Hancher Auditorium Playbill
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San Diego Tribune March 2016
Luciana Souza sings, if not speaks, in tongues We chat with the Brazilian vocal great, a 6-time Grammy-nominee, who performs in La Jolla Thursday with her all-star band By George Varga March 12, 2016 Six tracks on Luciana Souza’s Grammy-nominated 2015 album “Speaking in Tongues” are wordless, each an attempt to create a rich and varied soundscape. Kim Fox 1 0 What’s in a word? This question has long challenged and fascinated singers and songwriters as they strive to articulate both simple and complex thoughts and emotions with maximum impact. But what if there are no words to sing? How do performers capture and convey the feelings and stories they want to tell, using their voice, but no lyrics? That was the challenge internationally acclaimed Brazilian singer Luciana Souza faced — or, rather, embraced — when she made her striking 2015 album, “Speaking in Tongues.” It is the 13th solo release by Souza, whose past collaborators range from Herbie Hancock and Paul Simon to David Bowie saxophonist Donny McCaslin and the Atlanta Symphony Chorus and Orchestra. Jazz at the Athenaeum presents Luciana Souza: Speaking in Tongues Six of the nine selections on “Tongues” feature Souza singing, wordlessly, with consistently stunning results. Two of the other tracks, “No One to Follow” and “Split,” are poems by Leonard Cohen set to music, while the Souza-penned “Straw Hat” was inspired by her father, a noted Brazilian singer and composer. Drawing from jazz, samba, funk, Afro-pop and more, the album delights in any language, with or without words. -
Boston Globe, March, 2006
The Boston Globe March 17, 2006 She breaks down musical boundaries Luciana Souza sings with no fear, winning respect of her peers Three of Luciana Souza's four most recent CDs have earned her Grammy nominations, including ''Duos II," which this year was edged out for best jazz vocal album by Dianne Reeves and the ''Good Night, and Good Luck" soundtrack. But Souza's not a big star yet by any means. What popularity she has remains largely confined to the jazz cognoscenti and her fellow musicians, the latter of whom seem uniformly to adore her. High on the list of things they admire about Souza is her willingness to take risks. Consider the rapid-fire unison lines she sings with guitarist Romero Lubambo on ''Duos II," the album they'll likely draw heavily from in their Bank of America Celebrity Series double bill with Joe Lovano tomorrow night at Sanders Theatre. Souza, 39, and Lubambo have been playing together for a decade. But while they've built up a large repertoire of material over the years, they rarely have occasion to practice together beyond sound checks. It can sometimes come back to haunt them in concert, Souza admits. ''We have a way of doing them that hopefully comes out clean," Souza explains, laughing. ''Some nights we get into trouble, but even that is exciting for the audience. You try your best, and sometimes it succeeds. Sometimes we fail miserably, and we go back and go, 'Here we go one more time,' and just try again in front of people. -
Press Release
PRESS RELEASE One of the most prominent representatives of the modern jazz and a double holder of the most prestigious Grammy award. That is the American jazz-fusion quartet Yellowjackets. Together with an exceptional singer Luciana Souza, the Grammy holder, too, they will be the top stars of 35th international jazz festival JAZZFEST KARLOVY VARY – SOKOLOV 2018. From September 22 to October 27 there will be six concerts held, both in big halls and clubs. For the last nineteen years, the Festival has been organized by the Jazzový kruh company (Jazz circle) with its director and an active participant of the festival in one person – the saxophonist Milan Krajíc. The festival has been traditionally supported by the Municipality of Karlovy Vary and the Karlovy Vary Region and held under the auspices of the Mayor of Karlovy Vary Municipality Ing. Petr Kulhánek. The festival focuses on modern jazz, overlapping to different branches and to other music genres, including the symphonic music, inviting outstanding musicians coming both from our country and abroad. The festival dramaturgy seeks to satisfy the demanding expert audience as well as the large non-jazz public. Festival intro The festival starts on September 22 in Slash Bar in Karlovy Vary with the concert of Mirka Novak, a Czech soul singer with unbeatable energy, who performs in USA. She will appear with the Ivan Audes Trio, led by an excellent drummer Ivan Audes, together with a young talented bass guitar player Emilie Bauerová and with an outstanding pianist Erich Ciompa. Mirka Novak & Ivan Audes Trio will be followed by the Steve Clark Trio, led by an exquisite American bass guitar player Steve Clarke, who has been to Karlovy Vary several times – among others also with the trumpeter Laco Deczi. -
