AMC Networks Inc. (Exact Name of Registrant As Specified in Its Charter)
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Produção Audiovisual Nos Serviços De Programas Televisivos Em 2019”
Regulador avalia produções audiovisuais em 48 serviços de programas em 2019 ERC conclui que qquaseuase todos os ggenerenereneralistasalistas e temáticos informativos cumprem as obrigações dedede programação em língua portuguesaportuguesa,,,, mas os temáticos ficam aquém Os serviços de programas dos operadores de televisão de âmbito nacional estão sujeitos à avaliação em cada ano, do cumprimento das obrigações previstas nos artigos 44.º a 46.º da Lei da Televisão e dos Serviços Audiovisuais a Pedido (LTSAP), referentes à defesa da língua portuguesa, produção europeia e produção independente. As quotas para difusão de obras audiovisuais determinam que 50% do total de programas devem ser originariamente em língua portuguesa «com exceção daqueles cuja natureza e temática a tal se opuserem» e 20% obras criativas, de produção originária em língua portuguesa, que pode provir de outros países lusófonos até 25%. Em relação a 2019, a ERC verifica que nos 48 serviços de programas analisados, dos quais quatro são de âmbito internacional e dois regionais, as percentagens de 50 e 20 por cento são ultrapassadas pela RTP1, RTP África, RTP Internacional, RTP Memória e RTP Açores e pelos privados generalistas em sinal aberto. Os temáticos informativos por cabo (RTP3, SIC Notícias e a TVI24) preenchem apenas a quota de produção originariamente em língua portuguesa, não a de obras criativas em português. A RTP2 fica, pelo terceiro ano consecutivo, aquém das duas metas, desta vez por três pontos percentuais. Quase toda a programação da CMTV é originariamente em língua portuguesa, mas ainda não cumpre a percentagem de obras criativas de produção originariamente em língua portuguesa por três pontos percentuais, apesar de estar obrigada, por ser generalista. -
Charles Musser Mailing Address
11/2/15 Vita Charles Musser-1 Charles Musser mailing address: Box 820 Times Square Station, NY. NY. 10108 Yale tel: 203-432-0152; Yale FAX: 203-432-6764 Cell: 917-880-5321 Email: [email protected] Professional website: http://www.charlesmusser.com/ Education: Yale University, B.A., 1975, Major: Film and Literature New York University, Ph.D., October 1986, Dept. of Cinema Studies Academic Experience: 2000-present: Professor: Yale University. Film & Media Studies, American Studies and Theater Studies. Co-chair, Film Studies Program (to July 2008). Acting Chair, Theater Studies Program, Spring 2013; Director Yale Summer Film Institute. Summer 2012: Visiting Professor: Stockholm University. 1995-2000: Assoc. Prof.: Yale University. American Studies and Film Studies. Director of Undergraduate Studies, Film Studies Program. 1992-1995: Asst. Prof.: Yale University. American Studies and Film Studies. Director of Undergraduate Studies, Film Studies Program. 1985-1995: co-chair: University Seminar, Columbia, on Cinema and Interdisciplinary Interpretation. 1991-1992: Visiting Asst. Prof.: UCLA. Dept. of Film and Television. 1988-1992: Adjunct Asst. Prof.: Columbia University. Film Division, School of the Arts. Spring 1990: Visiting Asst. Prof: New York University. Department of Cinema Studies. 1987-Fall 89: Adjunct Asst. Prof.: New York University. Department of Cinema Studies. Fall 1988: Visiting Adjunct: State University of New York- Purchase. Film Department. Spring 1987: Visiting lecturer: Yale University. College seminar. Curatorial Experience: 2014-present: co-founder NHdocs: the New Haven Documentary and co-director: Film Festival. Over the course of a long weekend, the festival features documentaries from the Greater New Haven Area. In 2015, we screened 23 shorts and features. -
AMC/Sundance Channel Global
