DOCSLIB.ORG

Superhero Sunday

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Superhero Sunday St. John’s Episcopal Church, Georgetown Parish Saint Mary the Virgin Observed Sunday, August 14, 2016 10:00 AM The Thirteenth Sunday after Pentecost Holy Eucharist—Rite II Page references are for the Book of Common Prayer Hymns are found in the blue Hymnal 1982 SUPERHERO SUNDAY Prelude Theme from Superman JOHN WILLIAMS Processional Theme from Batman NEAL HEFTI Opening Acclamation Celebrant: Blessed be God: Father, Son, and Holy Spirit. People: And blessed be his kingdom, now and for ever. Almighty God, to you all hearts are open, all desires known, and from you no secrets are hid: Cleanse the thoughts of our hearts by the inspiration of your Holy Spirit, that we may perfectly love you, and worthily magnify your holy Name; through Christ our Lord. Amen. Song of Praise: Hymn 552 Fight the good fight PENTECOST Collect of the Day Celebrant: The Lord be with you. People: And also with you. Celebrant: Let us pray. O God, you have taken to yourself the blessed Virgin Mary, mother of your incarnate Son: Grant that we, who have been redeemed by his blood, may share with her the glory of your eternal kingdom; through Jesus Christ our Lord, who lives and reigns with you, in the unity of the Holy Spirit, one God, now and for ever. Amen. Please be seated. The First Lesson Isaiah 61:10-11 A Reading from the Book of Isaiah I will greatly rejoice in the Lord, my whole being shall exult in my God; for he has clothed me with the garments of salvation, he has covered me with the robe of righteousness, as a bridegroom decks himself with a garland, and as a bride adorns herself with her jewels. For as the earth brings forth its shoots, and as a garden causes what is sown in it to spring up, so the Lord God will cause righteousness and praise to spring up before all the nations. Reader: The Word of the Lord. People: Thanks be to God Psalm 34:1-9 1 I will bless the LORD at all times; * 6 I called in my affliction and his praise shall ever be in my mouth. the LORD heard me * 2 I will glory in the LORD; * and saved me from all my let the humble hear and rejoice. troubles. 3 Proclaim with me the greatness of 7 The angel of the LORD the LORD; * encompasses those who fear let us exalt his Name together. him, * 4 I sought the LORD, and he and he will deliver them. answered me * 8 Taste and see that the LORD is and delivered me out of all my good; * terror. happy are they who trust in him! 5 Look upon him and be radiant, * 9 Fear the LORD, you that are his and let not your faces be saints, * ashamed. for those who fear him lack nothing. Please stand for the sequence hymn and remain standing until the sermon begins. Sequence Hymn 117 Sing of Mary, pure and lowly HERMON Words: Roland Ford Palmer (1891–1985) Music: HERMON: C. Venn Pilcher (1879–1961) The Holy Gospel Luke 1:46-55 The Holy Gospel of Our Lord Jesus Christ According to Luke. People: Glory to you, Lord Christ. Mary said, "My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has looked with favor on the lowliness of his servant. Surely, from now on all generations will call me blessed; for the Mighty One has done great things for me, and holy is his name. His mercy is for those who fear him from generation to generation. He has shown strength with his arm; he has scattered the proud in the thoughts of their hearts. He has brought down the powerful from their thrones, and lifted up the lowly; he has filled the hungry with good things, and sent the rich away empty. He has helped his servant Israel, in remembrance of his mercy, according to the promise he made to our ancestors, to Abraham and to his descendants forever." The Gospel of the Lord People: Praise to you, Lord Christ. Gospel Fanfare: Theme from Wonder Woman HANS ZIMMER Please be seated for the sermon. Sermon The Rev. Gini Gerbasi, Rector Please stand for the Creed. The Nicene Creed BCP P 358 The Prayers of the People Form III BCP P 387 Confession of Sin BCP P 360 Absolution The Peace All stand. The Celebrant says to the people The peace of the Lord be always with you. People: And also with you. Welcome & Announcements The Offertory The Offertory Hymn 620 Jerusalem, my happy home LAND OF REST Doxology OLD HUNDREDTH Praise God, from Whom all blessings flow; Praise Him, all