DOCSLIB.ORG

Documentaires 2000 / 2003

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Documentaires 2000 / 2003 Répertoire des films documentaires 2000 / 2003 Ministère des Affaires étrangères Direction générale Ministère des Affaires étrangères de la Coopération internationale et du Développement Direction générale de la Coopération internationale et du Développement – D.G.C.I.D. Direction de l’Audiovisuel extérieur 244, boulevard Saint-Germain, 75303 Paris 07 SP et des Techniques de Communication Direction de l'Audiovisuel extérieur Sous-direction du cinéma, et des Techniques de Communication – D.A.T.C. des nouvelles technologies Richard Boidin et de la promotion de la diversité culturelle Sous-direction du cinéma, Division du cinéma des nouvelles technologies et de la promotion de la diversité culturelle Bureau du documentaire Didier Le Bret 244, boulevard Saint-Germain, 75303 Paris 07 SP http://www.diplomatie.gouv.fr Division du cinéma [email protected] Christian Boudier Répertoire © Ministère des Affaires étrangères – novembre 2003 Bureau du cinéma documentaire Fax 33 1 43 17 90 04 Valérie Mouroux Tél. 33 1 43 17 86 49 Anne Coutinot Tél. 33 1 43 17 86 96 des films Anne-Catherine Louvet Tél. 33 1 43 17 87 05 Jacques Perrin Tél. 33 1 43 17 80 29 Frédérique Zanforlin Tél. 33 1 43 17 95 97 documentaires Conception du répertoire Anne Coutinot, 2000 /2003 avec l’aide de Gaël Cardoso et Julie Messager Traductions 4T, Levallois-Perret Réalisation adpf association pour la diffusion de la pensée française • Conception graphique David Poullard Photogravure Et Associés, Paris Impression 4M impression, Savigny-sur-Orge Isbn : 2-914935-20-X Sommaire général 5 Sommaire 7 Avant-propos Foreword – Prefacio 10 Modalités d’utilisation Directions for use – Modalidades de utilización 17 Les collections et festivals 2000/2003 Documentary collections and festivals 2000/2003 – Las colecciones y festivals de documentales 2000/2003 18 Les collections documentaires The documentary collections – Las colecciones de documentales 29 Sélection des principaux festivals internationaux de documentaires en France Selection of the main international documentary festivals in France – Selección de los principales festivales internacionales de documentales en Francia 37 Histoire History – Historia 39 • Histoire ancienne et moderne 56 • Histoire contemporaine 62 • Portrait-biographie 67 Art et culture Art and culture – Arte y cultura 69 • Architecture 75 • Arts de la scène 102 • Arts plastiques 118 • Cinéma 128 • Culture 135 • Littérature 163 Sciences Sciences – Ciencias 165 • Recherche 176 • Environnement 189 Regards sur la France 6 Sommaire général Avant-propos 7 Outlook on France – Ojeadas sobre Francia Avant-propos 191 • Faits de société 199 • Éducation / Formation 204 • Monde rural Le catalogue des films documentaires 2000/2003 présente 208 • Chronique de France les nouveaux programmes acquis ou aidés en production par le ministère des Affaires étrangères. Il prend la suite de l’édition 221 Regards sur le monde du Répertoire des films documentaires 1990/2000. Outlook on the world – Ojeadas sobre el mundo 223 • Ethnologie L’apport permanent de projets soutenus dans le cadre de sa politique 236 • Réalités contemporaines de diffusion culturelle aboutit à une brillante vitrine de la création 251 • Économie documentaire française, régulièrement récompensée dans les festivals nationaux et internationaux. Certains de ces programmes peuvent 259 Index être repris par des télévisions étrangères dans les pays qui bénéficient Index – Indice de l’assistance culturelle du ministère des Affaires étrangères. 261 Titres des films De nouvelles collections thématiques ont également enrichi ce fonds Titles – Titulos documentaire. Les axes choisis ont privilégié l’ouverture sur le monde, avec une palette de sujets, de points de vue, d’expériences 265 Thèmes qui éclairent le réel autrement. Ces programmations se penchent Themes – Temas sur des sujets d’intérêt général comme les enjeux de l’eau, la biodiversité, la justice, abordent des domaines de la connaissance 279 Auteurs et réalisateurs et des cultures du monde – l’archéologie, l’ethnologie –, invitent Directors – Autores y realizadores à explorer la littérature, le cinéma, les processus de la création et son rapport au monde. 