John Tefteller's World's Rarest Records

Total Page:16

File Type:pdf, Size:1020Kb

John Tefteller's World's Rarest Records John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Tuesday, September 17, 2019 at 7:00 p.m. See #65 See #78 Original 1960’s Surf / Hot Rod / Rockin’ Instrumental 45’s Auction 67. Chris Columbo And The Swinging Gentlemen — “Oh Yeah (Part 1)/ SPECIAL NOTE: The Beach Boys! (Part 2)” KING 5012 M- MB $20 68. King Coney And The Hot Dogs — This is my last Surf auction for a (See Insert on Next Page) “Ba-Pa-Da, Ba-Pa-Da/Ten, Two And Four” LEGRAND 1038 VG+ MB $10 while. Great Surf 45’s are just not turning up like they used to. 32. The Belaires — “Mr. Moto/Little Brown Jug” ARVEE 5034 MINT MB $25 I hope to be able to have ONE Surf auction next year, but that will depend on what I find. There are a number of lower- grade Surf 45’s in this auction 49. Bruce And Jerry — “Take This Pearl/ but please be advised that I Saw Her First” ARWIN 1003 MINT WHITE LABEL PROMO with Distributor almost everything graded VG+ stamp on B-side label, BRUCE JOHNSTON or even VG will play close to MB $50 50. Bruce And Terry — “Custom Machine/ Mint, as they have more visual Makaha At Midnight” COLUMBIA 42956 69. Jud Conlon Rhythmaires — “Headers VG MB $5 Frank/Wristpin Charlie” DRAG RACE 1001 issues rather than sound issues. 51. The Buena Vistas — “Hot Shot/T.N.T.” M- 7" 78 RPM Hot Rod songs—VERY 33. The Bel-Aires — “The Intruder/Liverpool” SWAN 4255 MINT MB $25 OBSCURE, never seen these before MB $30 Good luck to all!! LUCKY TOKEN RECORDS 111 MINT 52. B. Bumble & The Stingers — “Bumble MB $30 Boogie/School Day Blues” RENDEZVOUS 34. The Bikinis — “Bikini/Boogie Rock And 140 M- WHITE LABEL PROMO with xol on Roll” ROULETTE 4073 MINT PROMO B-side MB $20 COPY MB $25 35. Mr. Aker Bilk — “Stranger on The Shore/ Cielito Lindo” ATCO 6217 VG+ MB $5 36. Mr. Aker Bilk — “A Taste Of Honey/Only You” ATCO 6247 MINT WHITE LABEL PROMO MB $25 37. Alan Black — “Harmonica Rock/Nola” Original 1960’s ABC-PARAMOUNT 9784 VG+ MB $5 Surf / Hot Rod / Rockin’ Instrumental 45’s 70. Jud Conlon Rhythmaires — “Draggin’ 1. AC-DC Current Swingers — “Soul Every Sunday/Speedshift Hal” DRAG Party/Natural Blues” Hooks Records RACE 1002 M- 7" 78 RPM with Hot Rod 438 VG+ MB $5 songs—VERY RARE MB $30 2. Lee Allen And His Band — “Walkin’ 53. B. Bumble & The Stingers — “Bumble 71. Les Cooper And His Orchestra — With Mr. Lee/Promenade” EMBER Boogie/School Day Blues” HIGHLAND “Motor City/Swobblin’ ” DIMENSION 1027 M- MB $20 2001 MINT ODD RELEASE—first time 1023 M- MB $20 3. Lee Allen And His Band — “Tic Toc/ I’ve seen it on this label. Is this BEFORE 72. The Cornells — “Malibu Surf/Agua Chuggin’ ” EMBER 1039 VG Small tol or AFTER the RENDEZVOUS release? Caliente” GAREX 102 MINT MB $25 MB $5 MB $25 4. Lee Allen And His Band — “Jim Jam/ 