creatures here below; Praise Him above, ye heavenly host; Praise Father, Son, and Holy Ghost. Amen. THE HOLY COMMUNION Eucharistic Prayer Enriching our Worship 1 The people remain standing. Celebrant: The Lord be with you. People: And also with you. Celebrant: Lift up your hearts. People: We lift them to the Lord. Celebrant: Let us give thanks to the Lord our God. People: It is right to give our thanks and praise. It is truly right, and good and joyful, to give you thanks, all-holy God, source of life and fountain of mercy. You have filled us and all creation with your blessing and fed us with your constant love; you have redeemed us in Jesus Christ and knit us into one body. Through your Spirit you replenish us and call us to fullness of life. Therefore, joining with Angels and Archangels and with the faithful of every generation, we lift our voices with all creation as we sing: Sanctus LAND OF REST The people may stand or kneel as the celebrant continues. Blessed are you, gracious God, creator of the universe and giver of life. You formed us in your own image and called us to dwell in your infinite love. You gave the world into our care that we might be your faithful stewards and show forth your bountiful grace. But we failed to honor your image in one another and in ourselves; we would not see your goodness in the world around us; and so we violated your creation, abused one another, and rejected your love. Yet you never ceased to care for us, and prepared the way of salvation for all people. Through Abraham and Sarah you called us into covenant with you. You delivered us from slavery, sustained us in the wilderness, and raised up prophets to renew your promise of salvation. Then, in the fullness of time, you sent your eternal Word, made mortal flesh in Jesus. Born into the human family, and dwelling among us, he revealed your glory. Giving himself freely to death on the cross, he triumphed over evil, opening the way of freedom and life. On the night before he died for us, Our Savior Jesus Christ took bread, and when he had given thanks to you, he broke it, and gave it to his friends, and said: “Take, eat: This is my Body which is given for you. Do this for the remembrance of me.” As supper was ending, Jesus took the cup of wine, and when he had given thanks, he gave it to them, and said: “Drink this, all of you: This is my Blood of the new Covenant, which is poured out for you and for all for the forgiveness of sins. Whenever you drink it, do this for the remembrance of me.” Therefore we proclaim the mystery of faith: Christ has died. Christ is risen. Christ will come again. Remembering his death and resurrection, we now present to you from your creation this bread and this wine. By your Holy Spirit may they be for us the Body and Blood of our Savior Jesus Christ. Grant that we who share these gifts may be filled with the Holy Spirit and live as Christ’s Body in the world. Bring us into the everlasting heritage of your daughters and sons, that with all your saints, past, present, and yet to come, we may praise your Name for ever. Through Christ and with Christ and in Christ, in the unity of the Holy Spirit, to you be honor, glory, and praise, for ever and ever. AMEN. And now, as our savior Jesus Christ has taught us, we are bold to say: The Lord’s Prayer BCP P 364 People and Celebrant Our Father, who art in heaven, hallowed be thy Name, thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, and the power, and the glory, for ever and ever. Amen. Then may be sung or said Celebrant: Alleluia. Christ our Passover is sacrificed for us; People: Therefore let us keep the feast. Alleluia The Administration of Communion All those who seek a closer relationship with God in Christ are welcome to receive communion at St. John’s. If you would prefer to receive a blessing, please cross your arms over your chest as you reach the communion minister. Post-Communion Prayer Celebrant: Let us pray. Celebrant and People Eternal God, heavenly Father, you have graciously accepted us as living members of your Son our Savior Jesus Christ, and you have fed us with spiritual food in the Sacrament of his Body and Blood. Send us now into the world in peace, and grant us strength and courage to love and serve you with gladness and singleness of heart; through Christ our Lord.
