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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Wo Bleibt Blofeld?
Arnold F. Rusch AJP/PJA 11/2015 Wo bleibt Blofeld? 1622 James Bond hat Ian Fleming geschrie- ken Largo spielte jetzt aber Klaus ben. Es ging um sieben Novellen. Für Maria Brandauer, während Kim Ba- deren filmische Umsetzung nahm Fle- singer die Schurkendame Domino ming die Hilfe von Kevin McClory verkörperte, die sich später in Bond und Jack Whittingham in Anspruch. verknallt und zu ihm überläuft. Wei- Zu dritt verfassten sie das Drehbuch tere McClory-Konkurrenzfilme – jetzt für Thunderball. 1961 veröffentlichte unter dem Label von Sony – konnte Fleming dennoch alleine eine Novelle Danjaq in der Folge mit einer Flut von mit dem gleichen Titel – Whittingham Prozessen verhindern. und McClory klagten sofort in Lon- Der amerikanische Prozess vor don.1 dem Appellationsgericht des Ninth Danjaq bereitete sich im gleichen Circuit im Jahre 2001 setzte dem epi- Zeitpunkt darauf vor, James Bond- schen Streit ein vorläufiges Ende. Die Filme zu produzieren. Sie erwarben Richter hielten fest, dass McClory die Rechte von Fleming alleine und seine Rechte durch laches, d.h. lang- 3 ARNOLD F. RUSCH gaben ein eigenes Drehbuch zu Thun- jährige Untätigkeit, verwirkt habe. Prof. Dr. iur., Rechtsanwalt, LL.M., Zürich derball in Auftrag. Wegen des Streits Die endgültige Einigung erzielten die um die Rechte an der Thunderball- Streithähne erst mit der Einigung im Geschichte drehten sie zuerst Dr. No, Jahre 2013, die Danjaq die umfassen- der 1962 in den Kinos erschien. In den Rechte an James Bond gewährte, James Bond und SPECTRE sind zu- der Zwischenzeit knickte Fleming im mitsamt allen Schurken und Schur- rück, aber was ist mit Blofeld? ursprünglichen Prozess um Thunder- kenvereinigungen. -
How Lego Constructs a Cross-Promotional Franchise with Video Games David Robert Wooten University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2013 How Lego Constructs a Cross-promotional Franchise with Video Games David Robert Wooten University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Mass Communication Commons Recommended Citation Wooten, David Robert, "How Lego Constructs a Cross-promotional Franchise with Video Games" (2013). Theses and Dissertations. 273. https://dc.uwm.edu/etd/273 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. HOW LEGO CONSTRUCTS A CROSS-PROMOTIONAL FRANCHISE WITH VIDEO GAMES by David Wooten A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media Studies at The University of Wisconsin-Milwaukee August 2013 ABSTRACT HOW LEGO CONSTRUCTS A CROSS-PROMOTIONAL FRANCHISE WITH VIDEO GAMES by David Wooten The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Michael Newman The purpose of this project is to examine how the cross-promotional Lego video game series functions as the site of a complex relationship between a major toy manufacturer and several media conglomerates simultaneously to create this series of licensed texts. The Lego video game series is financially successful outselling traditionally produced licensed video games. The Lego series also receives critical acclaim from both gaming magazine reviews and user reviews. By conducting both an industrial and audience address study, this project displays how texts that begin as promotional products for Hollywood movies and a toy line can grow into their own franchise of releases that stills bolster the original work. -
The James Bond Quiz Eye Spy...Which Bond? 1
THE JAMES BOND QUIZ EYE SPY...WHICH BOND? 1. 3. 2. 4. EYE SPY...WHICH BOND? 5. 6. WHO’S WHO? 1. Who plays Kara Milovy in The Living Daylights? 2. Who makes his final appearance as M in Moonraker? 3. Which Bond character has diamonds embedded in his face? 4. In For Your Eyes Only, which recurring character does not appear for the first time in the series? 5. Who plays Solitaire in Live And Let Die? 6. Which character is painted gold in Goldfinger? 7. In Casino Royale, who is Solange married to? 8. In Skyfall, which character is told to “Think on your sins”? 9. Who plays Q in On Her Majesty’s Secret Service? 10. Name the character who is the head of the Japanese Secret Intelligence Service in You Only Live Twice? EMOJI FILM TITLES 1. 6. 2. 7. ∞ 3. 8. 4. 9. 5. 10. GUESS THE LOCATION 1. Who works here in Spectre? 3. Who lives on this island? 2. Which country is this lake in, as seen in Quantum Of Solace? 4. Patrice dies here in Skyfall. Name the city. GUESS THE LOCATION 5. Which iconic landmark is this? 7. Which country is this volcano situated in? 6. Where is James Bond’s family home? GUESS THE LOCATION 10. In which European country was this iconic 8. Bond and Anya first meet here, but which country is it? scene filmed? 9. In GoldenEye, Bond and Xenia Onatopp race their cars on the way to where? GENERAL KNOWLEDGE 1. In which Bond film did the iconic Aston Martin DB5 first appear? 2. -