SING for JUSTICE, MICHIGAN! an Interdisciplinary Event That Calls for Musicians Artists and Scholars to Consider Their Role As Ambassadors for Change
In collaboration with The American Choral Directors Association Presents SING FOR JUSTICE, MICHIGAN! An interdisciplinary event that calls for musicians artists and scholars to consider their role as ambassadors for change With performances and special guests: Stacey Gibbs, guest conductor Shara Nova, presenter Detroit Women’s Choir, Arianne Abela EMU Choral Ensembles, Brandon Johnson, Liza Calisesi Maidens, & Aaron Pollard MSU Youth Chamber Choir, Kyle Zeuch Oakland University Choral, Mike Mitchell Student & Faculty Panel, Harry Bhogal Peter Higgins, Women’s and Gender Studies Department Michael Doan, Philosophy Department Mary Larkin, LGBT Resource Center Candice Crutcher, Nat’l Assoc. for the Advancement of Colored People & Director of Political Action for SGA Amy Johnson, Communications, Media & Theatre Arts Friday, November 10, 2017 Pease Auditorium Welcome! The Eastern Michigan University Choral Department and the Michigan American Choral Directors Association are so pleased to welcome you to Sing for Justice, Michigan! Music has always been way for people to express themselves and the call for justice is not new to our age. We each understand that the arts have a role to play, and that is why we are here. To understand and to maximize that role is critical to the artist and we are here to discuss the intersection of arts and justice issues. While we have differences among us, the arts can be a common ground for people of myriad backgrounds, whether those variations be political, religious, cultural, or otherwise. Today we celebrate these differences and we gather to examine how we can help inspire others to celebrate them, as well. EMU and ACDA-MI are thrilled to host renowned composer and arranger Stacey Gibbs, singer-songwriter Shara Nova from the band My Brightest Diamond, and a variety of other presenters and performing ensembles as they seek to find ways to use the arts for justice issues. -
Singer Luciana Souza Interprets Chet Baker and Further Explores Her Brazilian Roots on Two New Albums
Singer Luciana Souza interprets Chet Baker and further explores her Brazilian roots on two new albums. By Ted Panken • Photos by Bob Wolfenson 46 fall 2012 jazziz “I have a little story to tell you,” says vocalist Luciana Souza, Music from 1984 to 1988. “I became smitten by him — not as a recalling the third and final studio session that generated The man, but by his voice and music,” she recalls. “I dug his mood, Book of Chet (Sunnyside), a CD released in August comprising his sense of pitch, where he places the note in his voice and the 10 renderings of American Songbook jewels upon which Chet fact that he dealt with vibrato differently than other American Baker placed his distinctive stamp. “Right after lunch I decided singers — a straight tone, with a fast vibrato and a slower to sing ‘I Get Along Without You Very Well.’ We had rehearsed it, one.” During the early ’90s, while pursuing graduate studies at so I thought it would come out as easy as everything else. I was New England Conservatory, she augmented her knowledge by on mic, everybody wearing headphones, tuned, ready to go. They transcribing scat solos from several Baker recordings. All the started playing, and I froze. It felt so slow, and I didn’t know how to while, Souza adds, she was well aware of Baker’s influence on fit the words into the meter. I had a moment of feeling like death.” the way bossa nova trailblazer João Gilberto conceptualized the Souza’s producer, Larry Klein, her husband since 2006 and the projection of saudade, the famously untranslatable Portuguese father of their 3-year-old son, made a quick suggestion. -
Jazz History, November 2015
JAZZ HISTORY ONLINE NOVEMBER, 2015! Luciana Souza: Passion and Versatility by Thomas Cunniffe Like Ray Charles, Sarah Vaughan, and Bobby McFerrin, Luciana Souza retains her unique identity regardless of the type of music she sings. Her range is staggering. She is a remarkable improviser with recordings that pair her with the most progressive musicians in jazz today. She is also an exquisite interpreter of pop songs, both classic and contemporary, offering definitive renditions of songs as varied as “Never Let Me Go”, “Waters of March” and “The Very Thought of You”. Her three albums of “Brazilian Duos” introduced great songs from Souza’s native land to American audiences by setting her expressive voice against solo guitar accompaniments by Romero Lubambo, Marco Pereira, Toninho Horta, Guilherme Monteiro, Swami, Jr. and her father, Walter Santos. She is also one of the premier interpreters of the music of the contemporary classical composer Osvaldo Golijov, performing his dramatic and vocally challenging music with orchestras and choruses around the world. She has written her own compositions with original words and music, and has also set the poetry of Elizabeth Bishop, Pablo Neruda and Leonard Cohen to her own melodies. JAZZ HISTORY ONLINE NOVEMBER, 2015! However, there is more to Souza’s art than just the mastery of diverse styles. Souza brings deep passion to everything she sings. She picks her repertoire carefully, and is meticulous about finding the right tempo and setting to properly transmit a song’s message. Her recording of “All of Me” sounds like a total act of romantic submission, and her setting of Neruda’s “Tonight I Can Write” conveys a feeling of loneliness and release. -
