Sunset Cliffs Aikido Student Handbook
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Ki No Nagare Keiko Aikido Institute of Davis, a Dojo Where You Can Learn the Arts of Aikido and Tai Chi
Summer / Fall 2017 Newsletter / Aikido Institute Davis Awase Awase is the newsletter of the Ki no Nagare Keiko Aikido Institute of Davis, a dojo where you can learn the arts of Aikido and Tai Chi. By Hoa Newens Sensei The Awase newsletter is published twice yearly in Winter and Summer. Ki no Nagare (気の流れ) Keiko simply means Flowing Ki Training and is one of three ways of Please visit our website at executing techniques during Aikido training. In AikidoDavis.com for information on earlier writings, I have explained the related membership & class times. concepts of Kihon Waza (Basic Techniques) and Yawarakai Waza (Soft Techniques). I have waited until our dojo is more mature and the Sempai group has grown sufficiently to grasp the next level of training, before I lay out the more advanced concept of Ki no Nagare. Now the Sempai group is strong and the time is ripe, so here it is. First, let me point out the change in nomenclature. I refer to Ki no Nagare Keiko (training) rather than Waza (technique) for a reason. In Ki no Nagare (hereafter KNN), technique is no longer the focal point, rather the way the training partners carry themselves while interacting becomes more relevant, that is, KNN is a way of training; therefore, we refer to it as KNN Keiko. It is helpful to remind the reader of the effective order of training in the traditional approach: first, Kihon for many years, then gradually incorporate Yawarakai for several years, culminating naturally with Ki no Nagare. The more solid the Kihon foundation, the easier it is for Yawarakai to lead naturally to Ki no Nagare. -
Texas Aikido Seminar with Mark Larson Sensei (Takuto 匠人) January 13 & 14, 2018
Texas Aikido Seminar with Mark Larson Sensei (Takuto 匠人) January 13 & 14, 2018 Texas Niwa Aiki Shuren is excited to host Mark Larson Sensei at his first Texas Aikido seminar! Please join us in a fun weekend of sharing Traditional Aikido. All styles and affiliations are welcome. Mark Larson Sensei (Takuto 匠人), 6th Dan Founder and Chief Instructor, Minnesota Aiki Shuren Dojo www.aikido-shuren-dojo.com Mark Sensei was Morihiro Saito’s last long term American Uchideshi and is dedicated to teaching and sharing Traditional Aikido. Saito Sensei entrusted Mark to continue the Iwama Takemusu Aikikai organization in order to preserve and protect the Iwama style Aikido as taught by the Founder and Saito Shihan. Takuto 匠人 – A leader who receives a tradition and “austerely trains, maintains, instructs, and selflessly shares it with great vigor and spirit in order to keep that particular tradition alive”. Seminar Schedule Seminar Fees Saturday, January 13, 2018 Saturday $ 60 Registration 9:00 a.m. – 10:00 a.m. Sunday $ 40 Keiko 10:00 a.m. – Noon Weekend $ 90 Lunch Break Noon – 2:30 p.m. Keiko 2:30 p.m. – 5:00 p.m. Please bring your own jo and ken Dinner Celebration 6:30 p.m. Seminar t-shirts available Sunday, January 14, 2018 Seminar Location Registration 9:00 a.m. – 9:30 a.m. Becerra Judo & Jiu-Jitsu Club Keiko 9:30 a.m. – Noon 3035 S. Shiloh Rd, #175 Garland, TX 75041 View the Flyer and Registration in events on Facebook: https://www.facebook.com/niwaaikishuren/ Texas Niwa Aiki Shuren Dojo Dinner Celebration Saturday, Jan 13, 2018 @ 6:30 p.m. -
Guide Nage No Kata
SOMMAIRE Qu’est ce que le Nage No Kata ? 4 Illustrations et commentaires du guide 5 Généralités sur le Nage No Kata 6 Le Nage No Kata 7 Tableau « le Nage No Kata et son intérêt pour la pratique du Judo » 24 Conclusion 28 Lexique 29 Planche Nage No Kata Ont participé à la réalisation de cet ouvrage : Michel Algisi : 7e dan, cadre technique, responsable national des katas Patrice Berthoux : 6e dan, cadre technique André Boutin : 7e dan, cadre technique Laurent Dosne : 5e dan, professeur de judo Michèle Lionnet : 6e dan, cadre technique, coordonnatrice de l’ouvrage André Parent : 5e dan, professeur de judo Louis Renelleau : 7e dan, professeur de judo Ce document a été validé par la