283 Droits TV Broadcasting rights – Derechos TV La présentation en salles de films d’auteurs et de cycles permet au genre documentaire de susciter rencontres et débats avec 286 Versions et supports de diffusion de nouveaux publics à l’étranger. Les établissements culturels peuvent Distribution versions and supports – Versiones y soportes puiser dans ce répertoire pour organiser la diffusion des œuvres, de difusión mettre en valeur la diversité, la richesse et la pluralité de la production française, mieux faire connaître les auteurs essentiels et pointer l’émergence de formes nouvelles. Ainsi sont regroupés par thématiques quelque quatre cents documentaires, de façon à faciliter leur programmation pour tous les publics possibles, de la télévision au grand écran. L’actualité des programmes du Bureau du documentaire, en particulier des collections, est disponible pour consultation sur le site du ministère des Affaires étrangères ( www.diplomatie.gouv.fr ). 8 Foreword Prefacio 9 Foreword Prefacio The 2000/2003 catalogue of documentary films presents new El catálogo de las películas documentales 2000/2003 presenta programmes acquired or assisted in production by the Ministry los nuevos programas adquiridos o asistidos en producción of Foreign Affairs. It continues where the 1990/2000 edition por el Ministerio de Asuntos Exteriores. Sucede a la edición del of the documentary films catalogue left off. Repertorio de las películas documentales 1990/2000. The permanent contribution in terms of projects supported within La continua contribución de proyectos sostenidos en el marco the framework of its cultural distribution policy has led to a brilliant de su política de difusión cultural desemboca en un brillante escaparate shop window for French documentary production, regularly de la creación documental francesa, regularmente recompensada honoured at international festivals. Some of these programmes en los festivales internacionales. Las televisiones extranjeras en may also be taken up by overseas television stations in countries los países que se benefician de la asistencia cultural del Ministerio that benefit from cultural aid from the Ministry of Foreign Affairs. de Asuntos Exteriores también pueden utilizar algunos de estos programas. New themed collections have also added to this documentary base. The chosen topics have concentrated on the wider world, covering Asimismo, nuevas colecciones temáticas han enriquecido este a range of subjects, points of view and experiences which fondo documental. Los ejes elegidos han privilegiado la apertura shed a different light on reality. These programmes focus on general hacia el mundo, con una paleta de temas, opiniones, experiencias interest issues such as the challenges facing water, biodiversity, que ilustran lo real de diferente manera. Estas programaciones and justice, they tackle cultural activities throughout the World se interesan por temas de interés general como los envites del agua, such as archaeology and ethnology, and they invite people la biodiversidad, la justicia, tocan ámbitos del conocimiento to explore literature, cinema, the creative process and its relationship y culturas del mundo – la arqueología, la etnología, invitan a explorar to the world. la literatura, el cine, los procesos de la creación y su relación con el mundo. Showing cycles and the work of filmmakers in theatres enables the documentary genre to gain new audiences and spark debate La presentación en sala de cine de autores y ciclos permite al género overseas. Cultural organisations can dip into this catalogue documental suscitar encuentros y debates con nuevos públicos in order to arrange the showing of films, to emphasise the diversity, en el extranjero. Los establecimientos culturales pueden buscar richness and multiplicity of French work, broaden awareness en este repertorio para organizar la difusión de las obras, valorizar of the major filmmakers and assist the emergence of new forms. la diversidad, riqueza y pluralidad de la producción francesa, Here then are some 400 documentaries, sorted by topic, dar a conocer mejor los autores esenciales y señalar la emergencia in order to facilitate their airing to the widest possible audience, de nuevas formas. De este modo, se agrupan por temáticas unos from television to the big screen. 400 documentales, con objeto de facilitar su programación para todo tipo de público, desde la televisión hasta el cine. Current news on programmes from the Bureau du documentaire, La actualidad de los programas de la Oficina del documental, especially collections, is available from the Ministry for Foreign Affairs en particular de las colecciones, está disponible mediante consulta website (www.diplomatie.gouv.fr). en el sitio del Ministerio de Asuntos Exteriores (www.diplomatie.gouv.fr). 