Triptych Eyes of One on Another
Saturday, September 28, 2019, 8pm Zellerbach Hall Triptych Eyes of One on Another A Cal Performances Co-commission Produced by ArKtype/omas O. Kriegsmann in cooperation with e Robert Mapplethorpe Foundation Composed by Bryce Dessner Libretto by korde arrington tuttle Featuring words by Essex Hemphill and Patti Smith Directed by Kaneza Schaal Featuring Roomful of Teeth with Alicia Hall Moran and Isaiah Robinson Jennifer H. Newman, associate director/touring Lilleth Glimcher, associate director/development Brad Wells, music director and conductor Martell Ruffin, contributing choreographer and performer Carlos Soto, set and costume design Yuki Nakase, lighting design Simon Harding, video Dylan Goodhue/nomadsound.net, sound design William Knapp, production management Talvin Wilks and Christopher Myers, dramaturgy ArKtype/J.J. El-Far, managing producer William Brittelle, associate music director Kathrine R. Mitchell, lighting supervisor Moe Shahrooz, associate video designer Megan Schwarz Dickert, production stage manager Aren Carpenter, technical director Iyvon Edebiri, company manager Dominic Mekky, session copyist and score manager Gill Graham, consulting producer Carla Parisi/Kid Logic Media, public relations Cal Performances’ 2019 –20 season is sponsored by Wells Fargo. ROOMFUL OF TEETH Estelí Gomez, Martha Cluver, Augusta Caso, Virginia Kelsey, omas McCargar, ann Scoggin, Cameron Beauchamp, Eric Dudley SAN FRANCISCO CONTEMPORARY MUSIC PLAYERS Lisa Oman, executive director ; Eric Dudley, artistic director Susan Freier, violin ; Christina Simpson, viola ; Stephen Harrison, cello ; Alicia Telford, French horn ; Jeff Anderle, clarinet/bass clarinet ; Kate Campbell, piano/harmonium ; Michael Downing and Divesh Karamchandani, percussion ; David Tanenbaum, guitar Music by Bryce Dessner is used with permission of Chester Music Ltd. “e Perfect Moment, For Robert Mapplethorpe” by Essex Hemphill, 1988. -
Murat Eyuboglu William Debuys Murat Eyuboglu Murat Eyuboglu
Directed by Original Music by Murat Eyuboglu May 18, 2016 John Luther Adams Script by “visually captivating William Brittelle William deBuys and unsettling” Glenn Kotche Murat Eyuboglu Shara Nova “performed by some of the most Paola Prestini Cinematography by innovative soundsmiths around” Murat Eyuboglu Performed live by Sylvestre Campe Roomful of Teeth Edited by Glenn Kotche David Sarno Jeffrey Zeigler Narrated by Mark Rylance The Colorado River has cut through canyons, cultures, and centuries. Here are nine chapters in its fast-flowing journey. projectcolorado.com C THE 2 of 8 COLORADO For five million years the Colorado has carved some of the and narrated by the stage legend Mark Rylance, takes us on most majestic landscapes on the planet. It has also become a journey in nine chapters through the prehistoric settlements the lifeline of a vast portion of North America, providing the of the region, the period of European exploration, the dam- water that sustains nearly forty million people, half a dozen building era, modern industrial agriculture and immigration, major cities, and an immense agricultural empire. Because of and the impact of climate change. In its premiere, the film’s these demands, the river is so overused and overpromised presentation was accompanied by a live performance of its that it no longer flows to the sea or nourishes its delta. exhilarating score by vocal ensemble Roomful of Teeth, cellist The Colorado, set to music by today’s leading composers Jeffrey Zeigler, and composer-percussionist Glenn Kotche. CREDITS -
Prototype: Opera/Theatre/Now 2019 Lineup
