Vivaldi four seasons pdf

Continue A set of four violin concerts by Antonio Vivaldi (engraved by Francois Morellon de La Cave, from Michel-Charles Le Saint edition Op. 8 Vivaldi, 1725) Four Seasons (Italian: Le quattro stagi) is a group of four violin concerts by Italian composer Antonio Vivaldi, each giving a musical expression of the season of the year. They were written around 1716-1717 and published in 1725 in Amsterdam, along with eight additional concerts like Il cimento dell'armonia e dell'inventione (Competition between Harmony and Invention). Four Seasons is Vivaldi's most famous work. Although the three concerts are completely original, the first, Spring, borrows motifs from sinfonia in the first act of the modern opera Vivaldi Il Giustino. The concert was inspired by the non-rural area around Mantua, as was originally intended, where Vivaldi lived at the time, as, according to Carl Heller, they could have been written as early as 1716-1717, while Vivaldi was engaged to Mantua court only in 1718. They were a revolution in musical conception: in them Vivaldi was a flowing stream, singing birds (each of which was specially described), a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties both in terms of hunters and in terms of prey, frozen landscapes and warm winter fires. Unusually for that period, Vivaldi published a concert with accompanying sonnets (perhaps written by the composer himself) that explained that it was in the spirit of each season that his music was meant to evoke. Therefore, the concert is one of the earliest and most detailed examples of what could be called programmatic music, i.e. music with narrative elements. Vivaldi tried very hard to associate her music with the lyrics of the poems, translating the poetic lines themselves directly into the music on the page. For example, in the middle part of the Spring, when the goat is asleep, his barking dog can be heard in the viola section. Music elsewhere also flags other natural sounds. Vivaldi divided each concert into three movements (fast-slow-fast), and in addition, each connected the sonnet into three parts. List of concerts and movements Title of Cimento dell'Armonia e dell'Invenzione Vivaldi, which included four seasons of Vivaldi arrangement is as follows: Concert No. 1 in E major, Op. 8, R. 269, Spring (La primavera)Allegro (in E major)Largo e pianissimo sempre (in C♯ minor)Allegro Pastoral (in E major) Concert No. 2 in G minor, Op. 8, RV 315 , Leto (L'estate)Allegro not molto (in G minor)Adagio electronic piano - Presto electronic forte (in G minor)Presto (in G minor) Concerto No. 3 in F major, Op. 8, R. 293, Autumn (L'autunno)Allegro (in F)Adageo molto (in D minor) Op. 8, RV 297, Winter (L'inverno)Allegro non molto (in F minor)Largo (in E♭ major)Allegro (in F minor) L'inverno (Winter), First Movement, Allegro non molto (3:18) Performed by U.S. Air Force Band Problems to play this file? See the media report. The performance of all four concerts can take about 40-43 minutes. Approximate dates of individual concert: Spring: 10 minutes Summer: 11 minutes Autumn: 11 minutes Winter: 9 minutes Sonnets and allusions There is some discussion about whether four concerts were written to accompany the four sonnets or vice versa. Although it is not known who wrote the accompanying sonnets, the theory that Vivaldi wrote them is confirmed by the fact that each sonnet is broken into three sections, each of which neatly corresponds to the movement in the concert. Regardless of the authorship of sonnets, The Four Seasons can be classified as programmatic music, instrumental music designed to evoke something extra-musical, and an artistic form that Vivaldi was determined to prove sophisticated enough to be serious. In addition to these sonnets, Vivaldi gave instructions such as The Barking Dog (in the second Spring movement), Langur caused by heat (in the first Summer movement), and drunks fell asleep (in the second movement Autumn). A new translation of sonnets into English by Armand D'Angur was published online in 2019. Sonnet text Italian Spring Allegro Giunt 'a la Primavera e festosetti la salutan gl' Augei con lieto canto, E i fonti allo Spirar de' zeffiretti con dolce mormorio Scorrono intanto: Vengon' coprendo l' aer di nero amanto e Lampi, e tuoni ad annuntiarla eletti Indi tacendo questi, gl' Augelletti; Tornan 'di nuovo al lor canoro incanto: Largo e quindi sul fiorito amato al caro mormorio di front e piante dorme 'l Caprar col fido can' a lato. Allegro di shepherd zampogna al swan festante Danzan Ninfe e Pastor nel