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Cambridge University Press 978-1-107-13150-7 — Raphael and the Redefinition of Art in Renaissance Italy Robert Williams Index More Information Cambridge University Press 978-1-107-13150-7 — Raphael and the Redefinition of Art in Renaissance Italy Robert Williams Index More Information 299 Index S Abbate, Niccolò dell’, 191 Renaissance development and redei nition of, Blake, William, 7 academies, academic theory and values, 68 – 73 , 1 – 8 , 9 , 10 , 11 – 17 , 23 , 28 – 9 , 61 , 73 – 5 , Boccaccio, Giovanni, 54 , 59 173 , 216 , 255 , 256 – 7 82 , 84 , 105 , 125 , 129 , 131 , 168 , 173 – 4 , Bocchi, Francesco, 77 n.10 , 105 n.122 actuality, actualization, see enargeia 179 , 202 – 7 , 211 , 252 – 4 , 256 – 7 Bologna as an artistic center, 65 – 6 , 176 , 184 , aesthetics, 10 , 12 , 46 , 129 , 130 , 169 , Renaissance idea of, 1 , 4 – 6 , 12 , 14 – 15 , 29 , 199 , 213 , 253 260 – 3 , 266 – 7 74 – 5 , 82 , 128 – 9 , 165 , 169 , 172 , 252 – 3 , Borghini, Vincenzo, 62 n.187 , 256 – 7 Agamben, Giorgio, 106 257 , 259 – 64 , 267 Botticelli, 215 Albani, Francesco, 66 social and cultural function of, 9 – 14 , 17 , Botticini, 142 Alberti, Leone Battista, 44 , 49 , 54 , 54 n.135 , 73 – 5 , 77 – 8 , 80 – 4 , 108 , 131 , 167 , Bourdieu, Pierre, 14 n.24 76 – 80 , 83 , 127 , 129 , 170 , 207 , 212 168 – 72 , 257 , 260 – 3 , 265 – 7 Bramante, Donato, 50 , 108 , 179 , 218 n.243 , 221, Albertinelli, Mariotto, 32 – 3 , 38 , 179 , 214 and virtue, see virtue 233 , 250 , 251 , 256 n.387 n.217 , i g. 3 as work, see work, art as Bramantino, 218 Alfani, Domenico, 217 n.241 art history (art historical scholarship), 1 – 8 , 91 – 2 , Bronzino, 210 n.188 Amadei, Stefano, 217 n.241 127 , 128 – 32 , 140 , 173 , 252 – 3 , 259 – 66 Burckhardt, Jakob, 92 , 149 n.240 anatomy, see nude Augustine, Saint, 140 – 1 , 150 ancient art, see classical antiquity Cajetan, Saint, 139 Andrea del Ceraiuolo, 154 n.258 , 155 Baccio d’Agnolo, 256 – 7 Cambiaso, Luca, 209 n.268 , 178 Badt, Kurt, 92 – 3 , 105 canon, canonicity, 11 , 94 , 96 , 99 , 104 , 105 – 6 , Andrea del Sarto, 28 n.40 , 105 n.122 , 177 , 179 , Baldinucci, Filipppo, 70 – 1 , 74 217 , see also convention, tradition ; 198 , 202 , 256 Bandinelli, Baccio, 256 exemplarity, the exemplary Angelico, Fra, 78 Bagnacavallo, Bartolomeo, 184 , 191 Caporali, Giovanni Battista, 256 n.387 Apelles, 52 , 156 Bagnacavallo, Giovanni Battista, 191 , 199 n.141 Caravaggio, 150 architecture, see Raphael, training in, practice of Barbaro, Daniele, 124 n.169 Carracci, Agostino, Annibale, and Lodovico, architecture Barbaro, Ermolao, 58 n.164 65 – 6 , 66 n.196 , 68 , 120 , i g. 65 Aretino, Pietro, 20 , 42 , 53 , 79 n.18 , 166 n.305 , Barile, Giovanni, 110 , 182 Carus, Gustav, 142 256 n.384 Bartolomeo, Fra, 18 , 25 , 27 , 32 , 33 – 5 , 62 , 70 , Castagno, Andrea del, 116 n.149 Aristotle, 9 , 92 – 3 , 104 – 6 , 107 , 121 n.158 , 140 , 142 , 162 n.294 Castiglione, Baldassare, 24 n.24 , 31 , 62 , 68 n.207 , 155 , 172 Bartolomeo da Castiglione, 188 n.3 73 – 4 , 112 , 113 , 164 – 5 , 168 , 180 Armenini, Giovanni Battista, 78 n.15 , 83 , 124 Bartolomeo da Reggio, 207 Cavallini, Pietro, 135 n.169 , 153 n.256 , 201 – 7 , 209 – 11 , 213 , Bartolomeo della Gatta, 176 Cellini, Benvenuto, 