Sarah Baird Knight | 646.907.8062 | [email protected] PROTOTYPE: OPERA/THEATRE/NOW 2019 LINEUP ~ FOR IMMEDIATE RELEASE SEPTEMBER 7, 2018 “The best news in opera in New York these days is the PROTOTYPE Festival…” – The Washington Post “The festival is one of the great things about being in New York City in January.” – Opera News PROTOTYPE: Opera/Theatre/Now has announced full programming for the seventh annual festival of fresh opera-theatre & music-theatre, running January 5-13, 2019 and featuring ten presentations that “shift the whole paradigm of what opera is and can be” (New York Observer). Founded by co-directors Kristin Marting (of HERE), Beth Morrison (of Beth Morrison Projects) and Kim Whitener (of HERE), and led by them along with co-director Jecca Barry (of Beth Morrison Projects), the PROTOTYPE Festival emphasizes the bold and prolific work coming from today’s creative talents across the spectrum of gender, age, sexual orientation, and ethnic background. Since its launch in 2013, PROTOTYPE has presented a phenomenal 39 new works in six seasons, propelling the industry forward as an industry disruptor and international influencer, while bringing to the fore the work of 26 female- identifying lead artists. The 2019 Festival spotlights the imaginative and dramatic work of 31 lead artists, 16 of whom are women, exploring ideas of mental health, ethnicity, and motherhood, as well as concerns around the public justice system and immigration, via four world premieres, a U.S. premiere, two New York premieres, a one-night- only presentation, and two works-in-progress. Ellen Reid's p r i s m is the culmination of a breakout year for the composer whose had major works performed at LA Chamber Orchestra (LACO), LA Philharmonic, and LA Master Chorale (a commission also featured in this year’s PROTOTYPE Festival) in just one year’s time. -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
Partita-For-8-Voices-Programme.Pdf
PARTITA FOR 8 VOICES HOLLAND FESTIVAL PARTITA FOR 8 VOICES Roomful of Teeth thanks to production partner patron CONTENT Info & context Credits Programme Notes About the artists Friends Holland Festival 2019 Join us Colophon INFO CONTEXT date & time introduction Sat 15 June 2019, 8.30 pm by René van Peer 7.45 pm venue Muziekgebouw running time 1 hour 30 minutes including one interval CREDITS music William Brittelle Caleb Burhans Judd Greenstein Caroline Shaw performed by Roomful of Teeth Eric Dudley Thomas McCargar Estelí Gomez Abigal Lennox Martha Cluver Thann Scoggin Cameron Beauchamp Caroline Shaw with support from Brook Foundation website Roomful of Teeth PROGRAMME Done No Why Say Do (2010) William Brittelle Beneath (2010) Caleb Burhans The Isle (2016) Caroline Shaw AEIOU (2009) Judd Greenstein interval Partita for 8 Voices (2009-2011) Caroline Shaw NOTES Caroline Shaw Roomful of Teeth have been hailed as the future of choral music. The eight singers that make up the American vocal ensem- ble – four women, four men – together span five octaves, and accordingly their range runs the full gamut from deep growl to high-pitched shriek. Three of them have perfect pitch; all eight of them are classically trained. Singer and conductor Brad Wells established the group in 2009 and since then has flown in a host of different experts to teach his singers the most wide-ranging and obscure vocal techniques in an effort to broaden their pal- ette. From yodelling to death metal growling and throat singing - there’s nothing that’s too out there for the ensemble. The bulk of their repertoire has been written especially for them, and so they are able to incorporate all of these disparate techniques into their concerts, resulting in a truly unique sound. -
TRIPTYCH ) (EYES of ONE on ANOTHER Composed by Bryce Dessner
Friday Evening, March 15, 2019 at 8:00 Saturday Evening, March 16, 2019 at 8:00 Power Center Ann Arbor TRIPTYCH (EYES OF ONE ON ANOTHER) Composed by Bryce Dessner Libretto by Korde Arrington Tuttle Featuring Words by Essex Hemphill & Patti Smith Directed by Kaneza Schaal Featuring Roomful of Teeth with Alicia Hall Moran and Isaiah Robinson Music Direction and Conducting by Brad Wells World Premiere and UMS Co-Commission 38th and 39th Performances of the 140th Annual Season Theater Series This weekend’s performances are supported by Level X Talent. This weekend’s performances are funded in part by The Wallace Foundation. Produced in residency with and commissioned by University Musical Society, University of Michigan, Ann Arbor, MI. Co-produced by Los Angeles Philharmonic, Gustavo Dudamel, music and artistic director. Triptych (Eyes of One on Another) was co-commissioned by BAM; Luminato Festival, Toronto, Canada; Stavros Niarchos Foundation Cultural Center, Athens, Greece; Cincinnati Opera, Cincinnati, OH; Cal Performances, UC Berkeley, Berkeley, CA; Stanford Live, Stanford University, Stanford, CA; Adelaide Festival, Australia; John F. Kennedy Center for the Performing Arts for performance as part of DirectCurrent 2019; ArtsEmerson: World on Stage, Emerson College, Boston, MA; Texas Performing Arts, University of Texas at Austin, Austin, TX; Holland Festival, Amsterdam; Wexner Center for the Arts, Ohio State University, Columbus, OH; the Momentary, Bentonville, AR; Celebrity Series, Boston, MA; and developed in residency with MassMOCA, North Adams, MA. Media partnership provided by WEMU 89.1 FM, Between the Lines, and Metro Times. Special thanks to Chrisstina Hamilton and the Penny Stamps Distinguished Speaker Series, Joel Howell, Amanda Krugliak and the LSA Institute for the Humanities, and Richard Meyer for their participation in events surrounding this weekend’s performances.