54. B. Bumble And The Stingers — “The Short Circuit” EMBER 1047 VG MB $5 Green Hornet Theme/Flight Of The 5. The Allisons — “Surfer Street/Money” 38. Bill Black Combo — “Yogi/Ole Buttermilk Hornet” MERCURY 72614 M- BB hole in TIP 1011 M- MB $20 Sky” HI 2036 VG+/M- With PICTURE label MB $20 6. The Arondies — “’69/All My Love” SLEEVE MB $20 SHERRY 198 VG+ MB $25 39. Bill Black’s Combo — “Hot Taco/Joey’s Song” HI 2059 VG+ MB $5 73. Dave “Baby” Cortez — “The Happy Organ EP with Cover” RCA VICTOR EPA 4342 M-/M- MB $30 55. Al Casey — “Surfin’ Hootenanny/Easy Pickin’ ” STACY 962 MINT RED VINYL 7. Tyrone A’saurus And His Cro-Magnons — MB $30 “The Monster Twist/Love Theme From 40. Bill Black’s Combo — “Twistin’ White “The Monster Twist” Warner Brothers Silver Sands/My Babe” HI 2052 5305 M/VG+ WHITE LABEL PROMO VG+/M- With PICTURE SLEEVE WITH PICTURE SLEEVE AS SHOWN— MB $20 TOUGH MB $50 41. Hal Blaine — “Challenger II/Gear 8. The Astronauts — “Baja/Kuk” RCA Stripper” RCA VICTOR 8282 MINT VICTOR 8194 M- MB $20 MB $25 9. The Atlantics — “Heartburn/Monkey 42. The Bloopers — “Bloopers Morse Code/ Tree” AMON 90590 M- MB $30 Jordon Blooper” ROWAX 803 VG+ MB $10 74. The Corvettes — “Corvette/Pick Up” CORVETTE 1000 M- Car song MB $30 56. Alvin Cash — “Twine Time/Tip Toeing” XL NO # VG- Tiny tol as shown, First Label, True First Pressing on ORIGINAL LABEL from MEMPHIS MB $25 57. The Challengers — “Moondawg/Tidal Wave” VAULT 902 MINT WHITE LABEL PROMO MB $25 58. The Catalinas — “Banzai Washout/Beach Walkin’ ” R I K 113 M- WHITE LABEL 10. The Atlantics — “Beaver Shot/Fine PROMO with #ol MB $25 Fine Fine” RAMPART 643 M-/M- With 43. The Blue Chips — “Dynamo/As Long 59. The Cave Dwellers — “Night Runner/ PICTURE SLEEVE as shown MB $50 As I Live” SHASTAIN 001 VG SUPER Meditation” BAY TOWN 10004 VG MB $10 11. The Bar Kays — “Soul Finger/ OBSCURE ONE FROM ATLANTA, 60. The Champs — “Mr. Cool/3/4 Mash” Knucklehead” VOLT 148 M- MB $20 GEORGIA MB $20 CHALLENGE 9180 VG MB $5 12. Ray Barretto — “El Watusi/Ritmo 44. The Blue Falcons — “Run Like The Wind/ 61. The Chantay’s — “Pipeline/Move It” 75. Count Down And The Moonsters — Sabroso” TICO 419 VG- MB $5 When You Were Sweet Sixteen” DOWNEY 104 VG MB $5 “Hindu On A Honda/Shimmy-Shimmy, 13. Ray Barretto — “Latin Doll/Midnight BELMONT RECORDS 4005 MINT Good 62. The Chantays — “Only If You Care/Love Shake-Shake” POCONO RECORDS 801 Boogaloo” UNITED ARTISTS 50109 one MB $30 Can Be Cruel” DOWNEY 120 VG+ MB $5 M- VOCAL—Monster record MB $75 VG+ WHITE LABEL PROMO MB $5 45. Bob And The Messengers — “Splash 63. The Chiefs — “How!