Through the Years We All Will Be Together, If the Fates Allow
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September 2005
THE GREEK AUSTRALIAN The oldest circulating Greek newspaper outside VEMA Greece MARCH 2015 Tel. (02) 9559 7022 Fax: (02) 9559 7033 E-mail: [email protected] DIGITAL MOSAIC Where the AncientDISCIPLINE Faith + IN 21st THE century HOME media merge SPEAKPAGE 16/34 Doxology Service for the commencement GREEK of the new academic year of St Andrew’s Theological College PAGE 3/21 IN MARCH The campaign kicked off to an impressive start Official Opening of the S.A. Greek Welfare The “Speak Greek in March” campaign kicked off to an impressive start on Sunday, Centre’s new premises March 1 in Aus tralia. The campaign aims to raise awareness among Greek Diaspora Amidst an air of excitement, His Grace Bish- members on the issue of Greek language which is slowly losing ground in the country. op Nikandros of Dorylaeon of ficially blessed and opened the South Aus tralian Greek Wel- FULL STORY ON PAGE 2/20 fare Centre’s new premises on Henley Beach Road, Torrensville, on 17 February 2015. PAGE 10/28 FIVE REASONS TO GO TO GREECE THIS SUMMER! 1 A guided tour has been worked out for you 5 Join travellers who are already booking from between June 4-20, 2015, so y ou don’t have to Melbourne, Perth, Cairns and from anywhere in think of or ganising your flight with Emir ates, Australia, with the choice of s taying overseas restaurants or hotels for 2 whole weeks. for up to 6 months on the same ticket. 2 Combine travel with spirituality and e duca- For a c opy of the brochure via emai l, or f or tion as you follow the Journe y of St P aul and further information, contact: visit Classical Greek sites with pr ofessional guides to explain everything in English. -
60Th Eurovision Song Contest 2015 Vienna / Austria 1St Semi Final 19Th May 2015
60th Eurovision Song Contest 2015 Vienna / Austria 1st Semi Final 19th May 2015 Country Participant Song My Notes My Points Rank Qualifer 1 Moldova Eduard Romanyuta I Want Your Love 2 Armenia Genealogy Face The Shadow 3 Belgium Loïc Nottet Rhythm Inside 4 Netherlands Trijntje Oosterhuis Walk Along 5 Finland Pertti Kurikan Nimipäivät Aina Mun Pitää 6 Greece Maria-Elena Kyriakou Last Breath 7 Estonia Elina Born & Stig Rästa Goodbye To Yesterday 8 FYR Macedonia Daniel Kajmakoski Autumn Leaves 9 Serbia Bojana Stamenov Beauty Never Lies 10 Hungary Boggie Wars For Nothing 11 Belarus Uzari & Maimuna Time 12 Russia Polina Gagarina A Million Voices 13 Denmark Anti Social Media The Way You Are 14 Albania Elhaida Dani I'm Alive 15 Romania Voltaj De La Capăt 16 Georgia Nina Sublati Warrior [email protected] http://www.eurovisionlive.com © eurovisionlive.com 60th Eurovision Song Contest 2015 Vienna / Austria 2nd Semi Final 21st May 2015 Country Participant Song My Notes My Points Rank Qualifier 1 Lithuania Monika & Vaidas This Time 2 Ireland Molly Sterling Playing With Numbers 3 San Marino Michele Perniola & Anita Simoncini Chain Of Lights 4 Montenegro Knez Adio 5 Malta Amber Warrior 6 N0rway Mørland & Debrah Scarlett A Monster Like Me 7 Portugal Leonor Andrade Há Um Mar Que Nos Separa 8 Czech Republic Marta Jandová & Václav Noid Bárta Hope Never Dies 9 Israel Nadav Guedj Golden Boy 10 Latvia Aminata Love Injected 11 Azerbaijan Elnur Huseynov Hour Of The Wolf 12 Iceland María Ólafsdóttir Unbroken 13 Sweden Måns Zelmerlöw Heroes 14 Switzerland Mélanie René Time To Shine 15 Cyprus Giannis Karagiannis One Thing I Should Have Done 16 Slovenia Maraaya Here For You 17 Poland Monika Kuszyńska In The Name Of Love [email protected] http://www.eurovisionlive.com © eurovisionlive.com. -
REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris. -
Kiosk Wars/CD Review
