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JUNE 2019 More Than 650 Tracklists and 1200 Entries I Received The Keith jarrett Discography Version 40 JUNE 2019 More than 650 tracklists and 1200 entries I Received The skeleton of this Discography on December 2010 from Klaus Muller (Many thanks to Him) with more than 300 tracklists (mainly official record- ings) I added more than 600 Tracklists/entries coming from the following discos: Olivier Bruchez’s (BR) http://web.archive.org/web/20050426203346/http://www.bruchez.org/olivier/music/keith/tradelist.html Davide Sparti’s (SP) Peter Losin’s (PL) Dime entries (DI) Arnulf Muller (mu) (pa) http://web.archive.org/web/20100612160739/http://papoulis.dyndns.org/~sim/jarrett/bootlegs.php My Collection +++ Concerts Prepared by Flambay + u014945 (fl+++) Concerts prepared by U014945 (+++) (Myself) For every mistake and update please e-mail me at [email protected] 2 1952 19520422 Keith Jarrett solo + others April 22, 1952 (8:15 PM) Salem Evangelical and Reformed Church, Allentown, PA, USA Other musicians: Donna Francella (soprano soloist), Norman Flores (tenor soloist), Albert Hofammann (accompanist),The Albright Marimba Players. A flyer announcing this concert is included in :Keith Jarrett: The Man And His Music€ •. 3 1953 19530412 Keith Jarrett solo + others April12, 1953 (3:00 PM) Woman’s Club Auditorium, Allentown, PA, USA - Solo Keith Jarrett played compositions by Mozart, Bach, Brahms,Beethoven, etc., as well as personal compositions (A Walk in the Zoo - and€ Mountain Scene€ •). The complete programme is included in: € KeithJarrett: The Man And His Music€ •. 4 1962 19620000 Don Jacoby And The College All Stars Bob Crull, Don Jacoby, Gary Slavo, Tom Wirtel, Chris Witherspoon (tp) Dee Barton, Willie Barton, Loren William Bin- ford, Dave Wheeler (tb) Al Beuler, John Giordano (as) Don Melka, Bob Pierson (ts) Jerry Keys (bs, as) Keith Jarrett (p) Don Gililland (g) Toby Guynn (b) John Van Ohlen (dr) 1962, Chicago, IL 1 Dizzy Atmosphere 2 Young Man With The Blues 3 Sing 4 It's Good For You 5 Just For A Thrill 6 Anema E Core (How Wonderful To Know) 7 Mais Oui 8 Sleepy Serenade 9 Jey Out Of Town 10 Jacob Jones 11 Let Me Love You 12 Teach Me Tonight 13 Groovin' High 14 The End Of A Love Affair 15 Lover Man(Oh, Where Can You Be?) (Davis – Ramirez – Sherman) 16 You Don't Know What Love Is (Raye-DePaul) 17 Back To The Beat 1-17: Don Jacoby - Swinging Big Sound (Decca DL 4241) 5 1965 19650300 Keith Jarrett trio (PA) Kent Carter (Bass) Danny Fullerton (Drums) Winchester , Massachussets, USA . Home recording by Ted Knowlton. Keith was 19. http://www.tedknowlton.com/music/Keith.htm 1 Tangerine (Schertzinger – Mercer) 12.:54 Home recording of Keith Jarrett - March 1965 Winchester, Massachusetts by Ted Knowlton Background: Back in 1965 I was a full-time engineer doing piano gigs whenever. Each year my wife and I threw a jazz party and invited friends and musicians that I had worked with. That year I invited a drummer with whom I had worked, Dannee Fullerton, to be the drummer at out party. Dannee asked if he could bring a friend, a piano player. (Dannee said he didn't want the guest piano player to crowd my act!) I said "fine," no problem. So Dannee showed up with a kid (see picture) and a bass player, Kent Carter. After I played for awhile, I asked the kid if he'd like to play. He sat down and started playing the standard tune, 'Tangerine.' I said "WOW!" and dragged out an old Bell 2-track tape recorder (mono). I had an old condenser mic which I plopped down in the middle of the drum, bass, and piano. The piano was a "no-name" baby grand (Bradbury). I was so excited that I wound the take-up end of the tape (a 95-cent Radio Shack bargain) around the hub of the tape recorder - rather than the take-up reel itself. (When I went to remove it later, you can imagine the pile of spaghetti tape I had on my hands.) The resulting misalignment of the tape accounts for some gaps in the recording. The recording of 'Tangerine' is a tour-de-force of the young Keith. After a few choruses of "regular" playing (right-hand solo lines, left- hand chords), he gets into some two-handed octave lines that are pretty incredible. During the bass solo, he silently sets up chords using the selective sustain pedal - the middle pedal, then strums the strings to get the harp-like effect - which is immediately answered with some regular piano chords. After the Kent Carter bass solo comes an awesome solo right-hand exercise. This leads into Danny's drum solo. Keith's left hand emerges from the drum solo with yet another prodigious display of technique. Then the crowd-pleaser final chorus. This mp3 file may take awhile to download, but it's worth it! 6 19650000 Keith Jarrett trio Keith Jarrett Trio - Keith Jarrett's Private Recording in The Berklee Years. Keith Jarrett - Piano Bud Mardin - Bass Dannee Fullerton - Drums My Romance (R. Rodgers – L. Hart) (inc) 3:58 19651200 Art Blakey group with Keith Jarrett (br) Art Blakey (drums),Chuck Mangione (?) (trumpet), Frank Mitchell (?) (tenor saxophone), and Reggie Johnson (?) (bass) December 1965 Five Spot Café’, New York, NY, USA Kenneth K.: "Blakey had a residency for the month". 