Multicultural Entertainment News (Mmrnews) 2016 - 2004
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Audience Reception, Adaptation, and Performance
THE COLOR LAVENDER: AUDIENCE RECEPTION, ADAPTATION, AND PERFORMANCE OF THE COLOR PURPLE An Honors Fellows Thesis by ELIZABETH MICHAEL MELTON Submitted to the Honors Programs Office Texas A&M University in partial fulfillment of the requirements for the designation as HONORS UNDERGRADUATE RESEARCH FELLOW April 2010 Majors: English & Theatre THE COLOR LAVENDER: AUDIENCE RECEPTION, ADAPTATION, AND PERFORMANCE OF THE COLOR PURPLE An Honors Fellows Thesis by ELIZABETH MICHAEL MELTON Submitted to the Honors Programs Office Texas A&M University in partial fulfillment of the requirements for the designation as HONORS UNDERGRADUATE RESEARCH FELLOW Approved by: Research Advisor: Kirsten Pullen Associate Director of the Honors Programs Office: Dave A. Louis April 2010 Majors: English & Theatre iii ABSTRACT The Color Lavender: Audience Reception, Adaptation, and Performance of The Color Purple. (April 2010) Elizabeth Michael Melton Department of English Department of Performance Studies Texas A&M University Research Advisor: Dr. Kirsten Pullen Department of Performance Studies Since its introduction to the world, Alice Walker’s The Color Purple has been recreated in other media. Audiences are just as likely to have learned about Celie’s journey from the 1985 Warner Bros.’ movie or the 2005 Tony Award-winning musical as from the Pulitzer Prize-winning novel. Each iteration of The Color Purple offers ambivalent representations of Black female experience in the early 20th century era of the American South. My research thus far has placed me in the midst of other audience members enjoying the highs and lows of Celie’s on-stage story and behind a desk shuffling through Walker’s personal letters and manuscripts. -
A Digital Tool Kit for Integrating Theater Arts Into Standards-Based Curriculum, Featuring
A digital tool kit for integrating theater arts into standards-based curriculum, featuring: • Historical Background • Production Notes • Artists’ Insights • Suggested Lessons • Student Activities • Links to Rich Media • Resource Directory SCOTT SANDERS PRODUCTIONS ROY FURMAN TROIKA ENTERTAINMENT DAVID BABANI TOM SIRACUSA CAIOLA PRODUCTIONS JAMES FANTACI TED LIEBOWITZ JAMES L. NEDERLANDER DARREN BAGERT CANDY SPELLING ADAM ZOTOVICH ERIC FALKENSTEIN/MORRIS BERCHARD JUST FOR LAUGHS THEATRICALS TANYA LINK PRODUCTIONS JAM THEATRICALS INDEPENDENT PRESENTERS NETWORK CAROL FINEMAN PRESENT THE DEAR EDUCATOR, The Color Purple is an inspiring family saga that tells the unforgettable story of a woman who, through love, finds the strength to triumph over adversity and discover her unique voice in the world. This musical adaptation of Alice Walker’s Pulitzer Prize–winning novel (and the BOOK BY MUSIC AND LYRICS BY popular 1985 Steven Spielberg film) spotlights Celie, a MARSHA NORMAN BRENDA RUSSELL ALLEE WILLIS STEPEHEN BRAY downtrodden young woman whose personal awakening over the course of 40 years forms the arc of this epic story. BASED ON THE NOVEL WRITTEN BY ALICE WALKER AND THE WARNER BROS./AMBLIN ENTERTAINMENT MOTION PICTURE With a joyous score featuring jazz, ragtime, gospel, African music, and blues, The Color Purple is a story of hope, a testament SET DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN JOHN DOYLE ANN HOULD-WARD JANE COX DAN MOSES SCHREIER CHARLES G. LAPOINTE to the healing power of love, and a celebration of life. With a book by Marsha Norman and music and lyrics by Brenda Russell, Allee CASTING ASSOCIATE COSTUME DESIGN Willis, and Stephen Bray, The Color Purple premiered at the Alliance TELSEY + COMPANY CHRISTOPHER VERGARA Theatre Company in Atlanta, Georgia, and opened on Broadway JUSTIN HUFF, C.S.A. -