Load more

Recommended publications
  • I Carl Von Ossietzky Universität Oldenburg Zwei-Fächer-Bachelor
    Carl von Ossietzky Universität Oldenburg Zwei-Fächer-Bachelor Germanistik / Kunst und Medien Bachelorarbeit Batmen. Konstruktionen der Heldenfigur „Batman“ im intermedialen Kontext. Anna C. Stemmann Betreuende Gutachterin: Dr. M. Oetken Eichenstr. 105 Zweite Gutachterin: Prof. Dr. B. Paul 26131 Oldenburg Matrikelnummer 9663350 Oldenburg, 2010 I Inhaltsverzeichnis 1. Einleitung……………………………………………………………………………………………………. S.1 2. Der Mythos um die Heldenfigur Batman…………………………………………………….. S.2 2.1. Ursprung-Kern-Wandel……………………………………………………………………….. S.3 2.2. The Bad-man? Abgrenzung zum „Saubermann“ Superman…………………. S.6 3. Entwicklung der Comicverfilmungen…………………………………………………………… S.8 3.1. „Grammatik“ des Comics - Merkmale auf gestalterischer und inhaltlicher Ebene………………………………………………………………………………………………….. S.9 3.2. Gemeinsamkeiten und Unterschiede von Comic und Comicfilm………….. S.11 3.3. Intermedialität: Zur Wechselwirkung zwischen Comic und Comicfilm…. S.13 3.3.1. „Batman hält die Welt in Atem“....................................................... S.15 3.3.2. „Batman Begins“………………………………………………………………………….S.19 4. Der männliche Held Batman……………………………………………………………………….. S.21 4.1. Männlichkeits- und Heldenkonstruktionen Film………………………………….. S.21 4.1.1. Kategorisierung von Superhelden………………………………………………… S.24 4.1.2. Die Maskierung des Superhelden………………………………………………… S.25 4.2. Diachroner Vergleich zur Inszenierung von Batmans Heldenkonzept in den Filmen: „Batman hält die Welt in Atem“ und „Batman Begins“………………….. S.26 4.2.1. Farb-und Filmästhetik………………………………………………………………….
    [Show full text]
  • 100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
    100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • This List Attempts to Document Every Vinyl Record Released in the USA, Only, Relating to the Batman Craze of the 1960’S
    This list attempts to document every vinyl record released in the USA, only, relating to the Batman craze of the 1960’s. US 7”/Singles: Artist – “Title” A-Side / “Title” B-Side (Mfg’r Record #, Date) (Notes) · 4 Of Us - “Batman” / “You Gonna Be Mine” (Hideout 1003, 1965) (A surf instrumental and is not related to the TV series; later pressings of this single have the Batman song retitled as “Freefall”) · 5th Avenue Busses - “Robin Boy Wonder” / “Fantastic Voyage” (20th Century Fox 45-6653, 1966) (Promo copy exists) · The Airmen Of Note – “Theme From Batman” / “Second Time Around” (The United States Airforce Public Service Program” GZS 108695, 1966?) (“Music In the Air” radio transcription 33 1/3 RPM, 7” single, Programs NR: 423/424. Label reads “This record is the property of the U.S. Government and cannot be used for commercial purposes.” The Airmen Of Note are the jazz ensemble within the US Army Air Forces Band and was formed to carry on the music of The Major Glenn Miller Army Air Forces Orchestra.) · Davie Allan & The Arrows - “Batman Theme” (Reportedly recorded in 1966 but never issued as 45. Instead, it first appeared on the 1996 reissue CD of the Various Artists “Wild Angels” soundtrack.) · Astronauts - “Batman Theme” (Never issued as 45. A surf instrumental first released on 1963 LP so is not TV show influenced) · Avengers - “The Batman Theme” / “Back Side Blues” (MGM K 13465, 1966) (Though released as by "The Avengers," the A-side was recorded by all-female group The Robins, while the flip was recorded by popular Ardent recording