7 1966 19660000 Charles Lloyd Quartet Charles Lloyd, Keith Jarrett,Cecil McBee, and Jack DeJohnette 1966 Berlin, Germany - Sponsored by the Ford Foundation. 1966 Portugal - - 1966 Helsinki, Finland - Mentioned in "Charles Lloyd in Russia: Ovations and Frustrations" <http://www.reocities.com/rstubenrauch/Lloyd/downbeat/rojac_lloyd_db_jul1367.html> 19660000 Keith Jarrett trio (SP) Köln, 1966 (SP)- Jarrett K. Trio (American) Duration: 6 minutes Sound quality: A Source: radio broadcast 1. Memories of tomorrow (same piece as in Köln concert, ECM, track IIc) 19660101-09 Art Blakey And The Jazz Messengers Chuck Mangione (tp) Frank Mitchell (ts) Keith Jarrett (p) Reggie Johnson (b) Art Blakey (dr) January 1st & 9th 1966, Lighthouse Club, Hermosa Beach, CA 1 35931 Buttercorn Lady 3.25 2 35932 Recuerdo 14.27 3 35933 The Theme 2.23 4 35934 Between Races 4.35 5 35935 My Romance 6.53 6 35936 Secret Love 9.09 1-6: Art Blakey And The Jazz Messengers - Buttercorn Lady (Limelight LM 82034, LS 86034; Universal (J) UCCM 9130) Review by Scott Yanow: Few jazz followers would think of trumpeter Chuck Mangione and pianist Keith Jarrett as former members of Art Blakey's Jazz Mes- sengers, but in 1966, they both worked in the drummer's classic hard bop unit and the stint gave them needed exposure and helped the pair to develop their own individual voices. With tenor saxophonist Frank Mitchell and bassist Reggie Workman completing the quintet, this particular version of The Jazz Messengers only had the opportunity to record this one excellent live LP (which is currently out of print) but proved to be a worthy successor to their more acclaimed predecessors. 8 19660329 Charles Lloyd Quartet Charles Lloyd (ts, fl) Keith Jarrett (p) Cecil McBee (b) Jack DeJohnette (dr) March 29th 1966, New York, NY 1 10075 Untitled, No. 1 2 10076 Love Ship (Lloyd) 5.53 3 10077 Sombrero Sam (Lloyd) 5.13 4 10078 Dream Weaver: Meditation / Dervish Dance (Lloyd) 11.33 5 10079 Island Blues (Lloyd) 6 10080 Autumn Sequence: Autumn Prelude / Autumn Leaves / Autumn Echo (Kosma, Lloyd, Mercer, Prevert) 11.59 7 10081 Bird Flight (Lloyd) 9.08 8 10082 Forest Flower Vamp 1,5,8: lost 2-4,6,7: Charles Lloyd - Dream Weaver (Atlantic LP 1459, SD 1459) Review by Thom Jurek [-]The first studio date of the Charles Lloyd Quartet, with Keith Jarrett, Cecil McBee, and Jack DeJohnette, was recorded and released just a few days before the band took both the European and American festival cir- cuits by storm. First came Europe, which was just getting the disc as the band was tearing up its stages. While the live dates are now the stuff of legend, it's easy to overlook the recordings, but to do so would be a mistake. Dream Weaver is a fully realized project by a band -- a real band -- in which each member has a unique part of the whole to contribute. Jarrett's unusual piano style fits musically with Lloyd's lyricism in a way that it shouldn't. Jarrett was even then an iconoclast, play- ing harmonic figures from the inside out and relying on counterpoint to create new spaces, not fill them in. (Just listen to "Autumn Sequence," where his solos and his backing harmonics are equally strident and inventive as Lloyd's Eastern ex- plorations of mood and mode.) And then there's the rhythm section of McBee and DeJohnette, whose modal inventions on the intervals make the "Dream Weaver" suite an exercise in open time, allowing all players to wander around inside it and take what they want out. The set closes with a group party jam on "Sombrero Sam," with Lloyd and Jarrett trading eights on a Cuban variation on a fantasia. There were no records like this one by new groups in 1966. 9 19660330 Charles Lloyd Quartet Charles Lloyd (ts, fl) Keith Jarrett (p) Cecil McBee (b) Jack DeJohnette (dr) March 30th 1966, New York, NY 1 10083 Untitled, No. 1 2 10084 Blues For Tommy Bee 3 10085 Little Anahid's Day (Lloyd) 4 10086 Sombrero Sam (Lloyd) 5 10087 Island Blues (Lloyd) 6 10088 Long Time Baby 1-6: Atlantic lost 19660429 Charles Lloyd Quartet (DI) Charles Lloyd (ts, fl) Keith Jarrett (p) Cecil McBee(b) Jack DeJohnette (dr) April 29th 1966, Stockholm, Sweden maybe “Gyllene Cirklen” 1.
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