Ira Finkelstein's Day of the Dead
FEATURE FILM IRA FINKELSTEIN’S DAY OF THE DEAD A TIMELESS COMING-OF-AGE COMEDY ADVENTURE CONNECTING GENERATIONS AND CULTURES Story by The Von Piglet Sisters Sue Corcoran & Angie Louise Written by Angie Louise Produced by Deborah Moore & Jane Charles Directed by Sue Corcoran LogLine Ira J. Finkelstein is afraid of growing up. At 13, Ira is expected to “be a man”. All Ira really wants is to get close to Maria, the beautiful Mexican-American girl who is his scene partner in 8th grade drama class. When Maria’s family is unexpectedly deported, Ira hits the road with his Grandpa Sam to find her. Ira learns what it really means to be a man and stand up for what he believe in: family, adventure, and love without borders. Synopsis Ira J. Finkelstein is afraid of growing up. At 13, Ira is expected to “be a man”. All Ira really wants is to get close to Maria, the beautiful Mexican-American girl who is his scene partner in 8th grade drama class. When Maria’s mother is unexpectedly deported, Maria follows her back to Mexico. Panicked, Ira ditches school to search for her but is busted by Grandpa Sam. When Ira begs for his help, Grandpa Sam is unable to resist Ira’s plea as well as his own longing for a youthful adventure. Grandfather and Grandson hit the road in Grandpa’s ’67 Chevy, bound for Mexico and Maria. In Mexico, things go wrong fast. Sam and Ira are robbed by a gang of teen punks, have a run-in with the police and land in jail after a midnight Day of the Dead festival. -
Press-Release-The-Endings.Pdf
Publication Date: September 4, 2018 Media Contact: Diane Levinson, Publicity [email protected] 212.354.8840 x248 The Endings Photographic Stories of Love, Loss, Heartbreak, and Beginning Again By Caitlin Cronenberg and Jessica Ennis • Foreword by Mary Harron 11 x 8 in, 136pp, Hardcover, Photographs throughout ISBN 978‐1‐4521‐5568‐5, $29.95 Featuring some of today’s most celebrated actresses, including Julianne Moore, Alison Pill, and Imogen Poots, the photographic vignettes in The Endings capture female characters in the throes of emotional transformation. Photographer Caitlin Cronenberg and art director Jessica Ennis created stories of heartbreak, relationship endings, and new beginnings—fictional but often inspired by real life—and set out to convey the raw emotions that are exposed in these most vulnerable states. Cronenberg and Ennis collaborated with each actress to develop a character, build the world she inhabits, and then photograph her as she lived the role before the camera. Patricia Clarkson depicts a woman meeting her younger lover in the campus library—even though they both know the relationship has been over since before it even began. Juno Temple portrays a broken‐hearted woman who engages in reckless and self‐destructive behavior to numb the sadness she feels. Keira Knightley ritualistically cleanses herself and her home after the death of her great love. Also featured are Jennifer Jason Leigh, Danielle Brooks, Tessa Thompson, Noomi Rapace, and many more. These intimate images combine the lush beauty and rich details of fashion photographs with the drama and narrative energy of film stills. Telling stories of sadness, loneliness, anger, relief, rebirth, freedom, and happiness, they are about relationship endings, but they are also about beginnings. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore. -