10 Modalités d’utilisation Modalités d’utilisation 11 Modalités d’utilisation Les sources d’acquisition La réponse à la demande Les documentaires présentés dans ce catalogue ont été acquis Le Bureau du documentaire propose la mise à disposition depuis 2000 dans le cadre de la constitution de cycles et de collections de ce fonds « à la carte », selon des modalités répondant aux thématiques ainsi que des commissions d’aide à la production différentes utilisations : du ministère des Affaires étrangères. L’enrichissement permanent du fonds permet d’offrir
Load more

Recommended publications
  • A Film by Catherine BREILLAT Jean-François Lepetit Présents
    a film by Catherine BREILLAT Jean-François Lepetit présents WORLD SALES: PYRAMIDE INTERNATIONAL FOR FLASH FILMS Asia Argento IN PARIS: PRESSE: AS COMMUNICATION 5, rue du Chevalier de Saint George Alexandra Schamis, Sandra Cornevaux 75008 Paris France www.pyramidefilms.com/pyramideinternational/ IN PARIS: Phone: +33 1 42 96 02 20 11 bis rue Magellan 75008 Paris Fax: +33 1 40 20 05 51 Phone: +33 (1) 47 23 00 02 [email protected] Fax: +33 (1) 47 23 00 01 a film by Catherine BREILLAT IN CANNES: IN CANNES: with Cannes Market Riviera - Booth : N10 Alexandra Schamis: +33 (0)6 07 37 10 30 Fu’ad Aït Aattou Phone: 04.92.99.33.25 Sandra Cornevaux: +33 (0)6 20 41 49 55 Roxane Mesquida Contacts : Valentina Merli - Yoann Ubermulhin [email protected] Claude Sarraute Yolande Moreau Michael Lonsdale 114 minutes French release date: 30th May 2007 Screenplay: Catherine Breillat Adapted from the eponymous novel by Jules Barbey d’Aurevilly Download photos & press kit on www.studiocanal-distribution.com Produced by Jean-François Lepetit The storyline This future wedding is on everyone’s lips. The young and dissolute Ryno de Marigny is betrothed to marry Hermangarde, an extremely virtuous gem of the French aristocracy. But some, who wish to prevent the union, despite the young couples’ mutual love, whisper that the young man will never break off his passionate love affair with Vellini, which has been going on for years. In a whirlpool of confidences, betrayals and secrets, facing conventions and destiny, feelings will prove their strength is invincible... Interview with Catherine Breillat Film Director Photo: Guillaume LAVIT d’HAUTEFORT © Flach Film d’HAUTEFORT Guillaume LAVIT Photo: The idea “When I first met producer Jean-François Lepetit, the idea the Marquise de Flers, I am absolutely “18th century”.
    [Show full text]
  • Vogue on Yves Saint Laurent
    Model Carrie Nygren in Rive Gauche’s black double-breasted jacket and mid-calf skirt with long- sleeved white blouse; styled by Grace Coddington, photographed by Guy Bourdin, 1975. Linda Evangelista wears an ostrich-feathered couture slip dress inspired by Saint Laurent’s favourite dancer, Zizi Jeanmaire. Photograph by Patrick Demarchelier, 1987. At home in Marrakech, Yves Saint Laurent models his new ready-to-wear line, Rive Gauche Pour Homme. Photograph by Patrick Lichfield, 1969. DIOR’S DAUPHIN FASHION’S NEW GENIUS A STYLE REVOLUTION THE HOUSE THAT YVES AND PIERRE BUILT A GIANT OF COUTURE Index of Searchable Terms References Picture credits Acknowledgments “CHRISTIAN DIOR TAUGHT ME THE ESSENTIAL NOBILITY OF A COUTURIER’S CRAFT.” YVES SAINT LAURENT DIOR’S DAUPHIN n fashion history, Yves Saint Laurent remains the most influential I designer of the latter half of the twentieth century. Not only did he modernize women’s closets—most importantly introducing pants as essentials—but his extraordinary eye and technique allowed every shape and size to wear his clothes. “My job is to work for women,” he said. “Not only mannequins, beautiful women, or rich women. But all women.” True, he dressed the swans, as Truman Capote called the rarefied group of glamorous socialites such as Marella Agnelli and Nan Kempner, and the stars, such as Lauren Bacall and Catherine Deneuve, but he also gave tremendous happiness to his unknown clients across the world. Whatever the occasion, there was always a sense of being able to “count on Yves.” It was small wonder that British Vogue often called him “The Saint” because in his 40-year career women felt protected and almost blessed wearing his designs.
