The Golden Alphabet — Part Three — Psalm 119:49-80 C
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The Sexual Landscape of Celestina: Some Observations
THE SEXUAL LANDSCAPE OF CELESTINA: SOME OBSERVATIONS Joseph T. Snow Michigan State University elestina is near-universally acknowledged as a great, compelling work of literature; for many it is a masterpiece in the same league Cas Cervantes' Don Quijote. I endorse these claims. After all, it is a work that—like the Quijote—has been much copied and imitated, trans lated, rendered into verse, theatrical, musical, operatic and balletic adap tations, edited in many guises for distinct groups of readers (sometimes expurgated and sometimes bowdlerized) and, as well, illustrated in prac tically every popular format since its initial appearance in 1499, a little more now than half a millennium ago: woodcuts, oils, statuary, porce lain, pen and ink, copperplate, lithograph, watercolor, filmstrip, film and video. And I know this to be an incomplete summary of the forms which Celestina's survival as a classic have taken.1 Celestina was almost assuredly not conceived on a grand scale: it emerged from the seething crucible of criss-crossing ideas in the univer sity town of Salamanca in the late 1490s. Its characters negotiate a con fined urban space, busy with private affairs of no seeming transcendence. The lapsed time of its actions varies—according to the reading given it— from a mere three days (in the 16-act Comedia version) to somewhat longer than the month by which it was extended through later interpolations (re-baptized the Tragicomedia). Furthermore, its basic plot line—as nar rated in the Argumento—is unremarkable. The work's stated didactic intention: "compuesta en reprehension de los locos enamorados que, vencidos en su desordenado apetito, a sus amigas llaman y dizen ser su dios. -
Loud Proud Passion and Politics in the English Defence League Makes Us Confront the Complexities of Anti-Islamist/Anti-Muslim Fervor
New Ethnographies ‘These voices of English nationalism make for difficult listening. The great strength of Hilary PILKINGTON Pilkington’s unflinching ethnography is her capacity to confound and challenge our political and preconceptions and makes us think harder. This is an important, difficult and brave book.’ Les Back, Professor of Sociology, Goldsmiths, University of London ‘Pilkington offers fresh and crucial insights into the politics of fear. Her unflinchingly honest depiction of the EDL breaks apart stereotypes of rightist activists as simply dupes, thugs, and racists and Loud proud PASSION AND POLITICS IN THE ENGLISH DEFENCE LEAGUE makes us confront the complexities of anti-Islamist/anti-Muslim fervor. This terrific, compelling book is a must-read for scholars and readers concerned about the global rise of populist movements on the right.’ Kathleen Blee, Distinguished Professor of Sociology, University of Pittsburgh Loud and proud uses interviews, informal conversations and extended observation at English Defence League events to critically reflect on the gap between the movement’s public image and activists’ own understandings of it. It details how activists construct the EDL and themselves as ‘not racist, not violent, just no longer silent’ through, among other things, the exclusion of Muslims as a possible object of racism on the grounds that they are a religiously not racially defined Loud group. In contrast, activists perceive themselves to be ‘second-class citizens’, disadvantaged and discriminated against by a two-tier justice system that privileges the rights of others. This failure to recognise themselves as a privileged white majority explains why ostensibly intimidating EDL street demonstrations marked by racist chanting and nationalistic flag waving are understood by activists as standing ‘loud and proud’; the only way of being heard in a political system governed by a politics of silencing. -
Haiti Unbound a Spiralist Challenge to the Postcolonial Canon H
HAITI UNBOUND A SPIRALIST CHALLENGE TO THE POSTCOLONIAL CANON H Both politically and in the fields of art and literature, Haiti has long been relegated to the margins of the so-called ‘New World’. Marked by exceptionalism, the voices of some of its AITI most important writers have consequently been muted by the geopolitical realities of the nation’s fraught history. In Haiti Unbound, Kaiama L. Glover offers a close look at the works of three such writers: the Haitian Spiralists Frankétienne, Jean-Claude Fignolé, and René Philoctète. While Spiralism has been acknowledged by scholars and regional writer- intellectuals alike as a crucial contribution to the French-speaking Caribbean literary tradition, the Spiralist ethic-aesthetic has not yet been given the sustained attention of a full-length U study. Glover’s book represents the first effort in any language to consider the