    [Show full text]
  • Ebay: 1000+ Vinyl RECORD COLLECTION-Soundtrack-Cast-TV-Hippie (Item 4856976553 End Time Apr-03-06 15:37:28 PDT) 03/31/2006 08:31 AM
    eBay: 1000+ Vinyl RECORD COLLECTION-Soundtrack-Cast-TV-Hippie (item 4856976553 end time Apr-03-06 15:37:28 PDT) 03/31/2006 08:31 AM home | pay | register | sign out | site map Start new search Search Advanced Search Back to My eBay Listed in category: Music > Records 1000+ Vinyl RECORD COLLECTION-Soundtrack-Cast-TV-Hippie Item number: 4856976553 Beatnik, Kids, Personality, Sexy, Sports-Vogues, Promo You are signed in Meet the seller justkidsnostalgia ( 9127 ) Current bid: US $17,600.00 Place Bid > Seller: Feedback: 99.5% Positive Reserve not met Member: since Apr-15-99 in United States No payments for 3 months - Apply now Read feedback comments Ask seller a question Add to Favorite Sellers End time: Apr-03-06 15:37:28 PDT (3 days 9 hours) View seller's other items Shipping costs: Check item description and payment instructions or contact seller for details Buy safely Ships to: Worldwide 1. Check the seller's reputation Item location: Huntington, NY, United States Score: 9127 | 99.5% Positive History: 8 bids Read feedback comments 2. Learn how you are protected High bidder: skipper51 ( 12477 ) Free PayPal Buyer Protection. See eligibility View larger picture You can also: Watch this item Email to a friend Listing and payment details: Show Description (revised) Item Specifics - Music: Records Speed: -- Genre: Soundtrack, Theater Record Size: -- Sub-Genre: -- Duration: -- Just Kids Nostalgia is now listing a very large collection of personality records. The Weird, The Unusual, The Interesting, The Oddball... Over 1,000 Records! Rare Movie Soundtracks… Myra Breckenridge staring Mae West, God’s Little Acre, Hercules, On A Note of Triumph, Silencers Interview Record with Dean Martin, Single Room Furnished with Jane Mansfield, From Here to Eternity 10”, The Girl in the Bikini with Bardot.
    [Show full text]
  • Abel Fernandez Thug #1 Episode #114 1968 Adam West Batman /
    Abel Fernandez Thug #1 Episode #114 1968 Adam West Batman / ... (120 episodes, 1966-1968) Al Checco Dove (2 episodes, 1966) Al Ferrara Trap Door / ... (3 episodes, 1967-1968) Al McGranary Mayor Episode 23/24 1966 Al Wyatt Sr. Henchman #1 (2 episodes, 1966) Alan Emerson Policeman Episode 47/48 1967 Alan Napier Alfred / ... (120 episodes, 1966-1968) Alan Reed Jr General MacGruder Episodes 76/77/78 1967 Albert Carrier Pete Savage (2 episodes, 1966) Alberto Morin Octave Marbot (2 episodes, 1966) Aleta Rotell Daisy (3 episodes, 1967) Alex Bookston Guard Episode 31/32 1966 Alex