- hunting government agency, spearheaded by the formidable Agent Red and her bunch of hapless, hazmat-suited goons. With Agent Red driven by a deep-seated drive to prove the existence of aliens and Bitzer unwittingly dragged into the haphazard chase, can Shaun and the flock avert Farmageddon on Mossy Bottom Farm before it’s too late? 2 Star Power The creative team behind the world’s favourite woolly wonder explain how, in Farmageddon, they’ve boldly gone where no sheep has gone before..
    [Show full text]