works of the three Spiralist authors both individually and collectively, and so fills an astonishingly empty NBO place in the assessment of postcolonial Caribbean aesthetics. Touching on the role and destiny of Haiti in the Americas, Haiti Unbound engages with long- standing issues of imperialism and resistance culture in the transatlantic world. Glover’s timely project emphatically articulates Haiti’s regional and global centrality, combining vital ‘big picture’ reflections on the field of postcolonial studies with elegant analyses of the U philosophical perspective and creative practice of a distinctively Haitian literary phenomenon. Most importantly, perhaps, the book advocates for the inclusion of three largely unrecognized ND voices in the disturbingly fixed roster of writer-intellectuals who have thus far interested theorists of postcolonial (francophone) literature. -
Download My Tropic Isle
My Tropic Isle by E J Banfield My Tropic Isle by E J Banfield This eBook was produced by Col Choat Notes: Italics in the book have been capitalised in the eBook. Illustrations in the book have not been included in the eBook. This eBook uses 8-bit text. MY TROPIC ISLE BY E. J. BANFIELD AUTHOR OF "THE CONFESSIONS OF A BEACHCOMBER" T. FISHER UNWIN page 1 / 293 LONDON: ADELPHI TERRACE LEIPSIC: INSELSTRASSE 20 1911 TO MY WIFE "What dost thou in this World? The Wilderness For thee is fittest place." MILTON. "Taught to live The easiest way, nor with perplexing thoughts To interrupt sweet life." MILTON. PREFACE Much of the contents of this book was published in the NORTH QUEENSLAND page 2 / 293 REGISTER, under the title of "Rural Homilies." Grateful acknowledgments are due to the Editor for his frank goodwill in the abandonment of his rights. Also am I indebted to the Curator and Officers of the Australian Museum, Sydney, and specially to Mr. Charles Hedley, F.L.S., for assistance in the identification of specimens. Similarly I am thankful to Mr. J. Douglas Ogilby, of Brisbane, and to Mr. A. J. Jukes-Browne, F.R.S., F.G.S., of Torquay (England). THE AUTHOR. CONTENTS CHAPTER. I. IN THE BEGINNING II. A PLAIN MAN'S PHILOSOPHY III. MUCH RICHES IN A LITTLE ROOM IV. SILENCES V. FRUITS AND SCENTS VI. HIS MAJESTY THE SUN VII. A TROPIC NIGHT VIII. READING TO MUSIC IX. BIRTH AND BREAKING OF CHRISTMAS page 3 / 293 X. THE SPORT OF FATE XI. -
Captive Minds Issn 1991–2773
20 /20 1 № Studies Summer Summer Revi ew – guest-edited guest-edited Spring , 3 1 by Małgorzata Poks RIAS Vol. RIAS Vol. of International American Normativities and Protests CAPTIVE MINDS ISSN 1991–2773 Vol. 13, Spring–Summer № 1/2020 CAPTIVE MINDS: NORMATIVITIES AND PROTESTS RIAS Review of International American Studies Revue d’Études Américaines Internationales RIAS Vol. 13, Spring—Summer № 1/2020 ISSN 1991—2773 CAPTIVE MINDS Normativities and Protests guest-edited by Małgorzata Poks EDITORS Editor-in-Chief: Giorgio Mariani Managing Editor: Paweł Jędrzejko Associate Editors: John E. Dean and György ‘George’ Tóth Book Review Editor: Manlio Della Marca Senior Copyeditors: Meghan McKinney Jones, Emily Metzner, Mark Olival-Bartley ISSN 1991—2773 TYPOGRAPHIC DESIGN: Hanna Traczyk / M-Studio s. c. PUBLICATION REALIZED BY: S UNIVERSITYOF SILESIA PRESS IN KATOWICE University of Silesia Press in Katowice ul. Bankowa 12b 40—007 Katowice Poland EDITORIAL BOARD Marta Ancarani, Rogers Asempasah, Antonio Barrenechea, Claudia Ioana Doroholschi, Martin Halliwell, Patrick Imbert, Manju Jaidka, Djelal Kadir, Eui Young Kim, Rui Kohiyana, Kryštof Kozák, Elizabeth A. Kuebler-Wolf, Márcio Prado, Regina Schober, Lea Williams, Yanyu Zeng. ABOUT RIAS Review of International American Studies (RIAS) is the double-blind peer- reviewed, electronic / print-on-demand journal of the International American Studies Association, a worldwide, independent, non-governmental asso- ciation of American Studies. RIAS serves as agora for the global network of international scholars, teachers, and students of America as a hemispheric and global phenomenon. RIAS is published by IASA twice a year (Fall—Winter and Spring—Summer). RIAS is available in the Open Access Gold formula and is REVUE D’ÉTUDES AMÉRICAINES INTERNATIONALE financed from the Association’s annual dues as specified in the “Membership” section of the Association’s website. -
Bicentennial of the United States Constitution: a Resource Guide