Company Overview November 2012 2 Summary Overview TTM Stock Price / Volume • AMC Networks businesses are comprised of two main operating segments, 1. National Networks 50 3.0 2. International/Other 45 2.5 •. National (U.S.) networks operates four nationally ) ) M $ ( ( distributed networks AMC, WE tv, IFC and Sundance 40 2.0 e e c m Combined National Networks i r 35 1.5 u l P •. Subscribers 281MM o 30 1.0 V •. Advertising Revenue $450MM •. Subscription Revenue $600MM 25 0.5 20 0.0 41192 41151 41113 41072 41031 40990 40949 40907 40865 41214 41172 41131 41092 41051 41011 40970 40931 40886 Volume Price Financial Information Valuation ($MM) CY09 CY10 CY11 LTM Net Revenue • Market Cap $3.4BN U.S. Networks 896.5 994.6 1,082.4 NA International and Other 95.9 104.5 125.6 NA • Net Debt $1.9BN Consolidated Revenues, net 973.6 1,078.3 1,187.7 1,276.7 Growth 11% 10% 7% • Enterprise Value $5.3BN EBIT • EV/Revenue 4.2x U.S. Networks 278.8 312.5 349.3 NA • EV/EBITDA 11.0x International and Other (37.9) (29.6) (21.9) NA Consolidated EBIT 237.7 279.8 326.5 386.7 Consolidated EBIT Margin 24.4% 26.0% 27.5% 30.3% EBITDA Consolidated EBITDA 357.2 385.2 444.5 485.5 Consolidated EBITDA Margin 36.7% 35.7% 37.4% 38.0% 3 Channel Overview – AMC Overview Illustrative Programming ● Ad Revenue: $300MM; Sub Revenue: $280MM ● AMC is a television network focused on the highest quality storytelling – both originally produced and curated, and delivered in series and feature-film form ● Garnered many of the industry’s highest honors, including:23 Emmy Awards ● Programming -
SPT Networks”) Has the Unique Ability to Unlock Value Through an Acquisition of Chello Media
Channel Portfolio Strategy July 2013 Introduction • We have reviewed Chello Media’s CIM and we believe Sony Pictures Television Networks (“SPT Networks”) has the unique ability to unlock value through an acquisition of Chello Media • Key value propositions include the following: – Expand SPT Networks portfolio of networks into different genres and regions – Enhance distribution and ad sales through bundling – Content acquisition leverage – Co-develop original programming – Cross promote channels to drive viewership and ad sales – Further utilize Sony Picture Entertainment’s extensive content library – Leverage existing overhead and infrastructure for cost synergies • The following pages provide a more detailed view of a combined SPT Networks/Chello Media portfolio strategy by region 1 Chello LatAm Portfolio Strategy • Chello LatAm provides an opportunity for SPT Networks to expand its presence in the high-growth Latin American Pay TV and ad sales market – Expand SPT Networks’ channel portfolio by offering content across 5 of the 6 major genres – Expand distribution and reach through ownership of Chello LatAm’s 10 portfolio channels in key countries in Latin America such as Brazil and Mexico – Opportunities to create greater value to broadcasters by offering bundled options in distribution discussions – Expanding ad sales offering by building scale in the region and bundling ad sales to create greater value for advertisers across channels – Utilizing Sony Pictures Entertainment content library across Chello LatAm channels – Utilize Chello -
NOS: Introducing Pay Per View
Marketing Plan NOS: introducing Pay Per View Pedro Azeredo Pereira Master of Science in Marketing Thesis Supervisor Professor Susana Marques, ISCTE Business School, Marketing, Operations and General Management Department October 2016 Marketing Plan NOS: Introducing Pay Per View Acknowledgements My first thanks goes to my mother because all of this would not be possible without her support, love and pressure to have the project concluded. Her advices have been very important for my life and this time it wasn’t different. In second place, I would like to thank to Professor Susana Marques for your availability, readiness and patience to supervise my thesis, guindance and great advices, and the opportunity to have your name associated to my project. Without you this would not be possible. I also want to thank to NOS Comunicações for the internship. It was a year full of challenges, achievements and results that gave me the experience and information need to develop this project. Another thank goes to my family that, during these years, always supported and adviced me to get where I am now. You are the best family anyone can have and thank you for being so present, woried and united. Also thank you Rita Sousa for dealing with all my stress to get this concluded and for the support, motivation and advices you give me in every situation. I Marketing Plan NOS: Introducing Pay Per View Abstract NOS, NOS Comunicações S.A., is a private telecommunications company of the portuguese market which is proud of being the “best communications and entertainment company in the market”. -
