The Professional Perfumer's Bulletin
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Flavors & Fragrances
INDUSTRY MARKET RESEARCH FOR BUSINESS LEADERS, STRATEGISTS, DECISION MAKERS CLICK TO VIEW Table of Contents 2 List of Tables & Charts 3 Study Overview 4 Sample Text, Table & Chart 5 Sample Profile, Table & Forecast 6 Order Form 7 About Freedonia, Custom Research, Related Studies, Corporate Use License 8 Flavors & Fragrances US Industry Study with Forecasts for 2012 & 2017 Study #2461 | January 2009 | $4700 | 264 pages The Freedonia Group 767 Beta Drive www.freedoniagroup.com Cleveland, OH • 44143-2326 • USA Toll Free US Tel: 800.927.5900 or +1 440.684.9600 Fax: +1 440.646.0484 E-mail: [email protected] Study #2461 January 2009 Flavors & Fragrances $4700 264 Pages US Industry Study with Forecasts for 2012 & 2017 Table of Contents EXECUTIVE SUMMARY Beverages ...........................................95 Research & Development ..................... 179 Industry Overview .............................96 Natural Flavors & Fragrances ............. 182 MARKET ENVIRONMENT Flavor Demand ..................................98 Biotechnology ................................ 183 Carbonated Soft Drinks ................. 101 Delivery Systems ............................. 184 General ................................................4 Other Beverages .......................... 103 Production Methods ............................ 187 Macroeconomic Outlook ..........................5 Other Markets .................................... 107 Marketing & Distribution ..................... 189 Demographic Trends ...............................9 Personal Consumption -
Fragonard Magazine N°9 - 2021 a Year of PUBLICATION DIRECTOR and CHIEF EDITOR New Charlotte Urbain Assisted By, Beginnings Joséphine Pichard Et Ilona Dubois !
MAGAZINE 2021 9 ENGLISH EDITORIAL STAFF directed by, 2021, Table of Contents Agnès Costa Fragonard magazine n°9 - 2021 a year of PUBLICATION DIRECTOR AND CHIEF EDITOR new Charlotte Urbain assisted by, beginnings Joséphine Pichard et Ilona Dubois ! ART DIRECTOR Claudie Dubost assisted by, Maria Zak BREATHE SHARE P04 Passion flower P82 Audrey’s little house in Picardy AUTHORS Louise Andrier P10 News P92 Passion on the plate recipes Jean Huèges P14 Laura Daniel, a 100%-connected by Jacques Chibois Joséphine Pichard new talent! P96 Jean Flores & Théâtre de Grasse P16 Les Fleurs du Parfumeur Charlotte Urbain 2020 will remain etched in our minds as the in which we all take more care of our planet, CELEBRATE CONTRIBUTORS year that upturned our lives. Yet, even though our behavior and our fellow men and women. MEET P98 Ten years of acquisitions at the Céline Principiano, Carole Blumenfeld we’ve all suffered from the pandemic, it has And especially, let’s pledge to turn those words P22 Musée Jean-Honoré Fragonard leading the way Eva Lorenzini taught us how to adapt and behave differently. into actions! P106 A-Z of a Centenary P24 Gérard-Noel Delansay, Clément Trouche As many of you know, Maison Fragonard is a Although uncertainty remains as to the Homage to Jean-François Costa a familly affair small, 100% family-owned French house. We reopening of social venues, and we continue P114 Provence lifestyle PHOTOGRAPHERS enjoy a very close relationship with our teams to feel the way in terms of what tomorrow will in the age of Fragonard ESCAPE Olivier Capp and customers alike, so we deeply appreciate bring, we are over the moon to bring you these P118 The art of wearing perfume P26 Viva România! Eva Lorenzini your loyalty. -
The Senses in Early Modern England, 1558–1660
5 Seeing smell Holly Dugan In January 2013, the Institute for Art and Olfaction commissioned graphic artist Micah Hahn and his design studio AutumnSeventy to create a series of prints on perfumery to commemorate its opening in Los Angeles.1 The result was Molecules, Series 1, which depicts three of the most influential molecules that defined twentieth-century perfumery – aldehyde C12, Iso E Super®, and Galaxolide.2 Gilded and embossed, the prints emphasize the chemical structure of these molecules, even as it renders them as fine art. That the prints are also lightly scented with each aromachemical depicted on it emphasizes the broader, and one might say synaesthetic, take on the mission of the institute: to connect fineart with olfaction. Although it is a visual representation of molecules that define modern perfumery, Molecules, Series 1 thus joins a long art historical tradition of cross-modal representations of sensation, particularly smell. Can a molecule be considered fine art? And, if so, which representation of that molecule best captures its olfactory beauty and renders it ‘visible’? Consider, for example, Hahn’s Galaxolide (Figure 3). It playfully invokes a wide variety of sensory modes to capture the aesthetic of Galaxolide. The print highlights both its chemical formula – C18H26 O – and its structural formula. Both are linked to its cultural associations with perfumery and public health. Galaxolide is a second-generation polycyclic synthetic musk, discovered in the 1960s, meant to synthesize the natural scent of deer musk. Translated into the language of public health, it is a hydrophobic but lipophilic ‘toxin’: it won’t wash off in water and is easily stored in human fat.3 Rendered into the language of commercial perfumery, however, it smells ‘clean’, a ‘musky, flowery, woody odor’ with a ‘sweet, powdery nuance’.4 Both its scent and its structure made it ideal for use in laundry detergents and soaps. -