DOCUMENT RESUME ED 310 980 SO 020 216 TITLE Bicentennial of the United States Constitution: A Resource Guide. Supplement II: 1989. The Establishment of the Federal Government and Nation? Defense. INSTITUTION Office of the Spcial Assistant for the Bicentennial of the United States Constitution (Army), Washington, DC REPORT NO PIN-902006-000 PUB DATE 89 NOTE 134p.; For the original resource guide, see ED 299 182; for supplement 1, see ED 302 441. PUB TYPE Guides Non-Classroom Use (055) Historical Materials (060) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS *Armed Forces; *Constitutional History; Military Service; *National Defense; *Presidents of the United States; Social Studies; *United States History IDENTIFIERS *Bicentennial; *United States Constitution ABSTRACT The Department of the Army has been chosen to be the executive agent for the Department of Defense (DOD) programs celebrating the Bicentennial of the United States Constitution. The DOD commemorative focus is fourfold:(1) to demonstrate the role and relationships of the military in national government; (2) to provide educational and historical lessons for soldiers, sailors, airmen, marines, their families, and civilian employees; (3) to instill a sense of the commitment, values, leadership, and public service of the 23 soldier-statesman signers; and (4) to emphasize civilian control over the military. A thorough discussion of the constitutional provisions for the establishment of the first Congress, the Departments of War and Army, and the Office of the President and Commander in Chief is presented. The military service records of the 23 men who served both in the armed services and as president are given, along with a collection of their memorable quotes. -
Washington Tomb Vigil
THE SAR COLORGUARDSMAN Volume 8 Number 3 The National Society Sons of the American Revolution October 2019 Washington Tomb Vigil Xxxxx -1- In this Issue 6 4 Reports from the field National Color Guard Events - 2019 Dates and times are subject to change and interested parties should refer to the State society color guard activities from the last three months respective state society web sites closer to the actual event. 19 5 239th Anniversary of the Battle of National Color Guard State Commanders Kings Mountain Flyer Currently Known Color Guard Commanders Table of Contents 43 Comments and Questions Submissions from Color Guard Compatriots Commander Report 3 SAR’s 250 Aniversary Flag The Message from our Color Guard Commander 44 Color Guard Event Calendar 4 46 Battle of Medina, Texas Find the dates and locations of the many National Color Guard And Revolutionary Ancestor Peter Sides events Color Guard Commander Listing 5 Flag Retirement Ceremony Contact Information for all known State society color guard com- 47 manders with reported changes Patriotic Organizations join the ceremony Congress Report 6 49 Firearm Safety and Risk Management Meeting Minutes & Approved Safety Policies & Procedures 2019 Congress actions George Washongton’s Tomb Vigil 38 New Feature “Fifer’s Corner” page 43 September 14, 2019 - Mount Vernon, VA -2- Commander’s Report Tomb of the Compatriots, President General Jack Manning, Virginia Society President Peter Davenport, George Washington Chapter President David Thomas and all the members of the Virginia Society - Thank you. UnknownS What an honor to be part of the Sons of the American Revolution wreath laying at the Tomb of the Unknown Soldier along with Presi- Sons of the American Revolution Wreath Presentation dent General Manning, Colonel Davenport and David Thomas. -
British World War Two Films 1945-65: Catharsis Or National Regeneration?
BRITISH WORLD WAR TWO FILMS 1945-65: CATHARSIS OR NATIONAL REGENERATION? by Esther Margaret O'Neill A thesis submitted in partial fulfilment for the requirements for the degree of Doctor of Philosophy at the University of Central Lancashire Date: October, 2006 a uclan Student Declaration Concurrent registration for two or more academic awards X I declare that while registered as a candidate for the research degree, I have not been a registered candidate or enrolled student for another award of the University or other academic or professional institution Material submitted for another award x I declare that no material contained in the thesis has been used in any other submission for an academic award and is solely my own work. Collaboration Where a candidate's research programme is part of a collaborative project, the thesis must indicate in addition clearly the candidate's individual contribution and the extent of the collaboration. Please state below: No collaboration. Signature of Candidate Type of Award DOCTOR OF PHILOSOPHY (PhD) Department HISTORY Abstract Major differences in British Second World War films produced in wartime 1939-45 (idealising the 'People's War') and post-war versions produced between 1945-65 (promoting the return of elite masculinity) suggest a degree of cultural re-conditioning concerning the memory of war, by Britain's middle-class film-makers attuned to national and international concerns. Therefore, the focus and main aim of this thesis is to identify and examine previously ignored or inadequately scrutinized themes within the post-war genre to explain how, and why, film-makers redefined the Second World War and its myths, tapping deeply into the national psyche, stimulating and satisfying a voracious, continuing, British appetite. -
