DOCSLIB.ORG

Style Guide Table of Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Style Guide Table of Contents STYLE GUIDE TABLE OF CONTENTS Brand Guidelines Digital Media Templates Overview ................................. 3 Website ..................... 18 Letterhead & Envelopes ................ 25 Vision, Mission, Values .......... 4 Social Media ............. 21 Media Releases ............................ 26 Marks - Logo, Seal & Spur ..... 6 E-Mail Signature ....... 23 Proclamations & Resolutions ........ 28 Department Logos ................. 9 PowerPoint ............... 24 Ordinances .................................... 29 Use of Marks ........................ 10 Council Communications .............. 30 Colors ................................... 11 Request for Proposals .................. 31 Fonts .................................... 12 Printed Materials ........................... 32 City Designed Logos ............ 13 Business Cards ............................ 36 Photography ......................... 17 Identification .................................. 38 Vehicles ........................................ 39 Quick Guides Uniforms ....................................... 40 City .........................................A Parks & Recreation ................B Signage – Facilities ...................... 41 Police .................................... C Fire Rescue .......................... D Transit ....................................E 2 | Page Brand Guidelines These guidelines are designed to establish and strengthen brand equity through integrated messaging and usages for the city. This document is a guide to managing the City of Steamboat Springs’ reputation and community identity. These efforts benefit departments and the city as a whole by standardizing materials to save time, be more efficient and share a similar look. The brand of the City of Steamboat Springs is more than simply a location. It’s the perception of the city and what makes Steamboat Springs distinctive, different and stand out from other municipalities. These guidelines ensure a greater level of communication success and comprehensive messaging that stays true to who we are as a city and how our neighbors, business owners and visitors relate to us, the City of Steamboat Springs. 3 | Page City of Steamboat Springs Located in northwest Colorado, the City of Steamboat Springs was incorporated in 1900 and lies against the western flank of the Continental Divide of the Rocky Mountains. With a history rooted in the American west, this genuine and authentic community embraces a year-round mountain lifestyle; a western heritage that still holds strong generations later; an Olympian tradition spanning nearly a century; abundant outdoor recreation centered around the Yampa River, namesake mineral springs and miles of trails and open space; and a passion for taking care of its neighbors through a diversity of community organizations. Vision Mission Values To preserve our past while We plan, partner and provide Friendliness assuring an economically, superior services and facilities in Integrity culturally and environmentally a thriving, authentic community. Respect sustainable future. Stewardship Teamwork Tagline We Serve The City 4 | Page Capitalize The name of the city should always be capitalized when used to identify the city or destination; however, city should not be capitalized when used alone. • The City of Steamboat Springs is a proud partner of the following organizations. • The city partners with various organizations. Geography The location of the city should be referred to as Steamboat Springs and not simply Steamboat, if possible. Numbers Typically, numbers from one to ten should be spelled out and do not use st, th, nd, rd on dates. In addition, never use 1st Annual – should be Inaugural. After that can be referred to as 2nd Annual, 43rd Annual, etc. Staff The employees of the city are the heart and soul of the organization and the driving force in providing the highest level of service for residents and guests. A city is only as good as its citizens and Steamboat Springs relies on the professionalism, dedication and expertise of its employees to live up to its vision and mission on a daily basis. We Serve the City One Team One Goal One City Photos of staff should represent employee as ambassadors for the city. See photo guidelines on page 17. Community Recognition For all community recognition, the City of Steamboat Springs logo is to be used as the primary mark. It is rare that a department logo would be used, which requires advanced approval by Communications and/or the City Manager. 