Ciara's Nominations
CIARA’S NOMINATIONS - DRAMA OUTSTANDING DRAMA SERIES Better Call Saul Chilling Adventures of Sabrina Maniac Orange is the New Black Pose Sharp Objects When They See Us OUTSTANDING LEAD ACTOR IN A DRAMA OUTSTANDING LEAD ACTRESS IN A DRAMA • Bob Odenkirk – Better Call Saul • Kiernan Shipka – Chilling Adventures of • Jonah Hill – Maniac Sabrina • Jharrel Jerome – When They See Us • Jodie Comer – Killing Eve • Sandra Oh – Killing Eve • Emma Stone – Maniac • Mj Rodriguez – Pose • Amy Adams – Sharp Objects OUTSTANDING SUPPORTING ACTOR IN A DRAMA OUTSTANDING SUPPORTING ACTRESS IN A DRAMA • Jonathan Banks – Better Call Saul • Rhea Seehorn – Better Call Saul • Evan Peters – Pose • Danielle Brooks – Orange is the New Black • Billy Porter – Pose • Patricia Clarkson – Sharp Objects • Asante Blackk – When They See Us • Eliza Scanlen – Sharp Objects • Freddie Miyares – When They See Us • Felicity Huffman – When They See Us • Michael K. Williams – When They See Us • Niecy Nash – When They See Us OUTSTANDING WRITING IN A DRAMA OUTSTANDING DIRECTING IN A DRAMA • Better Call Saul: “Winner”, written by Peter • Better Call Saul: “Something Stupid”, directed Gould & Thomas Schnauz by Deborah Chow • Chilling Adventures of Sabrina: “Chapter • Maniac: “Furs by Sebastian”, directed by Cary Three: The Trial of Sabrina Spellman”, Joji Fukunaga written by Ross Maxwell • Orange is the New Black: “Who Knows Better • Killing Eve: “Nice and Neat”, written by Than I”, directed by Michael Trim Emerald Fennell • Pose: “Love is the Message”, directed by Janet • Maniac: -
Advance Program Notes Broadway in Blacksburg the Color Purple Thursday, February 13, 2020, 7:30 PM
Advance Program Notes Broadway in Blacksburg The Color Purple Thursday, February 13, 2020, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. TROIKA ENTERTAINMENT, LLC presents BOOK BY MUSIC AND LYRICS BY MARSHA NORMAN BRENDA RUSSELL ALLEE WILLIS STEPHEN BRAY BASED ON THE NOVEL WRITTEN BY ALICE WALKER AND THE WARNER BROS./AMBLIN ENTERTAINMENT MOTION PICTURE WITH MARIAH LYTTLE SANDIE LEE CHÉDRA ARIELLE ANDREW MALONE BRANDON A. WRIGHT NASHKA DESROSIERS ELIZABETH ADABALE JARRETT ANTHONY BENNETT DAVID HOLBERT PARRIS LEWIS JENAY NAIMA MON’QUEZ DEON PIPPINS GABRIELLA RODRIGUEZ SHELBY A. SYKES RENEE TITUS IVAN THOMPSON CARTREZE TUCKER JEREMY WHATLEY GERARD M. WILLIAMS SET DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN JOHN DOYLE ANN HOULD-WARD JANE COX DAN MOSES SCHREIER CHARLES G. LAPOINTE CASTING ASSOCIATE COSTUME DESIGN BINDER CASTING CHRISTOPHER VERGARA CHAD ERIC MURNANE, C.S.A. MUSIC SUPERVISION MUSIC DIRECTOR/CONDUCTOR ORCHESTRATIONS MUSIC COORDINATION DARRYL ARCHIBALD JONATHAN GORST JOSEPH JOUBERT TALITHA FEHR EXCLUSIVE TOUR DIRECTION MARKETING & PUBLICITY DIRECTION PROJECTION SUPERVISOR COMPANY MANAGER THE BOOKING GROUP BOND THEATRICAL GROUP B.J. BELLARD BARRY BRANFORD GENERAL MANAGEMENT PRODUCTION MANAGEMENT EXECUTIVE PRODUCER BRIAN SCHRADER HEATHER CHOCKLEY KORI PRIOR ASSOCIATE DIRECTOR SAMANTHA SALTZMAN DIRECTION AND MUSICAL STAGING JOHN DOYLE The Color Purple was produced on Broadway at the Broadway Theater by Oprah Winfrey, Scott Sanders, Roy Furman, and Quincy Jones. The world premiere of The Color Purple was produced by the Alliance Theatre, Atlanta, Georgia. -