    [Show full text]
  • Salman Rushdie Death on Trail
    SALMAN RUSHDIE DEATH ON TRAIL 52’ 30 years after the fatwa issued by Ayatollah Khomeini against the author of The Satanic Verses, director William Karel (Hillary Clinton a woman on the edge, Israel a twice promised land) draws an intimate portrait of one of today's most free-minded and significant writer, four times recipient of the Booker Prize. His works question among other themes History and self-definition in postcolonial times and the place of religion in a globalized world. Based on rarely seen personal and historical archives and exclusive interviews recently shot in his house in New York, the film revisits Rushdie’s life and literary work and questions the place of Novelists in the Era of fake news. From his youth in multicultural Bombay and his studies in Cambridge, to his 15 years of forced hiding after the fatwa, Rushdie sets his sharp eye on America today in his recently released book: the Golden House. "I have always felt like an outsider: as a Muslim in India, dark-skinned in England, and a non-believer in Islam.” "to me writing fills the hole left by the departure of God" by the renowed directory William Karel Dark Side of the Moon – Arte (2002) Who killed Maggie ? (Mais qui a tué Maggie ?) - Arte - Silver FIPA in 2008 Inside de the White House : Barack Obama (Au coeur de la Maison Blanche : Barack Obama) - France 2 (2012) Until the last one : the destruction of the jews of Europe (Jusqu’au dernier : la destruction des juifs d’Europe) (8x52’) - France 2/ RTBF Producers and Broadcasters: 52’ Flach Film Production/Arte Director: William Karel WWW.TERRANOA.COM 155 rue de Charonne - 75011 Paris - FRANCE [email protected].
    [Show full text]
  • From 22Nd April to 16Th October Tel. : +33 (0) 254 209 922 Photo : © E
    From 22nd April to 16th October www.domaine-chaumont.fr Tel. : +33 (0) 254 209 922 Photo : © E. Sander Photo Domaine de Chaumont-sur-Loire 20th Chaumont-sur-Loire International Garden Festival From 22 April to 16 October 2011 2011 theme : “Gardens of the future or the art of happy biodiversity” It is biodiversity that gives us the pleasure of discovery, the beauty of landscapes, the meeting of languages and the richness of exchanges. It makes the world a delight and fosters the possibility of a shared world arising out of our differences. The garden is both a source and an end in itself, the expression of nature in its original form, of transformation and organisation, of utility and pleasure, and thus all on its own brings together all the richness of the world, everything nature gives us and all that knowledge and history have brought in terms of transformations, organisation and rites, creativity and expression over the centuries. The garden is a celebration of the diversity of people and nature, of living species, of their coexistence and of the necessary balance between them. Nowadays, this balance is under threat. People have drawn on natural resources as if they were taking them from a bottomless well, without any concern for their conservation and their uniqueness. The ever-increasing speed at which species are being lost is jeopardising biodiversity and the multiplicity of nature’s life forces. “Over the last 50 years, the natural world has been in considerable decline. Species are dying out and with them the biological, chemical and structural characteristics that they carried with them.