CARLOS MOTTA B.1978, Bogotá, Colombia Lives and Works in New York, NY
CARLOS MOTTA b.1978, Bogotá, Colombia Lives and works in New York, NY EDUCATION 2005 Whitney Museum Independent Study Program, New York, NY 2003 M.F.A. Milton Avery Graduate School of the Arts at Bard College, New York, NY 2001 B.F.A. Photography, The School of Visual Arts, New York, NY SOLO EXHIBITIONS & PROJECTS 2020 We Got Each Other’s Back: Carlos Motta and Heldáy de la Cruz and Julio Salgado and Edna Vásquez, Portland Institute for Contemporary Art, Portland, OR Carlos Motta: We the Enemy, Mary Porter Sesnon Gallery, University of California Santa Cruz, Santa Cruz, CA 2019 Conatus, P·P·O·W, New York, NY Carlos Motta: We the Enemy, Galeria Vermelho, São Paulo, Brazil 2018 Deseos, Galeria Vermelho, São Paulo, Brazil The Psalms, Discoveries, Art Basel Hong Kong with Mor Charpentier Galerie, Paris, France Petrificado, curated by Juan Guardiola, Centro de Arte y Naturaleza, Fundación Beulas, Huesca, Spain Carlos Motta. Formas de libertad, Centro Cultural Matucana 100, Santiago de Chile, curated by Emiliano Valdés L’oeuvre du Diable, mor charpentier Galerie, Paris, France Corpo fechado, curated by Pedro Faro and Sara Matos, Galeria Avenida da Índia (EGEAC), Lisbon, Portugal 2017 Formas de libertad, Museo de Arte Moderno de Medellín (MAMM), curated by Emiliano Valdés Lágrimas, curated by María Belén Sáez de Ibarra, Museo de Arte de la Universidad Nacional at the Claustro de San Agustín, Bogotá, Colombia The SPIT! Manifesto (with SPIT! (Carlos Motta, John Arthur Peetz and Carlos Maria Romero)) curated by Raphael Gygax, Frieze Projects, London, -
As of August 27Th COUNTRY COMPANY JOB TITLE
As of August 27th COUNTRY COMPANY JOB TITLE AFGHANISTAN MOBY GROUP Director, channels/acquisitions ALBANIA TVKLAN SH.A Head of Programming & Acq. AUSTRALIA AUSTRALIAN BROADCASTING CORPORATION Acquisitions manager AUSTRALIA FOXTEL Acquisitions executive AUSTRALIA SBS Head of Network Programming AUSTRALIA SBS Channel Manager Main Channel AUSTRALIA SBS Head of Unscripted AUSTRALIA SBS Australia Channel Manager, SBS Food AUSTRALIA SBS Television International Content Consultant AUSTRALIA Special Broadcast Service Director TV and Online Content AUSTRALIA SPECIAL BROADCASTING SERVICE CORPORATION Acquisitions manager (unscripted) AUSTRIA A1 TELEKOM AUSTRIA AG Head of Broadcast & SAT AUSTRIA A1 TELEKOM AUSTRIA AG Broadcast & SAT AZERBAIJAN PUBLIC TELEVISION & RADIO BROADCASTING AZERBAIJAN Director general COMPANY AZERBAIJAN PUBLIC TELEVISION & RADIO BROADCASTING AZERBAIJAN Head of IR COMPANY AZERBAIJAN PUBLIC TELEVISION & RADIO BROADCASTING AZERBAIJAN Deputy DG COMPANY AZERBAIJAN GAMETV.AZ PRODUCER CENTRE General director BELARUS MEDIA CONTACT Buyer BELARUS MEDIA CONTACT Ceo BELGIUM NOA PRODUCTIONS Ceo ‐ producer BELGIUM PANENKA NV Managing partner RTBF RADIO TELEVISION BELGE COMMUNAUTE BELGIUM Head of Acquisition Documentary FRANCAISE RTBF RADIO TELEVISION BELGE COMMUNAUTE BELGIUM Responsable Achats Programmes de Flux FRANCAISE RTBF RADIO TELEVISION BELGE COMMUNAUTE BELGIUM Buyer FRANCAISE RTBF RADIO TELEVISION BELGE COMMUNAUTE BELGIUM Head of Documentary Department FRANCAISE RTBF RADIO TELEVISION BELGE COMMUNAUTE BELGIUM Content acquisition -
What's Happening in European Commercial Broadcasting 6-10