D'Arcy Jewelry Shop Owner Episode 3/4 1966 Alex Rocco Block (2 episodes, 1967) Alex Sharp Henchman Episode 19/20 1966 Alfred Daniels Officer #2 Episodes 93/94 1967 Allen Emerson Glider / ... (3 episodes, 1966-1967) Allen Jaffe Harry (2 episodes, 1966) Allen Jenkins Little Al Episodes 74/75 1967 Allen Ludden David Dooley Episode 51/52 1967 Alyce Anddrece 2nd Policewoman Epiosde 113 1968 Andy Devine Cameo Andy Romano 2nd Guard Episodes 76/77/78 1967 Angela Dorian Florence of Arabia Episode #117 1968 Angela Greene Mrs Belmont Episode 25/26 1966 Angelique Pettyjohn 1st Model Episodes 85/86 1967 Angelo DeMeo Henchman #2 Episode 5/6 1966 Angelo Posito Thug #2 Episode 114 1968 Ann Ayars Madame Soleil Episode 23/24 1966 Ann Reece Beauty Episode 33/34 1966 Anne Baxter Olga / ... (7 episodes, 1966-1967) Anthony Aiello Officer #1 Episodes 93/94 1967 Anthony Brand Motorcycle Cop Episode 47/48 1967 Anthony Eustrez British Butler Episodes 63/64 1967 Archie Moore Everett Bannister Episode
    [Show full text]
  • RCA Victor 12 Inch Popular Series LPM/LSP 3400-3699
    RCA Discography Part 11 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 3400-3699 LPM/LSP 3400 - Remember – Norman Luboff Choir [1965] Remember/I'll Get By (As Long As I Have You)/Always/Dream/It Had To Be You/I'll Be Seeing You/Look To Your Heart/As Time Goes By/Day By Day/Together/The Very Thought Of You/I'll See You Again LPM/LSP 3401 - Shut the Door! (They’re Comin’ Through the Window!) – Buffalo Bills [1965] Shut The Door! (They're Comin' Through The Window)/I'm A Ding Dong Daddy/Sam, You Made The Pants Too Long (Lawd You Made The Night Too Long)/Josephine, Please No Lean On The Bell/Mad Dogs And Englishmen/Barney Google/Cigareetes, Whusky, And Wild Women/I Love A Piano/The Preacher And The Bear/Does The Spearmint Lose Its Flavor (On The Bedpost Over Night?)/Don't Bring Lulu/Too Fat Polka LPM/LSP 3402 - The Great Race (Stk) – Henry Mancini [1965] Overture/Push The Button, Max!/The Royal Waltz/Night Night Sweet Prince/They're Off/The Sweetheart Tree/The Great Race March/HeShould n't-A, Hadn't-A, Oughtn't-A Swang On Me!/Music To Become King By/Cold Finger/Pie-In-The-Face Polka LPM/LSP 3403 - Curtain Time – Paul Lavalle and the Band of America [1965] Overture From "The Sound Of Music”/Overture From "Do I Hear A Waltz”/Overture From "Hello Dolly”/Overture From "My Fair Lady”/Overture From "Camelot”/Overture From "Fiddler On The Roof” LPM/LSP 3404 - Tommy Leonetti Sings the Winners – Tommy Leonetti [1965] Spanish Harlem/So Much In Love/The Wayward Wind/Looking Back/Save The Last Dance For Me/(You've Got) Personality/Wonderful! Wonderful!/Moments To Remember/Come Softly To Me/Our Day Will Come/I Can't Stop Loving You/Oh Lonesome Me LPM/LSP 3405 - Class of ’65 – Floyd Cramer [1965] I Feel Fine/You've Lost That Lovin' Feelin'/King Of The Road/Willow Weep For Me/I'll Follow The Sun/Downtown/Try To Remember/Cast Your Fate To The Wind/Dear Heart/I'll Be There/Mr.
    [Show full text]
  • Songs in the Key of Z  
    covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin.