December 1, 2010 Hi John- Here are the CD reviews for the Januaary 2011 issue. I'll be by your office later today to give you the CD covers for scanning. Sending file as back up. Talk soon, Perri Kiosk Wars: The Big Guns Battle for Minimarket Shelf Space Perri Pagonis [email protected] The music industry has gone through such dramatic changes in the past twenty years, that it’s hard to keep track of what’s happening with the record companies at any given moment. Vinyl records, although widely accepted by audiophiles as the most satisfying way to hear recorded music, is for collectors and DJs only. CDs are still the storage medium being most widely manufactured and distributed, however, they are becoming more technologically passé on a daily basis. Downloading digital music off of the Internet in MP3 and other forms is the current youth rage, but kids seem to download scads of stuff on a whim, often times an artist’s entire oeuvre in one fell swoop, and then forget to listen to it. The MySpace phenomenon on the web has made any band’s music, I mean any band’s music, from Micronesian punk rock goofball stuff to selected arias from monumental Italian opera stars, available to download into your computer’s hard disk in seconds. As the age of global stadium stars has dwindled down to a mere handful of selected acts: Rolling Stones, Madonna, U2, AC/DC, Metallica etc, so too has the Greek music scene splintered into a few revered giants and hordes of mewling newbies. -
Greek Cypriot Media Consumption and Ethnic Identity Formations in North London
Myria Georgiou Media and Communication Programme Department of Sociology London School of Economics and Political Science University of London Negotiated Uses, Contested Meanings, Changing Identities: Greek Cypriot Media Consumption and Ethnic Identity Formations in North London (Thesis submitted for the award of PhD in Media and Communication) 1 UMI Number: U615197 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615197 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 O F ^ POLITICAL AMD 7Ufk>2GL{ Abstract A large number of Greek Cypriots live in North London, where the sense of belonging in an ethnic community is daily and actively renewed through multiple mechanisms of participation and multileveled communication. A variety of ethnic media, which people consume in everyday life, have their role . in the processes of (re)invention and (re)construction of British Greek Cypriot ethnic identities that depend, at the same time, on immediate and mediated experiences in and of the country of origin, the locality and the diaspora. These three spaces - the country of origin, the locality and the diaspora - come together in a meeting point of the virtual and the real, through electronic media. -
Popular Music and Narratives of Identity in Croatia Since 1991
Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal). -
Popular Music Making in Canada and Greece Global Music, Local Culture: Popular Music Making In
POPULAR MUSIC MAKING IN CANADA AND GREECE GLOBAL MUSIC, LOCAL CULTURE: POPULAR MUSIC MAKING IN CANADA AND GREECE By ATHENA ELAFROS, B.A., M.A. A Thesis Submitted to the School ofGraduate Studies In Partial Fulfilment ofthe Requirements For the Degree Doctor ofPhilosophy McMaster University (c) Copyright by Athena Elafros, January 20 II DOCTOR OF PIDLOSOPHY (20 11) McMaster University (Sociology) Hamilton, Ontario TITLE: Global Music, Local Culture: Popular Music Making in Canada and Greece AUTHOR: Athena Elafros, B.A. (University ofToronto), M.A. (Queen's University) SUPERVISOR: Graham Knight COMMITTEE MEMBERS: Tina Fetner Christina Baade NUMBER OF PAGES: vii~ 242 11 Abstract The purpose ofthis dissertation is to better theorize the relationship between cultural production, popular music and cultural identity. While broadly examining popular music, the primary focus ofthis study is on black popular music making and hip hop cultures in Canada and Greece. My dissertation focuses upon three distinct case studies in Toronto, Canada; Athens, Greece; and Vancouver, Canada. Each ofthe three