What’s happening in European Commercial Broadcasting 6-10 April 2020 Policy & business developments go hand in hand. This quick snapshot is designed to help EU media stakeholders to keep up with the innovative world of commercial broadcasting. AMC Networks and NOS launch ‘Casa e Cozinha’, a new channel in Portugal ITV looks to support indie sector during lockdown with £500k development fund Mediaset: Publitalia '80 acquires Beintoo and strengthens its ad-tech strategy NENT Group publishes Annual &Sustainability Report 2019 NENT Group: Special Viaplay offers RTL Group: Clear, understandable, professional TF1 Group mobilises to support French people and to showcase everyday heroes UNITED MEDIA: TV NOVA S marks first birthday ViacomCBS and beIN MEDIA GROUP Complete MIRAMAX Transaction New channels on Virgin TV Disney Germany Created A Magical Moment That Mattered, Granting A Special Frozen Wish For Seriously Ill Lilly-Jane AMC Networks International Southern Europe and NOS launch ‘Casa e Cozinha’, a new channel in Portugal AMC Networks International Southern Europe (AMCNISE) launches Casa e Cozinha, its first lifestyle channel in Portuguese. The new channel is produced by Dreamia, a joint venture of AMCNISE and NOS, the leading operator in the pay TV market in Portugal. The channel will broadcast more than 300 hours of new programming. ITV looks to support indie sector during lockdown with £500k development fund ITV's Director of Television, Kevin Lygo, today announced the creation of a £500k development fund targeted at the independent sector to help producers during the crisis. The fund is designed to accelerate the search for new ideas and content for the channel to play in the later part of 2020 and in 2021. -
Regras Do Passatempo “Minúsculos: O Vale Das Formigas”
REGRAS DO PASSATEMPO “MINÚSCULOS: O VALE DAS FORMIGAS” PRIMEIRA – ENTIDADE PROMOTORA E OBJECTIVOS DO PASSATEMPO A promoção deste Passatempo cabe à Dreamia – Serviços de Televisão, S.A. (DREAMIA), com sede na Rua Actor António Silva, 9, em Lisboa. O presente Passatempo destina-se a promover Canal Panda. SEGUNDA – PARTICIPAÇÃO Os interessados poderão participar através do site www.canalpanda.pt, mediante preenchimento de formulário ali disponível. Poderá participar neste passatempo qualquer pessoa singular residente em Portugal que seja assinante de um serviço de televisão pago em que esteja incluído o serviço de programas televisivos denominado Canal Panda. Idade limite para participação no passatempo: 12 anos de idade inclusive. TERCEIRA – PRÉMIOS O passatempo decorre entre os dias 15 e 21 de abril (às 23:59) O Canal Panda tem para oferecer 60 convites duplos para a antestreia do filme "MINÚSCULOS: O VALE DAS FORMIGAS", em Lisboa e em Matosinhos, no próximo dia 23 de abril às 11:00. Locais: Lisboa – Cinemas NOS Colombo Matosinhos – Cinemas NOS Norteshopping Para participares e seres um dos grandes vencedores, só tens de ser criativo e responder à seguinte questão: "Se pudesses voar como a Joaninha do filme Minúsculos, para onde voarias e porquê?" As respostas mais originais e criativas serão as vencedoras. Só será aceite uma resposta válida por concorrente, pelo que não adianta responder ao formulário mais do que uma vez. Caberá exclusivamente à Dreamia a escolha dos vencedores. Os prémios são pessoais e intransmissíveis, não sendo possível a troca por outro nome que não o do utilizador. QUARTA - COMUNICAÇÃO AOS VENCEDORES A comunicação aos vencedores dos prémios será efetuada pela Dreamia no site www.canalpanda.pt. -
Clip De INTERNET
Data: 09-08-2019 Título: Luís Menezes Leitão: greve dos motoristas “chegará aos tribunais” Pub: Tipo: Internet Secção: Nacional São estes os nomeados para os Prémios Meios & Publicidade 2019 Por Meios & Publicidade a 9 de Agosto de 2019 Fique a conhecer os nomeados para a 17ª edição dos Prémios Meios & Publicidade. São 106 empresas, agências, meios e personalidades finalistas repartidos por 31 categorias. Os vencedores serão conhecidos a 3 de Outubro, numa cerimónia a decorrer no Altice Arena. Para se chegar a esta lista de finalistas foram consultados dados MediaMonitor, Marktest, APCT, Bareme Imprensa, Bareme Rádio, NetAudience, audiências TV, tal como os resultados dos Prémios M&P Design, Marketing, Comunicação e Criatividade, do festival do CCP, dos Prémios à Eficácia e dos Prémios Sapo. Período de análise: Agosto de 2018 a Julho de 2019. As votações arrancam em breve. MARKETING E PUBLICIDADE Agência Criativa BAR Ogilvy Ganhou a