tetto amato di primavera all' apparir brillante. Allegro Spring is upon us. Birds celebrate her return with a festive song, while the murmuring flows gently caresses the breeze. Thunderstorms, these messengers of spring, roaring, throwing their dark mantle over the sky, then they die to silence, and the birds take up their charming songs once again. Largo On a flower-strewn meadow, with leafy branches rustling over his head, the goat-herd asleep, his faithful dog beside him. Allegro, led by the festive sound of village bagpipes, nymphs and shepherds, dances slightly under the gleaming canopy of spring. Summer Allegro no molto sotto dura Staggion dal sole accesa langue l' huom, langue 'l gregge, ed arde il Pino; Scioglie il Cucco la Voce, e tosto intesa Canta la Tortorella e 'l gardelino. Seffiro Dolce Spira, mae Contess Muove Borea improviser al Suo Vicino; E piange il Pastorel, perche sospesa Teme fiera borasca, e suo destino; Adagio electronic piano - Presto e Forte Toglie Alle membra lasse il suo riposo il timore de' Lampi, e tuoni fieri e de mosche, e mosconi il Stuol furioso! Presto, che pur troppo i suo Timor son veri Tuona e fulmina il ciel e grandinoso Tronca il capo alle spiche e a' grani alteri. Allegro is not molto Under the hard season, sun lit By The Languishes man, languishing herd and burning pine We hear the voice of the cuckoo; then the sweet songs of turtledove and finch are heard. Soft breezes blow the air, but threatening the North Wind sweeps them suddenly to the side. The shepherd trembles for fear of severe storms and his fate. Adagio Electronic Piano - Presto e Fort Fear lightning and fierce thunder Robs his tired limbs rest as mosquitoes and flies buzz furiously around. Presto Alas, his fears were justified by heaven thunder and roar and with hail cut off his head from the wheat and damage the grain. Autumn Allegro Celebra il Vilanel Con Bally e Canti Del felice raccolto il bel piacere e del liqueur de bacco accesi tanti finiscono col Sonno il lor godere. Adagio molto fe cha'ogne 'uno tralasci e balli e canti l' aria che temperata d' piacere, e la Staggion ch' invita tanti e tanti d' un dolcissimo sonno al bel godere. Allegro cacciator alla no'alba et caccia con roots, schioppi, e cani escono fuore fugge la belva, e Seguono la traccia; Gye Sbigottita, e lassa al gran rumore de' Schioppi e cani, ferita minaccia Languida di fuggir, m' oppressa muore. Allegro celebrates the peasant, with songs and dances, the pleasure of a bountiful harvest. And lit up with Bacchus liqueur, many end their fun in a dream. Adagio molto Everyone is made to forget their worries and sing and dance By air, which is tempered with pleasure AND (by) season that invites so many, many of their sweet dream, to the wonderful enjoyment of Allegro Hunters appear at a new dawn, And with horns and dogs and guns to depart for hunting the beast runs, and they follow its trail; Frightened and tired of the big noise of guns and dogs, the beast, wounded, threatens Langidi to escape, but tortured, dies. Winter Allegro no molto Agghiacciato tremar Tri nevi algenti al North Spiarar d'Oprido Vento, Correr Battendo i piedi ogni momento; E sang Soverchio gel dough i denti; Largo Passar al Foco i di quieti e contenti mentre la pioggia fuor bagna ben cento Allegro Caminar sopra il giaccio, e y passo Lento Pertim di Cader girsene intenti; Gere Forte Sdruzziolar, cader et terra di nuove yr Sopra 'l giaccio e correr forte sin ch' il giaccio si rompe, e si disserra; Sentir uscir dalle ferrate porte Sirocco, Borea, e tutti i Venti in guerra quest ''l verno, m' tal, che gioja apporte. Allegro does not molto tremble from the cold in the icy snow, In the harsh breath of the dreaded wind; To escape, punching the feet every moment, our teeth in the extreme cold Largo Before Before fire to pass peaceful, satisfied days while the rain outside pours down. Allegro We walk on the icy path slowly and cautiously, for fear of stumbling and falling. Then turn sharply, slip, crash on the ground and, rising, rush across the ice to make it crack up. We feel that the cold north wind is heading through the house, despite the locked and bolted doors... it is a winter that nevertheless brings its charms. Recordings of Wichita State University Chamber Players Following performances, recorded on February 6, 2000, are Wichita State University Chamber Players, an ensemble of the Wichita Symphony . Lead singer John Harrison. Concert No. 1 in E major, La primavera (Spring) I. Allegro II. Largo III. Allegro Problems listening to files? See the media