Perfume and Pomanders : Scent and Scent Bottles Through the Ages Pdf, Epub, Ebook
PERFUME AND POMANDERS : SCENT AND SCENT BOTTLES THROUGH THE AGES PDF, EPUB, EBOOK E. Launet | 212 pages | 24 Sep 1999 | Potterton Books Publishing | 9781870599016 | English | Thirsk, United Kingdom Perfume and Pomanders : Scent and Scent Bottles through the Ages PDF Book You are commenting using your WordPress. Eau de cologne containing rosemary, bergamot and bitter orange. Glass is a brittle solid compound composed of silica, sand, soda and lime. I just love perfume bottles but had no idea of the long history. This revolutionised the industry since mass production was possible. War: gunpowder, horses, wet earth, anxiety sweat, leather. This work called for a high degree of skill. Some have argued that the glass industry of Venice did not emerge as a result of the Mesopotamian, Phoenician and Roman influence, but developed independently. The technique of glass-blowing was invented in Syria in the first century BC. Examples of perfume bottles drawn principally from the Schwarzkopf collection in Steinhorst. During the Middle Ages, people became afraid of drinking water for fear of an epidemic. Ziolkowsky GmbH The topper is a simple, dark blue triangular shape. These were openwork metal balls that could be filled with various combinations of aromatics that varied according to recipe, availability, and budget. I have loved perfumes since I was a little girl and I have a pretty substantial collection. Lichtenberger, Marianne Due gocce di profumo Milano: Idealibri England, in particular, produced unique glass perfume bottle decorated with enamelling and often gilded. Date To visit an English town in the late fourteenth century is a bewildering and extreme sensory experience. -
Boss Bottled HUGO BOSS Coty 1998 0,7 5 Woody Fruity
P e r fu m e your world RANKING P e r fu m e your world UNISEX 66,1 million € WOMEN + 19,1% vs 2016 MEN 887,8 million € 574,7 million € + 5,2 % vs 2016 + 3,9% vs 2016 TOTA 1.53 milliard € in 2017 + 5.3% vs 2016 2 FINE P e r fu m e your world YEAR OF MARKET RANKING OLFACTIVE OLFACTIVE RANKING PERFUME BRAND GROUP LAUNCH SHARE (%) 2016 FAMILY SUB-FAMILY Coco 1 CHANEL Chanel 2001 4,2 1 Chypre Fruity Mademoiselle 2 Chanel N°5 CHANEL Chanel 1921 2,4 2 Floral Aldehydic YVES SAINT 3 Black Opium L’Oréal 2014 2,1 5 Floriental Ambery LAURENT La Vie est 4 LANCÔME L'Oréal 2012 2,1 4 Floriental Woody Belle 5 Lady Million PACO RABANNE Puig 2010 2,0 3 Floriental Edible 6 Alien MUGLER Clarins 2005 1,7 6 Floral Woody 7 J'adore CHRISTIAN DIOR LVMH 1999 1,6 7 Floral Fruity 8 Gabrielle CHANEL Chanel 2017 1,5 NEW Floral Green 9 Diamonds EMPORIO ARMANI L’Oréal 2007 1,4 9 Floriental Fruity 10 Olympéa PACO RABANNE Puig 2015 1,3 8 Floriental Green 11 Miss Dior CHRISTIAN DIOR LVMH 2005 1,3 25 Chypre Fruity 12 Si ARMANI L’Oréal 2013 1,2 14 Chypre Fruity 13 Daisy MARC JACOBS Coty 2007 1,2 13 Floral Fruity 14 Angel MUGLER Clarins 1992 1,1 11 Oriental Edible 15 Bamboo GUCCI Coty 2015 1,0 10 Floral Spicy 4 P e r fu m e your world YEAR OF MARKET RANKING OLFACTIVE OLFACTIVE RANKING PERFUME BRAND GROUP LAUNCH SHARE (%) 2016 FAMILY SUB-FAMILY 16 Flowerbomb VIKTOR & ROLF L’Oréal 2005 1,0 15 Floral Oriental 17 Coco CHANEL Chanel 1984 1,0 17 Floriental Spicy 18 Chance CHANEL Chanel 2002 0,9 18 Chypre Floral 19 Scandal JEAN PAUL GAULTIER Puig 2017 0,9 NEW Oriental Edible 20 -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date: August 13, 2006. I, Grettel Zamora-Estrada , hereby submit this work as a part of the requirements of the degree of: Master of Science (M.S.) . in: Pharmaceutical Sciences . It is entitled: Partitioning of Perfume Raw Materials in Conditioning Shampoos using Gel Network Technology________________________________________ ty . This work and its defense approved by: Chair: Gerald B. Kasting, Ph. D. _____________ R. Randall Wickett, Ph.D. Eric S. Johnson, Ph.D. Kevin M. Labitzke, A.S. _ . Partitioning of Perfume Raw Materials in Conditioning Shampoos using Gel Network Technology by Grettel Zamora-Estrada A dissertation proposal synopsis Submitted in partial fulfillment Of the requirements for the degree of M.S. Pharmaceutical Sciences University of Cincinnati College of Pharmacy Cincinnati, Ohio July 23, 2006 ii ABSTRACT