case studies in my dissertation contributes, and offers revisions, to Bourdieusian studies ofcultural production. Whether it is DJs in Toronto trying to assert authorship and legitimate their roles as musicians, an MC in Vancouver trying to conceptualize a new mode ofdiasporic belonging for Greeks ofthe diaspora, or male hip hop practitioners in Athens utilizing their historical knowledge ofthe Greek field of popular music to authenticate their pursuits in rap music, each case study provides a different lens through which to understand how popular music makers use music in their quests for cultural legitimacy, diasporic belonging and/or authentication. -
President Jean-Claude Juncker Wednesday, 29 June 2016 European Commission Rue De La Loi 200 1049 Brussels Belgium
President Jean-Claude Juncker Wednesday, 29 June 2016 European Commission Rue de la Loi 200 1049 Brussels Belgium Re. Securing a sustainable future for the European music sector Dear President Juncker, As recording artists and songwriters from across Europe and artists who regularly perform in Europe, we believe passionately in the value of music. Music is fundamental to Europe’s culture. It enriches people’s lives and contributes significantly to our economies. This is a pivotal moment for music. Consumption is exploding. Fans are listening to more music than ever before. Consumers have unprecedented opportunities to access the music they love, whenever and wherever they want to do so. But the future is jeopardised by a substantial “value gap” caused by user upload services such as Google’s YouTube that are unfairly siphoning value away from the music community and its artists and songwriters. This situation is not just harming today’s recording artists and songwriters. It threatens the survival of the next generation of creators too, and the viability and the diversity of their work. The value gap undermines the rights and revenues of those who create, invest in and own music, and distorts the market place. This is because, while music consumption is at record highs, user upload services are misusing “safe harbour” exemptions. These protections were put in place two decades ago to help develop nascent digital start-ups, but today are being misapplied to corporations that distribute and monetise our works. Right now there is a unique opportunity for Europe’s leaders to address the value gap. -
Orthodox Observer
34th Clergy-Laity Congress Orlando, Florida VOL. 63 NO. 1146 JUNE 1998 http://www.goarch.org/goa/observer E-mail: [email protected] Dimitrios Couchell Patriarch Bartholomew Visits USA, Ordained to the Episcopacy Receives Honorary Doctorate at Yale PHILADELPHIA Archbishop Spyridon BRIDGEPORT, Conn. During a brief ordained Bishop-elect Dimitrios Couchell of sojourn in the New York area before begin- Xanthos to the episcopacy at St. George Ca- ning his first official visit to Canada, Ecumeni- thedral on Sunday, May 31. cal Patriarch Bartholomew celebrated Divine Bishop Dimitrios, 60, was elected by Liturgy at Holy Trinity Church on May 24, the Holy Synod of the Ecumenical Patriarch- and received an honorary Doctor of Divin- ate on May 18. ity degree from Yale University on the 25th. His Grace is a 1963 graduate of Holy His visit to Bridgeport coincided with Cross Greek Orthodox School of Theology Holy Trinity parishs 85th anniversary. and has served the Church in various ca- pacities, most recently as executive direc- By Jim Golding tor of Orthodox Christian Mission Center in St. Augustine, Fla., since 1981. Archbishop Spyridon and more than 20 hierarchs and priests also took part in the nearly six-hour service attended by as many as 1,000 persons, and that included an artoclasia blessing to commemorate the anniversary. A beacon of Orthodoxy According to an English translation of the seven-page homily that His All Holiness delivered in Greek, the Patriarch praised the ARRIVAL IN AMERICA (top) community for maintaining the Orthodox Ecumenical Patriarch Bartho- faith and likened it to a lighthouse which lomew, escorted by Arch- the love of God has placed here for the past bishop Spyridon, shortly after his arrival at Westchester D.Panagos photo 85 years...to guide those who sail ill-advised County airport in New York. -