report. Concert No. 2 in Minor, L'estate (Summer) I. Allegro not molto II. Adagio III. Presto Problems listening to files? See the media report. Concert No. 3 in F Major, L'autunno (Autumn) I. Allegro II. Adagio Molto III. Allegro Problems listening to files? See the media report. Concert No. 4 in F minor, L'inverno (Winter) I. Allegro not molto II. Largo III. Allegro Problems listening to files? See the media report. A recording of the story of Bernardino Molinari, who made the first electric recording of The Four Seasons in 1942. The date and staff of The Four Seasons' first recording are disputed. There is a CD with a recording made by violinist Alfredo Campoli, taken from the acetates of the French radio program; they are believed to date back to early 1939. The first correct electrical recording was made in 1942 by Bernardino Molinari; Although its somewhat different interpretation from modern performances, it is clearly recognizable as four seasons. Molinari's record was made for Cetra, and was released in and then in the United States on six bilateral 78s, in the 1940s. In 1950 it was re-released on a long album and later on a CD. The recording was made at Carnegie Hall prior to the scheduled ban on recording, effective January 1, 1948. The performers were the Chamber Orchestra of the Concert Hall under the direction of Henry Liberty, Edith Weiss-Mann (harpsichord) and Edward Tes-Berger (organ). This recording helped to retoola Vivaldi's music into the main repertoire of and America, following the work of Molinari and others in Italy. He won the French Grand Prix in 1950, was elected to the Grammy Hall of Fame in 2002, and was selected the following year for the National Records Registry at the Library of Congress. Kaufman, intrigued after learning that the four concerts were actually part of a set of twelve, proceeded to search for the full score and eventually recorded the other eight concerts in 1950, making his first record of full Op. 8 Vivaldi. The band recorded The Four Seasons several times, its debut recording in 1955 with Felix Ayo; 1959 recording with Ayo Again; and subsequent recordings featuring Roberto Michelucci (1969), Pina Carmirelli (1982), Federico Agostini (1990) and Mariana Serbu (1995). The 1969 Argo recording of St. Martin's Academy in fields under the conductor and with the participation of soloist Alan Loveday sold more than half a million copies; it became the first gold record of the ensemble. I'm Solisti di zagreb, under the direction of Antonio Gianigro with Jan Tomasou as violin soloist and Anton Hayler on harpsichord, and then in 1957 on the Vanguard label, then re-released under and other labels. Wilfrid Mellers, an English music critic, musicologist and composer, wrote about the play, soloists beautifully formulated their lyrics. John Thornton wrote of the recording: Here is a flawless ensemble, topped by Tomasov's safe play. Janigro reveals his talent for conducting, which competes with his considerable talent for cello play . Ivan Suupek wrote about this recording: I will try to convey to you how much this performance means to me, and may also mean to you. My first meeting with records took place almost thirty years ago, when our Antonio showed me the true meaning of a piece of another great Antonio, his famous namesake, whom Le quattro Staggioni I could barely listen to anymore because of the big, actually too great, performances usually at the time, not to mention enjoy them. What a change it was - a window into a new world; the music is fast, precise and true to life, the intonation is correct, continuum, and the violin is a beautiful sound in a suitable correlation with the zag soloists. The confident and subtle tone of Jan Tomasov's solo violin is perfectly connected with soloists; the whole performance is imbued with the spirit of Janigro's perfectionism, leaving the music and its soul completely open. It was for a long time the only performance I could listen to. Only during the last decade some new children, playing authentic instruments, offered me the same pleasure and understanding of the music of Antonio Vivaldi and, to my great delight, the performance of Janigro is no longer the only choice for me. In my opinion, it also shows how Janigro's performance in collaboration with the soloists was far ahead of his time, as evidenced by Igor Stravinsky, who claimed that it was the most beautiful performance of Le quattro Stagioni, of which he had ever heard, a statement that I had only recently learned about. Unsurprisingly, such a voice and the accuracy of