conta da TAP e da cadeia de distribuição Auchan. Venceu o pitch internacional para o desenvolvimento de um content studio para a Nestlé, com criatividade a chegar a 39 países. No primeiro semestre de 2019 ocupou a quinta posição no ranking MediaMonitor das agências criativas (um posto acima do total de 2018). Fuel Agência do Ano nos Prémios Eficácia e agência líder do ranking MediaMonitor 2018 – está no segundo posto no período Janeiro-Junho de 2019. Na lista de novos clientes 6562613 constam CP, Sporting, Universidade Europeia (incluindo IADE e IPAM), Vasenol ID: (Unilever), Compara Já, Yes Diet, Yåmmi, ZU e Finlog. Nos últimos meses a Fuel assistiu a várias mudanças, com Susana Coerver a ser contratada como CEO e João Silva (ex- Y&R) a assumir a direcção criativa do Continente. -
From June 2-8, Nyc's Ifc Center Celebrates the Art of Television with Star-Studded Split Screens Festival
FROM JUNE 2-8, NYC'S IFC CENTER CELEBRATES THE ART OF TELEVISION WITH STAR-STUDDED SPLIT SCREENS FESTIVAL Inaugural Week-Long Event, Programmed By Critic/Author Matt Zoller Seitz, To Feature Exclusive Screenings and Panels Spotlighting Critically-Acclaimed Scripted Series World Premiere Screening of HBO’s Highly Anticipated Drama 'The Deuce' Kicks Off Curated Lineup On Friday, June 2nd; Featured Content To Include: 'Better Call Saul,' 'Billions,' ‘Brockmire,’ ‘Difficult People,’ 'The Get Down,' 'The Girlfriend Experience,' 'Mr. Robot,' ‘Orphan Black,’ ‘Search Party,’ ‘Underground’ Plus Other Special Events To Be Announced Specials Guests Include Hank Azaria, Sarah Violet Bliss, Lilly Burns, Asia Kate Dillon, John Fawcett, Nelson George, Stephen Adly Guirgis, Maggie Gyllenhaal, Anthony Hemingway, Aisha Hinds, Lodge Kerrigan, Julie Klausner, Brian Koppelman, Rami Malek, Tatiana Maslany, Michelle MacLaren, Graeme Manson, Michael McKean, Amanda Peet, George Pelecanos, Charles Rogers, Amy Seimetz and More Tickets on Sale Beginning May 11 [New York, May 11, 2017] – IFC Center today announced the first portion of its impressive lineup for the inaugural Split Screens Festival taking place Friday, June 2 through Thursday, June 8, 2017, at the IFC Center in New York City. Throughout the week, the festival will host a series of special events celebrating the art and craft of TV with exclusive screenings and vibrant panel conversations featuring the biggest and boldest names in scripted content. Tickets to the public go on sale beginning Thursday, -
Decisão De Proibição
Versão Pública Ccent. 4/2013 Controlinveste*ZON Optimus*PT /Sport TV*Sportinveste*PPTV Decisão de Proibição [alínea b) do n.º 1 do artigo 53.º da Lei n.º 19/2012, de 8 de maio] 31/07/2014 Versão Pública DECISÃO DE PROIBIÇÃO DA AUTORIDADE DA CONCORRÊNCIA Processo Ccent. 4/2013 – Controlinveste*ZON Optimus*PT /Sport TV*Sportinveste*PPTV 1. OPERAÇÃO NOTIFICADA 1. Em 28 de janeiro de 2013, com produção de efeitos a 6 de março de 2013, foi notificada à Autoridade da Concorrência (também referida como “AdC” ou “Autoridade”), nos termos dos artigos 37.º e 44.º da Lei n.º 19/2012, de 8 de maio (doravante “Lei da Concorrência”), uma operação de concentração, que consiste na aquisição pela Controlinveste Media - SGPS, S.A. (“Controlinveste Media”), pela ZON Multimédia, Serviços de Telecomunicações e Multimédia, SGPS, S.A. (“ZON Multimédia” ou “ZON”) e pela Portugal Telecom, SGPS, S.A. (“Portugal Telecom” ou “PT”) do controlo conjunto das sociedades Sport TV Portugal, S.A. (“Sport TV”), Sportinveste Multimédia, SGPS, S.A. (“Sportinveste Multimédia” ou “SIMM”) e P.P.TV – Publicidade de Portugal e Televisão, S.A. (“PPTV“), todas em conjunto doravante denominadas por “Partes”. 2. A operação de concentração foi objeto de decisão da AdC de passagem a investigação aprofundada a 22 de agosto de 2013. 3. A 27 de novembro de 2013, as Notificantes apresentaram junto da AdC um pedido de autorização para introdução de alterações substanciais à notificação da operação acima referida (doravante referidas como “alterações substanciais à operação de concentração”), tendo sido remetidos elementos pelas Notificantes a 16 de dezembro de 2013.