Gel network technology in conditioning shampoo represents an advantage over traditional silicone 2-in-1 technology due to its main benefits: dry conditioning, wet feel and lower cost. The purpose of this study was to do a proof of principle investigation and to study the main factors that affected partitioning of PRMs into the gel network system shampoos and determine the effect that perfume incorporation had on the shampoo stability of the different formulations . Gel network premixes (literally a conditioner) were formulated then incorporated into a standard shampoo base. Changes in formulation of the gel network such as chain length of fatty alcohols and fatty alcohol ratios were done and its effect on stability and perfume migration studied. A technical accord with 25 PRMs with a very wide range of physical properties was used as a marker. -
CLINICAL AROMATHERAPY 2E ISBN 0-443-07236-1 Copyright 2003, Elsevier Science
CHURCHILL LIVINGSTONE An Imprint of Elsevier Science Publishing Manager: Inta Izols Development Editor: Karen Gilmour Project Manager: Peggy Fagen Design Manager: Mark Bernard Design: Sheilah Barrett Design CLINICAL AROMATHERAPY 2e ISBN 0-443-07236-1 Copyright 2003, Elsevier Science. All rights reserved. No part of this publication may be reproduced in any form or by any means, elec- tronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission of the publisher (Churchill Livingstone, The Curtis Center, Independence Square West, Philadelphia, PA 19106). Churchill Livingstone and the sailboat design are registered trademarks. NOTICE Complementary and alternative medicine is an ever-changing field. Standard safety precautions must be followed, but as new research and clinical experience broaden our knowledge, change in treatment and drug therapy may become necessary as appropriate. Readers are advised to check the most cur- rent product information provided by the manufacturer of each drug to be administered to verify the recommended dose, the method and duration of administration, and contraindications. It is the re- sponsibility of the licensed prescriber, relying on experience and knowledge of the patient, to deter- mine dosages and the best treatment for each individual patient. Neither the publisher nor the editors assume any liability for any injury and/or damage to persons or property arising from this publication. Library of Congress Cataloging in Publication Data Buckle, Jane, RGN, MA, BPhil, Cert Ed, MISPA, MIScB. Clinical aromatherapy / Jane Buckle.—2nd ed. p. ; cm. Rev. ed. of: Clinical aromatherapy in nursing / Jane Buckle. c1997. Includes bibliographical references and index. ISBN 0-443-07236-1 1. -
Perfumes and Their Preparation, by George William Askinson
The Project Gutenberg EBook of Perfumes and their Preparation, by George William Askinson This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Perfumes and their Preparation Containing complete directions for making handkerchief perfumes, smelling-salts, sachets, fumigating pastils;... Author: George William Askinson Translator: Isidor Furst Release Date: October 12, 2017 [EBook #55735] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK PERFUMES AND THEIR PREPARATION *** Produced by Chris Curnow, Les Galloway and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) PERFUMES AND THEIR PREPARATION. CONTAINING COMPLETE DIRECTIONS FOR MAKING HANDKERCHIEF PERFUMES, SMELLING-SALTS, SACHETS, FUMIGATING PASTILS; PREPARATIONS FOR THE CARE OF THE SKIN, THE MOUTH, THE HAIR; COSMETICS, HAIR DYES, AND OTHER TOILET ARTICLES. WITH A DETAILED DESCRIPTION OF AROMATIC SUBSTANCES; THEIR NATURE, TESTS OF PURITY, AND WHOLESALE MANUFACTURE. BY GEORGE WILLIAM ASKINSON, DR. CHEM., MANUFACTURER OF PERFUMERY. TRANSLATED FROM THE THIRD GERMAN EDITION BY ISIDOR FURST. (WITH CORRECTIONS AND ADDITIONS BY SEVERAL EXPERTS.) Illustrated with 32 Engravings. NEW YORK: LONDON: N. W. HENLEY & CO., E. -
On Eeg, Emotion & Odour
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/136112 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications - CONTENTS- Page C ontents..............................................................................................................................i List of tables and illustrations...........................................................................x Acknowledgem ents.................................................................................................... xiii D eclaration....................................................................................................................xiv A bstract...........................................................................................................................xv Chapter 1: Olfactory psychology-an introduction and o v e r v i e w ................................................................................................................. 1 1.1. Psychology and the sense of smell ......................................................... 1 1 .2 . The human psychophysiology of the sense of smell.................................. 6 -