    [Show full text]
  • Donatella Versace's Day, Alber Elbaz's Deep Thoughts, Diana Vreeland's Family & Christian Louboutin's Garden FALL FA
    Green=Pantone 8264 C Spine width = 7/32” (final) The The wall sTreeT journal Magazine wall sePTeMBer 2012 s T ree T journal Magazine FALL FASHION Donatella Versace’s Day, Alber Elbaz’s Deep Thoughts, Diana Vreeland’s Family & Christian Louboutin’s Garden se PTe MB er 2012 0912_WSJ_Cover_Shipped_02.indd 1 7/17/12 1:42 PM RALPH LAUREN__205608742.indd 2 7/17/12 2:06 PM RALPH LAUREN__205608742.indd 3 7/17/12 2:07 PM NEW YORK BEVERLY HILLS DALLAS CHICAGO GREENWICH BAL HARBOUR View the Runway Show and go behind the scenes with the Ralph Lauren application on your iPhone® or visit RALPHLAURENCOLLECTION.COM Ralph Lauren_ 205608743.indd 2 7/17/12 3:51 PM Ralph Lauren_ 205608743_2.indd 3 7/17/12 3:52 PM armani_205609334_US.indd 2 7/23/12 4:01 PM armani_205609334_US.indd 3 7/23/12 4:02 PM ESTEELAUDER_205607332_EK.indd 2 7/2/12 12:21 PM Constance is wearing Pure Color Nail Lacquer in GL Bête Noire, Vivid Shine Lipstick in FL Forbidden Apple and EyeShadow in 03 Cyber Lilac. esteelauder.com © 2012 Estée Lauder Inc. ESTEELAUDER_205607332_EK.indd 3 7/2/12 12:22 PM Ermenegildo_205608147_US.indd 2 7/10/12 2:21 PM Ermenegildo_205608147_US.indd 3 7/10/12 2:21 PM AMERICANA MANHASSET ATHENS BAL HARBOUR DALLAS DUBAI LAS VEGAS LOS ANGELES MADRID NEW YORK RIYADH SOUTH COAST PLAZA TORTUGA BAY OSCARDELARENTA.COM OSCAR DE LA RENTA.indd 2 7/18/12 1:54 PM OSCAR DE LA RENTA.indd 3 7/18/12 1:54 PM Omega_205608611.indd 2 7/16/12 4:29 PM Omega_205608611.indd 3 7/16/12 4:29 PM GUESS_205607865_EK 2 7/6/12 2:46 PM GUESS_205607865_EK 3 7/6/12 2:46 PM NEW YORK 717 MADISON AVENUE EAST HAMPTON 23 MAIN STREET LAS VEGAS FORUM SHOPS DEVIKROELL.COM devikroll_205608009_US.indd 2 7/23/12 3:56 PM devikroll_205608009_US.indd 3 7/23/12 3:57 PM september 28 88 FASHIONABLY LOUD AND INCREDIBLY BAROQUE The heavy jewels, brilliant embroidery and exquisite lace of fall’s finery shine among Paris’s glittering streets.
    [Show full text]
  • Loulou De La Falaise
    [Download free ebook] Loulou de la Falaise Loulou de la Falaise Ariel de Ravenel, Natasha Fraser-Cavassoni ebooks | Download PDF | *ePub | DOC | audiobook #635282 in Books imusti 2014-10-14 2014-10-14Original language:EnglishPDF # 1 13.10 x 1.28 x 9.95l, 1.25 #File Name: 0847843297272 pagesRizzoli International Publications | File size: 37.Mb Ariel de Ravenel, Natasha Fraser-Cavassoni : Loulou de la Falaise before purchasing it in order to gage whether or not it would be worth my time, and all praised Loulou de la Falaise: Loulou de la Falaise is the first monograph to celebrate the life and work of the style icon and muse to Yves Saint Laurent who became the embodiment of French chic. Renowned for her bohemian chic, daring style as well as for her lightness, nonchalance, and humor, Loulou de la Falaise was not only an influential fashion icon but also a breath of fresh air to the world of Parisian haute couture. The Anglo-French beauty assisted the designer Halston and modeled briefly for Diana Vreelands Vogue before moving to Paris in 1972 to work alongside the iconic designer Yves Saint Laurent. A true original, her sense of color and fantasy and her attitude would energize the mythic house and fashion in general. For almost forty years, de la Falaise would forge her professional reputation designing extraordinary jewelry and accessories both for Yves Saint Laurent as well as for her own line. This elegant volume is a life in pictures, with over 400 images by legendary contemporary photographers, from Helmut Newton and Richard Avedon to Steven Meisel and Bettina Rheims, as well as an essay by Pierre Berg and interviews with Loulou intimates such as Betty Catroux, Ins de la Fressange, Diane von Furstenberg, Christian Louboutin, Elsa Peretti, Paloma Picasso, Andr Leon Talley, and Oscar de la Renta.