Gianigro's interpretation must have turned to him. It was much later that I discovered records as well. At that time, the soloists were recording for Vanguard, mostly in , and it was this recording that was made in 1957 in Rotentturmstrassaal. The recording was produced by Seymour Solomon, the principal producer of the entire publication, who personally came from the United States to oversee every recording that the soloist had to make, while Vanguard's Vienna subsidiary, Amadeo, was in charge of the organization. (My thanks to one of the founders of the soloist, Mr. Stepan Arangjos, for giving me some important ideas). Gianigro was a perfectionist, often quite ruthless, not only in matters of music, but also in terms of sound, so he was directly and intensely involved in the recording process, which was quite rare at the time. All this great concern, by all project participants, is largely reflected in the recording itself, resulting in air performance of appropriate space and expansion, and only the occasional overload of high tones in the fort sections. Paul Shoemaker wrote of the recording: Nothing I've heard changes my view that the best seasons ever performed by Ian Tomashaw and I'm Solisti di zagreb and beautifully recorded by Vanguard at the very beginning of the stereo era. If you have almost all the other versions of the seasons, you'll want this one, too. If money and space are not an obstacle, it may be worth having. Nigel Kennedy's 1989 recording Four Seasons with the English Chamber Orchestra sold more than two million copies, becoming one of the best-selling classical works. Gil Shaham and the Orpheus Chamber Orchestra recorded The Four Seasons, as well as a music video for the first Winter movement, which was regularly performed on The Weather Channel in the mid-1990s. The World Encyclopedia of Recorded Music in 1952 quotes only two recordings of The Four Seasons - Molinari and Kaufman. By 2011, about 1,000 different recorded versions had been made since Campoli in 1939. Classical musicians sought to distinguish their recordings of The Four Seasons with historically informed performances and decorations, to the extent that they changed instruments and tempos, or played notes differently than the expectations of the listener (regardless of whether indicated by the composer or not). It is said that Vivaldi's work opens up such opportunities for improvisation. Derivative works Derivative works of these concerts include arrangements, transcriptions, covers, remixes, samples and parodies in music - themes in theater and opera, soundtracks in films (or video games), choreography in ballet (along with modern dance, figure skating, rhythmic gymnastics, synchronized swimming, etc.) - or in full, solo movements, or in full. Antonio Vivaldi seems to have started the trend of adapting music from The Four Seasons, and since then it has expanded into many aspects of the performing arts (as well as other instrumental and vocal works by the composer). This competition between harmony and invention (as it were) now includes various genres around the world: 1726 (or 1734) Vivaldi once again scored Allegro's movement from the Spring Concerto as the opening sinfonia (third movement), and the chorus (adding lyrics) for his opera Dorilla in Tempe. I.S. Bach used the theme of the first movement of the concert Spring for the third movement (aria) of his cantata Ver Weich, wie nahe mir mein Ende? (BWV 27). 1727 (or 1730, 1731) Vivaldi based his production Of Gelido in ogni vena, an aria of Libretto Metastasio's Siroe, re di Persia, on the first movement of the concert Winter. Vivaldi's Siro premiered in 1727 (the music is lost). The aria on the text Gelido in ogni vena also appeared in his 1730 argyppo (music is lost). In 1731, he inserted a milked version of this aria into his Farnacet when this opera was rebroadcast in Pavia. In 1739, Nicolas Shadeville (France) organized a concert (like Le printemps, ou Les saisons amusantes) for hurdi-gurdy or musette, violin, flute and continuo. 1765 French composer Michel Corrett composed and published a choral motet, Laudate Dominum de Coelis, with subtitles by Motet and Grand Ch'ur arrange dans le Concerto de Printemps de Vivaldi. The work for the choir and orchestra consists of the words Psalm 116, set to music from the spring concert with vocal soloists singing solo concert parts. In 1775, Yuan-Juak Rousseau published his flute version of the concert Spring. In 1969, The Swingle Singers (France) recorded an album (The Joy of Singing) based on the work (and other composers). 