Direction Technique Nationale et pour la Commission des Hauts Gradés : Frédérico Sanchis. L’ouvrage s’est inspiré de la cassette vidéo fédérale sur le Nage No Kata et des commentaires de Georges Beaudot. Il vient en complément de la planche du Nage No Kata (coopérative de documents FFJudo). Conception et réalisation - Boulogne-Billancourt - © FFJUDO Mars 2007 2 Crédit photo : D. Boulanger - Kodokan - D. Chowanek (Lines-Art) - R. Danis - DPPI. PRÉFACE Ce guide est destiné à tous les judokas, jeunes ou moins jeunes, qui souhaitent apprendre le Nage No Kata ou se perfectionner dans sa pratique. Le choix du format permettra à chacun de pouvoir le glisser facilement dans son sac de judo, et ainsi, l’avoir toujours à portée de main. Cet ouvrage, qui fait suite à la planche du Nage No Kata, vous apportera des précisions techniques et des conseils vous permettant de mieux effectuer le kata. -
Martial Arts from Wikipedia, the Free Encyclopedia for Other Uses, See Martial Arts (Disambiguation)
Martial arts From Wikipedia, the free encyclopedia For other uses, see Martial arts (disambiguation). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011) Martial arts are extensive systems of codified practices and traditions of combat, practiced for a variety of reasons, including self-defense, competition, physical health and fitness, as well as mental and spiritual development. The term martial art has become heavily associated with the fighting arts of eastern Asia, but was originally used in regard to the combat systems of Europe as early as the 1550s. An English fencing manual of 1639 used the term in reference specifically to the "Science and Art" of swordplay. The term is ultimately derived from Latin, martial arts being the "Arts of Mars," the Roman god of war.[1] Some martial arts are considered 'traditional' and tied to an ethnic, cultural or religious background, while others are modern systems developed either by a founder or an association. Contents [hide] • 1 Variation and scope ○ 1.1 By technical focus ○ 1.2 By application or intent • 2 History ○ 2.1 Historical martial arts ○ 2.2 Folk styles ○ 2.3 Modern history • 3 Testing and competition ○ 3.1 Light- and medium-contact ○ 3.2 Full-contact ○ 3.3 Martial Sport • 4 Health and fitness benefits • 5 Self-defense, military and law enforcement applications • 6 Martial arts industry • 7 See also ○ 7.1 Equipment • 8 References • 9 External links [edit] Variation and scope Martial arts may be categorized along a variety of criteria, including: • Traditional or historical arts and contemporary styles of folk wrestling vs. -
ミシガン大学 剣道部 the University of Michigan Kendo Club FAQ (Ver. 2.00)
ミシガン大学 剣道部 The University of Michigan Kendo Club FAQ (ver. 2.00) What is Kendo? - Kendo is a Japanese martial art which literally translates to “The Way of the Sword”. -An athletic sport which is played by means of one-on-one striking between opponents using shinai (sword made from bamboo slats) while wearing kendo-gu (protective armor). -A form of martial art which aims to train the mind and body while cultivating one’s character through continuing practice. Kendo was formally known as gekken and kenjutsu. Where are practices? -Our club practices at the CCRB (Central Campus Recreational Building) in Dance room (3275). The CCRB is located in Ann Arbor, Michigan. When are practices? -For the Fall semester, our practices are Saturdays staring at 8:30 AM to 10:00. The CCRB generally opens at 8:00 AM, so we strongly encourage everyone to arrive early enough to have time to change and to be ready well before the practice starts. How much does it cost to join? -Since we are a student organization, the active student members elect annual officers who administer the club and collect semester dues to be able to rent our practice space. In order to accomplish this, all students contribute a semester fee of $50 in order for us to be able to pay for our practice space from the university. Our instructors teach us as volunteers to the club with no financial support for their time in training our club members. So please come consistently to show your appreciation of their time and teaching efforts. -