    [Show full text]
  • ˙Ţ1 0 4 4 2 5 . P D
    French Cinema: A Student's Guide This page intentionally left blank French Cinema: A Student's Guide Phil Powrie and Keith Reader The authors and publishers would like to thank the following for permission to reproduce copyright illustrative material: bfi Collections 15, 25, 34, 43, 47, 50, 100, 111; bfi Stills, Posters and Designs 52; Ronald Grant Archive 32, 42, 94. Orders: please contact Bookpoint Ltd, 130 Milton Park, Abingdon, Oxon OX 14 4SB. Telephone: (44) 01235 827720. Fax: (44) 01235 400454. Lines are open from 9.00 - 6.00, Monday to Saturday, with a 24 hour message answering service. Email address: orders®bookpoint.co.uk British Library Cataloguing in Publication Data A catalogue record for this title is available from the British Library ISBN 0 340 760044 (PB) ISBN 0 340 760036 (HB) First Published 2002 Impression number 1098765432 1 Year 2007 2006 2005 2004 2003 2002 Copyright © Phil Powrie and Keith Reader 2002 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher or under licence from the Copyright Licensing Agency Limited. Further details of such licences (for reprographic reproduction) may be obtained from the Copyright Licensing Agency Limited, of 90 Tottenham Court Road, London W1P 9HE. Typeset by Phoenix Photosetting Printed in Great Britain for Hodder & Stoughton Educational, a division of Hodder Headline Plc, 338 Euston Road, London NW1 3BH by MPG Books Ltd Contents Introduction 1 1.
    [Show full text]
  • Passion for Fashion, 8/12/2020 2:00 PM
    Passion for Fashion, 8/12/2020 2:00 PM 1 An Hermès Ardennes leather Sac Doggy Medor 8 A fine and rare Gucci ink-blue crocodile cross-body bag, 1990s stamped to interior and handbag with bamboo handle, 1960s crocodylus signed to gilt press-studs, with gilt studs to front porosus, stamped to interior, with gilt hardware, flap, two interior pockets and lambskin leather a chain to each side held in place by a polished lining, 22cm, 8 1/2in long £400-600 lapis lazuli sphere, the semi-precious stone also 2 An Hermès cherry-red crocodile sac chaine inset to turnlock-clasp, leather interior with three d'ancre, late 1950s-early 1960s crocodylus pockets, 22cm, 8.5in long porosus, stamped to interior and signed to clasp, with top handle, gilt chain pull-clasp, two Please note there are export restrictions on this interior compartments with five pockets and red lot outside of the EU. Article 10 licence no. lambskin leather lining, 26cm, 10in long 593069/02 £2,000-3,000 9 A Gucci crocodile handbag, 1960s crocodylus Please note there are export restrictions on this porosus, stamped to interior, the gilt lift-clasp lot outside of the EU. Article 10 licence no. inset with four polished tiger's eyes, the top 593081/02 £800-1,200 handle with each end pierced with a gilt bar and 3 An Hermès cherry-red epsom leather Bolide the semi-precious stone, the leather lining with bag, 1994 blind stamp X, stamped and signed, four interior pockets, one with gilt 'shield' to zip- with gilt hardware, padlock, clochette, keys and pull, 18 1/2cm, 7 1/4in long shoulder strap, 35cm, 13.5in long £800-1,000 Please note there are export restrictions on this lot outside of the EU.
    [Show full text]
  • Nouvelles Acquisitions Table Des Matières
    Rue du Pré-Jérôme 16 tél. 022 388 94 13 Case postale 80 [email protected] 1211 GENÈVE 4 www.hesge.ch/hets/infotheque Infothèque Nouvelles acquisitions Table des matières Généralités. Méthodologie………………………... 1 Philosophie. Ethique………………………………. 1 Psychologie. Psychanalyse………………………. 1 Psychologie individuelle ………………………….. 1 Sociologie…..………………………………………. 2 Psychologie sociale. Communication.…………... 2 Société. Groupes sociaux………………………… 3 Anthropologie sociale et culturelle……………….. 4 Politique…………………………………………….. 6 Economie. Monde du travail……………………… 6 Droit…………………………………………………. 7 Administration publique…………………………… 7 Action sociale. Travail social……………………… 7 Problèmes et services sociaux spécifiques……... 8 Education. Pédagogie……………………………... 10 Education spécialisée……………………………... 11 Pathologies. Thérapies…………..………………... 12 Gestion……………..……………………………….. 13 Art. Artisanat.……………………………………….. 14 Photographie. Cinéma…………………………….. 11 Animation socioculturelle, jeux, sports………..… 14 Enregistrements vidéo……....…………………….. 14 Périodiques. Articles de périodiques……...……... 22 Bandes dessinées…………………...…………….. 23 Romans. Récits. Témoignages.………………….. 23 Mémoires de fin d’études en travail social….…... 24 Mémoires de fin d’études en psychomotricité…... 27 Heures d’ouverture de l’Infothèque de la HETS : Du lundi au vendredi De 10h00 à 17h30 Les périodes de fermeture partielle ou complète sont indiquées sur le site web de la HETS, à la page http://www.hesge.ch/hets/infotheque L’Infothèque de la HETS sera FERMÉE jeudi 14 mai (Ascension) – OUVERTE vendredi 15 mai 2015 FERMÉE lundi 25 mai (Pentecôte) Du 29 juin au vendredi 17 juillet : OUVERTURE PARTIELLE (12h30 - 17h30) FERMETURE ESTIVALE du lundi 20 juillet au vendredi 21 août 2015 RÉOUVERTURE le lundi 24 août selon l’horaire habituel (10h00 – 17h30) HETS-IES - Haute école de travail social - mars à avril 2015 1 Généralités. Méthodologie Belleville, Geneviève, 1977-. – Assieds-toi et écris ta thèse! : trucs pratiques et motivationnels pour la rédaction scientifique / Geneviève Belleville.
    [Show full text]
  • Yves Saint Laurent - Designer to Collector; Or, ‘The Funeral of My Collection’
    Art Appreciation Lecture Series 2016 Collectors & Collections: classical to contemporary Yves Saint Laurent - designer to collector; Or, ‘the funeral of my collection’ Professor Peter McNeil, Imagining Fashion Futures Lab at UTS Please follow us on instagram: imaginingfashionfutures 2-3 November 2016 Lecture summary: Taste isn’t what you buy, it’s what you eliminate. Pierre Bergé Yves Saint Laurent (Yves Henri Donat Mathieu-Saint-Laurent, 1936-2008) was a celebrated twentieth-century fashion designer - perhaps less well known as a collector by the general public - until the great auction of his personal effects and collections by Christie’s Paris in February 2009. The result was a staggering 340 million Euro (486 million AUD). Saint Laurent was born in Algeria to a comfortable family and moved to Paris aged 17 (1953). In 1954 he was one of three young men (along with Karl Lagerfeld) to win prizes in the International Wool Secretariat prize, with its strong Australian connections. He was talent spotted by Christian Dior and worked with him as head designer before Dior died unexpectedly of a heart attack in 1957. Saint Laurent was permitted to take over the house. In 1958 he created the trapeze line and began to design for celebrities such as Farah Diba. In 1960 he was ‘drafted’ into the military - after lobbying not to have him conscripted that went on for some years - a devastating event for this young homosexual man who had led a sheltered home life. He was admitted to a military hospital and at the same time also fired by Dior, as his line had been struggling.