1970 Year of Piazzolla (Argentina) published estaciones Porte'as, Four Seasons of Buenos Aires; they were included in eight seasons of performances, along with the work of Vivaldi, various artists. 1972 Mo Kofman (Canada) recorded a jazz album concert. In 1976, the New Coto Ensemble (Japan) recorded a concert on Koto instruments. In 1978, Michael Franks (USA) composed a vocal serenade on the theme of Adagio from the concert Summer. Subsequently, in 2010, it was covered by WoongSan (Korea). 1981 The Four Seasons is used in the 1981 film of the same name, along with vivaldi's other flute concerts. 1982 Patrick Gleeson (United States) recorded the computer implementation of the concert. 1984 Thomas Wilbrandt (West ) composed and recorded The Electric V (later adapted for the film), which interprets Vivaldi's work with ambient electronica, vocals and samples of the original concerto. Roland Petit (France) staged a ballet (called Les quatre Saisons) on I Musici performed by Vivaldi. Ben Shedd (United States) has prepared a scenic tour of nature with a concert as background music (narrated by William Shatner). The 1990 MIDI arrangement of Passport Designs' Spring was included in Windows 3.0. 1993 Jean- Pierre Rampal (France) recorded arrangements of the concerto for the flute; They were also recorded by Jadwiga Kotnowski. 1995 Arnie Roth (United States of America) recorded The Four Seasons Suite, including sonnets (read by Patrick Stewart). This may not qualify as a derivative work, depending on whether Vivaldi's translated sonnets were to be told with music (compared to reading in Italian, or silently by the audience). In 1997, The Baronics (Canada) recorded guitar versions of the same movement from each concert. French musician Juak Lussen composed and recorded with his trio the jazz interpretations of the concert. 1998 The Great Kat (England/United States) recorded a shredded guitar (and violin) version of the Presto movement from the Summer concert. Vanessa-May (Singapore/UK) recorded a crossover for an electric violin. 1999 Chinese Baroque players recorded concert arrangements for traditional Chinese instruments. Petrova and Tikhonov (Russia) performed their long medley program from Vivaldi's seasons to win the European Figure Skating Championships. 2000 Harp quartet (Italy) recorded concert arrangements for the harp ensemble. Gustavo Montesano (Argentina) recorded a guitar version of Allegro's Tango With the Royal Philharmonic Orchestra. Iochen Brauch (Germany) and Sven-Ingwart Mikkelsen (Denmark) recorded arrangements of the concerto for violin and organ. In 2001, Bond (Australia/UK) recorded two singles based on the concerto Winter with electric strings (violin, cello, viola), vocals and electronic rhythms. They also interpreted the movement from each season to advertise Peugeot cars (2009). Ferhan and Ferzan Onder (Turkish twin sisters) recorded a transcription of the concerto for two pianos by Antoine Tomislav zaban. Bath (South Korea) recorded a dance version of the concert Winter for the video game Pump it Up. Susan Osborne (USA) recorded a new age-old vocal serenade based on Winter Largo. The Charades (Finland) recorded Presto from the concert Summer as Summer Twist for the surfing ensemble. The electronic cover of the same movement was recorded by Takayuki Ishikawa (under the pseudonym dj TAKA) with the name V for the rhythm game Beatmania IIDX 5th Style. The song has become one of the most popular in the series, having been included in every release since its debut. 2003 Red Priest (UK) recorded concert arrangements for the recorder. Haley West (New ) adapted the concert Winter to a song called River of which is spoken in English. It was recorded for her album Pure on July 10. 2004 Tafelmusik (Canada) organized a cross-cultural art special based concert, featuring Chinese pip, Indian sarangi and Inuit throat singing. In 2005, Mỹ Linh (a Vietnamese singer) adapted the concert Winter into a song called Mia Tseng (which also means winter) on her album Chat với Mozart. Dark Moor (Spain) recorded an electric guitar version of the Allegro non molto movement from the Winter concert; it was later integrated into the Finnish video game Frets on Fire. In 2006, Juliet Pochin (Wales) performed on her debut album an operatic sonnet set at the concert. The Chamber Choir Accentus (France) recorded a choral version of the concert Winter. Stefan Lambiel (Switzerland) performed his long program under a medley of concert to win the World Figure Skating Championships. 