Pencak Silat Sebagai Hasil Budaya Indonesia Yang Mendunia
Prosiding SENASBASA http://researchreport.umm.ac.id/index.php/SENASBASA (Seminar Nasional Bahasa dan Sastra) Edisi 3 Tahun 2018 Halaman 264-270 E-ISSN 2599-0519 PENCAK SILAT SEBAGAI HASIL BUDAYA INDONESIA YANG MENDUNIA Muhammad Mizanudin, Andri Sugiyanto, Saryanto Program Studi Pendidikan Bahasa dan Sastra Indonesia Fakultas Keguruan dan Ilmu Pendidikan Universitas Veteran Bangun Nusantara Sukoharjo [email protected], [email protected], [email protected] Abstrak Artikel ini mengangkat tema pencak silat yang menjadi budaya bangsa indonesia, Pencak silat adalah suatu seni bela diri Asia yang berakar dari budaya Melayu. Di Indonesia, pencak silat sudah di kenal sejak berabad-abad yang lalu. Pakar dan para pendekar pencak silat meyakini bahwa masyarakat melayu menciptakan dan menggunakan ilmu bela diri ini sejak masa prasejarah, karena pada masa itu manusia harus menghdapi alam yang keras dan liar. Pencak silat ini pada zaman itu bertujuan untuk bertahan hidup dengan melawan binatang buas. Teori yang ada pada pencaksilat yaitu diantaranya harus menguasai pernapasan, gerakan, jurus, dan materi. Di Indonesia sendiri terdapat induk organisasi pencak silat yang diberi nama Ikatan Pencak Silat Indonesia atau yang lebih dikenal dengan IPSI.Pencak silat ini sekarang sudah menjadi ajang lomba antar Negara yaitu ASEAN GAMES yang diadakan setiap 4 tahun sekali. Beberapa organisasi silat nasional maupun internasional mulai tumbuh dengan pesat. Seperti di Asia, Amerika Serikat dan Eropa. Silat kini telah secara resmi masuk sebagai cabang olah raga dalam pertandingan internasional, khususnya dipertandingkan dalam SEA Games. Kata Kunci : Pencak Silat, IPSI, ASEAN GAMES Abstract This article raises the theme of pencak silat which is the Indonesian culture, Pencak silat is an Asian martial art rooted in Malay culture. -
Principals of Kata Training Through Seiuchin
Principals of Kata Training Marvin Labbate Central New York Karate & Kobudo Schools International Headquarters, Okinawan Seibukai Association This is the fourth in a sequence of articles that describe the core principals of Okinawan Karatedo in the Goju Ryu system. Previous articles have focused on hard principles of structure, movement, and breathing [Labbate1999], intermediate principals associated with building, controlling, and transferring internal energy [Labbate2000], and soft principals associated with making contact, following, and controlling an opponent [Labbate2001]. This article builds upon these ideas and incorporates them into a general set of Kata training principals. Kata are stylized fighting forms, or sequences, developed over the centuries and based on actual combat experience. Here the ideas are illustrated through the study of Seiunchin Kata, however, each Kata in the Goju Ryu system can be developed with the same ideas. Every kata exists at many levels of sophistication and can be studied from a broad variety of viewpoints. At the most basic level, a kata is simply a pattern of movements that train typical fighting scenarios. At the most advanced level, a Kata is a sequence of dangerous vital point strikes that can cause paralysis, unconsciousness, or death. Between these extremes are levels of development to which the masters of old tightly controlled access. The highest levels were transmitted orally to only a chosen son, or in the absence of a son, to a top student. This control was not simply to provide an advantage in combat; it provided safeguards to ensure that the information was transmitted to only those who proved to be of the appropriate spiritual and moral background; people who would exercise social responsibility in their teaching and use of the ideas. -
Jo: 9-Count Kata ______
Cheltenham & Bloomsbury Aikido Notes for Students Jo: 9-Count Kata _________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Acknowledgements: Following the teaching of Sensei Mike Smith, Go Shin Kai Principal. The teaching lineage is through Sensei Mr William Smith, MBE and T.K. Chiba Sensei. References: Morihiro Saito, 20 Jo Suburi in Aikido Vol.1, Sword, Stick, Body Arts, 1973. https://www.youtube.com/watch?v=O9U04EU_Qp8 _________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ RH: Right Hanmi. LH: Left Hanmi. Jo: 9-Count Kata (K) Counter-Kata (CK) Start: LH Hidari hanmi. Jo held vertically by L hand, resting on ground in Start: LH Hidari hanmi, L hand forwards, as with Kata. front. 1K.ATTACK Choku tsuki, chudan, front (L) foot irimi (i.e. tsugiashi). LH. NB. Sequence Start -1K is Saito’s Jo Suburi No. 1 “Chokku Tsuki” 1CK.DEFEND Move off-line to R side, covering head and body to protect from chudan tsuki. LH. Both knees bent, low posture, feet close with L foot in front. 2CK.ATTACK Chudan tsuki, moving off-line to L, L foot tsugiashi. LH. 2K.DEFEND Move off-line to R, covering head and body to protect from chudan tsuki. LH. Both knees bent, low posture, feet close with L foot in front. 3K.ATTACK Chudan tsuki, moving off-line to L, L foot tsugiashi. LH. 3CK. DEFEND Move off-line to R side, covering head and body to protect from chudan tsuki. LH. Both knees bent, low posture, feet close with L foot in front. 4CK. ATTACK Chudan tsuki, moving off-line to L, L foot tsugiashi. LH. 4K. DEFEND Move off-line to R, covering head and body to protect from chudan tsuki. -
Survey of Aikido Practitioners' Workpl
AIKIDO AS A SOMATO-SPIRITUAL BASED PRAXIS FOR CONSTRUCTIVE HANDLING OF SOCIAL CONFLICT: SURVEY OF AIKIDO PRACTITIONERS’ WORKPLACE CONFLICT STYLES by Christopher Jason Schalge A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Clinical Psychology Sofia University Palo Alto, California May 7, 2014 I certify that I have read and approved the content and presentation of this dissertation: ________________________________________________ __________________ David Lukoff, Ph.D., Committee Chairperson Date ________________________________________________ __________________ Paul Linden, Ph.D., Committee Member Date ________________________________________________ __________________ Doug Oman, Ph.D., Committee Member Date Copyright © Christopher Jason Schalge 2014 All Rights Reserved Formatted according to the Publication Manual of the American Psychological Association, 6th Edition ii Abstract Aikido as a Somato-Spiritual Based Praxis for Constructive Handling of Social Conflict: Survey of Aikido Practitioners’ Workplace Conflict Styles by Christopher Jason Schalge The perennial problem of poorly handled conflict in the workplace is detrimental to individuals and organizations. This study investigated whether training in the martial art of aikido is associated with efficacy in the constructive handling of social conflict in the workplace. Aikido practitioners (N = 143) from a diverse sampling of occupations participated in a battery of assessments. Aikido experience was primarily measured by cumulative hours of training. Core aspects of aikido were measured with the Body Insight Scale and the Spirituality in the Workplace Scale. The Rahim Organizational Conflict Inventory II was used to assess workplace conflict styles. Integrating style is regarded as the most efficacious in the constructive handling of conflict followed by compromising. Avoiding style is considered the least efficacious and dominating is next to last (obliging was not considered). -
The Invention of Martial Arts About the Journal
ISSUE EDITORS Spring 2016 Paul Bowman ISSN 2057-5696 Benjamin N. Judkins MARTIAL ARTS STUDIES THEME THE INVENTION OF MARTIAL ARTS ABOUT THE JOURNAL Martial Arts Studies is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. C b n d The journal is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. Martial Arts Studies is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. cardiffuniversitypress.org Journal DOI 10.18573/ISSN.2057-5696 Issue DOI 10.18573/n.2016.10060 Martial Arts Studies Journal design by Hugh Griffiths MARTIAL issue 2 ARTS STUDIES SPRING 2016 1 Editorial Paul Bowman and Benjamin N. Judkins 6 The Seven Forms of Lightsaber Combat ARTICLES Hyper-reality and the Invention of the Martial Arts Benjamin N. Judkins 23 The Fifty-Two Hand Blocks Re-Framed Rehabilitation of a Vernacular Martial Art Thomas A. Green 34 The @UFC and Third Wave Feminism? Who Woulda Thought? Gender, Fighters, and Framing on Twitter Allyson Quinney 59 Ancient Wisdom, Modern Warriors The (Re)Invention of a Mesoamerican Warrior Tradition in Xilam George Jennings 71 Fight-Dancing and the Festival Tabuik in Pariaman, Indonesia and lemanjá in Salvador da Bahia, Brazil Paul H. -
Kata – the True Essence of Budo Martial Arts? Simon DODD*, & David BROWN Cardiff Metropolitan University (Wales, United Kingdom)
Revista de Artes Marciales Asiáticas Volumen 11(1), 3247 ~ EneroJunio 2016 DOI: 10.18002/rama.v11i1. 3693 RAMA I.S.S.N. 2174‐0747 http://revpubli.unileon.es/ojs/index.php/artesmarciales Kata – The true essence of Budo martial arts? Simon DODD*, & David BROWN Cardiff Metropolitan University (Wales, United Kingdom) Recepción: 22/04/2016; Aceptación: 19/06/2016; Publicación: 25/06/2016. ORIGINAL PAPER Abstract This paper uses documentary research techniques to analyse the use of kata, forms, in the Japanese martial arts. Following an introduction on the existence of kata practice, using existing sources of information the paper first examines the spiritual developments of bushido, secondly, the social changes that led to the redevelopment of bujutsu into budo is scrutinsised. Next, the position of kata in relation to budo martial arts is explored followed by a discussion on the use of kata as a pedagogy. Finally, kata is repositioned in light of the contextual expansion investigated demonstrating how kata could represent the intended essence of budo as well a culturally‐valued, spiritual pedagogy. Keywords: kata; budo; martial arts; bushido; spirituality; pedagogy. Kata ¿La verdadera esencia de las artes Kata – A verdadeira essência das artes marciais marciales Budo? Budô? Resumen Resumo Este trabajo utiliza técnicas de investigación documental Este trabalho utiliza a técnica de investigação documental para analizar el uso de las kata, o formas, en las artes para analisar o uso das kata, ou formas, nas artes marciais marciales japonesas. Tras una introducción sobre la japonesas. Depois de uma introdução sobre a existência da existencia de la práctica de las katas, utilizando fuentes prática das katas, utilizando fontes de informação de información disponibles, se examinan, en primer disponíveis, examina‐se, em primeiro lugar, os lugar, los desarrollos espirituales del bushido. -
AWA Newsletter
AWA DEC - 2017 | ISSUE 16 AWA | PAGE 01 LETTER FROM THE EDITOR Jeremy M.L. Hix, Nidan Dojo Cho-Greater Lansing Aikido; Lansing, MI USA Reflecting on this year, I am inspired by those closest to me. Their perseverance, mental, physical, and emotional fortitude, go well beyond anything short of super human. There are some battles that cannot be won. As in Aikido, there is no winner or loser, only Masakatsu Agatsu "true victory is victory over oneself." Such is the life of people with chronic pain and fatigue. Conditions such as Ehlers-Danlos Syndrome (EDS), Chronic Fatigue, Rheumatoid Arthritis, and Migraines (to name a few from a long list) are "Invisible" in the sense that they may not present outward physical manifestations of the associated symptoms. Furthermore, the individual living with the condition may also feel invisible in the sense of "self" as they are dismissed as faking their ailments. Often, this causes feelings of isolation, depression, anxiety, and withdrawal. I'm fortunate to have two people in my life that are very close to my heart, both battling with invisible health conditions. They are relentless in their perseverance, in their ability to overcome. They practice Aikido on crutches, in wheelchairs, and are eager to learn. They travel to Japan and explore the world. They never give up. They never acquiesce. Through understanding, compassion, empathy, and love, we can help make visible the beautiful person beneath the vale of these chronic conditions. I would like to dedicate this editorial to my better halves: Kristy, and her sister, Kayla. Thank you both for your perseverance in the face of adversity, and for giving me the privilege of being your friend along the way.