    [Show full text]
  • John Tefteller's World's Rarest Records
    John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Tuesday, September 17, 2019 at 7:00 p.m. See #65 See #78 Original 1960’s Surf / Hot Rod / Rockin’ Instrumental 45’s Auction 67. Chris Columbo And The Swinging Gentlemen — “Oh Yeah (Part 1)/ SPECIAL NOTE: The Beach Boys! (Part 2)” KING 5012 M- MB $20 68. King Coney And The Hot Dogs — This is my last Surf auction for a (See Insert on Next Page) “Ba-Pa-Da, Ba-Pa-Da/Ten, Two And Four” LEGRAND 1038 VG+ MB $10 while. Great Surf 45’s are just not turning up like they used to. 32. The Belaires — “Mr. Moto/Little Brown Jug” ARVEE 5034 MINT MB $25 I hope to be able to have ONE Surf auction next year, but that will depend on what I find. There are a number of lower- grade Surf 45’s in this auction 49. Bruce And Jerry — “Take This Pearl/ but please be advised that I Saw Her First” ARWIN 1003 MINT WHITE LABEL PROMO with Distributor almost everything graded VG+ stamp on B-side label, BRUCE JOHNSTON or even VG will play close to MB $50 50. Bruce And Terry — “Custom Machine/ Mint, as they have more visual Makaha At Midnight” COLUMBIA 42956 69. Jud Conlon Rhythmaires — “Headers VG MB $5 Frank/Wristpin Charlie” DRAG RACE 1001 issues rather than sound issues.
    [Show full text]
  • Surf 45'S/Lp's
    John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Tuesday, February 23, 2021 at 7:00 p.m. PT See #4 See #14 Original 1960’s Surf / Hot Rod / Rockin’ Instro LP’s & 45’s Auction I’ve seen! Made for Radio Station KFXM in SAN BERNARDINO, CALIFORNIA with DEAR POTENTIAL BIDDERS: lots of local Southern California Surf bands!!! MB $200 It has been a year and a half since my last Surf/Instro auction. With Covid and restricted travel, it has taken a LONG time to put together a SUPER RARE decent Surf/Instro auction. Yes, there are some LP’s in this auction, some very rare and collectable LP’s, including The Satans’ “Raising Surf / Rockin’ Instro / Hell” — the ONLY COPY I’ve ever seen! Hot Rod 45’s The 45’s have two MEGA RARITIES — The Nodaens “Beach Girl” 16. Mike Adams And The Red Jackets — “So Blue/For Me And My Gal” MARCO on Gold and Mel Taylor And The Ventures on Toppa — both of 103 M- Produced by Herb Alpert and Lou Adler MB $20 these are LEGENDARY RARE and offered by me for the FIRST TIME 9. Unknown — “The Monster Album” 17. Al And Nettie — “San Francisco Twist/ in all my 45+ years in records! DCP INTERNATIONAL DCL 3805 M-/M- Now You Know” GEDINSON’S 6159 M- WHITE LABEL PROMO COPY, Radio MB $20 Station call letters are written on the front 18.
    [Show full text]
  • An Evolutionary Study of Soundtracks from DC Comics' Superheroes
    CRESCENDOS OF THE CAPED CRUSADERS: AN EVOLUTIONARY STUDY OF SOUNDTRACKS FROM DC COMICS’ SUPERHEROES Anna J. DeGalan A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2020 Committee: Jeffrey Brown, Advisor Esther Clinton Jeremy Wallach © 2020 Anna DeGalan All Rights Reserved iii ABSTRACT Jeffrey Brown, Advisor With the transition from comics to television shows, and later onto the big screen, superheroes gained their own theme songs and soundtracks that captured the attention of the audience for years to come. From catchy musical themes, from the old television shows, to the masterfully scored music blasting from the speakers of movie theaters all over the world, it was superheroes’ uniquely composed soundtracks (in conjunction with SFX, acting cues, and genre conventions of superhero films) that further crafted the iconography that made each character into the superhero being portrayed on-screen. While much of the focus of past textual analysis of films within the superhero genre has focused on characterizations of heroes, visual iconography, and the logistics of filming or framing a scene, academia has vastly overlooked the necessity of a film’s soundtrack, not only as a basic narrative tool and genre locator, but as a means to further understand how a cultural perception of the material is being reflected by the very musical choices presented on a score. While there has been an influx of research focusing on how a culture perceives its heroes – in this case superheroes – during times of great change within a society (either politically, socially, economically, or culturally; for example, the terrorist attack on American soil on 9/11/2001), I have found there to be a lack of research involving how the musical themes of superheroes reflect our cultural views and feelings at a specific point in time.
    [Show full text]