Rethinking Japanese Feminisms OA PDF
Rethinking Japanese Feminisms 6715_Book.indd 1 8/3/17 3:42 PM 6715_Book.indd 2 8/3/17 3:42 PM Rethinking Japanese Feminisms Edited by Julia C. Bullock, Ayako Kano, and James Welker University of Hawai‘i Press Honolulu 6715_Book.indd 3 8/3/17 3:42 PM © 2018 University of Hawai‘i Press All rights reserved Library of Congress Cataloging-in-Publication Data Names: Bullock, Julia C., editor. | Kano, Ayako, editor. | Welker, James, editor. Title: Rethinking Japanese feminisms / edited by Julia C. Bullock, Ayako Kano, and James Welker. Description: Honolulu: University of Hawai‘i Press, [2017] | Includes bibliographical references and index. Identifiers: LCCN 2017014299 | ISBN 9780824866693 (cloth; alk. paper) Amazon Kindle 9780824866723 EPUB 9780824866716 PDF 9780824866730 Subjects: LCSH: Feminism—Japan. Classification: LCC HQ1762 .R48 2017 | DDC 305.420952—dc23 LC record available at https://lccn.loc.gov/2017014299 An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. The open-access ISBN for this book are 9780824878382 (PDF) and 9780824878375 (EPUB). More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. The open access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher. -
Outbreak Narratives in Contemporary American Film and Television A
UNIVERSITY OF CALIFORNIA Los Angeles Going Viral: Outbreak Narratives in Contemporary American Film and Television A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Television by Dahlia Schweitzer 2018 © Copyright by Dahlia Schweitzer 2018 ABSTRACT OF THE DISSERTATION Going Viral: Outbreak Narratives in Contemporary American Film and Television by Dahlia Schweitzer Doctor of Philosophy in Film and Television University of California, Los Angeles, 2018 Professor Denise R. Mann, Chair Going Viral: Outbreak Narratives in Contemporary American Film and Television examines American film and television outbreak narratives, studying how the repetition of characters, images, and story lines has produced a formulaic narrative that reflects and shapes new paradigms of disease and fear. American films and TV shows are situated several historical trajectories: anxiety about emerging viruses and a shrinking, border-less world, as in films like Contagion, the insertion of bioterrorism starting in the twenty-first century, as in television shows like 24, and the current fascination with manifesting the end of the world, as evidenced in TV shows like The Walking Dead and films like I Am Legend. While there are other texts that discuss zombies films or science fiction, this dissertation examines not only outbreak narratives in film and television, but puts them in conversation with rhetoric from government authorities and news organizations that have capitalized on public fears about our changing world. ii The dissertation of Dahlia Schweitzer is approved. John T. Caldwell Stephen D. Mamber Toby Miller Denise R. Mann, Committee Chair University of California, Los Angeles 2018 iii Contents Preface 1 Introduction 3 1 The Outbreak Narrative 50 2 The Globalization Outbreak 86 3 The Terrorism Outbreak 128 4 The Postapocalypse Outbreak 169 Conclusion 224 Notes 238 iv DAHLIA SCHWEITZER Curriculum Vitae, March 2018 PUBLICATIONS Books In Press L.A. -
Part XII: Foreign and Intrnational Media. INSTITUTION Association for Education in Journalism and Mass Communication
DOCUMENT RESUME ED 362 924 CS 508 358 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (76th, Kansas City, Missouri, August 11-14, 1993). Part XII: Foreign and Intrnational Media. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE Aug 93 NOTE 829p.; For other sections of these proceedings, see CS 508 347-362. For 1992 proceedings, see ED 349 608-623. PUB TYPE Collected Works Conference Proceedings (021) EDRS PRICE MF05/PC34 Plus Postage. DESCRIPTORS Audience Awareness; Audience Response; *Developing Nations; Fewinism; *Foreign Countries; *Global Approach; *Mass Media Role; Media Research; Racial Bias; Stereotypes IDENTIFIERS Historical Background; *International Broadcasting; International Trends; Media-Analysis; *Transnational Corporations ABSTRACT The Foreign and International Media section of this collection of conference presentations contains the following 27 papers: "Cultural Orientation in Turkey: Are The Theorists Right about the Effects of Imported Cultural Products?" (Christine Ogan); "The Role of Mass Media in a Newly Emerging Democracy: The Latvian Case Study" (Bruce J. Evensen); "Global TV News in Developing Countries: CNN's Expansion to Egypt" (Joe S. Foote and Hussein Amin); "West German and U.S. Journalists: Similarities and Differences in the 1990s" (David Weaver and others); "The Price Was Right--Or Was It? The 1991 British Commercial Broadcasting Franchise Auction and the New ITV" (Susan Q. Johnson and Joe S. Foote); "Goodbye