Cecilia Eleonora Melella Universidad De Buenos Aires (Argentina) [email protected]
LA DANZA COMO PIEZA CONSTRUCTORA DE LA IDENTIDAD GRIEGA EN BUENOS AIRES Cecilia Eleonora Melella Universidad de Buenos Aires (Argentina) [email protected] Resumen Esta investigación se plantea interrogantes sobre la construcción identitaria de la colectividad griega del barrio de Palermo, en Buenos Aires, a partir del análisis de discursos, prácticas actuales que se vinculan directamente con la experiencia vivida por ese grupo, como las danzas, la gastronomía, etcétera. Se parte de considerar a la construcción identitaria como una representación, un discurso particular e histórico, relacional, por lo cual es plausible reconstruir la identidad de un grupo a partir del análisis de los discursos que constituyen dicho texto identitario. Por otro lado, se considera que en el imaginario social instituido, Grecia es semejante al “origen de la civilización occidental”, cuna de filósofos, poetas, matemáticos, etcétera, y por consiguiente es sinónimo de la “alta cultura”. Estas condiciones ameritan interrogarse ¿Qué rasgos tiene en común esa construcción de identidad con el imaginario social instituido de la cultura griega? Palabras clave: identidad, experiencia, discurso, imaginario. Este trabajo se propone trazar hipótesis acerca de la construcción identitaria de la colectividad griega del barrio de Palermo. Este ser griego en Buenos Aires se entrecruza con otros discursos que tienen que ver con Grecia como país, y con Grecia –antigua– como civilización y/o cultura. Dentro de este imaginario, que podemos denominar instituido por la sociedad moderna (se denomina imaginario instituido por la sociedad moderna a fin de simplificar los términos. Si bien se puede pensar la importancia de Grecia para Occidente, es decir para la sociedad moderna occidental, en esta investigación sólo se tomó como margen de referencia la sociedad porteña actual). -
Eurovisie Top1000
Eurovisie 2017 Statistieken 0 x Afrikaans (0%) 4 x Easylistening (0.4%) 0 x Soul (0%) 0 x Aziatisch (0%) 0 x Electronisch (0%) 3 x Rock (0.3%) 0 x Avantgarde (0%) 2 x Folk (0.2%) 0 x Tunes (0%) 0 x Blues (0%) 0 x Hiphop (0%) 0 x Ballroom (0%) 0 x Caribisch (0%) 0 x Jazz (0%) 0 x Religieus (0%) 0 x Comedie (0%) 5 x Latin (0.5%) 0 x Gelegenheid (0%) 1 x Country (0.1%) 985 x Pop (98.5%) 0 x Klassiek (0%) © Edward Pieper - Eurovisie Top 1000 van 2017 - http://www.top10000.nl 1 Waterloo 1974 Pop ABBA Engels Sweden 2 Euphoria 2012 Pop Loreen Engels Sweden 3 Poupee De Cire, Poupee De Son 1965 Pop France Gall Frans Luxembourg 4 Calm After The Storm 2014 Country The Common Linnets Engels The Netherlands 5 J'aime La Vie 1986 Pop Sandra Kim Frans Belgium 6 Birds 2013 Rock Anouk Engels The Netherlands 7 Hold Me Now 1987 Pop Johnny Logan Engels Ireland 8 Making Your Mind Up 1981 Pop Bucks Fizz Engels United Kingdom 9 Fairytale (Norway) 2009 Pop Alexander Rybak Engels Norway 10 Ein Bisschen Frieden 1982 Pop Nicole Duits Germany 11 Save Your Kisses For Me 1976 Pop Brotherhood Of Man Engels United Kingdom 12 Vrede 1993 Pop Ruth Jacott Nederlands The Netherlands 13 Puppet On A String 1967 Pop Sandie Shaw Engels United Kingdom 14 Apres toi 1972 Pop Vicky Leandros Frans Luxembourg 15 Power To All Our Friends 1973 Pop Cliff Richard Engels United Kingdom 16 Als het om de liefde gaat 1972 Pop Sandra & Andres Nederlands The Netherlands 17 Eres Tu 1973 Latin Mocedades Spaans Spain 18 Love Shine A Light 1997 Pop Katrina & The Waves Engels United Kingdom 19 Only -
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