5 | Page MARKS The City of Steamboat Springs spur logo is unique and immediately recognizable. It is a direct reflection of the staff, services and programs which set the city apart from other municipalities. This section provides specific guidelines on how to use the logo effectively and consistently with all marketing collateral related to the City of Steamboat Springs. The City of Steamboat Springs logo, seal and spur must appear in one of the following formats. Logo Two-Color One-Color Blue RGB (0/85/140) | Silver (167/169/172) RGB (0/85/140) One-Color One-Color Black White Two-Color Vertical One-Color Blue Vertical One-Color Vertical RGB (0/85/140) | Silver (167/169/172) RGB (0/85/140) White Logo Font: Bozeman 6 | Page Seal Two-Color One-Color Blue RGB (0/85/140) | Silver (167/169/172) RGB (0/85/140) One-Color One-Color Black White Seal Font: Helvetica 7 | Page Spur Two-Color One-Color Blue RGB (0/85/140) | Silver (167/169/172) RGB (0/85/140) One-Color One-Color Black White 8 | Page DEPARTMENT LOGOS The City of Steamboat Springs logo should be the primary version used for the majority of materials regardless of department. The exceptions may include Police Services, Steamboat Springs Fire Rescue, Steamboat Springs Transit and approved city designed logos, such as Howelsen Hill, Ice Complex, etc. On the rare occasion, a department logo is necessary; then, see Communications for options and approval, which will also need to be obtained from the City Manager. Note: Refrain from using department with name. For example, use Public Works instead of Public Works department; Steamboat Springs Police instead of Steamboat Springs Police department. 9 | Page USE OF MARKS All collateral materials should include a version of the City of Steamboat Springs logo, and if not adequate space, then the seal may be used with approval. Keeping a consistent look will prevent confusion. The following outlines how the logo should NOT be used in materials. Examples: Special Events Do not alter colors Do not rotate Do not add text Do not use portions of logo Do not add extra elements Do not ‘squeeze’ or ‘stretch’. Note: Do not change the logotype in any instance of use and do not add additional text under the logo. Any additional questions about the use of the logo should be directed to Communications. 10 | Page COLORS Primary Colors Pantone 7462C Silver RGB 0/85/140 RGB 167/169/172 Secondary Colors White Yellow Orange Black RGB 255/255/255 RGB 254/237/1 RGB 226/117/0 RGB 0/0/0 Represents the Represents 300 Represents the Represents the abundant, light, dry days of sunshine, color of aspen coal mining and powder snow yellow aspen, leaves and Yampa mineral history of wildflowers & year- Valley sunsets the valley round climate Green Red Blue Olympic Heritage RGB 54/70/43 RGB 196/18/48 RGB 0/85/140 Gold RGB 142/119/72 Represents the Represents the Represents the sky lush Yampa Valley earth, trails and and the color of Silver and its open rich mineral water in the RGB 167/169/172 space, parks, components and Yampa River, trails, vegetation & vibrancy of the lakes & reservoirs sustainability Yampa Valley Bronze RGB 139/99/75 11 | Page FONTS The following fonts should be used in marketing and collateral materials. Generally, Helvetica, Arial or Calibri serve as the primary fonts for general text and content. Tahoma, Verdana or Univers are secondary fonts and used as an alternative. Primary Fonts Secondary Fonts Helvetica Calibri a b c d e f g h i j k l m n o p q r s t u v w x y z a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 Arial Verdana a b c d e f g h i j k l m n o p q r s t u v w x y z a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 Tahoma Univers (W1) a b c d e f g h i j k l m n o p q r s t u v w x y z a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 Logo & Seal Fonts Bozeman (Logo-City of Steamboat Springs) Helvetica (Seal-City of Steamboat Springs) a b c d e f g h i j k l m n o p q r s t u v w x y z a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 12 | Page CITY DESIGNED LOGOS Updates or modifications to city designed logos must be approved by communications and ultimately the City Manager.