2007 Celtic Woman (Ireland) recorded Winter Largo with vocals (Italian lyrics). The youngest former member, Chloe Agnew, originally recorded it for the album Walking in the Air, which was released in 2002. PercaDu (Israel) performed an arrangement of the Allegro non molto movement from the concert Winter for marimba with chamber orchestra. Mauro Bigonzetti (Italy) staged a concert ballet for the French-Canadian dance troupe. Tim Slade (Australia) has directed 4, a documentary that follows four classical violinists in their homeland (Tokyo; Thursday Island, New York; and Lapland) as they relate to Vivaldi's Four Seasons. Seoul Metropolitan Traditional Music Orchestra performed a concert arranged for the Korean traditional musical (gugaka) orchestra Sung Ki Kim. It was recorded live and released with a CD from Synnara Music in the same year. In 2008, Svechen and Dvorak (Czech Republic) released an album and staging of world music based on a concert. Yves Cousteau (Canada) recorded a rock 'n' roll one-man band version of Allegro's Spring. Daisy Jopling (England/USA) recorded a violin and hip-hop version of the Allegro non molto movement from the Winter concert, as well as performing reggae in style. Innesa Timochko (Ukraine) performed her crossover version of Presto from the concert Summer for violin. Vez Bolton (Isle of Man) recorded a cover of the Allegro non molto movement from the concert Winter based on a remix of the Japanese video game Beatmania. Patrick Chan (Canada) performed his long medley program from a concert to win the Canadian Figure Skating Championships. In 2009, Absynth Against Anguish (Romania) released an electronic (trans) version of the concert. Riccardo Arrigini (Italy) recorded a piano solo concerto in jazz style. Christophe Monnio recorded ambient jazz interpretations Christian Blind (France) recorded a guitar/acid rock version of the Allegro movement from the Spring concert. Sodagreen (Taiwan) launched its Vivaldi Project, resulting in the release of a series of pop albums based on concerts: Spring/Daylight, Summer/Fever, Autumn/History and Winter/Infinite. The project was completed in 2015 with the release of the fourth album. 2010 Art Color Ballet (Poland) performed their show 4 Elements to the Presto movement from the concert Summer arranged by Adrian Filip Tabezki (Kameleon). David Garrett (Germany) recorded a crossover version of Vivaldi's winter (allegro non molto), combining classical violin with modern rock music. In 2011, Black Smith (Russia) performed the Presto movement with the concert Summer in the style of thrash metal music (also this movement was repeatedly illuminated by novice virtuosos of electric guitar and other crossovers). The Angels (Greece) performed their crossover version of the same movement, scoring for electric strings. Szentpeteri Csilla (Hungary) performed her crossover version of the same piano movement. Leonel Valbom (Portugal) remixed the Presto movement from the concert Summer with VST Synths. Tim Kliphuis (Netherlands) performed Allegro from the Spring movement as a crossover of world musical styles. In 2012, Russian violinist Olga Kholodnaya and Argentine drummer Marino Colin organized and recorded a live version of the violin and drum set in . The British composer of German origin, Max Richter, created a postmodern and minimalist recommendation created by Max Richter: Vivaldi - Four Seasons. Working with the solo violinist Daniel Hope, Richter threw away about 75 percent of the source material; The album is 44 minutes long. Aura (Japan) recorded an a cappella arrangement of the concert, and also performed the spring choir Vivaldi (from Dorilla in Tempe) on the previous album. Sinfoniti (Spain) performed a concert for the electric guitar orchestra. Bahod Chirmof (USA) released a recording of MIDI and animation of Vivaldi's winter (movements I and III). Tornado Classic (Russia) performed the Presto movement from the concert Summer with an electric guitar and a slap. The symphonic rock band Trans-Siberian Orchestra used part of the first winter concert movement in their song Dreams of Fireflies (On A Christmas Night) on their EP Dreams of Fireflies. The song also uses a piece of Mozart's Der Ulle Rush cocht in the meinem Herzen, which he used earlier. 