Giulio Cesare Music by George Frideric Handel
Six Hundred Forty-Third Program of the 2008-09 Season ____________________ Indiana University Opera Theater presents as its 404th production Giulio Cesare Music by George Frideric Handel Libretto by Nicola Francesco Haym (adapted from G. F. Bussani) Gary Thor Wedow,Conductor Tom Diamond, Stage Director Robert O’Hearn,Costumes and Set Designer Michael Schwandt, Lighting Designer Eiddwen Harrhy, Guest Coach Wendy Gillespie, Elisabeth Wright, Master Classes Paul Elliott, Additional Coachings Michael McGraw, Director, Early Music Institute Chris Faesi, Choreographer Adam Noble, Fight Choreographer Marcello Cormio, Italian Diction Coach Giulio Cesare was first performed in the King’s Theatre of London on Feb. 20, 1724. ____________________ Musical Arts Center Friday Evening, February Twenty-Seventh Saturday Evening, February Twenty-Eighth Friday Evening, March Sixth Saturday Evening, March Seventh Eight O’Clock music.indiana.edu Cast (in order of appearance) Giulio Cesare (Julius Caesar) . Daniel Bubeck, Andrew Rader Curio, a Roman tribune . Daniel Lentz, Antonio Santos Cornelia, widow of Pompeo . Lindsay Ammann, Julia Pefanis Sesto, son to Cornelia and Pompeo . Ann Sauder Archilla, general and counselor to Tolomeo . Adonis Abuyen, Cody Medina Cleopatra, Queen of Egypt . Jacqueline Brecheen, Meghan Dewald Nireno, Cleopatra’s confidant . Lydia Dahling, Clara Nieman Tolomeo, King of Egypt . Dominic Lim, Peter Thoresen Onstage Violinist . Romuald Grimbert-Barre Continuo Group: Harpsichord . Yonit Kosovske Theorbeo, Archlute, and Baroque Guitar . Adam Wead Cello . Alan Ohkubo Supernumeraries . Suna Avci, Joseph Beutel, Curtis Crafton, Serena Eduljee, Jason Jacobs, Christopher Johnson, Kenneth Marks, Alyssa Martin, Meg Musick, Kimberly Redick, Christiaan Smith-Kotlarek, Beverly Thompson 2008-2009 IU OPERA theater SEASON Dedicates this evening’s performance of by George Frideric Handel Giulioto Georgina Joshi andCesare Louise Addicott Synopsis Place: Egypt Time: 48 B.C. -
Charles Musser Mailing Address
11/2/15 Vita Charles Musser-1 Charles Musser mailing address: Box 820 Times Square Station, NY. NY. 10108 Yale tel: 203-432-0152; Yale FAX: 203-432-6764 Cell: 917-880-5321 Email: [email protected] Professional website: http://www.charlesmusser.com/ Education: Yale University, B.A., 1975, Major: Film and Literature New York University, Ph.D., October 1986, Dept. of Cinema Studies Academic Experience: 2000-present: Professor: Yale University. Film & Media Studies, American Studies and Theater Studies. Co-chair, Film Studies Program (to July 2008). Acting Chair, Theater Studies Program, Spring 2013; Director Yale Summer Film Institute. Summer 2012: Visiting Professor: Stockholm University. 1995-2000: Assoc. Prof.: Yale University. American Studies and Film Studies. Director of Undergraduate Studies, Film Studies Program. 1992-1995: Asst. Prof.: Yale University. American Studies and Film Studies. Director of Undergraduate Studies, Film Studies Program. 1985-1995: co-chair: University Seminar, Columbia, on Cinema and Interdisciplinary Interpretation. 1991-1992: Visiting Asst. Prof.: UCLA. Dept. of Film and Television. 