Load more

Recommended publications
  • Cloud Fonts in Microsoft Office
    APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ
    [Show full text]
  • Presentation
    Born Broken: Fonts And Information Loss In Legacy Documents Geoffrey Brown and Kam Woods Indiana University School of Informatics and Computing Key Questions How pervasive are font substitution problems ? What information is available to identify fonts ? How well can we match the fonts required by a document collection ? How can we assist archivists in identifying serious font issues ? Page 8 MCTM Bulletin February 2005 K: I knew what you meant. I was just kidding. I’ll do XüLLbl (W):InputQ:FnOff :"""Y =! Y",Y#:PlotsOff the dishes tonight at dinner. YüL‚(W):Goto:0!Xscl:0!Yscl:Plot1(Scatt T er,L#,L$,&) PlotsOn 1:ZoomStat:StorePic Pic1 Lbl Q:FnOff :""üY :PlotsOff Jennifer felt better so offered the following challenge to Pause :Goto T Kevin. Lbl:0üXscl:0üYscl:Plot1(Scatt S:ClrHome:2!dim(L%er,L):dim(L ,L‚,Ñ)# )!N J: What type of general statement can you make DispPlotsOn "NO. 1:ZoomStat:StorePic OF Pic1 regarding the various polygons and, better yet, what PausePTS.":Output(1,13,N):Pause :Goto T can you say about a figure that looks like this? LblFor(I,1,N):ClrHome S:ClrHome:2üdim(Lƒ):dim(L )üN Disp "NO. "PT. OF NO.","":Output(1,9,I) PTS.":Output(1,13,N):Pause L#(I)!L%(1):L$(I)!L%(2) For(I,1,N):ClrHome Disp L%:Pause :End:Goto T LblDisp "PT.0:Menu(" NO.","":Output(1,9,I) MODELS R""," LINEAR (2)",1,"L(I)üLƒ(1):L‚(I)üLƒ(2) QUADRATIC",2," CUBIC/QUARTIC",3,"Disp Lƒ:Pause :End:Goto LOGARITHMIC",4," T LblEXPONENTIAL",5," 0:Menu(" MODELS POWER",6," RÜ"," LINEAR MAIN (2)",1," MENU",T) QUADRATIC",2," CUBIC/QUARTIC",3," Lbl 1:"aX+b"!Y# Kevin was impressed.
    [Show full text]
  • Internal Use Only
    LOGO GUIDELINES INTERNAL USE ONLY www.indsci.com | Follow us on INTRODUCTION The Industrial Scientific brand reflects a clean, modern, yet industrial look and feel. With simple text and a lot of white space, it creates breathing room which is pleasing to the eye. Large images are eye catching to draw you in and the minimal text provides a straightforward overview of our products. We make sure all pieces whether sales tools or technical documents, have a consistent look sticking to these brand standard guidelines. Using the Industrial Scientific blue as the dominant color, orange and gray are used as accent colors along with the secondary pallet for support. INTRODUCTION About Industrial Scientific Corporation As a global leader in connected sensing technology, Industrial Scientific provides gas detection products, services, and software to keep workers safe in hazardous environments. To date, the company supports 3,000 iNet® customers and monitors more than 375,000 devices across 13,500 sites. Established in 1985 and headquartered in Pittsburgh, Pennsylvania, Industrial Scientific has more than 1,200 global employees across 21 countries committed to preserving human life and eliminating death on the job by the year 2050. Industrial Scientific is also the parent company to Intelex Technologies (www.intelex.com). For more information, visit www.indsci.com. OUR VISION OUR MISSION OUR WAY Industrial Scientific people are dedicating Preserving human life on, Humble, hungry and smart. their careers to eliminating death on the above, and below the earth. Delivering highest Seek truth; speak truth. job, by the year 2050. quality, best customer service— every Serving others is our greatest joy.