    [Show full text]
  • FA05 Layout 001-032 V4 Copy.Qxd 7/9/16 4:49 PM Page 2
    SP17 cover INSIDE LEFT_FULL SIZE V8.qxd:Layout 1 7/9/16 11:24 AM Page 1 TABLE OF CONTENTS RIZZOLI 100 Buildings . .24 Toscanini . .46 The Adirondacks . .44 Watches International XVIII . .102 Adobe Houses . .32 What to Eat for How You Feel: The Appalachian Trail . .44 The New Ayurvedic Kitchen . .11 The Art of Dressing . .39 The Art of Elegance . .13 SKIRA RIZZOLI The Art of Flower Arranging . .28 American Treasures . .51 Ballet for Life . .29 Andrew Wyeth . .50 BEAMS . .36 Carpenters Workshop Gallery . .59 Chocolat . .18 Daniel Lismore . .56 Cinecitta . .46 Enrico Baj . .55 Civil War Battlefields . .21 The Hidden Art . .54 Creating Home . .6 House Style . .48 The Decorated Home . .5 Jim Lambie . .58 Digit@l Girls . .27 Manolo Blahnik: The Art of Shoes . .49 Dior by Mats Gustafson . .47 Mark Tobey . .57 Dora Maar . .14 Painting a Nation . .56 Elizabeth Peyton . .15 Ryan McGinley . .52 Entertaining in the Country . .30 Takashi Murakami . .53 Fashion Forward: 300 Years of Fashion . .3 FuturPiaggio . .42 RIZZOLI/ GAGOSIAN GALLERY The Garden of Peter Marino . .34 Alberto Giacometti, Yves Klein . .81 Gâteaux . .7 Line into Color, Color into Line: Helen Frankenthaler . .80 Giorgio Armani . .76 Painting Paintings (David Reed) 1975 . .80 Grand Complications . .102 Sterling Ruby . .79 Harry Winston . .78 Highland Retreats . .40 UNIVERSE How They Decorated . .38 1000 T-Shirts . .65 I Actually Wore This . .26 Big Shots . .62 In Full Flower . .9 The Bucket List . .60 Jean Dubuffet: Anticultural Positions . .74 Color Your Own Masterpiece . .75 La Colle Noire . .78 Complete Guide to Boating and Seamanship . .71 Les Francaises .
    [Show full text]
  • Nouvelles Acquisitions Octobre À Décembre
    Médiathèque Uni-Mail - octobre à décembre 2009 1 Université de Genève Médiathèque Uni-Mail 40 bd du Pont d’Arve 1211 Genève 4 Tél. 022 379.83.94 [email protected] http://www.unige.ch/biblio/mediatheque/ NOUVELLES ACQUISITIONS OOCCTTOOBBRREE ÀÀ DDÉÉCCEEMMBBRREE 22000099 NOUVNOUVEAUEAU : Pour avoir une information régulière et rapide, consultez le blog des nouvelles acquisitions de la médiathèque d’Uni-Mail : http://nouveautesmedia.blogspot.com/ OU http://www.unige.ch/biblio/mediatheque/infospratiques/mediathequeunimail.html Médiathèque Uni-Mail - octobre à décembre 2009 2 Explication On peut trouver à la médiathèque Uni-Mail des films documentaires mais aussi des films de fiction . Il est souvent difficile de tracer une frontière nette entre le cinéma documentaire et le cinéma de fiction. Les deux s’expriment par l’art du montage, et le documentaire bien que « se présentant comme un témoin oculaire objectif »1, n’en est pas moins une œuvre de création, le point de vue d’un réalisateur. La différence ne se trouve donc pas dans le fait de représenter ou non la réalité, la vérité. Car une fiction peut relater tout à fait vraisemblablement un fait réel alors qu’à l’inverse « on peut faire dire ce qu’on veut aux images réelles racolées (cas général de la propagande). »2 Pour distinguer les films de fiction , nous nous sommes basés sur les différences qui apparaissent lors de la prise de vue, du tournage du film, en amont du montage : a) dans le cinéma de fiction , les scènes filmées sont construites, mises en scène avec des acteurs dans un décor.
    [Show full text]