Earth's Biggest Volcano: the Hawaii Drilling Project 4
ISSN: 1816-8957 , March 2009 7 NUMBER 1, 2005 N o . Scientific Drilling Reports on on Deep Deep Earth Earth Sampling Sampling and Monitoring and Monitoring Earth's Biggest Volcano: The Hawaii Drilling Project 4 Addressing Geohazards Through Ocean Drilling 15 Ocean Drilling Cores Consolidated in Three Global Repositories 31 Early Life on Earth: Cleaverville Drilling Project 34 In Situ Sampling of Gas Hydrates 44 Workshop Reports: Lake Drilling, Normal Faults, and Hydrothermal Systems 51 Published by the Integrated Ocean Drilling Program with the International Continental Scientific Drilling Program Scientific Drilling Editorial Preface ISSN 1816-8957 (printed version) 1816-3459 (electronic version) Scientific Drilling is a semiannual journal published by the Integrated Ocean Drilling Dear Reader: Program (IODP) with the International Continental Scientific Drilling Program (ICDP). The editors welcome contributions on any aspect of scientific drilling, including borehole instruments, observatories, and Volcanoes have many stories to tell,����������������������������������������������������������������������������� and their activity profoundly impacts monitoring experiments. The journal is produced and distributed by the Integrated human life ���������and �����Earth��������������������������������s environment. In this issue of Scientific Drilling, a Ocean Drilling Program Management report on the Hawaii Drilling Project highlights “hot spot” volcanism (p. 4). International (IODP-MI) for the IODP under the sponsorship of the U.S. National -
Fleming? of Dr
BOOKING KING'S KILLER • • ...Or Maybe Ayn Fleming? Was the murderer of Dr. ers are politicians, bureaucrats, Martin Luther King Jr. a man self-styled intellectuals who are , influenced by two characters in evil and must be destroyed. Galt 1 contemporary fiction—one a glo- denounces mysticism and glori- I rified individualist who hates so- fies reason. His gospel is aboli- ciety and the other an Ian Flem- ti-m of the income tax, an end to ing arch villain? foreign aid and of social welfare legislation. At the end, as Galt The name of the man listed on and his cohorts fly to their At- the registration card of the car linked to the lantis they see New York writh- white Mustang ing in its last convulsions. slaying is "Eric Slarvo Galt." The FBI has been unable to find Ernst Stavro Blofeld is the an,thing to indicate that any. inuch-less philosophical villain sueh a person exists. of "Thunderball" and two other Fleming novels. Ili Ayn Rand's 1937 novel, "At- las Shrugged," the leader of a If the man who murderL tiny minority of people de- King was influenced by tie scribed as able, creative and ul- views of the fictional characters tra-conservative is "John Galt," or even just concocted an alia. And in some of Ian Fleming's from a combination of th James Bond stories, the leading names, an investigator migh enemy of the status quo is called An artist's unofficial concep- draw the conclusion that the fu "Ernst Stavro Blofeld." tion of Galt. -
Masculinity in Casino Royale '007 by Yanti Nurdianti Nim
MASCULINITY IN CASINO ROYALE ‘007 A Thesis Submitted to Letters and Humanities Faculty In partial Fulfillment of the Requirements for the Strata One Degree BY YANTI NURDIANTI NIM. 203026002147 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2008 ABSTRACT YANTI NURDIANTI. Masculinity in Casino Royale 007. thesis: English Letters, Faculty Adab and Humanities, State Islamic University (UIN), Jakarta, 2008. This research discusses the representation of Masculinity in a movie. In the research, the writer studied the Casino Royale as the unit analysis. The construction of representation of Stuart Hall is the theoretical framework of the research. The goal of the research is to see the representation of masculinity in Casino Royale ‘007. The researcher discusses the representation of masculinity in the Casino Royale 007. The goal of the research is to describe the masculinity in the main character “James Bond.” Through the concept of representation from Janet Saltzman Chafets, the writer studied seven areas of the main character of the main character life. They are Physic, Function, Sexual Aggressive, Emotion, Intellectual, Personality and Other Personal Character. It is discovered that the masculinities in the Casino Royale is still represented conventionally such as Physic, sexual, technology, politic and fashion. However, several things which do not meet Chafets concept of masculinity. The masculinity shown by the character of James Bond as represented as far of opposite sex, less sophisticated and more fight. It is include that there is a shift in meaning of masculinity. APPROVEMENT MASCULINITY IN CASINO ROYELE ‘007 A Thesis Submitted to Letters and Humanities Faculty in Partial Fulfillment of the Requirement for the Strata one Degree YANTI NURDIANTI NO. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Cablelabs Studio Code List 05/01/2006
CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 1 120 Degree Films 120D 2 1st National FSN 3 2 Silks Releasing 2SR 4 20th Century Fox FOX 5 21st Century 21ST 6 2nd Generation 2GN 7 4th & Broadway 4TH 8 50th Street 50TH 9 7th Planet Prods 7PP 10 8X Entertainment 8X 11 A.D.G. ADG 12 A.I.P. Studios AIPS 13 Abramorama Entertainment ABR 14 Academy ACD 15 Access Motion Picture Group ACM 16 ADV Films ADV 17 AFD Theatrical AFDT 18 Alive ALV 19 Alliance Atlantis Communications AA 20 Alliance International Pictures AIP 21 Almi ALM 22 American International Pictures AINT 23 American Vacation Production AVP 24 American World Pictures AWP 25 American Zoetrope AZO 26 Amoon AMO 27 Andora Pictures AND 28 Angelika ANG 29 A-Pix APIX 30 Apollo APO 31 Apple and Honey Film Corp. AHFC 32 Arab Films ARAB 33 Arcangelo Entertainment ARC 34 Arenaplex ARN 35 Arenas Entertainment ARNS 36 Aries ARI 37 Ariztical Entertainment ARIZ 38 Arrival Pictures ARR 39 Arrow Releasing ARW 40 Arthouse Films AHF 41 Artificial Eye ARTI 42 Artisan ARTS 43 Artist View Ent. ARV 44 Artistic License ARTL 45 Artists Releasing Corp ARP 46 ArtMattan Productions AMP 47 Artrution Productions ART 48 ASA Communications ASA 49 Ascot ASC 50 Associated Film Distribution AFD 51 Astor Pictures AST 1 CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 52 Astral Films ASRL 53 At An Angle ANGL 54 Atlantic ATL 55 Atopia ATP 56 Attitude Films ATT 57 Avalanche Films AVF 58 Avatar Films AVA 59 Avco Embassy AEM 60 Avenue AVE 61 B&W Prods. -
The 007Th Minute Ebook Edition
“What a load of crap. Next time, mate, keep your drug tripping private.” JACQUES A person on Facebook. STEWART “What utter drivel” Another person on Facebook. “I may be in the minority here, but I find these editorial pieces to be completely unreadable garbage.” Guess where that one came from. “No, you’re not. Honestly, I think of this the same Bond thinks of his obituary by M.” Chap above’s made a chum. This might be what Facebook is for. That’s rather lovely. Isn’t the internet super? “I don’t get it either and I don’t have the guts to say it because I fear their rhetoric or they’d might just ignore me. After reading one of these I feel like I’ve walked in on a Specter round table meeting of which I do not belong. I suppose I’m less a Bond fan because I haven’t read all the novels. I just figured these were for the fans who’ve read all the novels including the continuation ones, fan’s of literary Bond instead of the films. They leave me wondering if I can even read or if I even have a grasp of the language itself.” No comment. This ebook is not for sale but only available as a free download at Commanderbond.net. If you downloaded this ebook and want to give something in return, please make a donation to UNICEF, or any other cause of your personal choice. BOOK Trespassers will be masticated. Fnarr. BOOK a commanderbond.net ebook COMMANDERBOND.NET BROUGHT TO YOU BY COMMANDERBOND.NET a commanderbond.net book Jacques I. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Set Name Card Description Auto Mem #'D Base Set 1 Harold Sakata As Oddjob Base Set 2 Bert Kwouk As Mr
Set Name Card Description Auto Mem #'d Base Set 1 Harold Sakata as Oddjob Base Set 2 Bert Kwouk as Mr. Ling Base Set 3 Andreas Wisniewski as Necros Base Set 4 Carmen Du Sautoy as Saida Base Set 5 John Rhys-Davies as General Leonid Pushkin Base Set 6 Andy Bradford as Agent 009 Base Set 7 Benicio Del Toro as Dario Base Set 8 Art Malik as Kamran Shah Base Set 9 Lola Larson as Bambi Base Set 10 Anthony Dawson as Professor Dent Base Set 11 Carole Ashby as Whistling Girl Base Set 12 Ricky Jay as Henry Gupta Base Set 13 Emily Bolton as Manuela Base Set 14 Rick Yune as Zao Base Set 15 John Terry as Felix Leiter Base Set 16 Joie Vejjajiva as Cha Base Set 17 Michael Madsen as Damian Falco Base Set 18 Colin Salmon as Charles Robinson Base Set 19 Teru Shimada as Mr. Osato Base Set 20 Pedro Armendariz as Ali Kerim Bey Base Set 21 Putter Smith as Mr. Kidd Base Set 22 Clifford Price as Bullion Base Set 23 Kristina Wayborn as Magda Base Set 24 Marne Maitland as Lazar Base Set 25 Andrew Scott as Max Denbigh Base Set 26 Charles Dance as Claus Base Set 27 Glenn Foster as Craig Mitchell Base Set 28 Julius Harris as Tee Hee Base Set 29 Marc Lawrence as Rodney Base Set 30 Geoffrey Holder as Baron Samedi Base Set 31 Lisa Guiraut as Gypsy Dancer Base Set 32 Alejandro Bracho as Perez Base Set 33 John Kitzmiller as Quarrel Base Set 34 Marguerite Lewars as Annabele Chung Base Set 35 Herve Villechaize as Nick Nack Base Set 36 Lois Chiles as Dr.