    [Show full text]
  • Skagit Wild & Scenic River System Sign Plan and Graphics Guideline
    Skagit Wild & Scenic River System Sign Plan and Graphics Guideline for Mt. Baker/ Snoqualmie National Forest Skagit Wild & Scenic River System Sign Plan and Graphics Guideline for Mt. Baker/Snoqualmie National Forest by Joe Guarisco and Louanne Atherley Heritage Design USDA Forest Service January 2002 This project was funded by Seattle City Light as part of The Settlement Agreement on Recreation for the Skagit Hydroelectric Project #553 Cascade River SKAGIT WILD & SCENIC RIVER SYSTEM TABLE OF CONTENTS PAGE INTRODUCTION...................................................................................................................................... 9 I. FAMILY OF SIGNS .......................................................................................................................... 13 a. WAYSIDE EXHIBITS ................................................................................................................... 15 ORIENTATION .......................................................................................................................... 17 INTERPRETIVE ........................................................................................................................ 19 b. ROADWAY SIGNS ...................................................................................................................... 21 W&SR IDENTIFIER .................................................................................................................. 23 WELCOME W&SR ....................................................................................................................25
    [Show full text]
  • Univers Adrian Frutiger’S Most Prominent Typeface
    Beyond the Univers Adrian Frutiger’s Most Prominent Typeface by Wifany Caudenly Beyond The Univers Wifany Caudenly [2A - F09DM0623] TABLE OF CONTENTS : Exploring the Univers 4 Adrian Frutiger 6 7 Deberny & Peignot 8 Univers Weights The Frutiger Numbering 10 System Identifying Characteristics 12 14 Anatomy Comparison The great stroke of luck in my life is to have “been blessed first with an artistic feeling for shapes and second with an easy grasp of The Universe of Univers technical processes and of mathematics. 16 ~Adrian Frutiger ” 2 3 u•ni•vers Adrian Frutiger H mVDu PT i 1954 E aj s N k g e u xq dD O sX h T Br K E h Q F b Sc Gy I NUq uH ag LWyF P t p i AZ k x h l Z o kRiz n X H FG N gM N S u B W S y UTz In 1957, The Swiss e e qK z a typographer Adrian Frutiger J r designed a revolutionary C Rp typeface called Univers. N vPo n c Its simple sans-serif grotesque dF c d hj letterforms are renowned X o R Q e L for its legibility and graphic unity. t E f V Endowed with extreme versatility, k m M mB Z N Univers fulfils its duty as a utilitarian ft n JA workhorse throughout the world. W t L U AG L l vr s 4 | exploring the univers U exploring the univers | 5 Frutiger Charles Peignot invit- Peignotopurchased So, from his early adrian ed Adrian Frutiger to the rights to Pho- sketches at the Zur- work at his company ton, theifirstiphoto- i ch o s ch o o l o f o r o t h e early life Deberny & Peignot typographyimachine appliediarts,oAdrian in 1952.oThere,owh in the United States Frutigerodeveloped hi- Adrian Frutiger was born May 24, 1928 in Unterseen, Switzerland.
    [Show full text]
  • INTERNATIONAL TYPEFACE CORPORATION, to an Insightful 866 SECOND AVENUE, 18 Editorial Mix
    INTERNATIONAL CORPORATION TYPEFACE UPPER AND LOWER CASE , THE INTERNATIONAL JOURNAL OF T YPE AND GRAPHI C DESIGN , PUBLI SHED BY I NTE RN ATIONAL TYPEFAC E CORPORATION . VO LUME 2 0 , NUMBER 4 , SPRING 1994 . $5 .00 U .S . $9 .90 AUD Adobe, Bitstream &AutologicTogether On One CD-ROM. C5tta 15000L Juniper, Wm Utopia, A d a, :Viabe Fort Collection. Birc , Btarkaok, On, Pcetita Nadel-ma, Poplar. Telma, Willow are tradmarks of Adobe System 1 *animated oh. • be oglitered nt certain Mrisdictions. Agfa, Boris and Cali Graphic ate registered te a Ten fonts non is a trademark of AGFA Elaision Miles in Womb* is a ma alkali of Alpha lanida is a registered trademark of Bigelow and Holmes. Charm. Ea ha Fowl Is. sent With the purchase of the Autologic APS- Stempel Schnei Ilk and Weiss are registimi trademarks afF mdi riot 11 atea hmthille TypeScriber CD from FontHaus, you can - Berthold Easkertille Rook, Berthold Bodoni. Berthold Coy, Bertha', d i i Book, Chottiana. Colas Larger. Fermata, Berthold Garauannt, Berthold Imago a nd Noire! end tradematts of Bern select 10 FREE FONTS from the over 130 outs Berthold Bodoni Old Face. AG Book Rounded, Imaleaa rd, forma* a. Comas. AG Old Face, Poppl Autologic typefaces available. Below is Post liedimiti, AG Sitoploal, Berthold Sr tapt sad Berthold IS albami Book art tr just a sampling of this range. Itt, .11, Armed is a trademark of Haas. ITC American T}pewmer ITi A, 31n. Garde at. Bantam, ITC Reogutat. Bmigmat Buick Cad Malt, HY Bis.5155a5, ITC Caslot '2114, (11 imam.
    [Show full text]
  • Typography Height
    THIS MONTH POInts OF VIEW a Serif Sans serif b Ascender Serif Typography Height Typography is the art and technique of arranging type. Like a Serif Descender person’s speaking style and skill, the quality of our treatment of Figure 1 | Typefaces. (a) The anatomy of letterform for serif (Garamond) letters on a page can influence how people respond to our mes- and sans serif (Univers) type both set at 58 point. (b) Four of the most sage. It is an essential act of encoding and interpretation, linking readily available fonts. what we say to what people see. Typography has been known to affect perception of credibility. line and paragraph settings (Fig. 2b). The relative scale of white In one study, identical job resumes printed using different type- space in Figure 2b makes the hierarchy of the content apparent. faces were sent out for review. Resumes with typefaces deemed Differentially aligning the paragraph text and bulleted list, when appropriate for a given industry resulted in applicants being con- allowed, differentiates the content. sidered more knowledgeable, mature, experienced, professional, To achieve meaningfully spaced text, use the ‘space before’ and believable and trustworthy than when less appropriate typefaces ‘space after’ settings instead of extra carriage returns. Find the were used1. In this case, picking the right typeface can help some- settings under Font menu > Paragraphs (PowerPoint) or Format one’s chances of landing a job. menu > Paragraphs (Word). The paragraph text in Figure 2b is set The term typeface is frequently conflated with font; Arial is a with 5 point space after it; the bulleted list has 3 point space after ‘typeface’ that may include roman, bold and italic ‘fonts’.
    [Show full text]
  • The Evolution of the Printed Bengali Character
    The Evolution of the Printed Bengali Character from 1778 to 1978 by Fiona Georgina Elisabeth Ross School of Oriental and African Studies University of London Thesis presented for the degree of Doctor of Philosophy 1988 ProQuest Number: 10731406 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 10731406 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 20618054 2 The Evolution of the Printed Bengali Character from 1778 to 1978 Abstract The thesis traces the evolution of the printed image of the Bengali script from its inception in movable metal type to its current status in digital photocomposition. It is concerned with identifying the factors that influenced the shaping of the Bengali character by examining the most significant Bengali type designs in their historical context, and by analyzing the composing techniques employed during the past two centuries for printing the script. Introduction: The thesis is divided into three parts according to the different methods of type manufacture and composition: 1. The Development of Movable Metal Types for the Bengali Script Particular emphasis is placed on the early founts which lay the foundations of Bengali typography.
    [Show full text]
  • Graphic Identity Guidelines Table of Contents Introduction Wordmark 1 Safety Area 2 Color 3 Primary Typography 4 Secondary Typography 5 Misuse of the Logo 6
    Graphic Identity Guidelines Table of Contents Introduction Wordmark 1 Safety Area 2 Color 3 Primary Typography 4 Secondary Typography 5 Misuse of the Logo 6 Applications Official Seal 8 Letterhead 9 Typing Formats 10 Half Size Letterhead 11 Business Cards 12 Note Cards & Compliments Cards 13 Business Envelopes 14 Announcement Envelopes 15 Fax Form 16 Memo Form 17 Mailing Label 18 Brochures 19 Signatures 20 Press Kit Folder 21 Power Point Template 22 Apparel 23 Additional Merchandise 24 Introduction Middlebury strives to maintain a con- These guidelines include a description sistent visual, or graphic, identity as a of the logo and guidelines for its use, major component of communicating the including official colors and typefaces, strength and integrity of the institution. as well as the appropriate use of the A unified approach to graphics fosters a existing presidential seal. If any ques- strong, consistent institutional image tions regarding usage arise, please con- for both internal and external audiences. tact the communications department. The success of any identity program depends on the cooperation of all members of the college community. 1 Wordmark The Middlebury wordmark is set in Bembo Semibold. The Bembo typeface originated in Venice, an important typographic center in 15th- 16th-century Europe. Bembo is an oldstyle serif face with calligraphic details. It has been used in Middlebury College communica- tions for decades and carries a sense of history and tradition. Please note that the word Middlebury has been carefully letterspaced and should only be reproduced from original art. Please do not use computer fonts to recreate the wordmark.
    [Show full text]
  • Teaching Guide & Worksheets
    JANUARY/FEBRUARY 2019 TEACHING GUIDE & WORKSHEETS OVERVIEW By middle-school age, young people are forming opinions about everything they encounter. With that in mind, WORLDteen chooses stories to broaden readers’ knowledge beyond just the events of their day-to-day lives, giving them more opportunity to apply thinking skills and discernment to the events of the greater world. WORLDteen stories are selected not simply for appealing content. Our editors look for news that gives opportunity to prompt response in readers, encouraging them to ask questions of their own, to apply biblical truth, and to consider ethical practices. EACH TOPIC SECTION INCLUDES: • Four unique stories (thirty-two online stories total; selected stories in print magazine) • Photo slideshows with each online story (thirty-two total) • One quiz for each topic (eight online quizzes total; one topic quiz in print magazine) • Choice of printable worksheets included with teaching guide DAILY NEWS SECTION: • Online News Bytes section for breaking news each weekday • News Bytes comments area for safe discussion of current events RECOMMENDED PACING: • Daily—Read the current online News Bytes stories and reader comments; optionally, add your own comments online. • Weekly—Work through one topic section through the week: read all four stories online, research the topic further, comment online with other WORLDteen readers, and finish by taking the online quiz. • Weekly—Complete your choice of printable worksheets (included with your teaching guide) to study a selected article or that week’s topic more thoroughly. WORLDteen 1 JANUARY/FEBRUARY TEACHING GUIDE EXPLAIN IT! STORIES Check the box after reading each story, and then take the quiz.
    [Show full text]
  • TESI E.VILALTA.Pdf
    U UNIVERSITAT DE BARCELONA B DEPARTAMENT D’ECOLOGIA STRUCTURE AND FUNCTION IN FLUVIAL BIOFILMS IMPLICATIONS IN RIVER DOC DYNAMICS AND NUISANCE METABOLITE PRODUCTION ESTRUCTURA I FUNCIÓ DELS BIOFILMS FLUVIALS IMPLICACIONS EN LA DINÀMICA DEL DOC AL RIU I LA PRODUCCIÓ DE METABÒLITS SECUNDARIS ELISABET VILALTA BALIELLAS BARCELONA, 2004 STRUCTURE AND FUNCTION IN FLUVIAL BIOFILMS IMPLICATIONS IN RIVER DOC DYNAMICS AND NUISANCE METABOLITE PRODUCTION UNIVERSITAT DE BARCELONA FACULTAT DE BIOLOGIA DEPARTAMENT D’ECOLOGIA PROGRAMA DE DOCTORAT DIPLOMATURA EN ESTUDIS AVANÇANTS EN ECOLOGIA (DEA) BIENNI 2000-2002 MEMORIA PRESENTADA PER ELISABET VILALTA BALIELLAS PER OPTAR AL GRAU DE DOCTORA EN BIOLOGIA TESI REALITZADA SOTA LA DIRECCIÓ I TUTORIA DE Dr. SERGI SABATER Dra. ISABEL MUÑOZ Director Tutora BARCELONA, JULIOL 2004 Als meus pares AGRAÏMENTS Els agraïments d’aquesta tesi van dirigits especialment al meu director de tesi, en Sergi Sabater, sense el qual no n’hauria estat possible la seva realització. Altres persones es mereixen també un èmfasi especial, com són la Isabel Muñoz, tutora de la tesi, l’Anna M. Romaní i l’Helena Guasch, pels suggeriments, comentaris i motivacions que em van anar transmetent al llarg de la tesi. La realització de la tesi va estar englobada dins el projecte europeu "Natural biofilms as high-tech conditioners for drinking water" (BIOFILMS) i subvencionat pel programa europeu "Environment & Climate" num. EVK1-1999-00005. Per tant, cal agrïr la col.laboració de les diferents entitats involucrades en la realització del projecte, com són, el "Department of Aquatic Ecology" del "Institute of Biodiversity and Ecosystems Dynamics" de la Universitat d’Amsterdam; el "Department of Environment Microbiology" del "Forschungszentrum of Karlsruhe" (Alemanya); el "Department of Experimental Phycology and Ecotoxicology" del "Czech Academy of Sciences" a Brno (República Txeca) i el propi Departament d’Ecologia de la Universitat de Barcelona.
    [Show full text]
  • Fonts Installed with Each Windows OS
    FONTS INSTALLED WITH EACH WINDOWS OPERATING SYSTEM WINDOWS95 WINDOWS98 WINDOWS2000 WINDOWSXP WINDOWSVista WINDOWS7 Fonts New Fonts New Fonts New Fonts New Fonts New Fonts Arial Abadi MT Condensed Light Comic Sans MS Estrangelo Edessa Cambria Gabriola Arial Bold Aharoni Bold Comic Sans MS Bold Franklin Gothic Medium Calibri Segoe Print Arial Bold Italic Arial Black Georgia Franklin Gothic Med. Italic Candara Segoe Print Bold Georgia Bold Arial Italic Book Antiqua Gautami Consolas Segoe Script Georgia Bold Italic Courier Calisto MT Kartika Constantina Segoe Script Bold Georgia Italic Courier New Century Gothic Impact Latha Corbel Segoe UI Light Courier New Bold Century Gothic Bold Mangal Lucida Console Nyala Segoe UI Semibold Courier New Bold Italic Century Gothic Bold Italic Microsoft Sans Serif Lucida Sans Demibold Segoe UI Segoe UI Symbol Courier New Italic Century Gothic Italic Palatino Linotype Lucida Sans Demibold Italic Modern Comic San MS Palatino Linotype Bold Lucida Sans Unicode MS Sans Serif Comic San MS Bold Palatino Linotype Bld Italic Modern MS Serif Copperplate Gothic Bold Palatino Linotype Italic Mv Boli Roman Small Fonts Copperplate Gothic Light Plantagenet Cherokee Script Symbol Impact Raavi NOTE: Trebuchet MS The new Vista fonts are the Times New Roman Lucida Console Trebuchet MS Bold Script newer cleartype format Times New Roman Bold Lucida Handwriting Italic Trebuchet MS Bold Italic Shruti designed for the new Vista Times New Roman Italic Lucida Sans Italic Trebuchet MS Italic Sylfaen display technology. Microsoft Times
    [Show full text]