214 , 254 215 , 253 – 5 , 258 Baviera (Baverio da Carocci), 186 , 249 , 251 n.360 Cennini, Cennino, 7 , 54 – 5 , 54 n.133 , 215 on imitation and inventive process, 42 – 5 , 54 beauty, 3 , 39 , 46 , 48 , 71 , 80 , 144 , 147 , 161 – 3 , Chigi, Agostino, 195 , 252 n.366 n.134 , 66 – 7 , 66 n.196 , 67 n.200 , 73 , 170 , 176 Church, Catholic, 58 81 , 105 , 230 Beccafumi, Domenico, 192 , 202 Cicero, 56 – 9 , 63 , 65 , 68 n.207 , 70 , 74 , 76 , 78 use and criticism of Vasari, 202 – 7 , 209 – 11 Bechicemo, Marino, 95 n.15 , 79 , 254 , see also rhetoric art Beckett, Samuel, 8 n.12 Ciceronianism, 59 as a critical practice, 7 , 10 , 11 , 13 – 15 , 24 , 29 , Bellini, Giovanni, 63 , 63 n.189 , 221 classical antiquity, classicism, 3 , 18 , 35 , 49 , 50 – 3 , 36 , 43 , 46 , 70 – 3 , 108 , 121 , 125 – 7 , Bellori, Giovanni Pietro, 10 n.18 , 66 , 68 , 68 58 , 60 – 1 , 66 – 9 , 70 , 71 , 94 – 6 , 105 , 108 , 130 – 1 , 171 , 211 – 12 , 227 , 252 – 3 , see n.207 , 70 , 85 n.30 , 86 , 88 – 90 , 93 111 – 16 , 119 , 170 , 186 , 191 , 217 , also philosophy Belting, Hans, 127 – 9 231 – 3 , 237 , 248 – 9 , 251 – 2 , see also and life, 17 , 74 , 80 – 1 , 89 , 108 , 127 , 147 , 168 , Bembo, Pietro, 56 – 63 , 65 , 68 n.207 , 70 , 71 – 2 , Raphael, study of classical antiquity 170 , 172 , 173 , 257 – 8 , 260 , 265 , 267 74 , 95 , 166 Clement VII (Giulio de’ Medici), 113 n.145 , and nature, 7 , 8 , 10 , 12, 14 , 16 – 17 , 20 , 54 , 61 , 66 Benjamin, Walter, 8 149 , 187 – 8 , 232 n.289 , 240 n.196 , 68 , 72 – 3 , 76 – 81 , 82 – 4 , 105 , 108 , Berto di Giovanni, 217 color, colorito , 19 – 20 , 22 , 25 , 27 – 8 , 29 , 32 , 34 , 110 , 116 – 17 , 119 – 21 , 124 – 5 , Bibbiena, Bernardo, 112 , 116 , 119 , 231 – 2 , 233 , 64 , 66 , 90 – 1 , 150 , 160 , 162 , 176 , 126 – 7 , 155 , 168 , 212 , 257 , 260 , 264 , 267 243 , 247 , i g. 93 209 , 222 – 3 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-13150-7 — Raphael and the Redefinition of Art in Renaissance Italy Robert Williams Index More Information 300 300 INDEX Comanini, Gregorio, 125 workshop, working process, Giovanni da Lione, 188 n.83 , 191 n.95 competition, 18 – 21 , 58 , 174 , 177 , 181 , 198 – 9 , preparatory process Giovanni da Udine, 86 , 108 – 9 , 119, 124 204 – 10 , 211 , 213 – 15 , 253 – 4 , 257 , cartoons (excluding those for the Sistine n.169 , 140 , 180 – 1 , 185 , 188 , 189 , see also imitation, emulation Chapel Tapestries), 22 , 200 , 209 , 218 n.245 , 223 , 231 , 233 , 238 – 40 , composition, 24 , 79 , 81 , 89 , 90 , 92 , 94 – 6 , 99 , 210 , 216 – 17 , 221 , 223 , 227 , 242 , 246 , 253 , 255 107 – 8 , 127 , 130 , 151 , 175 , 216 , 222 , 237 – 8 , 244 assistants, 180 – 1 , 238 – 40 226 – 7 , 243 modelli , 219 , 222 , 223 , 227 , 231 , 233 – 5 , work in Loggia of Leo X, 109 – 10 , Condivi, Ascanio, 19 – 20 , 21 , 22 , 28 237 , 240 – 4 116 – 17 , 179 , 180 , 182 , 184 n.63 , consumerism, 17 , 129 , 262 , 263 – 4 , 267 Duchamp, Marcel, 8 237 , i gs. 41– 50 Conte, Jacopo de, 154 n.258 Dürer, Albrecht, 136 , 185 – 6 , 213 , 221 , 237 , Giovio, Paolo, 32 n.5 , 199 , 200 , 217 Conti, Sigismondo de’, 135 n.194 243 , 246 , 249 , 254 Girolamo da Carpi, 23 n.20 convention, tradition, 10 – 11 , 61 , 70 , 77 , dynamis , see potentiality Girolamo da Treviso, 184 n.62 106 – 7 , 167 – 8 , 171 , 217 , 264 Giulio Romano, 45 , 86 , 109 , 150 , 162 n.292 , Correggio, 65 , 66 , 68 , 69 , 202 enargeia , 93 , 94 , 104 , 107 , 164 166 n.305 , 174 , 183 , 194 , 199 , 202 , Cortesi, Paolo, 55 – 6 energeia , 94 , 104 , 106 , 170 204 , 232 , 234 – 5 , 237 , 238 – 9 , 242 , Counter- Reformation, 129 energy, 40 , 82 – 3 , 103 – 4 , 106 , 170 243 n.328 , 244 , 245 n.332 , 246 Coypel, Antoine, 69 Erasmus, Desiderius, 58 , 95 n.105 n.334 , 247 , 254 – 5 , i gs. 68 , 73 Cubism, 264 Ernst, Max, 265 assistants, 185 , 188 – 9 , 190 – 1 , 191 n.95 Cungi, Giovanni Battista, 199 essence, revelation of, 77 – 8 , 82 , 88 , 93 , 104 – 5 , in Mantua, 185 , 189 – 91 , 199 , i g. 73 132 , 135 , 138 , 149 , 151 , 162 , 168 , work in Loggia of Leo X, 109 , 179 , 180 – 1 , Dada, 265 171 , 209 , 266 , see also idea, ideal, 182 , i g. 68 Daniele da Volterra, 192 n.109 , 203 idealism work in Sala di Costantino, 187 – 8 , 240 – 1 , Dante Alighieri, 62 , 144 n.227 , 146 – 8 , 153 Evangelista di Pian di Mileto, 217 i gs. 70 , 105 Danti, Vincenzo, 20 n.9 , 84 , 155 , 160 exemplarity, the exemplary, 11 , 28 – 9 , 43 , 53 , work in Stanza del Incendio, 221 , 222 , decoration, the decorative, 3 , 86 – 90 , 108 – 9 , 78 , 81 , 104 – 5 , 157 , 168 , 242 – 3 , 223 , 231 112 , 114 – 17 , 119 , 120 , 123 , 124 – 7 , 247 , 252 Goethe, Johann Wolfgang, 94 , 149 n.240 133 , 171 , 176 , 188 , 200 , 215 , 231 , expression, 19 , 46 , 86 – 7 , 89 , 96 , 104 , 127 , 130 , Goldthwaite, Richard, 214 – 15 , 254 237 , 242 , see also grotesque see also discursivity Goltzius, Hendrick, 67 decorum, 8 – 14 , 24 , 65 , 69 , 76 – 84 , 114 , 124 , Gombrich, E.H., 262 125 , 127 , 168 , 170 – 2 , 202 , 260 – 1 , Farnese, Alessandro, 192 , 194 , 196 , 199 grace, 16 , 22 , 23 , 67 , 81 , 87 , 94 , 136 , 143 , 264 , 267 , see also essence, revelation Félibien, André, 68 , 68 n.210 , 69 – 70 169 , 189 of ; nature, naturalism ; philosophy, Ferreri, Zacharia, 95 – 6 , 113 Greenberg, Clement, 262 art and ; representation Figurino da Faenza, 191 n.95 grotesque, 14 , 109 , 110, 115 – 17 , 121 , 123 – 5 , in Raphael’s devotional images, 9 , 131 , 133 , Florence as artistic center, 7 , 18 , 30 – 2 , 171 , 180 , 191 – 2 , 200 , 233 , 242 , see 140 – 1 , 146 , 152 34 – 5 , 43 – 4 , 48 , 175 – 6 , 177 – 8 , also decoration, the decorative in Raphael’s istorie , 9 , 86 – 108 199 , 214 – 16 Guglielmo della Porta, 192 in Raphael’s portraits, 9 , 154 , 156 , 167 Fontana, Prospero, 191 Dente, Marco, 186 , 246 n.335 , 246 Francia, Francesco, 176 , 186 , 213 , 246 n.337 Heidegger, Martin, 60 n.174 , 106 devotion, devotional images, 9 – 10 , 13 – 4 , Franciabigio, 28 n.40 n.128, n.129 46 , 127 – 36 , 143 , 148 – 9 , 151 – 2 , Franco, Bartolomeo, 190 Hollanda, Francisco de, 124 156 , 216 – 17 Franco, Battista, 25 n.27 , 209 Homer, 55 n.141 , 60 , 89 , 130 n.188 , 161 discursivity, 3 , 7 , 9 – 10 , 37 , 46 – 7 , 73 , 84 – 5 , 87 , Fréart de Chambray, Roland, 68 n.210 Horace, 9 , 55 , 76 – 7 , 79 , 123 , 124 , 258 91 , 93 , 105 , 118 , 123 , 125 – 6 , 131 – 6 , Freedberg, Sydney, 94 – 5 , 104 , 105 , 149 n.240 138 – 40 , 144 , 146 , 152 – 3 , 155 , Fried, Michael, 262 icons, iconicity, 128 – 32 , 170 , 261 – 2 163 , 167 – 9 ,
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