NVEO 2019, Volume 6, Special Issue
NVEO 2019, Volume 6, Special Issue CONTENTS Wellcome address of the Presidents of the Local Organizing Committee......... 2 ISEO 2019 Committees....................................................................................... 3 ISEO Medal of Honour........................................................................................ 4 IFEAT - Young Scientists Fellowship.................................................................... 5 NVEO 2019 Editorial........................................................................................... 6 Scientific Programme......................................................................................... 8 List of Poster Presentations................................................................................ 12 Abstracts............................................................................................................. 18 Sponsors............................................................................................................. 186 50th International Symposium on Essential Oils (ISEO2019) Key of Abbreviations: WS workshop WL welcome lecture PL plenary lecture IS invited speaker OP oral presentation YS young scientist presentation PD panel discussion PP poster presentation YS PP young scientist poster presentation All abstracts are from the 50th International Symposium on Essential Oils (ISEO2019) Abstract Book By Editors: Johannes Novak & Iris Stappen are adapted to the NVEO –ISEO 2019 Special Issue e-ISSN: 2148-9637 Nat. Vol. & Essent. Oils, 2019, 6 -
ESQ Junjul20
Portfolio Portfolio Feature Feature NOTES FROM THE PERFUME INDUSTRY Olivier Pescheux Givaudan perfumer A Creations: 34 boulevard Saint Germain Diptyque, Amber Sky Ex Nihilo, Arpege Pour Homme Lanvin, 1 Million Paco Rabanne, Balmain Homme Pierre Balmain, Higher Christan Dior ESQ: In hindsight, do you find that trends, current events or cultural movements have an impact on your creations? OLIVIER PESCHEUX: It’s hard to answer with certainty. Nevertheless, perfumers are like sponges absorbing the air of time (Nina Ricci’s L’Air du Temps is one of the most accurate names you can find). Hence every societal movement leaves its mark on creations, in a more or less obvious way. It’s still too early to know in IN what ways the current health crisis will leave its mark in perfume, but it will leave its mark, that’s for sure. ESQ: Do you attribute gender to certain notes and raw materials? OLIVIER PESCHEUX : Not really, but it’s true that I perceive rose as rather feminine simply because it has been used a lot THE and in significant quantities in women’s fragrances in the West. That’s less true in the Middle East, where the rose also perfumes men. Lavender is rather masculine as it’s used a lot in fougère, the favourite family of men’s fragrances. It’s interesting to note that in Brazil, lavender is also feminine. So it’s more of a cultural affair. Yann Vasnier I’m trying to fight against this natural and cultural leaning, and on Givaudan perfumer the contrary, I use this challenge to fuel my creativity. -
Handbook of Essential Oils: Science, Technology, and Applications
Handbook of ESSENTIAL Science, Technology, OILS and Applications Handbook of ESSENTIAL Science, Technology, OILS and Applications Edited by K. Hüsnü Can Bas¸er Gerhard Buchbauer Boca Raton London New York CRC Press is an imprint of the Taylor & Francis Group, an informa business CRC Press Taylor & Francis Group 6000 Broken Sound Parkway NW, Suite 300 Boca Raton, FL 33487-2742 © 2010 by Taylor and Francis Group, LLC CRC Press is an imprint of Taylor & Francis Group, an Informa business No claim to original U.S. Government works Printed in the United States of America on acid-free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number: 978-1-4200-6315-8 (Hardback) This book contains information obtained from authentic and highly regarded sources. Reasonable efforts have been made to publish reliable data and information, but the author and publisher cannot assume responsibility for the valid- ity of all materials or the consequences of their use. The authors and publishers have attempted to trace the copyright holders of all material reproduced in this publication and apologize to copyright holders if permission to publish in this form has not been obtained. If any copyright material has not been acknowledged please write and let us know so we may rectify in any future reprint. Except as permitted under U.S. Copyright Law, no part of this book may be reprinted, reproduced, transmitted, or uti- lized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopy- ing, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers.