Lives of the Saints 2/28/12.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
St. Agnes of Rome / St. Rose of Lima 978 -774 -1958 / 978 - 887– 5505 Parish Office: 22 Boston St
St. Agnes of Rome / St. Rose of Lima 978 -774 -1958 / 978 - 887– 5505 Parish Office: 22 Boston St. Middleton TCI.church Dear Parishioners, As a seminarian, my time here at St. Agnes parish and St. Rose of Lima parish has been great! I have learned and experi- enced so much. At the end of the Summer, I will return to St. John’s Seminary to continue my formation to the priesthood, returning here to Topsfield and Middleton once or twice a week during the academic year. Next summer, I will be able to be with you for the whole summer as a Deacon, and then for the following year in my final year of preparation for Priesthood. To travel from the seminary to Topsfield and Middleton takes approximately one hour, but I do not yet have a car. I write this as an appeal to ask if you may have a car you are getting rid of or selling, or know someone who is, if you could please let me know. This will enable me to commute on a weekly basis from the seminary to our parishes as part of my training for Priesthood, and to have transportation between our two parishes when I am here. I would be happy to buy an inexpensive car or receive one from any person’s generosity. Thank you very much for your care and generosity, and may God bless you. Amen. Your Brother in Christ, Maxwell Chukwudiebere. Even in the midst of a global pandemic, service to others remains core to the work of our Church. -
Patrocinium of Calasanz
The Patrocinium of St. Joseph Calasanz November 27 Although the Feast of St. Joseph Calasanz is celebrated on August 25, this date often falls at the end of summer vacation for most Piarist Schools. As a result, the religious order has designated November 27, which is the day he opened Europe’s first free public school, as the Patrocinium, a special day to honor and celebrate St. Joseph Calasanz. Joseph was born on September 11, 1557 in a tiny village called Peralta de la Sal. He was a Spanish priest from Aragon, Spain, who went to Rome at the end of the sixteenth century and started schools for poor and homeless children. He also started a religious congregation to serve these schools which is today spread throughout the world. He was well educated in philosophy, law and theology at the Spanish universities of Estadilla, Lerida, and Valencia. His family initially did not support his religious calling. His father wanted him to marry and to continue the family, but after recovering from an illness which brought him close to death, Calasanz was ordained as a priest on December 17, 1583. He subsequently became vicar general of Tremp. He later relinquished much of his inheritance and resigned his vicariate. For the next ten years, he held various posts as a secretary, administrator and theologian in the Diocese of Albarracín in Spain. In 1592, Joseph went to Rome, where he became a theologian in the service of Cardinal Marcoantonio Colonna and a tutor to his nephew. He worked alongside St. Camillus de Lellis during the plague, which hit Rome at the time. -
Auguste Rodin's 'The Burghers of Calais' and The
www.amatterofmind.us From the desk of Pierre Beaudry Page 1 of 15 AUGUSTE RODIN’S ‘THE BURGHERS OF CALAIS’ AND THE BLACK DEATH POLICY OF THE ENGLISH How Auguste Rodin created an artistic composition of axiomatic change. by Pierre Beaudry October 20, 2014 FOREWORD ``If a Black Death could spread throughout the world once in every generation, survivors could procreate freely without making the world too full.'' Bertrand Russell – 1949 ``In the event that I am reincarnated, I would like to return as a deadly virus, to contribute something to solving overpopulation.'' Queen Elizabeth's consort Prince Philip – 1988 This is wake-up time. This report is a wake-up call attempting to answer a simple but difficult axiomatic question: “Why is it that American leaders and citizens don’t see that the plague of Ebola that is being brought to their doorsteps at this time is being carried out by the same people who brought about the Black Death to Europe during the fourteenth century?” The answer to that question can be found in the situation that the population of France found themselves into, when the King of England, Edward III, laid siege to the French town of Calais in 1346. www.amatterofmind.us From the desk of Pierre Beaudry Page 2 of 15 INTRODUCTION In his Chronicles, Jean Froissart (1337-1405), A French writer at the court of the King of England, told the story of how the French town of Calais’ people were spared a horrible death by the heroic action of six of their leaders, who voluntarily accepted to give their lives to save them from famine. -
Andrea-Bianka Znorovszky
10.14754/CEU.2016.06 Doctoral Dissertation Between Mary and Christ: Depicting Cross-Dressed Saints in the Middle Ages (c. 1200-1600) By: Andrea-Bianka Znorovszky Supervisor(s): Gerhard Jaritz Marianne Sághy Submitted to the Medieval Studies Department, and the Doctoral School of History (HUNG doctoral degree) Central European University, Budapest of in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, and for the degree of Doctor of Philosophy in History(HUNG doctoral degree) CEU eTD Collection Budapest, Hungary 2016 10.14754/CEU.2016.06 I, the undersigned, Andrea-Bianka Znorovszky, candidate for the PhD degree in Medieval Studies, declare herewith that the present dissertation is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. I declare that no unidentified and illegitimate use was made of the work of others, and no part of the thesis infringes on any person’s or institution’s copyright. I also declare that no part of the thesis has been submitted in this form to any other institution of higher education for an academic degree. Budapest, 07 June 2016. __________________________ Signature CEU eTD Collection i 10.14754/CEU.2016.06 ACKNOWLEDGEMENTS In the dawn, after a long, perilous journey, when, finally, the pilgrim got out from the maze and reached the Holy Land, s(he) is still wondering on the miraculous surviving from beasts, dragons, and other creatures of the desert who tried to stop its travel. Looking back, I realize that during this entire journey I was not alone, but others decided to join me and, thus, their wisdom enriched my foolishness. -
Saints Related to Young People
Saints Related to Young People Thomas Aquinas—Academics Thomas was a gentle teacher who believed faith and reason when used wisely would enable all humanity to know and love God as the angels. He studied in Paris from 1245-1248 under Saint Albert the Great, then accompanied Albertus to Cologne. Here he received the nickname “dumb ox,” though he is now considered a Doctor of the Church, and one of the most intelligent philosophers of all time. Vitus—Against Oversleeping For obscure reasons, some 16th century Germans believed they could obtain a year's good health by dancing before the statue of Saint Vitus on his feast day. This dancing developed almost into a mania, and was confused with chorea, the nervous condition later known as Saint Vitus' Dance, the saint being invoked against it. Francis of Assisi—Animals, Catholic Action It is no use walking anywhere to preach unless our walking is our preaching. Son of a rich cloth merchant. Misspent youth. Street brawler and some-time soldier. During an imprisonment in Perugia, he had a conversion experience, including a reported message from Christ calling him to leave this worldly life. Upon release, Francis began taking his religion seriously. Christopher—Drivers His fame derives from the pious legend of him being a "Christ-bearer" (= Christopher). He was a powerfully built man who wandered the world in search of novelty and adventure. He came upon a hermit who lived beside a dangerous stream and served others by guiding them to safe places to cross. George—Boy Scouts Several stories have been attached to Saint George, the best known of which is the Golden Legend. -
Catherine De' Medici: the Crafting of an Evil Legend
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2020 Apr 27th, 9:00 AM - 10:00 AM Catherine de' Medici: The Crafting of an Evil Legend Lindsey J. Donohue Clackamas High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Feminist, Gender, and Sexuality Studies Commons, History Commons, and the Italian Language and Literature Commons Let us know how access to this document benefits ou.y Donohue, Lindsey J., "Catherine de' Medici: The Crafting of an Evil Legend" (2020). Young Historians Conference. 23. https://pdxscholar.library.pdx.edu/younghistorians/2020/papers/23 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. CATHERINE DE’ MEDICI: THE CRAFTING OF AN EVIL LEGEND Lindsey Donohue Western Civilization February 18, 2020 1 When describing the legend of the evil Italian queen, Catherine de’ Medici, and why Medici has been historically misrepresented, being credited with such malediction and wickedness, N.M Sutherland states that she has been viewed as a, “. .monster of selfish ambition, who sacrificed her children, her adopted country, her principles - if she ever had any - , and all who stood in her way to the satisfaction of her all-consuming desire for power.”1 The legend of the wicked Italian queen held widespread attraction among many, especially after Medici’s death in 1589. The famous legend paints Medici inaccurately by disregarding her achievements as queen regent as well as her constant struggle to administer peace during a time of intense political turmoil and religious feuding, and it assumes that Medici was a victim of circumstance. -
Jeanne D'albret Was the Most Illustrious Woman of Her Time, and Perhaps One of the Most Illustrious Women in All History
Jeanne D’Albret (1528 – 1572) Jeanne d'Albret was the most illustrious woman of her time, and perhaps one of the most illustrious women in all history. She was the only daughter of Margaret of Valois, Queen of Navarre (and sister of King Francois 1st), whose genius Jeanne inherited, and whom she surpassed in her gifts of governing, and in her more consistent attachment to the Reformation. Her first husband Germany’s Duke of Cleves, to whom she was forced to wed at the age of 12 in 1541, no more consummated the marriage than placing his foot in her bed. Her fine intellect, elevated soul, and deep piety were unequally yoked with Anthony de Bourbon, her second husband in 1549, a man of humane dispositions, but of low tastes, indolent habits, and of paltry character. His marriage with Jeanne d'Albret brought him the title of King of Arragon, whose usurpation was confirmed by Pope Julius II, so King of Navarre; but his wife was a woman of too much sense, and her dominions were restricted to that portion of the ancient Navarre cherished too enlightened a regard for the welfare of her subjects, to which lay on the French side of the Pyrenees. give him more than the title. She took care not to entrust him with the reins of government. "Unstable as water," he spent his life in traveling In 1560, we have said, Jeanne d'Albret made open profession of the between the two camps, the Protestant and the Popish, unable long Protestant faith. In 1563 came her famous edict, dated from her to adhere to either, and heartily despised by both. -
"On the Relations of Canaanite Exploration to Pre-Historic Classic
176 ON THE RELATIONS OF CANAANITE EXPLORATION These inecriptions, and the bas-reliefs on the monument called Kamna Hurmill, in Crelo-Syria, near the source of the Orontes, and possibly of the same pe1·iod, are an enigma, as yet, to the most learned Orientaliots. It is to be hoped, however, now that attention is again called to the subject, that the clue may be found that shall unlock their meaning, and that Northern 8yI"ia will be no longer overlooked by tho explorer. DISCOVERY AT THE l\IOSQUE EL AKS.A, JERUSALEM.-llo A DISCOVERY of considerable interest has been made in this :Mosque by the Rev. J. Neil, who has only recently gone to Jerusalem for the Society for the Conversion of the Jews. "In the Mosque of El Aksa," he writes, "you will remember that there is a long plain room opening out at the south-east angle, called the Mosque of Omar, in which the only object of interest whatever is a recess supported by two twisted pillars, and called the Mihrab, or Praying-place of Omar. You may, perhaps, remember that the pillars on each side of this recess, of Solomonic twisted pattern and polished marble, appear to have been turned upside down, and to have their capitals of greyish stone in broken leaf-like patterns below. On vi~iting this the day before yesterday, July 5th, I discovered that a great part of the yellowish plaster had been removed from the top of these pillars, and that rich grotesquely carved capitals were exposed to view in an admirable state of preserva tion. -
© 2018 Donata Panizza ALL RIGHTS RESERVED
© 2018 Donata Panizza ALL RIGHTS RESERVED OVEREXPOSING FLORENCE: JOURNEYS THROUGH PHOTOGRAPHY, CINEMA, TOURISM, AND URBAN SPACE by DONATA PANIZZA A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Italian Written under the direction of Professor Rhiannon Noel Welch And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey OCTOBER, 2018 ABSTRACT OF THE DISSERTATION Overexposing Florence: Journeys through Photography, Cinema, Tourism, and Urban Space by DONATA PANIZZA Dissertation Director Rhiannon Noel Welch This dissertation examines the many ways in which urban form and visual media interact in 19th-, 20th-, and 21st-centuries Florence. More in detail, this work analyzes photographs of Florence’s medieval and Renaissance heritage by the Alinari Brothers atelier (1852- 1890), and then retraces these photographs’ relationship to contemporary visual culture – namely through representations of Florence in international cinema, art photography, and the guidebook – as well as to the city’s actual structure. Unlike previous scholarship, my research places the Alinari Brothers’ photographs in the context of the enigmatic processes of urban modernization that took place in Florence throughout the 19th century, changing its medieval structure into that of a modern city and the capital of newly unified Italy from 1865 to 1871. The Alinari photographs’ tension between the establishment of the myth of Florence as the cradle of the Renaissance and an uneasy attitude towards modernization, both cherished and feared, produced a multi-layered city portrait, which raises questions about crucial issues such as urban heritage preservation, mass tourism, (de)industrialization, social segregation, and real estate speculation. -
Storia Delle Repubbliche Italiane Dei Secoli Di Mezzo. Tomo VII
Jean-Charles-Léonard Simonde de Sismondi Storia delle repubbliche Italiane dei secoli di mezzo. Tomo VII www.liberliber.it Questo e-book è stato realizzato anche grazie al sostegno di: E-text Web design, Editoria, Multimedia (pubblica il tuo libro, o crea il tuo sito con E-text!) http://www.e-text.it/ QUESTO E-BOOK: TITOLO: Storia delle repubbliche Italiane dei secoli di mezzo. Tomo VII AUTORE: Sismondi, Jean Charles Léonard Simonde : de TRADUTTORE: CURATORE: NOTE: Il testo è presente in formato immagine sul sito The Internet Archive (www.archive.org) Realizzato in collaborazione con il Project Gutenberg (http://www.gutenberg.org/) tramite Distributed proofreaders (http://www.pgdp.net) DIRITTI D'AUTORE: no LICENZA: questo testo è distribuito con la licenza specificata al seguente indirizzo Internet: http://www.liberliber.it/biblioteca/licenze/ TRATTO DA: Storia delle repubbliche Italiane dei secoli di mezzo di J. C. L. Simondo Sismondi delle Accademie Italiana, di Wilna, di Cagliari, dei Georgofili, di Ginevra ec. Traduzione dal francese. Tomo 7. -16 - Italia, 1817-1819 - 524 p. ; 12 CODICE ISBN: mancante 1a EDIZIONE ELETTRONICA DEL: 23 ottobre 2010 INDICE DI AFFIDABILITA': 1 0: affidabilità bassa 1: affidabilità media 2: affidabilità buona 3: affidabilità ottima ALLA EDIZIONE ELETTRONICA HANNO CONTRIBUITO: Distributed proofreaders, http://www.pgdp.net/ REVISIONE: Claudio Paganelli, [email protected] PUBBLICAZIONE: Claudio Paganelli, [email protected] Informazioni sul "progetto Manuzio" Il "progetto Manuzio" è una iniziativa dell'associa- zione culturale Liber Liber. Aperto a chiunque vo- glia collaborare, si pone come scopo la pubblicazio- ne e la diffusione gratuita di opere letterarie in formato elettronico. -
Jordanes and the Invention of Roman-Gothic History Dissertation
Empire of Hope and Tragedy: Jordanes and the Invention of Roman-Gothic History Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian Swain Graduate Program in History The Ohio State University 2014 Dissertation Committee: Timothy Gregory, Co-advisor Anthony Kaldellis Kristina Sessa, Co-advisor Copyright by Brian Swain 2014 Abstract This dissertation explores the intersection of political and ethnic conflict during the emperor Justinian’s wars of reconquest through the figure and texts of Jordanes, the earliest barbarian voice to survive antiquity. Jordanes was ethnically Gothic - and yet he also claimed a Roman identity. Writing from Constantinople in 551, he penned two Latin histories on the Gothic and Roman pasts respectively. Crucially, Jordanes wrote while Goths and Romans clashed in the imperial war to reclaim the Italian homeland that had been under Gothic rule since 493. That a Roman Goth wrote about Goths while Rome was at war with Goths is significant and has no analogue in the ancient record. I argue that it was precisely this conflict which prompted Jordanes’ historical inquiry. Jordanes, though, has long been considered a mere copyist, and seldom treated as an historian with ideas of his own. And the few scholars who have treated Jordanes as an original author have dampened the significance of his Gothicness by arguing that barbarian ethnicities were evanescent and subsumed by the gravity of a Roman political identity. They hold that Jordanes was simply a Roman who can tell us only about Roman things, and supported the Roman emperor in his war against the Goths. -
1 Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the Universi
Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Art History and Visual Culture In March 2017. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature)…………………………………………………………………………….. 1 Abstract The church of Santo Spirito in Florence is universally accepted as one of the architectural works of Filippo Brunelleschi (1377-1446). It is nevertheless surprising that contrary to such buildings as San Lorenzo or the Old Sacristy, the church has received relatively little scholarly attention. Most scholarship continues to rely upon the testimony of Brunelleschi’s earliest biographer, Antonio di Tuccio Manetti, to establish an administrative and artistic initiation date for the project in the middle of Brunelleschi’s career, around 1428. Through an exhaustive analysis of the biographer’s account, and subsequent comparison to the extant documentary evidence from the period, I have been able to establish that construction actually began at a considerably later date, around 1440. It is specifically during the two and half decades after Brunelleschi’s death in 1446 that very little is known about the proceedings of the project. A largely unpublished archival source which records the machinations of the Opera (works committee) of Santo Spirito from 1446-1461, sheds considerable light on the progress of construction during this period, as well as on the role of the Opera in the realization of the church.