1988-1992: Adjunct Asst. Prof.: Columbia University. Film Division, School of the Arts. Spring 1990: Visiting Asst. Prof: New York University. Department of Cinema Studies. 1987-Fall 89: Adjunct Asst. Prof.: New York University. Department of Cinema Studies. Fall 1988: Visiting Adjunct: State University of New York- Purchase. Film Department. Spring 1987: Visiting lecturer: Yale University. College seminar. Curatorial Experience: 2014-present: co-founder NHdocs: the New Haven Documentary and co-director: Film Festival. Over the course of a long weekend, the festival features documentaries from the Greater New Haven Area. In 2015, we screened 23 shorts and features. -
AMC Networks Inc. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): October 30, 2013 (October 28, 2013) AMC Networks Inc. (Exact name of registrant as specified in its charter) Delaware 1-35106 27-5403694 (State or other jurisdiction (Commission (I.R.S. Employer of incorporation) file number) Identification No.) 11 Penn Plaza, New York, NY 10001 (Address of principal executive offices) (Zip Code) (212) 324-8500 (Registrant’s telephone number, including area code) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2. below): ☐ Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) ☐ Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) ☐ Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) ☐ Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Item 1.01. Entry into a Material Definitive Agreement. On October 28, 2013, certain subsidiaries of AMC Networks Inc., a Delaware corporation (“AMC Networks”), agreed to purchase substantially all of Chellomedia, the international content division of Liberty Global plc, a United Kingdom company (the “Acquisition”). Under the Stock Purchase Agreement -
ORANGE IS the NEW BLACK Season 1 Cast List SERIES
ORANGE IS THE NEW BLACK Season 1 Cast List SERIES REGULARS PIPER – TAYLOR SCHILLING LARRY BLOOM – JASON BIGGS MISS CLAUDETTE PELAGE – MICHELLE HURST GALINA “RED” REZNIKOV – KATE MULGREW ALEX VAUSE – LAURA PREPON SAM HEALY – MICHAEL HARNEY RECURRING CAST NICKY NICHOLS – NATASHA LYONNE (Episodes 1 – 13) PORNSTACHE MENDEZ – PABLO SCHREIBER (Episodes 1 – 13) DAYANARA DIAZ – DASCHA POLANCO (Episodes 1 – 13) JOHN BENNETT – MATT MCGORRY (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) LORNA MORELLO – YAEL MORELLO (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13) BIG BOO – LEA DELARIA (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) TASHA “TAYSTEE” JEFFERSON – DANIELLE BROOKS (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) JOSEPH “JOE” CAPUTO – NICK SANDOW (Episodes 1, 2, 4, 6, 7, 8, 9, 10, 11, 12, 13) YOGA JONES – CONSTANCE SHULMAN (Episodes 1, 2, 4, 5, 6, 7, 9, 10, 11, 12, 13) GLORIA MENDOZA – SELENIS LEYVA (Episodes 1, 2, 4, 5, 6, 7, 8, 9, 11, 12, 13) S. O’NEILL – JOEL MARSH GARLAND (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 12, 13) CRAZY EYES – UZO ADUBA (Episodes 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13) POUSSEY – SAMIRA WILEY (Episodes 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) POLLY HARPER – MARIA DIZZIA (Episodes 1, 2, 3, 5, 6, 7, 8, 9, 10, 12) JANAE WATSON – VICKY JEUDY (Episodes 1, 2, 3, 4, 7, 9, 10, 11, 12, 13) WANDA BELL – CATHERINE CURTIN (Episodes 1, 2, 3, 5, 6, 7, 9, 10, 11, 13) LEANNE TAYLOR – EMMA MYLES (Episodes 2, 3, 5, 6, 7, 9, 10, 11, 12, 13) NORMA – ANNIE GOLDEN (Episodes 2, 3, 5, 6, 7, 8, 9, 11, 12, 13) ALEIDA DIAZ – ELIZABETH RODRIGUEZ