/Tom Tom” VALIANT 76. The Countdowns — “Lost Horizon/It Hurts” 14. Ray Barrett — “Watusi ’65 Green- Down/Bob’s Groove” RUST 5069 M- 6038 M- WHITE LABEL PROMO MB $30 SUMIT 0004 VG- PLAYS M- MB $20 sleeves” UNITED ARTISTS 913 VG+/VG WHITE LABEL PROMO MB $20 64. Christy Sextet — “Flip Flop Boom/Bitter 77. The Crescents — “Breakout/Pink WHITE LABEL PROMO with xol 46. James Booker — “Cool Turkey/Gonzo” Winds” VITA 187 MINT MB $20 Dominoes” ERA 3116 MINT MB $25 MB $5 PEACOCK 1697 M- MB $20 65. The Cobra Kings — “Night Walk/To Hot 78. Curley & The Jades — “Boom Stix/ 15. Skip Battyn And The Group — “The 47. James Booker — “Tubby (Part I)/(Part II)” To Handle” BLACK GOLD 200 M- Bullfighter” MUSIC MAKERS 109 VG+ Dating Game Theme/Night Time Girl” PEACOCK 1908 MINT MB $25 RARE ONE FROM MEMPHIS MB $50 ORIGINAL First Label, True First AURORA 159 M- PROMO COPY— 48. Al Brown’s Tunetoppers — “The (See picture at top of page) Pressing, before it was picked up for Theme music used in the classic TV show Madison/Mo’ Madison” AMY 804 VG 66. Bill Collins — “Upturn/Border Beat” nationwide release by Reprise MB $25 “The Dating Game” in the 1960’s MB $20 MB $5 BRENT 7008 MINT Nice Rocker MB $25 (See picture at top of page) 79. Curley & The Jades — “Boom Stix/ 84. Dick Dale — “Lovin’ On My Brain/A Run Bullfighter” REPRISE 20,046 M- For Life” DELTONE 5028 MINT TOUGH WHITE LABEL PROMO MB $20 ONE MB $50 93. Duane Eddy And The Rebels — “Detour EP 99. The Enchanters — “Tum-Tiki/Surf Blast” with Cover” JAMIE JEP 301 M-/M- MB $50 TOM-TOM 301 VG+ Stain on label as 94. Duane Eddy — “Ramrod/The Walker” shown MB $25 80. The Cyclones — “Safety Zone/Night Beat” 85. Dick Dale And The Del-Tones — “King JAMIE 1109 M- MB $20 100. The Exports — “Car Hop/Seat Belts CYCLONE 772 M-/VG+ MB $50 Of The Surf Guitars/Hava Nagila” 95. Duane Eddy — “Cannonball/Mason-Dixon Please” KING 5917 M- MB $20 81. Dick Dale And The Del-Tones — “Let’s Go CAPITOL 4963 /M- PICTURE SLEEVE Lion” JAMIE 1111 M- MB $20 101. The Fabulous Chancellors — “Blackout/ Trippin’/Del-Tone Rock” DELTONE 5017 ONLY MB $30 96. Duane Eddy — “Yep!/Three-30-Blues” Diamond In The Sky” DOT 16535 MINT MINT MB $25 86. Dick Dale — “The Wedge/Night Rider” JAMIE 1122 VG+ MB $5 MB $25 82. Dick Dale And The Del-Tones — “Miser- CAPITOL 5098 M- MB $20 102. The Fabulous Quiet Five — “Red Hot lou/Eight Till Midnight” DELTONE 5019 87. Dick Dale — “Wild, Wild Mustang/ Scrambler-Go/I Understand” Casa Grande MINT MB $25 Grudge Run” CAPITOL 5187 M- MB $20 8462 MINT Hot Rod vocals MB $25 88. Dick Dale And His Del-Tones — “Glory 103. The Fashions — “King Size Guitars/ Wave/Never On Sunday” CAPITOL 5225 Trampoline” I.P.G. 1001 VG+ Wol MB $5 MINT MB $25 89. The Dartells — “Hot Pastrami/Dartell Stomp” ARLEN 509 (SEE INSERT ON NEXT PAGE) 97. Duane Eddy — “Ring Of Fire/Bobbie” JAMIE 1187 M-/M- With PICTURE SLEEVE MB $30 83. Dick Dale And His Del-Tones — “Pepper- mint Man/Surf Beat” DELTONE 5020 MINT WHITE LABEL PROMO, xol MB $30 104. The Fender Benders — “X K E/Drag Strip” VERMILLION 1926 VG- Link Wray, plays M- MB $20 105. The Fireballs — “Torquay/Cry Baby” 90.
Recommended publications
  • The Center for Slovenian Studies, Center Za Slovenske Študije
    Published February 21, 2010 E-mail: [email protected] Est. MMVII The Center for Slovenian Studies, Center za slovenske študije Cleveland State University In cooperation with Cleveland State University and Lakeland Community College, the Center would like to invite the entire Slovenian Community to the following events which are in English and free and open to the public: Spring 2010 Lecture Schedule February 24th., World War I: The Soča-Isonzo Front and Slovenia by Dr. Vladimir Rus. Learn how Slovenia, part of the Austro-Hungarian Empire, was caught up in the same struggle that brought Hemingway to this heavily-fought-over border area. The Soča Valley was the stage of major military operations including twelve battles on this front in World War I between May 1915 and November 1917, in which over 300,000 Austro-Hungarian and Italian soldiers lost their lives. Wednesday, February 27, 3:00 pm CSU, Room MC-134.Wed., 3:00 pm CSU, Room MC-134. March 3rd. Meet Slovenia!, a lecture on Slovenia in the 21st century by Jurcek Zmauc, Consul General of the Republic of Slovenia in Cleveland. This is the first lecture in the new series Meet Slovenia!. Hear about Slovenia today, its place in the EU and the changes making other countries sit up and take notice. Wed., 6:30 pm CSU, Room MC-134. March 25th. Gary Bukovnik lecture. (Time and room to be announced) Cleveland-born and educated, Mr. Bukovnik , a world- renowned Slovenian-American artist returns to speak at Cleveland State University about the details of his work before his exhibit at the Slovenian Museum and Archives.
    [Show full text]
  • The Beatles), 80, 165, 357, 358, 389
    Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72 After Bathing at Baxter’s (Jefferson Airplane), 358, 388 “After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and
    [Show full text]
  • 15 of the Most Iconic Fads from the Fifties
    15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50
    [Show full text]
  • Summach, the Structure, Function, and Genesis of the Prechorus
    Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory The Structure, Function, and Genesis of the Prechorus (1) Jay Summach NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.summach.php KEYWORDS: popular music, rock music, form, prechorus, sentence, srdc ABSTRACT: Prechoruses emerged in the mid-1960s as verse-chorus and strophic forms converged upon a four-part formal disposition that Everett (1999) calls “statement, restatement, departure, and conclusion,” or srdc. This study traces the expansion of the srdc scheme from its compact deployment in strophes to expanded iterations that approximate verse- chorus form. Received February 2011 [1] This article examines an episode in the evolution of verse-chorus form in pop/rock music. Until the mid-1960s, most verse-chorus songs alternated between the two formal sections from which verse-chorus form takes its name: verses and choruses. Example 1, Mark Dinning’s “Teen Angel,” illustrates the form.(2) As is typical for verse-chorus songs, the focal point of “Teen Angel” is the chorus: it contains the most engaging musical material; its unchanging lyric makes it easy to remember; and it is marked for special attention by additional vocal and instrumental parts. The verses, on the other hand, provide context: each verse advances the song narrative by presenting fresh lyrics; and the music is more modest in instrumentation and intensity so as not to steal attention from the chorus. In “Teen Angel,” the tempo is treated flexibly during the verses, which further distinguishes them from the choruses.
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • 2014–2015 Season Sponsors
    2014–2015 SEASON SPONSORS The City of Cerritos gratefully thanks our 2014–2015 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following current CCPA Associates donors who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue where patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. MARQUEE Sandra and Bruce Dickinson Diana and Rick Needham Eleanor and David St. Clair Mr. and Mrs. Curtis R. Eakin A.J. Neiman Judy and Robert Fisher Wendy and Mike Nelson Sharon Kei Frank Jill and Michael Nishida ENCORE Eugenie Gargiulo Margene and Chuck Norton The Gettys Family Gayle Garrity In Memory of Michael Garrity Ann and Clarence Ohara Art Segal In Memory Of Marilynn Segal Franz Gerich Bonnie Jo Panagos Triangle Distributing Company Margarita and Robert Gomez Minna and Frank Patterson Yamaha Corporation of America Raejean C. Goodrich Carl B. Pearlston Beryl and Graham Gosling Marilyn and Jim Peters HEADLINER Timothy Gower Gwen and Gerry Pruitt Nancy and Nick Baker Alvena and Richard Graham Mr.
    [Show full text]
  • 1 Hey Jude the Beatles 1968 2 Stairway to Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5
    1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 6 Da Ya Think I'm Sexy? Rod Stewart 1979 7 Jailhouse Rock Elvis Presley 1957 8 (I Can't Get No) Satisfaction Rolling Stones 1965 9 Tragedy Bee Gees 1979 10 Le Freak Chic 1978 11 Macho Man Village People 1978 12 I Will Survive Gloria Gaynor 1979 13 Yesterday The Beatles 1965 14 Night Fever Bee Gees 1978 15 Fire Pointer Sisters 1979 16 I Want To Hold Your Hand The Beatles 1964 17 Shake Your Groove Thing Peaches & Herb 1979 18 Hound Dog Elvis Presley 1956 19 Heartbreak Hotel Elvis Presley 1956 20 The Twist Chubby Checker 1960 21 Johnny B. Goode Chuck Berry 1958 22 Too Much Heaven Bee Gees 1979 23 Last Dance Donna Summer 1978 24 American Pie Don McLean 1972 25 Heaven Knows Donna Summer & Brooklyn Dreams 1979 26 Mack The Knife Bobby Darin 1959 27 Peggy Sue Buddy Holly 1957 28 Grease Frankie Valli 1978 29 Love Me Tender Elvis Presley 1956 30 Soul Man Blues Brothers 1979 31 You Really Got Me The Kinks 1964 32 Hot Blooded Foreigner 1978 33 She Loves You The Beatles 1964 34 Layla Derek & The Dominos 1972 35 September Earth, Wind & Fire 1979 36 Don't Be Cruel Elvis Presley 1956 37 Blueberry Hill Fats Domino 1956 38 Jumpin' Jack Flash Rolling Stones 1968 39 Copacabana (At The Copa) Barry Manilow 1978 40 Shadow Dancing Andy Gibb 1978 41 Evergreen (Love Theme From "A Star Is Born") Barbra Streisand 1977 42 Miss You Rolling Stones 1978 43 Mandy Barry Manilow 1975
    [Show full text]
  • Born to Take the Highway: Women, the Automobile, and Rock N Roll
    Born to Take the Highway Chris Lezotte 161 Born to Take the Highway: Women, the Automobile, and Rock ‘n’ Roll Chris Lezotte In a Washington Post feature article from a few but also in the profusion of auto-themed songs years back, popular music critic J. Freedom du about favorite cars (GTO, Barracuda), car Lac laments the death of the car song. Du Lac engines (Chevy 409, Rocket 88), car parts (Four attributes the demise of the car song—a musical in the Floor, Stick Shift), and highways (Route phenomenon that peaked in popularity during the 66, Thunder Road) (38). In addition, cars—as 1950s and 1960s—to the current crop of automo- objects of desire, devotion, and obsession—were biles. He contends that the quiet, safe, economi- often linked through song with women (Maybel- cal, and eco-friendly cars of today provide little lene, Mustang Sally), or given feminine personas inspiration for music about cars. While he (Betsy, She’s My Chevy). As du Lac writes, acknowledges that contemporary music often ref- automobiles—in song and on the road—were erences the automobile, as du Lac remarks, “they not only good for getting girls, but were also aren’t actually car songs at all.” “desirable girls themselves.” The classic car song to which du Lac refers— The decades following the Second World and to which music journalists and scholars War produced two exclusive male provinces— most often address—is that intertwined with the American car culture and rock ‘n’ roll—which automotive culture of the post-World War II serendipitously and successfully combined into era.
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • Pynchon's Sound of Music
    Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
    [Show full text]
  • IPG Spring 2020 Rock Pop and Jazz Titles
    Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian .
    [Show full text]
  • Karaoke Book
    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
    [Show full text]