2013 Richard Galliano (France) recorded a concert for the accordion, as well as several of his operatic arias on the instrument. Vito Paternoster (Italy) recorded a concert in the form of cello sonatas. Periodic (Germany) has released a megamix concert that includes electronics samples of the classic record. Stephen Buchanan (USA) created a tetralogy of mid-season (slow movements and corresponding sonnets) from Vivaldi's software music. In 2014, The Piano Guys (USA) recorded a piano and cello arrangement, a crossover between the concert Winter and Let it Go from the computer animated film Frozen. Along with the original Winter track included in Fantasia: Music Evolved, there are also two mixes: the mix Alt Rock and the mix Steve Porter. 2015 Nihad Khrustanbegovic (Netherlands) recorded a concert for a solo accordion at Marshmallow Records. The concert on electric and acoustic guitar on the Astronomusic label was performed by Sozimo Reh and Adrianna Simioni (Brazil). The songs of Lupe Fiasco Summer, Autumn, Winter, Spring on his album Tetsuo and Youth refer to the concert. 2016 Justin Byrd (New York) transcribed a concerto for piano solo. In April, the violist David Aaron Carpenter recorded a concert, arranged the viola and released with an arrangement of Piazzolla's Estaciones Porte'as and Four Seasons of Manhattan by Alexey Shore. Inquiries : Heller, Karl (1997). Antonio Vivaldi, Red Priest of Venice. Portland, Oregon: Amadesu Press. page 171. ISBN 978-1-57467-015-8. Philip, Robert (2018). A companion of classical music to orchestral music. Yale University Press. page 875. ISBN 9780300120691. Everett, Paul (1996). Vivaldi: Four Seasons and Other Concerts, Op. 8. Cambridge: Cambridge University Press. page 76. ISBN 978-0521404990. Christine Lee Gengaro. Program notes: Four seasons. Los Angeles Chamber Orchestra. Archive from the original on July 15, 2012. Andrew Mellor Shinfini Music (2013-03-14). The secret of four seasons. Sinfini Music. Received 2014-08-24. Pearl GEMM CD 9151 - Two versions are available, one with more extensive sleeve notes, giving political background and work history to the newly released Ermitage ERC CD 12006-2. Bowling, Lance. 8.110297-98 - VIVALDI: 12 Violin Concerts, Op. 8 / The 4 Seasons (Kaufman) (1947, 1950). Naxos records. Received on October 27, 2018. a b Jeremy Eichler (2005-02-27). A masterpiece that took 200 years to become timeless. The New York Times. Received 2018-01-06. Records Concert Hall, CHS. AR set reissued on Naxos Historic 8.110297-98. #CHS. CHC 1064 (#Nix.CLP 1061-1/2) - Andrew Clements (2016-10-04). Neville Marriner is his top ten records. Keeper. Received 2018-01-06. John Thornton (October 1958). Stereo Drive Reviews (PDF). HelloFi/Stereo Review. 1 (9): 88 - through vintagevacuumaudio.com. Antonio Janigro - WAM Web (UK), Music on. Vivaldi - The Ultimate Four Seasons (PS): Classic CD OBSERS - April 2003 MusicWeb (UK). www.musicweb-international.com. Wright, Steve (August 23, 1999). Not exactly Vivaldi: Nigel Kennedy recalls Cnn. Performance by Vivaldi, Interview with Nemanja Radulovic, Posted on YouTube (recording of the artist's channel) - Vivaldi's Performance, Interview with Islinn Socks, Posted on YouTube (producer's channel). RISM No 212006277 - Spylova, Jana (2013). Brnin opera Argyppo z roku 1733 ve sv'tle nov'ch v'zkume. opus musicum (in Czech). Brno: Opus musicum. 13 (2): 9. ISSN 0862-8505. Spilova, Jana (2014). Unbekannte Brenner Oratorien Neapolitanisher Compotanist thief 1740. Musicologica Brunensia (in German). Brno: Faculty of Arts of masarka University. 49 (1): 143. doi:10.5817/MB2014-1-9. hdl:11222.digilib/130209. ISSN 1212-0391. Hopkins, Translation of Bill (1970). Antonio Vivaldi; his life and work. Berkeley: University of California Press. page 87. ISBN 978-0-520-01629-3. - Arrangement For without a flute without consent (Jean-Jacques Rousseau Le Printems de Vivaldi). Paris: Bignon, 1775. Le Printemps de Vivaldi in www.dolcimelo.com - Mo Coffman Four Seasons, GRT or Derby label, Discogs listing. Koto Coto's new ensemble Four Seasons, Discogs Listing. Michael Franks, Vivaldi Song, Burchfield Nines album. WoongSan, Vivaldi Song, Close Your Eyes album( Pony Canyon label). Ben Shedd, Seasons listed on IMDB; trailer posted on Vimeo (photographer channel). The flute Jean-Pierre Rampal plays four seasons of Vivaldi, Sony Classical (53105), Allmusic listing. Arnie Roth, The Compleat Four Seasons, listed on Allmusic. Baroniki Get Bach!, by Discogs. The Great Kat, Bloody Vivaldi, album. Vanessa-May Storm, album. Chinese Baroque Players Four Seasons, Xien Records (XNC2 44032), Allmusic Listing - Venetian quartet harp Four Seasons for four harps, fine classics (4423-2), Allmusic listing. Primavera Tango Flamenco Fantasy, at Discogs. Braush and Mikkelsen Four Seasons, Classico CLASSCD333 - Bond: Viva!/Wintersun. - Ferhan and Ferzan discography Vivaldi Reflections Archive 2016-03-04 on Wayback Machine, EMI Classics. Received on June 23, 2013. Susan Osbourne, Winter/Vivaldi, album Still Life (Pony Canyon label). Charades, Vivaldi's Summer Twist, As Hot As Cool Can Be (Power Records). Four Seasons Red Priest (Dorian 90317), Allmusic listing. DVD The Four Seasons Mosaic paired with a CD Tafelmusik L'estro armonico, posted on Vimeo (producer's channel). - Freta on fire Winter dark Moor, posted on YouTube (open source gameplay recording). Accents Transcription 2, on Discogues. Celtic woman: New Journey, Vivaldi Rain. PerkaDu (Tomer Yaril and Adi Morag), Vivaldi, winter arra for marimba, posted on YouTube (the artist's recording channel). LesGrandsBallets Les quatre saisons posted on YouTube (producer's channel). Tim Slade 4 listed on IMDB. Information about CD 국악으로 듣는 비발디의 (in Korean), on Aladin Communication Inc. - Jaroslav Svecheni and Michal Dvorak Vivaldianno MMVIII, featured on Vimeo (the recording channel of the artist). Yves Cousteau Vivaldi Rock Spring, posted on YouTube (artist's recording channel). Daisy Jopling, Winter (hip-hop), album Key to the Classics, Winter (reggae), posted on YouTube (the recording channel of the artist). Innes Timochko, Storm Vivaldi, posted on YouTube (the artist's recording channel). Vez Bolton, Winter (cover version) posted on YouTube (the artist's recording channel). Patrick Chan, 2008 Nationals, posted on YouTube (channel for skater). - Absit vs. Melancholy Four Seasons 2.0, creative audio domain. Riccardo Arrigini, Le quattro stagioni, Vivaldi in Jazz album. Christophe Monniot, Vivaldi Universe, Saison 5, Cristal Records (CR 149). - BlinDChriS Vivaldi Dead Springs, creative public media. Art color ballet Vivaldi 4 Elements posted on YouTube (producer's channel). David Garrett Vivaldi/Vertigo, rock Symphonies album featured on Vimeo (producer's channel). Black Smith Vivaldi Tribute, Despite Everything (DVD), posted on YouTube (the artist's recording channel). - Angels of Ensemble, Angels of Summer, posted on YouTube (artist's recording channel). Szentpeteri Csilla, Storm - Crossover, posted on YouTube (artist's recording channel). Leonel Valbom, Summer Vivaldi, featured on SoundCloud (artist's recording channel). Tim Cliphuis Spring - Gypsy Jazz and Celtic version, Live at Iford Manor (DVD), posted on YouTube (recording channel of the artist). Night in Istanbul By Olga Shaw on Apple Music. Itunes. Received 2017-03-08. Save street musicians from Olga Shaw on Apple Music. Itunes. Received 2017-03-08. Marino Colina (2012-10-08), OLGA SHOW - SUMMER - VIVALDI - Violin Bass Drums Extracted 2017-03-08 - Jill, Andy (October 27, 2012). Album: Max Richter, Vivaldi: Four Seasons, re-compond by Max Richter (Deutsche Grammophon). Independent. . Received on December 27, 2012. - Aura discography of Le quattro Stagioni Archive 2011-11-17 on Wayback Machine, EPIC Records (ESCL 3932). Received on June 3, 2013. Sinfoniti Four Seasons, live in Madrid, posted on Vimeo (artist's recording channel). Bachod Chirmof, Midi Animation - Vivaldi, featured on Vimeo (artist's recording channel). Tornado Classic, Vivaldi Summer, Featured on Vimeo (producer's channel). Richard Galliano, DG Label Vivaldi Archive 2013-07-06 at Wayback Machine (on the artist's website). Vito Paternoster Four seasons in Forma di sonata for cello (Baryton BRT 006, tracks featured on Magnatune). Lennart Wittenhagen's periodic project Vier Jahreszeiten shown on Vimeo (the recording channel of the artist). - Vivaldi Midseasons Collection, public creative media, posted on YouTube Channel). - Piano Guys - Let It Go (Disney Frozen) Vivaldi Winter, Posted on YouTube (group channel). Four seasons. www.astronomusic.com. - Le quattro stagioni (Vivaldi, Antonio) - IMSLP/Petrucci Music Library: Free public music music. imslp.org. Received 2016-11-22. David Carpenter,15, 2016. Vivaldi, Piazzolla, Shore: 12 seasons. Warner Classics. External Commons links have media related to the Four Seasons (Vivaldi). Wikisource has original text, Related: Four Seasons Sonnets Four Seasons: Results in the International Music Assessment Library Project (IMSLP) Free Concert Scores in The Mutopia Project In-depth review and comparison of concert entries on the WETA 90.9 website received from (Vivaldi)-oldid-9802424432 vivaldi four seasons winter. vivaldi four seasons spring. vivaldi four seasons summer. vivaldi four seasons autumn. vivaldi four seasons youtube. vivaldi four seasons imslp. vivaldi four seasons winter analysis. vivaldi four seasons sheet music

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